Dublin based band OverLockers have released their new single ‘Time to Time’.Comprised of Jeremy Burke on guitar and vocals, David O’Grady on Guitar and Vocals, Eoin Madden on bass and Eoghan Barrett on drums the band display their first release of 2019 in true rock n’ roll manner.
Gritty, razor sharp and full of gusto ‘Time to Time’ is a ferocious number from OverLockers. With guitar lines dripping swagger which slide and sizzle off a punchy drum and bass combo this riff driven beast is a force to be reckoned with. The drums pummel through the track with relentless stamina while the nimble bass wanders around the flighty guitars. It’s a moody, “angsty” track with Burke’s animated vocals exclaiming over the boisterous backdrop. For me those wailing, blistering guitar injections are the glorious highlight, they douse the track in red hot fiery panache and provide a blustering rock n’ roll persona.‘Time to Time’ is one blazing inferno from OverLockers.
Our Worth A Listen Track This Week Comes From The Pretty Visitors
Portsmouth indie rock band The Pretty Visitors have released their new single ‘It’s Not Easy’. Originally forming in 2012, the band played many shows in Southampton, Portsmouth and London, supporting artists such as Circa Waves, Jaws, Billy Lunn (The Subways), The Family Rain and more recently, Sisteray. Making a Victorious Festival debut in 2014, the band made a decision to pursue other avenues for the coming years. Reforming in Autumn of 2018, The Pretty Visitors are back, with bigger sounds and ambitions. They kicked off the year in style with a headline gig at Wedgewood Rooms, after selling out the smaller sister venue within a week of announcement.
‘It’s Not Easy’ is a crisp biting display from The Pretty Visitors. Swallowed up in an energetic wall of sound this blistering punchy number is raucous old school indie rock at its most potent. Raw guitars wail and shriek while crashing off snappy, pounding drums. A rooted elastic bass creates a fluctuant foundation and dance-able quality to the track. Hyperactive and filled with mosh ready madness this burly assault storms in ready to get a live audience in a frenzy. With a scorching guitar solo between a heavy rhythmic backdrop and attitude soaked vocals The Pretty Visitors showcase their swaggering raw sound with subtle flickers of finesse glimmering through the thrilling mayhem. It’s a catchy, exhilarating adrenaline shot of indie rock.
Dublin four piece indie band Drivelight have released the music video for their single ‘Take Two’. The video which was filmed by Insomniac Productions is a quirky accompaniment to the funk flavoured number as the four piece take on rolls as mechanics to fix up a BMW. Though we never really see the lads doing any work they do plenty of daydreaming, dancing and “driving”. It’s a fresh visual that shows the bands comical side as they play air drums, guitar with a brush and take a sweet little dog for a ride along. Taking turns in the driver’s seat Drivelight take us on a rocking road trip from winter woods to space and everything in between as they bop to their infectious blistering track showing their unique dancing styles along the way. It’s a fun visual to accompany the bands shredding slick new single.
Funk flavoured sounds, hefty rich rhythms and lush guitar refrains fill the room for Gorilla Troubadour’s ‘Tom Cruise Does All His Own Stunts’ single launch in Whelan’s Dublin. I entered the venue as their second song ‘Hey Hey’ wafted around my ears. Its charming strut quality and swagger drenched bass groove walked me through the bopping crowd. The tasty guitar lines, tight presentation and punchy drums were a delightful welcome. These guys have a fun approach to their live show as banter with the crowd is plentiful. The band played through their set creating a soothing sense of mellowed out hysteria through the crowd. They build their tracks perfectly providing something for every music lover from swoony melodies, intricate guitar lines and lush wails to a sublime hip moving rhythmic section.These guys are tight. They smother their songs in a wispy smoke of darkness – ‘Ophelia’ in particular is one hair raising gem. For such a young band their sound is sophisticated and mature. There are no holes, no lapses, just solid rich tunes ready to mosh, wiggle and sway to. To get a band this tight with a sound this compelling is a special find but then for them to be great live as well- that’s pretty fantastic.
