Dublin five-piece pop rock band Changing Gears are set to release their new single ‘Leave’ on 22nd June. This peppy energetic number rides in on a wave of vibrant guitar melodies and velvety vocal lines over an elastic rhythmic backdrop. It’s sun kissed irresistible melody floods the track in sweet honey soaked vibes and the guitar injections are just sublime. They playfully weave silky golden strands of bliss between the buoyant foundation and surf-like breezy atmosphere. It’s a glorious glossy number that is infectious and delightful to listen to.
In support of ‘Leave’ Changing Gears will play BelloBar on 22 June make sure to check them out
Stream ‘Leave’ below
Our Worth A Listen Track This Week Comes From BØRNS
BØRNS is the stage name of American singer songwriter, and multi-instrumentalist Garrett Borns. Borns released his second album ‘Blue Madonna’ earlier this year and I have been obsessed with the track ‘We Don’t Care’ ever since. Joined once again by producer Tommy English, Borns takes the delicious indie synth pop from his ‘Dopamine’ debut and fleshes it out blending in some dreamy, psychedelic, electric pop flavours along with a dash of glam sprinkled rock and roll which we see in ‘We Don’t Care’. Its walloping Bo Diddley rhythm drives the infectious groove creating a Will Young ‘Switch It On’ – esque danceable foundation while jangly guitars slide and glide upon this sublime jittery backdrop. Borns’ nectarous vocals slither between a whisper for the enticing verses and lush falsetto for the infectious chorus. The melody is juicy and sweet honey to the ears. The sugary electronics swirl and seep between the clap along beat and fuzz filled guitar spreading a candied lusciousness throughout this electrifying gem. The layering is sublime and the track slowly builds in intensity to a dynamic feverous crescendo. It’s a slick swagger soaked display that struts with smooth precision in every note making for a consuming, enthralling and enjoyable experience. ‘We Don’t Care’ is an ear-worm you won’t be able to prise out of your mind as you dance and flop around the room.
Watch the video for ‘We Don’t Care’ below
Dublin shoegaze band, Galants have released their new single ‘In Vain’ via Zen Ten Records . The track is the first to be taken from forthcoming EP ‘Follow’, set for release in the Autumn. It was partly self-recorded in an attic on the northside of Dublin City and subsequently produced by Dan Doherty of Darklands Audio. The song takes a sonic cue from Ride and The Jesus & Mary Chain and is informed by themes of social contradiction, disparity and introspection, musing on the importance of remembering what really matters; family, friends and the people we love.
‘In Vain’ is a refreshing whoosh of hazy laid back indie dream pop. Ethereal guitars soar and stride with sublime distortion above a pulsing beat and elastic bass backdrop. The lush melody disperses on the enthralling soundscapes adding a sweet delicacy while David Kennedy ‘s reverb laden vocals coo with tender emotion. It’s a breezy aerial number that builds into a subtly explosive crescendo. This song is a dreamy, euphoric and uncluttered track that oozes oodles of energy and gusto but within an elegant delightfully mellow setting. The distortion and guitar lines make for a biting razor sharp sting throughout the track and adds some rawness and edge that hits you like a youthful shot of adrenaline while the steady rhythm and easygoing vocals smoothen and soothe the track creating a pocket of mind melting bliss. ‘In Vain’ is a sublime new single from Galants filled with pure untarnished shoegaze and marshmallow softness.
You can catch Galants live at:
29 June 2018 – The Underground, Dublin
21 July 2018 – Metalman Bar, Waterford
Stream ‘In Vain’ below
Five piece alt/indie band from Wellington Somerset, The Helters have released their new EP ‘Afghani Super Smack’. The band comprised of members Mark Owen (vocals), Davey Roberts (guitar) , Charlie last (drums), Conor Dolan (bass) and Alex Canham (guitar) have been together for two years and have already been featured on BBC Introducing as well as selling out local venues and getting regular plays on local stations over the country.
