Our Worth A Listen Track This Week Comes From Mini Mansions
LA trio Mini Mansions have released their new single ‘GummyBear’ taken off their upcoming third studio album ‘Guy Walks Into A Bar…’ which will be released on July 26th on Fiction Records.This fizzy, sugar sweet track struts in, slick and smooth with a luscious dreamy melody soothing the effervescent sticky instrumentation. With a toothsome pop shell, this peppy number swirls and weaves its glossy way into a darker hued bitter center. A little disco- like, the song is brimming with infectious grooves as a funky bass line and buoyant drums fluctuate through the euphoric soundscape creating a rich elastic foundation. The twinkling keys wander playfully about the majestic zesty sting on guitar as Mini Mansions flesh out this delectable biting number. From the anthemic thudding start right through to the wobbly guitar tickles and chiming key injections this track is steeped in chic panache and effortless charm. Tyler Parkford’s sweet falsetto vocals blend perfectly with Michael Shuman’s depth creating a full bodied sound that is so satisfying. Doused in effortless swagger ‘GummyBear’ is another suave track from the melody masters, Mini Mansions.
Lead singer Michael Shuman says of ‘GummyBear’, “Although GummyBear is rather fun and comical, the sentiment and story behind it are quite the opposite. At that time I really wanted to make an all disco record, but I guess this is as close as Mini Mansions gets to being part of the Gibbs family.”
Mini Mansions will be touring the UK and Ireland in May, including several festivals and a show at Dublin’s Whelan’s.. Tickets are on general sale from 9am GMT, Thursday 21st February.
Full dates below:
04.05.19 Live at Leeds Leeds, UK
05.05.19 Hit The North Newcastle, UK
06.05.19 King Tut’s Glasgow, UK 08.05.19 Whelan’s Dublin, Ireland
Dublin’s Munky have returned with their new single ‘You’ve Got Male’. The band who spent 2018 touring Ireland and the UK present another effervescent psych-punk track that is sure to have you frothing from the mouth as you dance along while convulsions take over your body. On this latest effort the band lacerate the track with fizzing acid saturated guitar-lines dipped in wobbly dizzying psych while an infectious bass weaves an elastic foundation for the pulverising drums to batter off. It’s groovy, manic and bitterly harsh all while a catchy melody glissades through Zac Stephenson’s reverb laced, expressive vocals sweetening the biting delivery. With slinky guitar lines dripping swagger into each lick, stroke and solo this savage thrilling number is saturated in Munky’s kinetic boisterous and cheeky brand of dance-tinged, razor sharp delight with all the energy and raucous adrenaline their live shows explode with. These guys write catchy tracks that display their fine musicianship and proficient instrumental display. Munky sear their sound deep into your head leaving you branded… theirs.
Toronto’s dynamic 8-piece band Gold Complex have released their new single ‘Driver’.Having regularly sold out renowned venues such as Lee’s Palace, The Horseshoe Tavern and the MOD Club as well as having back-to-back sold out showcases at Canadian Music Week, Gold Complex is grounded in their love for energetic live performance. Following the release of their self-titled EP (currently available worldwide), Gold Complex performed on camera and had their music licensed on the television series Open Heart, currently on Netflix. They have been in regular rotation on CBC Radio One, CUIT FM and college/community radio nationwide. The band is set to release their debut full-length album ‘New Soul’ on February 22nd.
‘Driver’ is a slinky slice of funk flavoured pop rock. Richly garnished this spicy number groves and glides with swagger swept through a three-piece horn section and smooth vocal harmonies. Very classy and chic these guys roll out a velvet carpet of suave instrumentation with a delicate melty melody caressed with soft passionate vocals and a steady beat. The steamy romantic horn section lifts and adds a vaporous quality to the tropical shuffling rhythm while the vibrant chorus twinkles with panache and vibrancy. With funky elements weaving between smooth sultry tones this full bodied number charms and teases its way through a sweet blend of genres. It’s modern, crisp and refined as Gold Complex pack this track to the brim with soul and zest.