A few well known covers pepper the bands set list – a bass slicked rendition of Royal Blood’s ‘Figure It Out’ goes down particularly well with the crowd while a refreshing cover of Joy Division’s ‘Love Will Tear Us Apart‘ (which sees frontman Dylan Kearns take to the keys) also graces the set list. The band are all impressive performers, Dylan Kearns plays the frontman role well. His smiley persona comes across bubbly yet relaxed as he tackles the crowds song requests for ‘Esmeralda’.Eamon Ganley lead Guitarist has some shredding solo’s and boy does he execute them well, (perhaps playing up to the crowds enthusiasm) he strikes and wiggles with precision and panache while bassist James O’ Connor is immersed in his grooves as he majestically and nimbly swoops and glides through the bass lines. With a slightly deflated “confetti cannon” pop (more like a glorified party popper) the band introduce the most mesmerising artist to sing with them, Cat Doran. Her soulful vocals are hair raising, chilling and utterly enthralling as she ever so coolly blends with Kearns sweet falsetto.There is a mystical,enchanting yet haunting quality to her voice that lures and entices you into every note. Kearns’ vocals are pretty outstanding for ‘We Drove For Miles’ which was my favourite track of the night. This smoky gem features a sultry guitar solo, a spellbinding melody and oodles of passion.
‘Tom Cruise Does All His Own Stunts’ translates magnificently live. Drummer Eric Walsh puts on a gorilla mask and the track whacks into fruition. This track coils and uncoils itself ever so confidently live- it feels like it could be the work of a band with twice the experience.Walsh is quite the proficient drummer. He lays down their meaty foundation and executes it with a fluidity that is first rate, showcasing he can maneuver a pounding assault or a sweltering lighter tap-tap-tap with finesse and gusto. ‘The Apple Truck’ is the final track of the night and Kearns introduces this before he takes a memorable and lasting picture on his disposable camera – “your looking well” he glints at the crowd before they cruise into the sizzling track which once again shows the bands striking musical talent.
Gorilla Troubadour are definitely a band to keep an eye on. They have their heads screwed on. They know what they are doing, what works, what sounds good and then they turn that up a notch and make it theirs. The cool swagger with which they dispatch their meat-cleaver riffs, slick musicianship and catchy choruses is what makes these guys pretty special.
Dublin based art rock duo Manyana have released their debut single ‘1ofmy’. Comprised of Aran Sheehy and David O’Rourke the duo are leading the way for an album they have planned for release this year.
This absorbing number immerses you in a deeply ambient electronic soundscape filled with passionate rich tones and an extremely mesmerising and tangible sound. Every electronic flicker, pulse beat and lush melody slowly seeps into you, making the track a full sensory experience. Immense care has been taken with this track- each fragment is tailored precisely.From the fluctuant slapping beat shuffling through ethereal soundscapes to the strong piano chords, this composition is organic, rich and compelling. The elegant piano is the strength of the track between the breezy atmosphere and chilling soundscape. The piano grows slowly building to a sweet yet sharp melody that twinkles and wanders between a warm vocal harmony and jittery beat. There is great beauty and grandeur in this track. Its simplistic approach draws you into the inner working of this intriguing gem as Manyana dilute certain parts while highlighting and enriching others to create a textured fascinating listen. It’s catchy, melancholic and biting while warm vocals soothe and coo over a drifting sombre soundscape that feels barren yet filled with loneliness and tender instrumentation. ‘1ofmy’ is utterly consuming.
Alternative four-piece, Y!KES have released their debut single ‘Uncanny Valley’. The band is comprised of TJ Weston (Drums), Liam Howard (Guitar, backing vocal), Joby Fitzgerald (Lead vocal, rhythm guitar), Matt Ford (Bass) and this new single is the first of five singles scheduled for this year.
‘Uncanny Valley’ is an intoxicating blast of Y!KES’ catchy demolishing alternative rock. It’s snappy rhythm is consumed with relentless energy as punchy drums batter through a groove riddled bass line while shredding exhilarating guitars majestically soar, wail and screech over this mammoth whack of turmoil. It’s a meaty burly tune glossed with an infectious melody and raspy vocal delivery. Ready for the sticky mosh pit Y!KES announce themselves with one attention demanding anthem. ‘Uncanny Valley’ is fiery, full of gusto and one hell of a tune.
