Oxford four piece rock band Juniper Nights have released their new single ‘Future Spring’. The band consisting of James Gallagher (Vocals/Guitar), Zach Wilmott (Guitar), Marty Melvin (Bass), and Tom Lindsay (Drums) create contrasting atmospheric soundscapes with aggressive guitar-rock.
‘Future Spring’ is a tasty melodic number that bounces along a jagged guitar hook, buoyant rhythmic section and ethereal soundscape. The laid back melody tips away at the verses building steadily into the mighty chorus and dynamic crescendo. It’s easy going with glorious little bass grooves that weave a sublime meaty yet elastic foundation while the sparkling and thrilling guitar lines glisten over this gripping backdrop before shredding through the chorus. Juniper Nights ability to blend the easy-going sweet and razor-sharp bitterness seamlessly is powerful and pretty impressive adding vibrancy and rich depth to the track. Future Spring is well crafted with melodies that tickle the ear, swell the heart, moisten the tear ducts all while filling you with that ” fist-pump might” to have you swaying and singing powerfully along. The refined production reveals sublime new facets upon each listen as meticulous guitar injections, slithering licks and vivid strikes create the ultimate tasty backing for this mellow potent number.
Bath-born alternative rock outfit Farebrother have released their new single ‘I’d Be the Worst’.After releasing roaring singles ‘A Little Late’ and ‘Rewind’ in 2017, which have a collective 140,000+ streams on Spotify, Farebrother have been developing their sound at legendary Rockfield Studios and ‘I’d Be the Worst’ is the glorious result.
This swagger steeped delight announces Farebrother’s triumphant return with slicked back confidence and a dazzlingly infectious glossy pop exterior. With punchy drums, jangly guitar and strut ready panache this track swarms in – animated, catchy and filled with charm and charisma. Those jagged riffs slicing through the funk flavoured bass grooves and danceable beat takes this bands sound to another glistening suave level. Blending the rugged raw rock with silky disco hues, steamy guitar licks and lustrous indie elements Farebrother pull another doozy out of the bag.
Pop Rock trio Last One Home have released their new single ‘Give You The World’. The band consists of singer-songwriter Tom Westlake, bassist Harry Lowndes and drummer Phil Horler. ‘Give You The World’ was written by frontman Tom Westlake. Last One Home released their self-titled EP, from which the single ‘Bring Down The Storm’ won the band the ‘Music Expo’ prize at the ‘Glastonbury FM Songwriting Competition 2018. Their most recent single ‘Land of Immortality’ made it to the semi-finals of the UK Songwriting contest. They have supported internationally famous bands such as ‘Crazy Town’, ‘Courage My Love’ and ‘Halflives’ at shows on their UK tours.
Last One Home blast out their melodic pop rock with oodles of energy against a rugged backdrop with ‘Give You The World’. Blistering guitars weave between punchy drums and elastic bass grooves creating a satisfying layered foundation. The smooth melody glides over the blustery wall of sound with effortless grandeur as Westlake slips seamless up to his falsetto range. Its catchy vibrant with just enough grit and edginess to have you jumping and moshing along. The guitars venture between a crashing vigorous assault and sweet jangles fluently, filling the track with rich textures and enough gusto to ignite a live audience. It’s a cracking pop rock number.
You can catch Last One Home live when they play The King Arthur – Glastonbury, Somerset on 22nd December 2018.
Washington Electro Rock/Synth Pop band Color Palette have released their new single ‘Dark Days’. Expanding into the darker facet of their musical prism Color Palette dive deep into electronic rock to create a gripping cinematic number. Flickering electronics flutter and rush about a steady beat while the smooth vocals hold all the instrumental bluster together with its chilled effortless grasp. The bitter guitars sting and soar over the gritty electronic riff creating that ethereal vibe this band do superbly however the winding keys and sinister atmosphere pull the track into its darker shades maintaining an ominous tone. Filled with dramatic bursts the track drives through keeping climactic paced momentum throughout. Each element is perfectly paced from blistering guitar moments to flashes of dazzling electronics and meaty drums creating intense highs in the track with Jay Nemeyes velvety vocals contrasting this whirlwind with his sweet coos and gentle laid back tone. Doused in dreamy bleak vibes it’s a hair raising gem. Exuding a gripping sense of adrenaline this is a captivating track from Color Palette.
No Alarms have released the video for their new single ‘Find Me’. No Alarms was born in Texas as the solo passion project of multi-instrumentalist Andrew Boles, and has since bloomed into a Detroit-based, fully-fledged, five-piece. No Alarms is blending the lines between modern indie pop and new wave revival, and building an engrossing live show from the ground up. Their debut single “Right is What’s Left” was featured in an episode of ABC’s “Kevin Probably Saves the World” originally airing on February 6th, 2018. ‘No Alarms’ EP was the 13th most added record on NACC college charts its debut week, and has since peaked at #132 on the NACC 200.
‘Find Me’ is an entrancing smooth indie pop track that swirls and floats elegantly upon No Alarms’ infectious melty melody. It’s a sleek glossy number as their rooted grooves set a fluctuant foundation for the flashing electronics to rebound and playfully ricochet off while velvety vocals coo and caress the tasty melody. With a sticky summer sun vibe this dance-filled song is uplifting and ethereal as it bounces along energetic drums and dazzling synths making for a wholly satisfying listening experience. With rich textures wrapped delicately in a multi coloured prism ‘Find Me’ showcases No Alarms ability to create a full bodied delightful tune that tantalizes all the senses.
