Baltimore songwriting duo Chaunter have released their new track ‘Boo Cat’. Comprised of Jenghis Pettit and Brooks Kossover Chaunter are set to release their first full length album, “Dream Dynamics” featuring an aspirational league of Baltimore heavyweights, from Dan Deacon to Sam Herring of Future Islands to Lower Dens’ Jana Hunter, Matmos, and more.
‘Boo Cat’ is a charming catchy number whisked up in dreamy synths, sizzling guitars and luscious tranquilizing soundscapes. A soft sugar coated melody soothes and slides through light guitar twinkles and floating atmospheres.The track drifts calmly and sweetly through before a catchy sing along chorus bops in, lifting the song from hazy and dreamy to sprightly and infectious. Gentle vocals caress the soft melody delicately before a magnificent group harmony introduces the rich full chorus. There’s a flute feature mangled beautifully between reverb laced guitar and ethereal synths adding an earthy texture to this unique soothing and infectious track. A little quirky and charming this track is well crafted and rushes with a refreshing retro sound that is simply divine.
musicsleepsinvanity is the latest project brought to us by Melbourne based artist, Peter Gilbert who has now released his new single ‘Making Waves’.
‘Making Waves’ drifts and flows delicately along snapping electronics which swirl and flutter creating an ethereal atmosphere while the flickering beat slaps brood and surge the track with depth. The soft melody cruises along the tender emotional tones as Gilbert’s velvety sweet vocals coo through the gripping backdrop. The synth embellishments mangled between the heavy beat and guitar distortion creates an innocent flow to the track as it both gently twinkles and stomps. Moving and sweetly presented this well crafted track is easy on the ears and deeply emotive with a hefty substance driving it forward.
UK based Irish Singer-Songwriter/Producer Pixi Ink has released her debut EP ‘Blue Ink’ through independent label Audio Assassins Records.This darkly coated dreamy collection of tracks gloop and slop in a brooding eerie concoction of finely blended indie and trip hop. Each track slowly creeps and crawls into the next building the intense hazy atmosphere as Pixi coos lushly over noir pop melodies. Her spine tingling sultry sound chills you to your very core. ‘Leave The Door Ajar’ kicks the EP into motion. It’s menacing and thrilling as Pixi’s drowsy vocals caress the sinister lethargic melody while guitar whines and dark electronics create a mysterious backdrop. Pixi sprinkles a softer almost angelic atmosphere into the first half of ‘Old Friend’ with glistening light soundscapes between lush vocals and peppy beats before damping all the fluttering freshness for the second half of the track where sombre keys and melancholic vocals mourn. It’s a little choppy as she fluctuates between textures, sounds and atmospheres however this never seems out of place everything still flows gloriously together. ‘Paper Dreams’ is indeed dreamy and floaty as Pixi’s sultry coo’s mirror a Lana Del Rey vibe as a sticky beat, glistening keys and ethereal soundscapes float and glide around the gentle melody.It’s tranquilizing and soothing. Each track takes its time, paced perfectly creating a wholly satisfying world that consumes you entirely in Pixi’s extraordinary sound. ‘Tragic Tale’ adds a dash of edgy sass to the EP. A little 60’s-esque with the melty melody and sway like flow. This luring track is a cheeky ditty that hops along a fidgeting beat. ‘Sunrise‘ flickers and dazzles with flashing electronics, skittish beats and lush vocal lulls. Its delicate yet fierce all at once with seriously haunting tones swirling through a refreshing light atmosphere. The EP comes to a moody close with ‘How Evergreen’. Pixi languishes in dark guitar twinkles and trip hop skips as the R&B hued melody showcases a new tonality to her beautiful vocals.
‘Blue Ink’ is a captivating collection of tracks meandering elegantly from dark sinister indie tones to light refreshing sprinkles of pop with some sublime trip hop providing that meaty backbone. Pixi Ink is one to keep an eye on.
