Category Archives: Hypnotic

BRONCHO ‘Bad Behavior’ Album

BRONCHO have released their new album ‘Bad Behavior’ an infectious swirl of luscious, teasing and exhilaration tracks to keep you drooling for more. It’s a tasty collection of tracks filled with psychedelic indie pop, laid back tones and insanely catchy grooves to ensure a satisfying listen. ‘All Choked Up’ sets the EP in motion with its churning rhythm creating a danceable foundation for the buoyant guitars and smoky melody. The stop start beat establishes an atmosphere of suspense which is only subdued by the shredding slick guitar solo. This track is so sleek and glossy with dark undertones twirling beneath the hypnotic rhythm. The tracks on the album flow into each other with a smooth fluidity,‘Weekend’ continues the heavenly subtly psychedelic trip with ethereal guitars twinkling between a steady backdrop. Ryan Lindsey’s sweet falsetto vocals provide each song with a heavenly quality. The instrumentation is tight throughout- crafted to perfection with glorious guitar twinkles daintly accompanying Lindsey’s vocals and honeyed melody while the strong beat and elastic bass grooves between. ‘Boys Got To Go’ displays this perfectly, the melodic flow guarantees a soothing listening experience as soft guitars glisten playfully throughout before whining elegantly every so often. BRONCHO provide the most glorious comforting blanket with ‘Keep It In Line’. This track enfolds your ears in a candied soothing melody, beautifully weaved instrumentation and sedating vocals. It’s bouncy, bright but incredibly tranquilizing. These guys delicately unwrap their sound revealing lush textures with each track. Together they gel immaculately- each instrument has its part and yet the tunes they produce feel airy and freeing. The album continues to blossom with ‘Sandman’, bringing a slightly ominous tone into this dreamy mix. The guitar and bass in this track is riveting. The song bubbles and boils around the playful guitar as Lindsey creates a haunting atmosphere. It’s a little more gritty with a creepy almost sleazy vibe but an absolutely thrilling listen.’Undercover’ follows the darker tone of its predecessor lightening it with buoyant grooves stomping between a sliding swagger soaked melody and strutting guitars. This is one well crafted track.The subtle guitar changes from twinkling and gliding to prancing as they flood the track with panache and an infectious funk flavoured danceable quality. ‘Family Values’ is another infectious gem that is sure to put a smile on your face. If you can prise your ears away from the bouncy weaving instrumentation and focus on the lyrics BRONCHO showcase their humorous cheeky side,“I got a thing for your mother / I got a thing to teach your father”. One thing I have come to love about the Tulsa, Oklahoma-based band is their sublime ability to create dreamy woozy tunes likeBig City Boys’. Though the track is hazy and dreamy the instrumental backing is strong, pushing forward with a relentless goal of fun loving with a slick proficient style that is one to be admired. The summertime cruising ‘Get In My Car’ follows. The album version sounds a little tweaked and more crisp to the single version released last year. This summer time gem bops and wiggles over a smooth melody and gleaming guitars. Glissading over to a glam rock flavour, BRONCHO provide us with a tantalizing variety of genres to taste throughout this album. They close the album in the best possible way, leaving us hungry for more. The swagger steeped foot stomping danceable and infectious ‘Easy Way Out’ accomplishes this task without fail. It’s slick, pristine, panache driven indie rock drizzled in rock n’ roll flamboyance with nimble steamy guitar licks and a catchy melodic flow to keep us wanting to dance all night long.

BRONCHO is that band that are cool, fun and make you want to scream and tell everyone about. Their sound is appealing to everyone from the lazy daydreamer to the adrenaline punk-rocker and indie-head in between. The provocative lyrics, incredible musicianship and all out swaggering groovy persona within each track is what makes BRONCHO one heck of a band. The sound is distinctive, Lindsey’s vocals are distinctive and their tunes undeniably infectious. It’s music to make you feel, music to make you dance and bop or tap your foot and do air drums to while you relax on a lazy summer’s day, but either way you feel every delightful note.