‘Afghani Super Smack’ is a euphoric collection of tracks that flood with that youthful hazy longing and adrenaline of the Pixies. The Helters’ sun kissed dreamy indie becomes apparent from the twinkling intro of ‘Salt’. They don’t dwell in this delirious haze for long when the track kicks in, it’s edgy and raw as dizzying guitars whirr around punchy drums and attitude driven vocals. The band slap on a breezy biting atmosphere to accompany the pop drizzled melty melody adding bite to the smooth sun-kissed atmosphere. Each track displays new fragments to their melodic guitar elements which at times soars to ethereal heights in tracks such as the blissful exhilarating ‘Four Aces’. The bass in ‘Afterglow’ provides a muscular foundation for the golden guitar moments and showcases the meticulous layering and polished production of the tracks as it contrasts perfectly yet, alone, holds its own captivating elements. The melodies are just sublime as they surge with sugar sprinkled longing and melancholy with an adrenaline heart gripping rush driving it through. ‘Killing Joke’ is another example of the superb bass work as shrilling guitars and rumble on bass create a tense start to the song. It’s catchy and filled with a touch more attitude than its predecessors. This soaring, anthemic, edgy number is the perfect way to end the EP as it is biting, thrilling and dreamy all at once.
‘Afghani Super Smack’ is a fresh breezy effort from The Helters. It’s sweetly melodic, euphoric and anthemic with a crashing blustery instrumental backdrop that is heart pumping and balmy while their surf-rock elements are tight and simply sublime. All the component parts are filled with the classic 90’s era indie that will make you sweetly nostalgic. A majestic EP for sure and one for those lazy summer days.
Stream ‘Afghani Super Smack’ below
The RPMs are set to release their new single ‘Let Things Happen’ via Xtra Mile Recordings on June 29 across all digital formats. The band was formed in Dorset by childhood friends Jack Valero (lead vocals, guitar) and Callum James, (drums and backing vocals). Following a move to Brighton they were joined by Miguel Cosme on bass and gained early momentum in 2016 for their debut EP, ‘Digital Disobedience, followed by their second EP in 2017, ‘Agents of Change’ released via Xtra Mile Recordings. Inspired by the support of singles ‘Oh My God’ and ‘Things I Forgot To Do’, The RPM’s expanded to a five piece, adding in Chris Bowden on keyboards and Ollie Summer on lead guitar to create a larger live sound and carve out a more ambitious sonic direction.The RPMs are set to tour extensively throughout Spring and Summer in support of ‘Let Things Happen’ and their upcoming third single for 2018, ‘Gotta Let Go’ is set for release in September via Xtra Mile Recordings.
‘Let Things Happen’ raises the bar for The RPMs to glorious new heights. This catchy track is the skittles packet of indie tunes, it’s brimming with sweet luscious melodies and juicy little glimmers on guitar to create a colourful vibrant indie track. Delicate keys flutter about the song adding shimmers of scintillation while a buoyant beat keeps the song hopping along with a joyous spring and bounce that is sublime and infectious. It’s sun kissed and chilled as the chiming guitars weave between the keys playfully- adding a chipper lustrous atmosphere. Well crafted the layers are tight and heavenly giving a rich, melodic, dreamy rush of sugar coated indie pop that is perfect for your summer playlists.
Speaking of the new single, singer Jack Valero said, “It’s written about how sometimes in life you just have to sit back and go with the flow and is very much based on where we are as a band right now. You face many difficult obstacles in life especially when you’re in a band and it’s all about how you overcome them and carry on, just like it says in the chorus ‘Pick up and start again’. It’s a positive message to not allow yourself to be defeated and also to remember sometimes to let go and live in the moment instead of trying to control it.”