Edinburgh Electronic/Alt. R&B artist Rachel Johnson has released her debut single ‘S/he’ under the moniker Kohla . A fine arts graduate Kohla was writing rock music until last year where she suffered a vocal injury and in turn listened to a lot of hip hop, alt R&B and rap while she was recovering. ‘Kohla’ is a debut of alternative R&B, influenced by Banks, FKA Twigs and James Blake among others, with ‘S/he’ being thematically about jealously, disdain and pride. The artwork was also drawn by Kohla.
‘S/he’ is a molten R&B hued number laced with tension as Kohla unfolds her carefully crafted fierce yet vulnerable sound over a gripping backdrop. Her gentle voice coos through the soft melody with her warm lower range or sweet frail and breathy falsetto creating a delicate easy on the ears seduction . The steady sticky beat is constant through the fluid haunting backing vocals and all round eerie dreamy atmosphere. It’s elegant, sassy and filled with refined class as Kohla announces herself with this steamy darkly coated track.
Washington Electro Rock/Synth Pop band Color Palette have released their new single ‘Dark Days’. Expanding into the darker facet of their musical prism Color Palette dive deep into electronic rock to create a gripping cinematic number. Flickering electronics flutter and rush about a steady beat while the smooth vocals hold all the instrumental bluster together with its chilled effortless grasp. The bitter guitars sting and soar over the gritty electronic riff creating that ethereal vibe this band do superbly however the winding keys and sinister atmosphere pull the track into its darker shades maintaining an ominous tone. Filled with dramatic bursts the track drives through keeping climactic paced momentum throughout. Each element is perfectly paced from blistering guitar moments to flashes of dazzling electronics and meaty drums creating intense highs in the track with Jay Nemeyes velvety vocals contrasting this whirlwind with his sweet coos and gentle laid back tone. Doused in dreamy bleak vibes it’s a hair raising gem. Exuding a gripping sense of adrenaline this is a captivating track from Color Palette.
No Alarms have released the video for their new single ‘Find Me’. No Alarms was born in Texas as the solo passion project of multi-instrumentalist Andrew Boles, and has since bloomed into a Detroit-based, fully-fledged, five-piece. No Alarms is blending the lines between modern indie pop and new wave revival, and building an engrossing live show from the ground up. Their debut single “Right is What’s Left” was featured in an episode of ABC’s “Kevin Probably Saves the World” originally airing on February 6th, 2018. ‘No Alarms’ EP was the 13th most added record on NACC college charts its debut week, and has since peaked at #132 on the NACC 200.
‘Find Me’ is an entrancing smooth indie pop track that swirls and floats elegantly upon No Alarms’ infectious melty melody. It’s a sleek glossy number as their rooted grooves set a fluctuant foundation for the flashing electronics to rebound and playfully ricochet off while velvety vocals coo and caress the tasty melody. With a sticky summer sun vibe this dance-filled song is uplifting and ethereal as it bounces along energetic drums and dazzling synths making for a wholly satisfying listening experience. With rich textures wrapped delicately in a multi coloured prism ‘Find Me’ showcases No Alarms ability to create a full bodied delightful tune that tantalizes all the senses.
The LA-based duo Magdalena Bay visit a darker side of synth pop on their latest single ‘Ghost’. The pop duo are 22-year-old Mica Tenenbaum (songwriting, vocals) and 23-year-old Matthew Lewin (songwriting, vocals, production). The lyrics to the new track are inspired by the iconic 80’s film Mr. Vampire, which Mica had just watched in a Chinese film class.Following the success of recent singles Neon and Waking Up, Magdalena Bay have an arsenal of finished music that they plan on unleashing on the world now that they’re settled in LA. Ghost is the second of these to be released, and is sure to show listeners a new side to the band who write and produce all of their music from their home studio.