Stream ‘Bad Behavior’ below


Worth A Listen

Our Worth A Listen Track This Week Comes From LOVE SICK

Julie and Shaun first met working for the same life insurance call center at an office Christmas party where Julie divulged her passion for singing. A few weeks later, the pair bumped into each other at a Glasgow train station and the rest, as they say, is history. LOVE SICK first introduced themselves in 2017 with their debut single Bullet’, which quickly captivated a global audience of almost 1 million listeners and support from the likes of BBC, KCRW, and even Sir Elton John himself.LOVE SICK announces their forthcoming “No Sleep” EP by sharing the first single ‘Fever’.

This dark pop delight swirls and ferments beneath a hypnotic groove, driven by trip hop beats. Dizzying electronics lure you into the delusions of bliss prowling in the deep enticing abyss of ‘Fever’. The infectious melody seeps into your ears whispering a sweet bewitching curse  to your soul as Julie’s sweet vocals entice and seduce over this mesmerising hypnotic track. Warping their blend of pop into a trance inducing menacing number LOVE SICK are a duo to keep an eye on. Their cool, chilled, musically rich musicianship and slick crisp production will have you dancing in a darkly hued, mind dazed trance of bliss.

Stream ‘Fever’ below


Mini Mansions ‘Works Every Time’ EP

Mini Mansions have released their highly anticipated EP ‘Works Every Time’. Singer/guitarist Michael Shuman, singer/keyboardist Tyler Parkford, and bassist Zach Dawes are the glorious trinity of Mini Mansions, a band who push boundaries and overwhelm our minds with psychedelic encryption and delicious tunes. The band have played in some of the world’s biggest rock bands, Queens of The Stone Age, Arctic Monkeys and The Last Shadow Puppets these guys have been flourishing right at the roots of the rock genre readying themselves and fermenting their sound.This new release arrives three years after their second record, ‘The Great Pretenders’, which received critical praise and featured guest appearances from Arctic Monkeys frontman Alex Turner and The Beach Boys’ Brian Wilson and ‘Flashbacks’ a collection  of B-side tracks which was released in 2016. Mini Mansions sound is unique and stirring all at once and places them firmly on par if not above their comrades in intricate obscurity and just plain genius. ‘Works Every Time’ is only a glimpse of what these guys are capable of.

‘Works Every Time’ is a concise, flavoursome collection of juicy tracks to re-introduce us to the mouth watering home cooking of Mini Mansions. Title track ‘Works Every Time’ reels us in with a soft beat bouncing off a swoon worthy melody and glistening keys.Filled with wistful tones Parkford takes the vocals on this track, his sweet falsetto cooing over the breathtaking soundscapes as this song floats around a dreamy ethereal atmosphere while the zesty sting on guitars give a lamenting bite and sharpness to the track. ‘Midnight in Tokyo’ rumbles through with Dawes’ elastic bass line teamed with the sticky slapping beats setting the groove infested foundation as the track spirals into a sleazy swagger smacked number. With Prince like Bowie -esque hued verses and a triumphant catchy chorus this track struts in, slicked back, funk fueled and glossy. Shuman’s vocals take the lime light here drenched in panache and gritty rough flamboyance as flashing disco hued electronics dazzle the background while Parkford provides lush tight harmonies. The rich meaty sound is filled gloriously with zingy guitars weaving their way, flickering little bursts of spice throughout. Parkford takes vocals once again on ’This Bullet’ a psychedelic whirl of utter mind melting mania. He ventures to his ominous lower range while Dawes’ throbbing bass and meandering soundscapes rush you with a sinister sense of danger. This track has a residue of Mister Goodnite’s ‘One Against Five’ with a little more darkness and obscurity smeared on top as alien- esque electronics wail about eerie tones and snappy driving beats. There is something magnetic and hypnotic about this track as Mini Mansions distort and dissolve your entire grip of reality with one catchy dizzying tune. It’s dark and creepy especially when Parkford orders take off your vest“ however it’s difficult to prise yourself away from its chilling charm. Of course the band offer up another stirring cover for us to devour. Having previously embellished our ears with Blondie’s ‘Heart of Glass’ and Sparks ‘Sherlock Holmes’ Mini Mansions dissect and dismember a thrillingly dark rendition of Edwyn Collins‘ ‘A Girl Like You’, dousing it in the gritty sleazy and intoxicating tones we love from this trio. It’s dark as Shuman howls, screams and deeply haunts over whining guitars and flashing electronics. Filled with infectious shimmy grooves this track will make your skin crawl and tantalize all your senses while creeping into your mind where it will firmly reside for days. They did a cover the only way Mini Mansions can … better than the original.