You can catch The RPMs live at :
MAY 12 – Southend Chinnerys ‘Lost Minutes’ w. Sean McGowan and Get Cape Wear Cape Fly pre ‘Lost Evenings’
MAY 14 – Frank Turner Lost Evenings Festival Xtra Mile Label Night, The Roundhouse
MAY 19 – Brighton Shortts Bar – Alternative Escape – Roger Kent for Kick Out The Jams
MAY 27 – Bearded Theory Festival
JUNE 22 – Isle of Wight Festival
JULY 22 – Stockport Blackthorn Fest
AUGUST 3 – Kent, Edenbridge – LeeFest Neverworld
AUGUST 4 – Kent Edenbridge – LeeFest BBC Intro Kent Stage (Abbie McCarthy and Casey Heyburn)
AUGUST 10 – Peterborough – Green Meadows Festival
AUGUST 12 – Cornwall Boardmasters
AUGUST 26 – Warwickshire Camper Calling
Stream ‘Let Things Happen’ below
Danish dreamy alt. rock/pop band Moon Loves Honey have released their highly anticipated debut album ‘You Drift Away From Me’. The album takes the listener on a colourful journey through uncertainty, loneliness and finally hope via nine finely crafted songs – three of which have been released as singles and enjoyed radio airplay and acclaim from media across the globe. Moon Loves Honey functions as a band in concert, but in the studio, its Jeppe Dengsø as a one-man-band. The album was in the making for a year and a half and took huge dedication to complete because of Jeppe͛s growing obsessive attention to detail. In May 2016 – shortly after the release of the band’s debut EP ‘Apart’ – Jeppe started recording songs in Aarhus with friend and mix engineer William Brinch. The initial plan was merely to record a couple of single-ideas, but the plan of creating an entire album slowly manifested itself. Over the next year, the entire album was finished
‘You Drift Away From Me’ displays huge emotional and musical variety with every song differing from the next, while the album still has a unique sonic character throughout. There is a lot of blissful juicy sounds packed into this album yet it doesn’t seem over the top each track cruises along blending together becoming a sweet glorious component of the mellow and euphoric entity that is the ‘You Drift Away From Me’ album. From the electronic and chill wave-tinged pop of opening track ‘To Be Without You’, Moon Loves Honey completely consume you in a luscious dreamy state of soft delicate melodies wrapped in a fluffy cloud of euphoria. The delicate vocals soothe while subtle flickering soundscapes lure you deeper into a trippy sweet state of psychedelia. The tracks that follow lead you down a glistening path of discovery as delicious melodies snappy soft beats and swirling electronics radiate sun kissed vibes. ‘Lonely Day’ and ‘Before I Crash’ provide images of summer sun, chill vibes and azure blue sky’s. It’s easy going yet brimming with silky intricate instrumentation to provide a satisfying listen. It’s almost like these guys create a little world within this album to loose yourself and just recline into as it soaks away all your problems in soothing tunes. Title track ‘You Drift Away From Me’ adds a perky little bounce and swirling adrenaline to the album while the atmospheric ballad ‘I’m Falling Out Of Love With You Baby’ glides along with a honey drizzled melody and lo fi vocals. ‘Blå’ acts as the wispy electronic intermission before the shoegazey rock- esque ‘Is It Just A Dream?’ and ‘Should Have Waited’ spiral in a hazy whirl with subtle anthemic bursts over subdued crashing instrumentation. Moon Loves Honey bring us to the end of this glorious album with the twinkling ‘Replaced’. Flickering electronics sparkle glimmers of scintillation through a melty emotional melody while lush vocals coo over the melancholic tones.
‘You Drift Away From Me’ blends sun kissed chilled dream pop with shoegazey rock and atmospheric electronics effortlessly to create a wholly mesmerising dreamy listen that relaxes, soothes and tranquilises while throwing in some groovy bops and sublime textures on top. It’s magnificently crafted and leaves you refreshed and vitalised.
Stream ‘You Drift Away From Me’ below
Submariner have released their new single ‘Ghosts’. After a strong 2017 where they sold out headline slots on the South Coast, made their major festival debuts at Common People and Victorious festivals, released their debut music video for “Closer” and gained attention from BBC introducing and The Line of Best Fit; Submariner are primed and ready to mark the end of one chapter and the beginning of another as 2018 promises tours, a debut EP and further festival appearances.