Our Worth A Listen Track This Week Comes From Saults
After one year of gigs across the UK (30 in London’s clubs, Love Supreme Festival, Minehead Festival in 2018…), french pop-rock band Saults have released their new single ‘Kelly Ride’. The track which was recorded in Abbey Road Studio, last February and has already got a massive reception among professionals (BBC, London Live TV…). Saults is comprised of brothers Antoine Saults (lead guitar / vocals), Greg Saults (drums / vocals) and Axel Castets (bass / choirs). In the beginning of 2016, they decided to record an EP and shot the video of its main title, ‘I Wanna Jam’, with the help of Sam de Salvador. They sold over 1.500 copies and ‘I Wanna Jam’ was viewed more than 15.000 times on YouTube.
‘Kelly Ride’ is a funky sweep of indie rock that struts in dripping in swagger as slinky guitar licks stride over a foot tapping beat and groove infested bass line.Jagged guitar riffs slice and dice with steamy vigor as the danceable bass groove and punchy drum whacks lay an elastic foundation, building the tension gradually and suavely for the meaty mosh ready rock n’ roll crescendo. This track has everything to coax you to the dance floor with panache driven vocals cruising over the vivid backdrop- its crisp clean and swanky.
London electro/alt rock trio Midnight Embargo have released their second EP ’00:00′ which was recorded with Nottingham producer Guy Elderfield. The scorching four track EP swarms in with catchy rock n’ roll whisked in dark funky flavoured disco vibes – perfect for frenzied live shows. Jangly guitars and buoyant strut ready rhythms glissade through the effervescent ‘HRTBRK’ and ‘Burn Your Fires’ These stomping disco bangers are brimming with panache as swagger soaked guitars prance through the punchy drums and sparkling synth glam. These guys whir through their infectious tunes with a slickness that is enthralling while a rowdy backdrop makes every pulse beat and stride compel your body to groove. The shredding rawness of ‘Borderline (Won’t Let Up)’ keeps the relentless stamina alive as edgy guitar riffs splinter and lacerate through the punchy drums and elastic bass rumbles. With a sing along fiery chorus perfect for live crowd interaction this track whips up a dark smothered blustery rock n’ roll frenzy. ‘Battle Rhythm’ closes the EP continuing the kinetic energy of the previous tracks with a little more aggression burning throughout the ethereal breezy soundscapes. Sharp guitars sting between the dynamic vocals and thumping drums as the synths weave a smoky haunting braid of mystery throughout.
Midnight Embargo have created a sublime dancable EP laced in infectious disco vibes with a magnificent blend of swagger soaked rock ‘n’ roll and 80s-infused rock. The slick, steamy, scalding guitar lines teamed with catchy melodies and driving rhythms make for one groovy wholly satisfying EP that is sure to make for a crazy live show.
Finally Miles Kane has released his highly anticipated ‘Coup De Grace’ album to enrich our ears with his new found sophistication and maturity seamlessly blended among his rock and roll swagger. Appearing more cultured and thought-out this album surpasses 2013’s ‘Don’t Forget Who You Are’ in both refinement and grandeur. It’s a glam, psych and pop- faceted prism of beauty that packs in some groovy elements and punk wallops along the way. Kane has huddled together a team of collaborators for his third album, which includes seven co-writes with Jamie T while Lana Del Rey co-writes on ‘Loaded’ and John Congleton produces.