The talent of this band is immense. Each track was meticulously cultivated – simmering and ripening slowly in Mini Mansions pressure cooker until the band were ready to delight and shatter our ears all at once. It’s exciting to see what each release will bring. They never compromise their sound yet push boundaries and provide an enthralling full bodied sound with every release. There is no one else like Mini Mansions out there at the moment. We need this trio to keep music fresh.

Stream ‘Works Every Time’ below

 


Lana Del Rey ‘Venice Bitch’

Following on from last week’s release of ‘Mariners Apartment Complex’, Lana Del Rey has now released another new track ‘Venice Bitch’. The track which is expected to appear on her next album, ‘Norman Fucking Rockwell’ premiered as World Record on Apple Music’s Beats 1 with Zane Lowe” yesterday and is available to stream and download now. Lana Del Rey is currently in the studio working with Jack Antonoff. A full-length record won’t be due for release until 2019 but Lana is excited to preview some early material from the sessions for fans.

‘Venice Bitch’ is a 10-minute span of dreamy floaty ballad -esque tones wrapped in a psychedelic prismatic  blanket. Del Rey drapes her sultry vocals over a tender first half of the track as subtle guitars twinkle about swoony strings while a sweet calming melody caresses your ears gently and delicately seeping into your mind. Del Rey’s vocals disarm and subdue with her honeyed tone lulling and cooing gracefully. This sublimely tranquilizing gem is easy on the ears as it subtly builds becoming a little more obscure with the psychedelic tones steering the track into a kaleidoscopic daze. Just as you are melting into its soothing moody hazy vibe the track slides into a falling hallucinogenic bottomless dream of weaving almost dizzying soundscapes and distorted lingering guitar fuzz while Del Rey laments above this woozy backdrop. It’s a gripping unique number from Lana Del Rey.

Watch the video for ‘Venice Bitch’ below


Lana Del Rey ‘Mariners Apartment Complex’

Lana Del Rey has released her sparkling new track ‘Mariners Apartment Complex’.Lana Del Rey is currently in the studio working with Bleachers’ Jack Antonoff and is set to unveil two new songs in the coming weeks. A full-length record won’t be due for release until 2019 but Lana is excited to preview some early material from the sessions for fans. The first, ‘Mariners Apartment Complex’, was played on Annie Mac’s radio show as “Hottest Record In The World” last night and is available to stream and download now. The second track ‘Venice Bitch’ will debut next Tuesday September 18th – details to follow. Both songs will have accompanying visuals created in collaboration with her sister, mixed media artist Chuck.

‘Mariners Apartment Complex’ is a beautifully elegant number swooning in a delicious flurry of brooding melancholic romance. Graceful piano wistfully floats about the track while whining guitars lament over a steady beat and glistening bitter sweet dreamy soundscape. Del Rey’s vocals soothingly and sorrowfully coo over this delicate haze with dignity and a whispered rich warmth as lush backing vocals lull with a hushed consoling quality. This swooping, dreamy number blends perfectly into its psychedelic hues as it builds sweetly and delicately into a sublime soft crescendo. It’s another refined immaculate 1970s-style rock ballad from the noir pop goddess.

Watch the video for ‘Mariners Apartment Complex’ below

 

 

 

 


The Asteroid Shop ‘She Moves’

L.A.’s  space rock band The Asteroid Shop have released their new single ‘She Moves’. This stomping swagger steeped number strides with blistering guitar over a quivering and pulsing rhythmic backdrop. It’s a darkly hued track with ghostly vocals upon a gritty piercing wall of sound that is so chilling it could raise the dead. Slinky and strut infused the track creeps with a panache driven confidence. It’s a charming bewitchment that beckons your ears to draw nearer into its luring bedazzlement while piercing razor sharp guitars cut and melt away your mind with the most thrilling lacerations known to man. It’s kick-ass acid dripping psychedelic tinged bliss that shows the oh so slick musicianship of this band. I need to hear this live.