‘Ghosts’ is a catchy feathery light dash of indie pop that is dreamy, luscious and bright yet holds a deeper foundation. The political lyrics shows the bands maturity and awareness without dragging the track down while vibrant ethereal guitars jangle about swirling synths and a snappy steady beat. The delicate sombre toned melody laments over the heavenly aerial soundscapes with a heart warming sweetness that carries both hopeful tones and melancholic nostalgia. The velvety smooth vocals caress the melody with a gentle tenderness and emotional power while the twinkling guitars flicker glimpses of bright scintillation throughout, creating an optimistic vibe. This track is subtly anthemic and ambient as lush harmonies and breezy effortless cool tones mixed with burning emotion rush through the song filling you with adrenaline and passion to keep pushing through. A sublime track that both glistens and shimmers with sun kissed aerial instrumentation combined with catchy golden melodies and heartbroken realism.
When asked about the track the band said: “The song is spiritually inspired by last year’s general election. The narrative involves a woman who gives her life to fight for other people, the oppressed and the broken. She is haunted by the ghosts of those she and the system failed to save. The chorus addresses her opponents and details the flaw in greed, especially the lines ‘reap the seeds, there’s no where for them’ & ‘I’ll be dead, long before you live’ indicating that the oppressor seeks wealth only in financial sense, but without compassion and kindness, has no real quality to life. In the fictional sense, the story ends on a note of hope, with the ghosts of the failed haunting the consciousness of the heroines enemy, leaving you with the line ‘In the dark, you’ll remember me’ and in turn, spurring the person into action.”
Stream ‘Ghosts’ below
The Indica Gallery are a psychedelic quintet based in Liverpool comprised of members Joe Mansergh (Vocals + Guitar), Michael Spence (Keys + Vocals), Zack Smith (Drums + Percussion) , Finlay Lovett (Bass + Vocals) and Ryan Patterson (Lead Guitar). On 20th of April the band will be releasing their debut single ‘Forever Loving You’. It’s a lusciously melodic breezy number that floats in on a dreamboat of euphoric melancholic mellowness. Jangly guitars twinkle between a spongy beat, subtle swirling keys lavishly flood the track with tranquilising psychedelic tones while velvety vocals seep passion into this soothing song. With a 60’s -esque melody melting upon a slow jam indie rock backdrop with some power pop bursts thrown in – The Indica Gallery have created a wholly satisfying listen. Crooning in on a light fluffy cloud of delicate psychedelic wisps with a gentle edge pushing it through this track is a beautiful blend of The Beatles mixed with Oasis with a sprinkling of Miles Kane on top. It’s sharp, ethereal and well put together. A sublime debut from The Indica Gallery.
You can catch The Indica Gallery live at The Yellow Earl – Whitehaven on 20/04/18 (Supporting Twisted Wheel)
For more follow them on Facebook here https://www.facebook.com/theindicagallery/
London six-piece, Mono Club have released their eagerly anticipated debut album ‘Sky High And Submarine’ on LGM Records. The album was recorded and self-produced in their London studio and then mixed by Dave Eringa (Manic Street Preachers).Featuring a stunning set of ten songs, including the current single ‘Best Laid Plans’, the new album will more than confirm their early promise as one of the most exciting new bands around right now. Formed just over two years ago after the break up of Goldheart Assembly, the Mono Club line up of John Herbert, Dan Bell, Jake Bowser, Nicky Francis and Kyle Hall have recently recruited singer / musician Lyla Foy (Sub Pop / Rough Trade Records). They released the aforementioned debut single ‘Sky High And Submarine’ last year and it quickly became a big favourite of Steve Lamacq’s and was subsequently play listed on BBC 6 Music.