‘Too Little Too Late’ sets the fiery brisk pace of the album with punk slaps weaving through Kane’s rock n’ roll backbone. The glam rock stomper ‘Cry On My Guitar’, laid back pop sprinkled strutter ‘Loaded’ and snappy glossy ‘Cold Light of the Day’ follow suit adding a new dash of spice with each track as Kane builds his repertoire delicately blending a new genre dimension into his own panache driven branding. Slick, thrilling guitar wails, solos and licks are plentiful and the sultry bass grooves and clap along anthemic choruses exceed all expectations. Kane has found his dynamite team creating an enthralling album with each track cruising into the next with masterful fluidity and fantastic musicianship that makes every song lovable. The dreamy brooding ‘Killing the Joke’ cools the intensity a little as Kane belts out a hard hitting emotional performance to a sway worthy background. The synth element adds a delicate ethereal quality to this tender number as lamenting guitars wander about pining behind an emotional vocal delivery and steady drum thuds. Kane’s knack for melodies has always been apparent and this album is no different- he slides those glorious honey drizzled melodies into our ears leaving us craving for more as they seep into our brains sweetly caressing and soothing their way inside our minds. ‘Killing the Joke’ displays the sweet tender lovable melody while the funky flex that is title track ‘Coup De Grace’ fleshes out his swanky, chic melody. This 70’s – esque Disco Stu jam returns the albums pace to high voltage fun. With slinky guitars and an elastic bass line driving the track into a strutting frenzy – this hook filled gem is timeless and magnetising. The album speed balls into the shouty attitude driven ‘Silverscreen’ before another delicious high powered melodic number, ‘The Wrong Side of Life’ erupts where Kane exclaims over a jagged drum and guitar combination. It’s passionate and quite expressive vocally while the keys wisp and float around a striking backdrop. ‘Something to Rely On’ draws on the raw vigor of the beginning tracks with shredding sharp guitars stinging between punchy drums and an anthemic chorus. ‘Shavambacu’ closes the album with a finger clicking sleekness that creeps in from somewhere dark in the 60’s lurking between chilling and romantic. The chorus breaks up the eerie vibe with a bopping beat and vibrant sweet melody over delicious little flickers on guitar. It’s honest with a ballroom Foxtrot- esque spring in its step, over a sing along simple melody to have you doing a little shuffle to yourself as Kane sings out the album.
‘Coup De Grace’ glosses and polishes over the cheeky rock n’ roll bravado we know Kane for, with some refined sophisticated flurries sprinkled over a raw and edgy foundation. He packs in a healthy dose of wonderful melodies, sweet and tender moments with some good old fashioned fun and danceable numbers which he swirls into his delectable brew.
Indie rock 4-piece Alexis Kings have released their newest single ‘Velvet’ today. Injected with a soulful, funk edge, the track is a feel-good anthem following on from the successful release of their debut EP ‘Squire’ back in 2016, leading to positive reviews from BBC Radio 1’s Huw Stephens, and Radio X’s John Kennedy. Comprising of Brendan Aherne (vocals), Sam Privett (lead guitar), Kalyan Rogers (bass) and Fabio Bocca (drums),, Alexis Kings have made themselves known on the London live circuit over the years, selling out crowds at Barfly in Camden and recently broadening their live shows to cities across Asia and the US.The track which was produced by Ian Dowling (Bombay Bicycle Club, Chapel Club) sets the tone for what to expect from their upcoming debut album due later this year. Velvet is set to be followed by an accompanying video with special feature from Old Men Grooving of Britain’s Got Talent.
‘Velvet’ is a smooth slick number that drifts in on a swanky funk flavoured bass and strutting panache soaked persona.Smooth velvety vocals enfold the luscious honey drizzled melody as slinky guitars sweep over it with a golden feather-light motion. The shuffling danceable funky beat and groove infested bass keeps the foundation of this track buoyant with a rock n roll hued backbone. This flaunty number glides and slides with finesse and a suaveness that leaves you in a swooning stupor. The chic guitar melodies add a glossy lustre and elegance to this old school unblemished charming track. Alexis Kings are budding nicely cultivating their sound into something beautiful and refined.
