Our Worth A Listen Track This Week Comes From GURU
Emerging from the high-rent utopia of Brighton, indie newcomers GURU announce themselves with their irresistible take on punk in the form of debut single ‘Consumer Helpline’. The quartet comprised of Tommy Cherrill (vocals), Kieran Hunter (guitar), Ferg Belfrage (bass) and Simon ‘Danny Boy’ Daniels (drums) have already earned impressive support slots alongside Lady Bird, LIFE and Kagoule and have gained some early praise for their demos (BBC 6 Music).
‘Consumer Helpline’ is a razor sharp well executed slice of raucous punk. Its a swagger dripping fuzzy assault that goes down smooth with a sharp after-sting. Splintery guitars shred and lacerate through the rough rhythmic foundation and battering drum onslaught as the cool easy going vocals suave their way through the verses before stumbling and dramatically exclaiming over the chorus. The track whirlwinds its way into a frenzied thunderous crescendo. Their thrilling brand of psychedelic rock seeps with panache as they pulverize their powerful punk through every fibre of your being. It’s gritty, messy and coarse yet GURU slide in some really slick refined elements to create a wholly satisfying number that whooshes through with pungent adrenaline leaving you craving for more. Keep an eye out for these lads.
Dublin-based experimental/post-punk band Tribal Dance are set to release their video for ‘And Then All That Was Left Was A Physician And A Silhouette’ tomorrow December 5th. Tribal Dance consists of bassist and vocalist Adam Smyth, guitarist Stephen Dowling and percussionist Leo Clarke. Their debut single “Flongo” released in August 2017, sent out waves of excitement and received extremely positive reviews from music blogs and nationwide newspapers as well as national and international radio play, which contributed to a sold out single release show. The band have been showcased in Whelan’s Ones to Watch along with headlining a special Nialler9 showcase The Button Factory as well an unforgettable performance to a packed tent at KnockanStockan 2018.The band’s sophomore release ‘And Then All That Was Left Was A Physician And A Silhouette’ is set to be the first release on Bad Soup Records in December 2018, accompanied with an intense and dramatic music video, a limited edition physical release.
‘And Then All That Was Left Was A Physician And A Silhouette’ is Tribal Dance’s fierce way of dissolving your mind in their thick murky concoction of math punk with sweet little bubbles of psychedelic rock gasping beneath this suffocating brew. The tense atmosphere builds right from the start as these guys unfold each segment gently with eerie soundscapes twinkling through distorted guitars and punchy drum attacks. This acid saturated gem lures and entices with soft lulling vocals, sweet little guitar injections and a meaty rhythmic foundation. Just as the track seeps into its dreamiest delusional state Tribal Dance electrocute you back to life with a pulverising heavy finale. The fluctuation between Math mania and soothing psychedelia is masterful as Adam Smyth switches from animated screams to soft coos seamlessly while wobbly desert guitar whines between a deep groove and laid back melody. Well crafted this track consumes you entirely in the dizzying world of Tribal Dance and with musicianship this refined and messy all at once – these guys are definitely ones to keep an eye on.
Watch the video for ‘And Then All That Was Left Was A Physician And A Silhouette’ below
London based multi-instrumentalist ‘The Misty’ has released his new single ‘The Lovely Dead Girl at Table Six’. The track was recorded in his own home, as well as enlisting the help of La Frette Studios in Paris, the same studio chosen by rock band Arctic Monkeys for their latest LP release. Alongside the single release The Misty produced a music video, with the help of China Town Studios, featuring a French model to help put together the visual.
‘The Lovely Dead Girl at Table Six’ is a fluctuating flutter of delight as The Misty croons over a dreamy melody while vaporous guitars whine and sting between ethereal soundscapes. Filled with a rich and intense depth this track grooves and sensually sways with psychedelic hues through a delicate melodic flow. The swirling bubble of electronics set the romantic tone as the brooding vocals and sultry guitar injections add a stirring quality and meaty grit. Perfectly crafted this luscious tantalizing track transports you to a soothing dreamy state that captivates with a 70’s psychedelic rock vibe softened by whirls of jazz flickering through a pop lush melody. It’s soft and aerial with a vibrant mouth watering backdrop to tease all the senses.