Stream ‘She Moves’ below

 


Sun Mahshene ‘Tales of Fiction’

Fresh off their slot at Vantastival, Dublin Indie Psychgazers Sun Mahshene are set to release their new single ‘Tales of Fiction’ on the 28th of July. The track was recorded and co-produced by Dan Doherty in Darklands Audio. This is the first single to be taken from their forthcoming debut album ‘Contradictions & Tales of Fiction’ which is due for release in October 2018. Sun Mahshene started off as a solo project by guitarist, vocalist and songwriter Nathan Henderson and soon turned into a collective of talented musicians, bringing Dave Murray on board for drumming duty and Ian McGinn on rhythm and lead guitar. With a mutual ambition to create something special they decided to merge their wide range of influences and joined forces with Darren Hughes on Bass and Ryan Daffy as third guitarist.

These guys know how to make mind melting tunes and ‘Tales of Fiction’ is no different. Filled with shrilling guitars and floor shaking punchy drums and bass combination, the monstrous wall of sound this track brings is something to behold. Swirling soundscapes mystify with wispy dreamy kaleidoscopic hues while the crashing biting guitars soar, wail and glide with a relentless onslaught into your ears in the most captivating and thrilling manner that leaves you in a blissful haze of euphoria. The adrenaline rush that exudes from this track is sublime while the smooth honey drizzled melody flows in on a laid-back cloud of sweet sedation. Henderson’s vocals weave between powerfully dynamic and velvety smooth tones while oozing a fiery passion. It’s a big tune camouflaged as a sweet psych trip. Once this track kicks in it goes full throttle – psychedelic indie rock at its shoegazing fueled best.  Once again Sun Mahshene produce a fresh mouth-watering slice of captivating infectiousness to sink our teeth into.

Stream ‘Tales of Fiction’ below


Tempesst ‘Doomsday’

London-based psych-pop quintet Tempesst have released their latest single ‘Doomsday’, the title track from their forthcoming EP.  The band first originated in Queensland, Australia on the Sunshine Coast, based around twin brothers Toma (vocals, guitars) and Andy Banjanin (drums). After a move across the globe, the outfit — rounded out by Eric Weber (guitars), Kane Reynolds (keys), and Blake Misipeka (bass) — made their raucous debut with the 2017 EP ‘Adult Wonderland,’ earning widespread praise in the U.K., which led to dates supporting the likes of Temper Trap and Albert Hammond Jr., and showcases at The Great Escape, NME Awards, and Live At Leeds. The new track is in part a reflection on how our addition to social media and the internet have turned us into mindless creatures, and part a commentary on the current state of the world.

‘Doomsday’ is a mysterious swirling brew of classic ’60s and ’70s influenced psychedelic rock and delicious pop that leaves you in a mind melting daze of delight. Tasty guitar whines weave between dizzying hazy electronics while the smooth melody cruises in to soothe the mind and sugar coat the woozy psychedelic swoons. It’s deliciously creamy with an underling fuzzed sting as the guitars whip a dash of zest into this enthralling liquefying mixture. The luring vocals tease and tempt throughout the eerie verses as lush backing vocals coo and haunt the background leading you deeper and deeper into the consuming trippy abyss of the track. Filled with creepy tones under a captivating cinematic soundscape this earworm has all the component parts to draw the listener in and trap them in its honey drizzled magnetising sound. Its infectious and a truly satisfying listen.

“It’s the first time in my life that I’ve felt so aware of my mortality and it probably doesn’t help that the Facebook and Netflix algorithms have cottoned on and keep feeding me shit on the topic,” Toma says about the track. “‘Doomsday’ is the start of what will probably be a long running theme.”

Stream ‘Doomsday’ below


The Vryll Society ‘Light At The Edge Of The World’

Psychedelic Risers The Vryll Society have released their new single ‘Light At The Edge Of The World’ from their debut LP ‘Course Of The Satellite’ set for release 10th August via Deltasonic Records. Having already produced a series of critically acclaimed singles, including  ‘A Perfect Rhythm’ and ‘Shadow Of A Wave’, the fast-rising Merseyside outfit are primed for their first full-length release, with impressive appearances at the likes of Glastonbury, Reading & Leeds and TRNSMT helping them develop a staunch grassroots following. The band have received extensive support from BBC Introducing with slots at their SXSW and Glastonbury showcases alongside a Maida Vale live session over the past 18 months, whilst widespread acclaim from Huw Stephens (BBC Radio 1), Phil Taggart (BBC Radio 1) and Steve Lamacq (BBC 6 Music) has seen the spotlight on the psych-pop quintet intensify, leading to supports with Blossoms, The Coral and The Kooks.