‘Ghost’ is a silken, lustrous pop number tightly bound in laser precision electronics. This track wriggles and weaves its way through rich, pulsing beats slapping against shimmering synths while the glossy pop melody smooths on top with a dreamy luxurious texture that oozes class and swagger. The dazzling soundscapes flash with eerie dark stomps throughout creating a haunting atmosphere to this luscious pop number. Magdalena Bay have created a clean, dance-able and infectious number that moves with grace and elegance while a bubbling groove steers the track to something more sinister.
“We wanted to try something new when we started writing Ghost” explains the band. “We had just finished a string of really bubblegum pop songs. Then, this spooky beat came out of nowhere. The song is darker than our previous releases– but it’s still fun and totally dancy. To us, Ghost is what would happen if Britney Spears and MGMT collaborated on a track..”
Bristol garage rock band The Rupees have released their new single ‘Terror Lover’. Ryan Tucker (Vocals, Guitar) ,Seamus Daley Dee (Drums), Jacob Chambers (Synths) and Tom Phillips (Bass) make up the four piece and their music has already been showcased on BBC Radio 1 (Huw Stephens), BBC Radio 6 (Steve Lamacq), and Sky TV and have played Reading Festival, supporting bands such as Blossoms and The Growlers and selling out their own headline shows.
‘Terror Lover’ displays The Rupees blustery synth driven sound at its dazzling grizzly best. With distortion galore and a punchy backdrop immersed in searing guitars this track is mighty and mesmerising. The all encompassing light flashy synths weave their mind dissolving soundscapes around this animated number. Its catchy and dance floor ready as disco vibes swarm the track in glistening bedazzlement while snarling vocals snap out the infectious lyrics. Brimming in intense rock energy these guys blend their blinding synth rock meticulously to have you compelled to dance mindlessly to its thundering upbeat thrill.
London based multi-instrumentalist ‘The Misty’ has released his new single ‘The Lovely Dead Girl at Table Six’. The track was recorded in his own home, as well as enlisting the help of La Frette Studios in Paris, the same studio chosen by rock band Arctic Monkeys for their latest LP release. Alongside the single release The Misty produced a music video, with the help of China Town Studios, featuring a French model to help put together the visual.
‘The Lovely Dead Girl at Table Six’ is a fluctuating flutter of delight as The Misty croons over a dreamy melody while vaporous guitars whine and sting between ethereal soundscapes. Filled with a rich and intense depth this track grooves and sensually sways with psychedelic hues through a delicate melodic flow. The swirling bubble of electronics set the romantic tone as the brooding vocals and sultry guitar injections add a stirring quality and meaty grit. Perfectly crafted this luscious tantalizing track transports you to a soothing dreamy state that captivates with a 70’s psychedelic rock vibe softened by whirls of jazz flickering through a pop lush melody. It’s soft and aerial with a vibrant mouth watering backdrop to tease all the senses.
Watch the video for ‘The Lovely Dead Girl at Table Six’ below
Manchester synth pop duo Edits have released their new single ‘Cold’. Formed in the legendary crumbling walls of Salford Uni’s Adelphi building, Liv Westhead (Vocals/Synths) and Chris Abbott (Guitars/Programming) provide their D.I.Y. aesthetic; producing everything themselves, including their music videos. Their latest single follows on from January’s ‘Re-Surface’ EP and the accompanying video takes the viewer on a journey through snow-covered mountains.
‘Cold’ is an endearing, breezy synth pop number that chills and swirls with kinetic icy adrenaline. Twinkling synths glitter and glisten through the brooding melody as Westhead coo’s over the spine tingling melody. Her vocal command is mesmerising as she sweetly and effortlessly shifts into her falsetto holding a soothing yet ominous tone. The track flurries and dances about dark soundscapes as it becomes heavier towards the crescendo. The slapping beat flashes dazzling trip hop hues throughout as Edits use their electronics to their full potential- creating a cinematic icy number to chill you to the core yet entice you into the track depths. It’s a mature, bold track that slides this duo’s charming glacial sound into your frostbitten ears with ease.
Stream ‘Cold’ below
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.