Watch the video for ‘The Lovely Dead Girl at Table Six’ below
Welsh dream-pop outfit Kidsmoke have released their new single ‘Rising Sun’,the first from their upcoming album expected next year. With a sync-feature on Charlie Brooker’s Netflix series Black Mirror, they burst into 2018 with single ‘Sister Sadness’ (named one of Steve Lamacq’s 6 Music Recommend’s tracks of the year), were featured as The Sunday Times Breaking Act, supported Gaz Coombes and were invited by Robert Smith to play his Meltdown Festival in support of The Joy Formidable.
‘Rising Sun’ is a sizzling, swirling spin of psychedelic pop wrapped in a blistering indie coating of bliss. Pulsating beats slap and whack a gooey beat of delight behind spiraling soundscapes and zesty guitars creating a dizzying hyper trip which encapsulates your ears in a shimmering sweet energetic sound of euphoria. Its pop melody melts upon this jagged indie backdrop as the smooth vocals disperse vibrant blasts of velvety goodness. With luscious harmonies and pristine guitar melodies radiating lustrous bursts of scintillation throughout – this track is simply glorious.
Northern Ireland art rock/neo psychedelic five piece Cloakroom Q are set to release their new EP ‘Going For A Walk and I’m Not Coming Back’ this Halloween. The band started in late 2016 and have since released a few singles and low fi compilations. These compilations were in the form of “official bootleg” recorded during the band’s earlier stages which include the single “Don’t Come Home” and their other more recent complication “Seven Stories Up”, partly recorded in Toulouse France and features versions of tracks off their debut EP ‘Going for a walk and I’m not coming back’.
‘Going For A Walk and I’m Not Coming Back’ is a spine tingling collection of tracks that weave and flourish with sublime obscurity through abrasive instrumentation while a healthy dose of psychedelic is churned through magnificent art rock elements and intense atmospheres.‘South of Sane’ kicks the mayhem off with the perfect tension building beat and spoken vocals. Soft guitars strum as the thrilling track builds and slowly creeps adding a warm trumpet into its swirling dark soundscape. Musically these guys create refined hair raising masterpieces with western-esque melodies mourning through rich rhythms and pining guitars. Through this EP they showcase their ability to create stripped back wispy, mind melting acid soaked tunes shown brilliantly with ‘d0nkroom’. All these elements are twisted and entwined in euphoric dizzying bliss. ‘People With Energy’ rushes through on a heightened vibe of snappy beats, funky bass lines, jagged guitars and haunting synths. It’s danceable, groovy and filled with energy yet drenched in ominous vibes. Each track is crafted with the finest components to make it luscious, manic and thoroughly enjoyable. Their sound is unique to them and it is this band’s attention to detail and meticulous musicianship that makes these tracks so impressive. The grunge hued ‘Feeding The Stranger’ smears on that dark atmosphere thick. Rugged guitars crash and batter into the punchy drum assault while the vocals exclaim over this frenzied backdrop narrating about coughing blood, alcohol and vomiting.’Unearth’ closes the EP disguised, to start as a soft delicate number with a gentle beat and slow jam groovy bass line. The track builds becoming the mosh ready banger Cloakroom Q are pros at. Their braided rhythms keep a fluctuant foundation for everything to explode off. Cloakroom Q really give it their all for this beast of a track, constructing the verses perfectly to increase and tease the intensity of the fierce dynamite choruses. It’s a lengthy track, clocking in at 07:09 minutes but each and every minute is worth it. These guys blend the soothing and gentle tones seamlessly with the skull bashing heavy tones to lure you into a false sense of safe psychedelia before whacking you out of your dreamy daze with meaty gritty rock injections. It’s a magnificent end to the EP.