The accompanying video is a grotesquely humorous representation of the songs intense themes of isolation and stigmatisation, as well as a showcase for their extreme energy and theatricality. This is a band who are primed and ready to break down the doors of the UK rock scene this year.
Manchester indie rock band Freeda have released their new single ‘Plead’.Forming in early 2017, the band spent their first year establishing themselves in their hometown, selling out headline shows along the way and progressing to 1000+ capacity venues. In 2018 Freeda released two singles, ‘Plug It In’ and ‘Go Home’, which were recorded and produced by Sugar House (Viola Beach, Glass Caves, Pale Waves). The tracks received attention from tastemaker blogs in England, Germany and America, leading to them being featured on Hype Machine’s ‘Latest Music’ Spotify playlist.The band have headlined shows from Manchester to Paris with support slots at Gorilla and the Ritz, they also performed at the festivals Dot 2 Dot and Cotton Clouds. Securing slots on Amazing Radio and BBC Introducing.
‘Plead’ is a palpitating flutter of gripping indie as Freeda sweep you up in their anthemic and invigorating musicianship. With rumbling drum rolls, ethereal guitars and a catchy chorus these guys build the track sublimely for the perfect hair raising experience. The warm passionate vocals teamed with the biting sting on guitar and aerial breezy atmosphere make the song refreshing and emotional. This track has an edgy refinement that is first rate. A smooth brooding melody weaves its way through the cutting soundscape with a soft grandeur that is impressive. It’s dynamic, snappy and upbeat with a stormy undertone making for a satisfying listening experience.
Nestled in the heart of a rainy Dublin city The Grand Social Dublin host psychedelic band Sun Mahshene’s ‘Come Alive (Leave This City)’ single launch. A projected mirage of kaleidoscopic colours, swirls and patterns decorated the stage wall creating a prismatic dreamy atmosphere as we eagerly waited for the nights music to begin.
Rock n’ roll duo The Thrash Blues cooly take to the stage to ignite the night with their burly grooves and slick riffs. Not one’s for banter they whack into each track with surety and vigor loosening up the crowd’s hips with their swagger steeped richly developed tunes. Liz and Ro have finely chiseled their sound for maximum impact. The beefy riffs, slick guitar licks and melodic purrs weave their way suavely through the punchy drums superbly to create a thrilling contrast. Their raw yet refined sound is perfect to dance to. The Black Keys – esque ‘Wicked Man’ blasts out the energised and playful loose musicianship of this band with an edgy punk whack that hits you in the mouth half way through. There are lush guitar twangs, riveting drum rumbles and warm smooth vocals throughout the set filling each track with its own unique and vibrant character. For bluesy tinged, punk slapped rock n’ roll The Thrash Blues are the ones to call.
Poised on stage amidst the purple hued smoke of dry ice, Sun Mahshene stand ready to melt our mind with their glorious psychedelic drenched tunes. The dim lighting causes their silhouettes to haunt through the smoke providing a spooky, eerie atmosphere.Their set is brimming with malleable elastic soundscapes weaving their way through sharp slinky guitars, elastic bass grooves and chiming keys as Nathan Henderson coos and warmly caresses the euphoric melodies with his velvety vocals. The distorted whines introduce opening track ‘Making The Call’ as the band peer through the shadowing mist. These guys bend their shredding raw rock and delightful sweet psychedelia seamlessly making for a gritty and diverse listening experience. Sun Mahshene are musical guru’s who leave a trail of sugary sprinkles throughout their tracks which lead you down a delicious rabbit hole craving for more. ‘The World Will Grind You Down’ and ‘This Girl I Know’ are mesmerising live as the band entwine each track in glorious layers adding rich depth to each component. There are three guitarist on stage Ryan Daffy, Ian McGinn and vocalist Henderson – this brings a new dimension and thrilling intensity to each track. These guys are also fun to watch on stage bassist Darren Hughes dances, executes all the suave guitar poses and hair flicks known to man while hopping, bopping and wiggling along to the tunes – he only stops to place a can to his brow to cool himself down while Dave Murray’s proficient drumming is a joy to watch and listen to. Backing vocals and percussion were provided by Ray Burke while Rob Crosbie took to the keys to help flesh out and adequately translate Sun Mahshene’s stunning sound.