‘Light At The Edge Of The World’ is a pop sprinkled whirl of blissful psychedelia that glides in on a delicious sugar coated wave of swirling soundscapes while gentle guitars twinkle between a snapping glucose sticky beat and groovy bassline. The sweet vocals caress the divine melty melody as the tightly layered space rock electronics wisp and coil about playfully. It’s a breezy sweet little number smothered in euphoric bliss and intensely rich textures. The weaving keys wander between the dreamy soundscapes while jangly guitars entwine around the luscious melody adding a dash of zest and juicy texture to this feathery light trippy gem. The touch of distortion adds some grit and dizzying quality to the mind melting bliss while that heavenly pop melody hooks you into the enthralling beauty of this magnificent track. It’s well-crafted and meticulously arranged to make for a completely submerging tasty listen.

You can catch The Vryll Society Live at

21 July – Liverpool International Music Festival (LIMF)

09 Oct – Bristol Exchange, Bristol

10 Oct – Heartbreakers, Southampton

11 Oct – The Lexington, London

12 Oct – The Actress and Bishop, Birmingham

16 Oct – Soup Kitchen, Manchester

17 Oct – King Tut’s Wah Wah Hut, Glasgow

18 Oct – Brudenell Social Club (Community Room), Leeds

19 Oct – Liverpool 02 Academy 2, Liverpool

Stream ‘Light At The Edge Of The World’ below

 

 


Delphina Kings ‘Don’t Think This Is Gonna Work’ EP

Following the release of their singles ‘Lovestruck’ and ‘Kid Calm Down’, Manchester-based indie rock band Delphina Kings have announced the release of new EP ‘Don’t Think This Is Gonna Work’ on 6th July. The release will coincide with an EP release party, which will see the band headline Gullivers NQ in their hometown of Manchester on Saturday 7th July. Support will come from fellow North West acts SUNGLO, RAVELLAS and FLANEUR.

‘Don’t Think This Is Gonna Work’ is an infectious collection of adrenaline pumping indie rock that sizzles and boils beneath your skin with thrilling instrumentation. ‘I’m Numb’ kicks off this scorching mania with shrilling distorted guitars over a punchy rhythmic backdrop of danceable groove infected bass lines and shaky percussion teamed with buoyant drums. These guys exude steamy swagger as effortless cool vocals glide over a frenzied strut worthy buzz of sublime instrumentation and dizzying acid soaked soundscapes. Their high voltage sound fills you with an effervescent whir of intensity as each track whacks out a kinetic energy with a sublime anthemic punch. ‘Electric’ is the perfect example of this. The shredding guitars teamed with spiraling vigorous soundscapes makes for an enthralling instantly electrifying listen. Each track surges with heart racing euphoria from the soaring ‘Like You’ with its slinky funk hued persona drizzled in psychedelia to the luring creepy final track ‘Delirious’, Delphina Kings showcase their slick swagger drenched style in all its glory. ‘Like You’ makes a shift in their sound as they hone in on the sultry psychedelic tones, building them meticulously to create a steamy 60’s -esque trippy number that renders you trapped in its sweet luscious delusions. The soothing gentle vocals coo and caress the melty melody while distorted guitars build for the dynamic chorus. ‘Delirious’ closes the EP continuing the psychedelic tones however taking them to darker more eerie depths. The steady beat and strumming guitar becomes the constant as the wispy melody slips between the sleepy hypnotic soundscapes. Their knack with melodies makes each track easy to sing along to with a delightful ear worm effect that will have them stuck in your head all day while the bands ability to blend genres seamlessly makes the experience instantly satisfying.

About the EP bassist/lyricist Andy Hoskinson said : “We’ve only released singles so far, and we wanted to give people something a little longer to get their teeth into, let them get to know us better”. “An EP isn’t necessarily the done thing any more, it feels rebellious”, adds frontman Chris Gibson.

For more you can follow Delphina Kings on Facebook here https://www.facebook.com/delphinakings