Cloakroom Q have created a wholly unique frenzied EP that grooves, whacks and soothes all at once rendering the listener captivated and craving for more.
‘Going For A Walk and I’m Not Coming Back’ is released on 31st October- for more information
Waterford band Crome Yellow have released their new single ‘Lately’. Combining a modern sound with that of the 60s and 70s, the band create a vibrant, guitar and synth-driven texture. The band launched their latest EP ‘Yellow Road’ in June of 2017 after settling on their current lineup. Having grown a massive loyal fanbase in Waterford, they have been expanding their operations into Dublin and Cork with an eye to accomplishing the same there.
‘Lately’ is a sun kissed melodically rich number that lifts you in a glorious swoosh of the psychedelic hued indie pop Crome Yellow do superbly. With buoyant rhythms playfully bouncing between vibrant guitar jangles and alien-esque synth features, which entwine their blissful obscurity around the euphoric upbeat backdrop while smooth velvety vocals coo over a honey drenched infectious melody- this track is one dreamy radiant number that is sure to put a smile on your face. It’s soft floaty exterior charms and coils its way effortlessly into your brain while the tightly layered funk flavoured danceable interior insures Crome Yellow’s grasp on your mind. This track is just too good.
Midlands five piece Violet have released their new single ‘Heaven Adores You’ out on ‘HolyHowl’ Records, following on from their debut singles ‘Feel’ and ‘Jaded’ which was rotated on Steve Lamacq’s 6music show.This new psych hued number floats in with marshmallow softness filled with sugary sweet pop melodies over graceful elegant instrumentation. Lush smooth vocals bounce along the creamy melody while delicate guitars twinkle throughout this ethereal gem. The track builds becoming more heavy and mind crushing as the guitars waver into a stinging weave of distortion over punchy drums and a grunge tinged soundscape that renders this tranquilizing number a little harsh. Driving on a powerful bass line with glorious sun kissed guitar entwining blissfully and playfully around the sedating melody- this track lifts you into an aerial state of euphoria before spiraling into a climatic whirl of psychedelic pop. Blending the soft pop tones and heavier 90’s grunge seamlessly this band have produced one heck of a track to calm and expand your mind.
About the track Luke Brickett Haycock said “This song is one we all hold a little closer to our hearts and we spent so long drifting in and out of the studio to make it sound perfectly like it did in our heads. The song is a kind of retrospective view of an entity that you admire that isn’t on this big floating ball we call earth anymore, how they perceived themselves whilst affecting the world around them, and for us that was a message to Elliott Smith.”
BRONCHO have released their new album ‘Bad Behavior’ an infectious swirl of luscious, teasing and exhilaration tracks to keep you drooling for more. It’s a tasty collection of tracks filled with psychedelic indie pop, laid back tones and insanely catchy grooves to ensure a satisfying listen. ‘All Choked Up’ sets the EP in motion with its churning rhythm creating a danceable foundation for the buoyant guitars and smoky melody. The stop start beat establishes an atmosphere of suspense which is only subdued by the shredding slick guitar solo. This track is so sleek and glossy with dark undertones twirling beneath the hypnotic rhythm. The tracks on the album flow into each other with a smooth fluidity,‘Weekend’ continues the heavenly subtly psychedelic trip with ethereal guitars twinkling between a steady backdrop. Ryan Lindsey’s sweet falsetto vocals provide each song with a heavenly quality. The instrumentation is tight throughout- crafted to perfection with glorious guitar twinkles daintly accompanying Lindsey’s vocals and honeyed melody while the strong beat and elastic bass grooves between. ‘Boys Got To Go’ displays this perfectly, the melodic flow guarantees a soothing listening experience as soft guitars glisten playfully throughout before whining elegantly every so often. BRONCHO provide the most glorious comforting blanket with ‘Keep It In Line’. This track enfolds your ears in a candied soothing melody, beautifully weaved instrumentation and