‘The Righteous One’ is one beautiful 60’s – esque gem. Distortion on guitars fizz and bubble over a dreamy vocal and euphoric melody while punchy drums and enchanting soundscape create a dizzying sweet wall of sound to encapsulate your mind, soothing, sedating and enlightening you all at once. It’s pretty magnificent. I forgot where I was for a brief moment – the tracks are so luscious and consuming. The new single ‘Come Alive (Leave This City)’ was equally as gripping. Its anthemic chorus had members of the crowd jumping and throwing their arms in the air while that defiant beat thumped through our chests invading and controlling every bounce and bop. There was no lag or cavity in their set. Every track was engaging and blissful on the ears. These guys are growing and flourishing beautifully and with a sound that leaves you thirsty to hear more their live show is the perfect medium to guzzle up their dazzling sound and refreshing tunes.
The band closed their set with the effervescent ‘When The Bomb Drops’. However the crowd refused to allow that be the end, they demanded the band return for an encore. As they shouted for “No Control” Henderson shrugs and timidly obliges “Right we’ll do it”. ‘No Control’ takes the roll of the final track in its stride. Sulky and brooding it swarms in with dark tones, shrilling guitars, reverb vocals and a magnificent wall of sound that rushes adrenaline and fiery intensity into your veins. This exhilarating track was the perfect closing tune.
‘Come Alive (Leave This City)’ is released on 15/02/19 make sure to check it out. These guys have something special.
Dublin rockers Otherkin have returned with their new single ‘Tombstone’ – the first taste of new material since the 2017 release of their debut album ‘OK’. The track was co-produced by the band and Steve Dub (The Chemical Brothers) and mixed by Jolyon Vaughan Thomas (Royal Blood, Slaves)
‘Tombstone’ is a fermenting sonically driven track that leads you down a dizzying rabbit hole to Otherkin’s beat heavy sound. Flashing soundscapes bewilder around the thumping drums and irritable guitar whines. Catchy as hell and doused in acid licked guitar lines these guys have presented a rave ready delusion inducing number set to run riot in your head for days. With skittish rhythms, slick persona and hyper energy pounding this infectious track into your brain Otherkin are becoming one exhilarating knock out band. Its raw, sharp and intense as Luke Reilly’s vocals rasp and lure you into the psychedelic depths of this exhilarating whirling track. Abrasive, addictive and utterly thrilling put it on repeat and dance…. You won’t be able to resist. One of my favourite tracks this year so far.
Donegal, alternative rock/pop band Constant Supply have released their new single ‘The Misanthropic Phase’. The band consisting of James Gillen(Vocals, Guitar), Conal Sweeney(Bass, Piano), Eoin Gildea(Guitar, Synths) and Justin McDaid(Drums) are set to release their third album ‘Isn’t Life Great’ in June. The album was recorded and co-produced by Tommy McLaughlin (Soak, Villagers). The first single from the album, ‘Sanguine Lane’, was played by Steve Lamacq on his BBC 6 Music Recommends show.
‘The Misanthropic Phase’ is a groovy slice of psychedelic alternative rock. Constant Supply unfold this track perfectly, brooding through the verses with rich rhythms flickering and slapping through chiming twangy guitars while the synths flurry and wisp around creating a dreamy narcotic atmosphere. The vocals croon over a 60’s – esque melody while the bass creates a meaty foundation. The track wanders off a bit with a brass solo shredding and pining through a simple “do do do” backing vocal line. It’s shimmy chic as confident vocals lure over the darkly smothered instrumentation. Well crafted and perfectly blended, Constant Supply hold your attention throughout the gripping enticing track. It’s extremely catchy and hypnotic with an air of mystery throughout making this track quite compelling and fun.
Stream ‘The Misanthropic Phase’ below
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