Birmingham based duo SOCIAL STATE have released their new single ‘Never Gonna Get It’. The two piece comprised of Andy and Brad blend Indie, Hip-Hop, Punk and Emo to establish an unprecedented sonic identity. They are heavily inspired by growing up in the Midlands, not doing well in education and the antics of teenage youth. Their debut ‘Never Gonna Get It’ is a statement piece which talks about the constraints and misrepresentation of the millennial generation. The song is the first release in the cycle, with numerous releases to come within the following months.
‘Never Gonna Get It’ is a catchy spurt of indie punk filled with adrenaline surging vitality. This duo whack out a buoyant rugged pop-smacked number with a meaty texture and hook filled gang-chant chorus that is sure to ignite a live audience. Their rap flows fluidly as the duo spit out the lyrics with attitude and an air of revolt while jaunty guitars playfully rebound off a snappy beat. This track is infectious – that chorus will have to be peeled and prised out of your head. SOCIAL STATE are a fiery duo providing vibrant light numbers with a meaty substance. Keep an eye out for these brash anti-establishment chappies.
Aaron Taos is a Brooklyn based indie pop artist hailing from Guilford, CT. In June he released his sophomore EP, ‘Night Thoughts’ and spent the summer on tour opening for King Princess. He has now released his new single ‘Control’ which is the first single off his new project, ‘Birthday Boy’.
‘Control’ glistens with warm guitar moments as Taos sings over a peppy melody and infectious clap along feature. Filled with sun soaked dreamy tones this track glides and hops along ethereal soundscapes while glorious lamenting guitar weaves a golden thread throughout the track tying it blissfully in your ears with a lasting secure hold.Tightly crafted this track holds a laid back hazy vibe while also packing in that radio friendly charm. It’s honest and entertaining with sublime melodies and a steady beat holding all the delightful component parts together.
The LA-based duo Magdalena Bay visit a darker side of synth pop on their latest single ‘Ghost’. The pop duo are 22-year-old Mica Tenenbaum (songwriting, vocals) and 23-year-old Matthew Lewin (songwriting, vocals, production). The lyrics to the new track are inspired by the iconic 80’s film Mr. Vampire, which Mica had just watched in a Chinese film class.Following the success of recent singles Neon and Waking Up, Magdalena Bay have an arsenal of finished music that they plan on unleashing on the world now that they’re settled in LA. Ghost is the second of these to be released, and is sure to show listeners a new side to the band who write and produce all of their music from their home studio.
‘Ghost’ is a silken, lustrous pop number tightly bound in laser precision electronics. This track wriggles and weaves its way through rich, pulsing beats slapping against shimmering synths while the glossy pop melody smooths on top with a dreamy luxurious texture that oozes class and swagger. The dazzling soundscapes flash with eerie dark stomps throughout creating a haunting atmosphere to this luscious pop number. Magdalena Bay have created a clean, dance-able and infectious number that moves with grace and elegance while a bubbling groove steers the track to something more sinister.
“We wanted to try something new when we started writing Ghost” explains the band. “We had just finished a string of really bubblegum pop songs. Then, this spooky beat came out of nowhere. The song is darker than our previous releases– but it’s still fun and totally dancy. To us, Ghost is what would happen if Britney Spears and MGMT collaborated on a track..”
London’s Earhart have returned with their infectious ‘An Incubator To Grow My Head In’. Garnering acclaim throughout the online tastemaker community with their first few releases, the band’s alt-rock influences immediately come to the fore in this newest effort with a series of moody riffs and gritty vocals drawing comparisons to the likes of Black Rebel Motorcycle Club and The Brian Jonestown Massacre.
‘An Incubator To Grow My Head In’ is a tightly crafted piece of laid back delight. This track splodges through like a stoner indie number. It’s stripped back and refined to a potent dosage as acoustic guitar strums accompany a moody melody while Joe Tennant coolly coos and whispers the verses with a raspy toned nonchalant persona. The track builds becoming more chaotic for the chorus as the sharp guitars whine their way through punchy drums and grungy soundscapes. It’s easy going, sun glimmered sulkiness vibe is infectious as this four piece flesh out one impressive, rich, intense and explosively restrained number. I for one am really enjoying watching this band blossom, each track produces a new proficient and mature aspect to their glorious sound.
Discussing their latest release, frontman Joe Tennant stated: “It had been growing in the back of my mind for about a year before it really surfaced. Like persistent theme music it was always there. So getting it out was a hugely cathartic process. Putting those thoughts and ideas into song form was the only way to confess them. They say ‘art’ should be vulnerable, and this one is close to the bone, but I hope people can see the humour in it. If it doesn’t make parents sad you must be doing something wrong. Right”?
London based multi-instrumentalist ‘The Misty’ has released his new single ‘The Lovely Dead Girl at Table Six’. The track was recorded in his own home, as well as enlisting the help of La Frette Studios in Paris, the same studio chosen by rock band Arctic Monkeys for their latest LP release. Alongside the single release The Misty produced a music video, with the help of China Town Studios, featuring a French model to help put together the visual.
‘The Lovely Dead Girl at Table Six’ is a fluctuating flutter of delight as The Misty croons over a dreamy melody while vaporous guitars whine and sting between ethereal soundscapes. Filled with a rich and intense depth this track grooves and sensually sways with psychedelic hues through a delicate melodic flow. The swirling bubble of electronics set the romantic tone as the brooding vocals and sultry guitar injections add a stirring quality and meaty grit. Perfectly crafted this luscious tantalizing track transports you to a soothing dreamy state that captivates with a 70’s psychedelic rock vibe softened by whirls of jazz flickering through a pop lush melody. It’s soft and aerial with a vibrant mouth watering backdrop to tease all the senses.
Watch the video for ‘The Lovely Dead Girl at Table Six’ below
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.