sedating vocals. It’s bouncy, bright but incredibly tranquilizing. These guys delicately unwrap their sound revealing lush textures with each track. Together they gel immaculately- each instrument has its part and yet the tunes they produce feel airy and freeing. The album continues to blossom with ‘Sandman’, bringing a slightly ominous tone into this dreamy mix. The guitar and bass in this track is riveting. The song bubbles and boils around the playful guitar as Lindsey creates a haunting atmosphere. It’s a little more gritty with a creepy almost sleazy vibe but an absolutely thrilling listen.’Undercover’ follows the darker tone of its predecessor lightening it with buoyant grooves stomping between a sliding swagger soaked melody and strutting guitars. This is one well crafted track.The subtle guitar changes from twinkling and gliding to prancing as they flood the track with panache and an infectious funk flavoured danceable quality. ‘Family Values’ is another infectious gem that is sure to put a smile on your face. If you can prise your ears away from the bouncy weaving instrumentation and focus on the lyrics BRONCHO showcase their humorous cheeky side,“I got a thing for your mother / I got a thing to teach your father”. One thing I have come to love about the Tulsa, Oklahoma-based band is their sublime ability to create dreamy woozy tunes like ‘Big City Boys’. Though the track is hazy and dreamy the instrumental backing is strong, pushing forward with a relentless goal of fun loving with a slick proficient style that is one to be admired. The summertime cruising ‘Get In My Car’ follows. The album version sounds a little tweaked and more crisp to the single version released last year. This summer time gem bops and wiggles over a smooth melody and gleaming guitars. Glissading over to a glam rock flavour, BRONCHO provide us with a tantalizing variety of genres to taste throughout this album. They close the album in the best possible way, leaving us hungry for more. The swagger steeped foot stomping danceable and infectious ‘Easy Way Out’ accomplishes this task without fail. It’s slick, pristine, panache driven indie rock drizzled in rock n’ roll flamboyance with nimble steamy guitar licks and a catchy melodic flow to keep us wanting to dance all night long.
BRONCHO is that band that are cool, fun and make you want to scream and tell everyone about. Their sound is appealing to everyone from the lazy daydreamer to the adrenaline punk-rocker and indie-head in between. The provocative lyrics, incredible musicianship and all out swaggering groovy persona within each track is what makes BRONCHO one heck of a band. The sound is distinctive, Lindsey’s vocals are distinctive and their tunes undeniably infectious. It’s music to make you feel, music to make you dance and bop or tap your foot and do air drums to while you relax on a lazy summer’s day, but either way you feel every delightful note.
Noise-pop quintet THUMPER have released their new single ‘Down’, produced by Dan Fox of Girl Band.2018 has seen THUMPER top several Ones To Watch lists in Ireland and tour relentlessly headlining Hard Working Class Heroes, joining Fangclub on tour, and playing festivals all summer long such as Sea Sessions, Body & Soul, and Electric Picnic.
‘Down’ is a pungent, biting number swirling with mouth watering pop hooks lavishly placed on a grunge backdrop. Whirring guitars fizz and spin about with infectious razor sharp riffs and vibrant laid back jingles while a glorious sun kissed melody glissades along the buoyant beat. This track is affluent with rich swirling soundscapes as it meanders into a psychedelic dizzying trip of distortion. THUMPER blends the bitter/sweet effortlessly- filling their tracks with exuberant dreamy tones laced with daisies and sweetness which lead you down the delirious rabbit hole into frenzied chaos. With a lo- fi production easing you into its floppy 90s-soaked noise-rock- this track reins in the pure elements of rock, grunge and pop to create the perfect frazzling blend of bliss. There is something for everyone here, these guys slowly and delicately build the song adding a new layer and dimension each time until it’s an all out mouth frothing whack of psychedelic scuzzy rock. Its frenzied boppy euphoria displays THUMPER’S tight undeniably slick sound and impressive musicianship.