RootNotes are a new funk band from Walsall, West Midlands consisting of members Jordan Harris (guitar/vocals) , Kieran Osbourne (drums/vocals), James Potts (saxophone), Matty Cross (guitar) and Daniel Evans (bass). The band are set to release their debut single ‘Move To This’ on all major platforms on July 27th with a video dropping on YouTube the same day. ‘Move To This’ was recorded at Magic Garden Studios by Gavin Monaghan, who has worked with the likes of Robert Plant, Kings of Leon, The Blinders, The Twang and many more.
‘Move To This’ is a swanky blast of confidence boosting funk. Filled with vibrant colourful sounds such as warm saxophone, trumpet blasts and rich rhythms which swirl around a delicious swagger soaked melody – this little gem will have you bopping wiggling and strutting your stuff in no time. Instantly likeable and groovy it glides in, exuding a sleek well polished panache with a vivid air tight instrumental backdrop. This piece of chilled effortlessly cool bubbling bliss is worth blasting through your speakers as its infectious vibe takes over your body.
You can follow RootNotes on their social media below
Our Worth A Listen Track This Week Comes From Miles Kane
Miles Kane has released the new single and title track of his anticipated third album ‘Coup De Grace’. It is the second taste of the album following the release of the Jamie T and Lana Del Rey collaboration ‘Loaded‘ earlier this year. The album which follows predecessor ‘Don’t Forget Who You Are’ from 2013 is set for release on August 10.
‘Coup De Grace’ is a snazzy, disco hued dazzling glam rock display from Kane that is sure to have you shaking and grooving mindlessly. The stomping beat slaps and rebounds off fluctuant jangly glitter-soaked guitars while Kane’s vocals glissade upon the infectious melody with swagger and charisma. It’s 70’s esque foot tapping frenzy as the verses cruise and slide with a luring quality right up to the bursting sing along ready chorus. Doused in funky vibes this track steam rolls in with all its flamboyant trance inducing glory to wrestle your mind with its swanky chicness sprawled on top of glam rock finesse. From the first vocal wail this track has you hooked and transported to a groovy timeless world of dance and fun and lets not forget the fluidity in the lyrics, they flow with such rapidity and molten smoothness – its captivating. The deeply weaved elastic bass adds a thrilling rooted quivering foundation for this track to elevate off. The blending of slinky rock attitude driven guitars with disco soundscapes creates a crisp pristine little world of endless dancing and prancing. It’s very slick indeed.
Dublin based Gorilla Troubadour have released their new single ‘The Apple Truck’. Gorilla Troubadour are an emerging energetic funk rock band that consists of Dylan Kearns (Lead Vocals/Rhythm guitar), Eamon Ganley (lead guitar), Eric Walsh (drums) and James O Connor (Bass). The group take inspiration from bands such as ‘The Red Hot Chilli Peppers’ and ‘Arctic Monkeys’ to create heart pumping grooves and atmospheric tunes. In summer 2017 they played venues across Ireland including Limerick, Waterford and Mullingar. Later that year the band headlined Whelan’s on the 10th of October to a full house. A launch gig is set for the 4th of April 2018 in Whelan’s along with multiple dates across the country including Cork, Limerick, Waterford and Wicklow with more to be confirmed.
‘The Apple Truck’ is an impressive swagger-soaked blast of funk rock at its best. This young band display a mature sharp sound that exudes strutting panache smeared on top of ballsy gritty rock. From the start of that opening riff this track steams and blisters with gritty red-hot charisma. With vaporous stings on guitar teamed with a meaty flexible drum beat and sensual bass lines Gorilla Troubadour belt out a thrilling wild beast. This track takes its time unraveling its lush sound slowly as it coolly cruises in on a funky carpet of chicness. It’s all about the groove, this four piece keep it tight as the guitars follow the rhythm neatly then find their spaces to shine with a sultry whine or shredding solo. The melody and simple vocals dance on top of the infectious groove for the verses while the chorus explodes in true rock and roll manner. It’s catchy well-crafted and definitely makes these guys ones to watch out for.
Stream ‘The Apple Truck’ below
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.