‘Sky High And Submarine’ is a ten track collection of melodious, psychedelic swirled pop that is so soothing and luscious you will be craving for more. Each track brings a new level of mellowness while packing in delicious melodies and intricately layered instrumentation. ‘Sour Mash’ begins our journey into this beautiful honey caressed world created by Mono Club. Luscious velvety vocals serenade over twinkling, subtly psychedelic instrumentation while a steady soothing beat adds a flexible foundation for its euphoric soundscapes to rebound off. Their knack for mouthwatering melodies and tight blissful instrumentation creates the most glorious tunes and each track on this album is flooding with marvelous dreamy sounds. ‘Sky High And Submarine’ is angel delight wrapped in buoyant rhythms and golden guitar jingles. The harmonies are lush and teamed with the honey drizzled melody create the most tranquilizing atmosphere. The swirling trippy soundscapes never become overwhelming or too heavy they balance them sublimely with the laid back sun kissed vibes and vibrant guitars to create a wholly satisfying and mesmerising listen. ‘Memory Critical’ and ‘Place Called Home’ add a little more bounce and funk into the album. They are joyful with sweet, narcotic, dreamy tones. If you’ve ever wanted to lay back, relax and let the world go by ‘Memory Critical’ is the song for you. It will take every worry from you during the duration of the song and leave you refreshed and rejuvenated. I have fallen in love with Mono Club’s melodies – the sweetness and tender emotion in tracks such as ‘Other Peoples Worlds’ exude passion and beautiful delicacy while still packing in some hefty instrumentation. It’s anthemic and powerful yet elegant and emotional,the perfect blend to get hearts racing everywhere. The album is filled with soothing swoony moments between peppy pop sprinkled melodies with a delightful swoosh of dizzying psychedelia mixed in. It’s an impressive collection of tracks that calm and sedate with enough edge to keep you on your toes. From the catchy vibrant ‘Best Laid Plans’ to the brooding yearning ‘Over The Moon’ with its funky bassline and eerie piano feature which chills and cools the track down, creating a darker side to the wispy dreamy atmosphere, these guy blend their contrasting elements perfectly. The album winds down delicately. The twinkling ‘Venus Rising’ and warm cosy ‘Sleeping’ ease us to the end with the gritty ‘Heaven Was Her Heart’ resting between them.
‘Sky High And Submarine’ is a mesmerising listen. There is something special sprinkled on top that leaves you captivated and wanting to hear more. Listening to this album I yearned to sit back with sun on my face, a drink in my hand soaking up the good times. With those satisfying mouth-watering melodies teamed with zesty guitars and mystical, psychedelic soundscapes it’s a superbly crafted collection of tracks. The harmonies are heavenly, and each track brings something exciting and juicy to the table.
Stream ‘Sky High And Submarine’ below
Our Worth A Listen Track This Week Comes From FLING
Psych-pop glam-rockers FLING have released their new single ‘Banjo Billy’ a bonkers three minute glam-pop stomp that leads the way for the release of ‘The Legend of Banjo Billy’ EP out April 13th on Dance to the Radio. The release comes off the back of a 2017 that included sold-out hometown shows, playing to a packed Festival Republic tent at Leeds Festival and enjoying Radio support from the likes of Steve Lamacq (6Music), Huw Stephens (Radio 1), Radio X and Beats 1. Describing themselves as ‘Wonky Pop’ the 5 piece from Bradford comprise of Charles McSorley (Vocals), Jack Winn (Guitar), Billy Fielding (Drums), Jake Lees (Bass) and Sam Malynowsky (Keyboards) met at a gig and instantly bonded over T.Rex and David Bowie. FLING moved out of their basement studio to work with Lee Smith at Greenmount Studios (The Cribs / Pulled Apart By Horses).
‘Banjo Billy’ is the perfect blend of shimmering pop with the zesty fizz of indie rock. Laid back and sun kissed this track was made for summer days, sweltering heat and a cold one. With an infectious pop melody melted on top of sharp zealous guitars and rich buoyant rhythm it’s instantly likeable and fun. Raspy vocals glaze over the vibrant melody with a soothing easy going charisma while lush backing vocals fill out the sound creating the perfect sing along feature. It’s a jingly, infectious gleaming number that is smooth to start with stinging undertones. Well layered this track is a refreshing guzzle of zesty indie pop that leaves you craving for lazy summer days.
Stream ‘Banjo Billy’ below