Mini Mansions have released their highly anticipated EP ‘Works Every Time’. Singer/guitarist Michael Shuman, singer/keyboardist Tyler Parkford, and bassist Zach Dawes are the glorious trinity of Mini Mansions, a band who push boundaries and overwhelm our minds with psychedelic encryption and delicious tunes. The band have played in some of the world’s biggest rock bands, Queens of The Stone Age, Arctic Monkeys and The Last Shadow Puppets these guys have been flourishing right at the roots of the rock genre readying themselves and fermenting their sound.This new release arrives three years after their second record, ‘The Great Pretenders’, which received critical praise and featured guest appearances from Arctic Monkeys frontman Alex Turner and The Beach Boys’ Brian Wilson and ‘Flashbacks’ a collection of B-side tracks which was released in 2016. Mini Mansions sound is unique and stirring all at once and places them firmly on par if not above their comrades in intricate obscurity and just plain genius. ‘Works Every Time’ is only a glimpse of what these guys are capable of.
‘Works Every Time’ is a concise, flavoursome collection of juicy tracks to re-introduce us to the mouth watering home cooking of Mini Mansions. Title track ‘Works Every Time’ reels us in with a soft beat bouncing off a swoon worthy melody and glistening keys.Filled with wistful tones Parkford takes the vocals on this track, his sweet falsetto cooing over the breathtaking soundscapes as this song floats around a dreamy ethereal atmosphere while the zesty sting on guitars give a lamenting bite and sharpness to the track. ‘Midnight in Tokyo’ rumbles through with Dawes’ elastic bass line teamed with the sticky slapping beats setting the groove infested foundation as the track spirals into a sleazy swagger smacked number. With Prince like Bowie -esque hued verses and a triumphant catchy chorus this track struts in, slicked back, funk fueled and glossy. Shuman’s vocals take the lime light here drenched in panache and gritty rough flamboyance as flashing disco hued electronics dazzle the background while Parkford provides lush tight harmonies. The rich meaty sound is filled gloriously with zingy guitars weaving their way, flickering little bursts of spice throughout. Parkford takes vocals once again on ’This Bullet’ a psychedelic whirl of utter mind melting mania. He ventures to his ominous lower range while Dawes’ throbbing bass and meandering soundscapes rush you with a sinister sense of danger. This track has a residue of Mister Goodnite’s ‘One Against Five’ with a little more darkness and obscurity smeared on top as alien- esque electronics wail about eerie tones and snappy driving beats. There is something magnetic and hypnotic about this track as Mini Mansions distort and dissolve your entire grip of reality with one catchy dizzying tune. It’s dark and creepy especially when Parkford orders “take off your vest“ however it’s difficult to prise yourself away from its chilling charm. Of course the band offer up another stirring cover for us to devour. Having previously embellished our ears with Blondie’s ‘Heart of Glass’ and Sparks ‘Sherlock Holmes’ Mini Mansions dissect and dismember a thrillingly dark rendition of Edwyn Collins‘ ‘A Girl Like You’, dousing it in the gritty sleazy and intoxicating tones we love from this trio. It’s dark as Shuman howls, screams and deeply haunts over whining guitars and flashing electronics. Filled with infectious shimmy grooves this track will make your skin crawl and tantalize all your senses while creeping into your mind where it will firmly reside for days. They did a cover the only way Mini Mansions can … better than the original.
The talent of this band is immense. Each track was meticulously cultivated – simmering and ripening slowly in Mini Mansions pressure cooker until the band were ready to delight and shatter our ears all at once. It’s exciting to see what each release will bring. They never compromise their sound yet push boundaries and provide an enthralling full bodied sound with every release. There is no one else like Mini Mansions out there at the moment. We need this trio to keep music fresh.
Stream ‘Works Every Time’ below
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.