Three-piece rock band Pompadour are set to release their debut single, ‘Violet’ on Thursday, 14th February.‘Violet’ was recorded, produced and mixed at J&J Studios in Bristol. Comprised of trio Tamsin Sayers (vocals, bass), Kearney Day (guitar) and Toby Holbrook (drums), Pompadour have played gigs around Bristol, playing venues such as The Fleece, The Louisiana and The Lanes. In the summer of 2018, the band played on the Discovery Stage at Bristol Harbour Festival and had their first out-of-town show at Nambucca, London as well as worked with renowned promotion company, This Feeling, with whom they supported The Seamonsters on their UK tour.
‘Violet’ is a jaunty darkly smudged number that coasts along with jangly guitar hops, gritty bass lines and punchy drums. The melody is catchy with a lively swing to it and delicate sweetness that sits comfortably in your brain while Sayers’s moody deep vocals add a darkness to the track, almost shadowing its vibrancy in an eerie smoky mist. This develops sublimely throughout the song as the buoyant instrumentation builds becoming a little more aggressive and abrupt. With a delightful skip in its step, the song progresses gradually from a zealous perky bop brimming with rich oomph-filled instrumentation to a sulky stomping tantrum without becoming overpowering. This trio build their shift in tonality subtly to create a delightfully dark little twist in the song.
According to the band : “Violet is written about a guy who is in love with a girl called Violet. Violet does not reciprocate the affection shown by this guy and politely declines his advances. The boy is confused as to why Violet doesn’t like him, as he believes that everybody else loves him. As the song goes on, he starts to get quite bitter and starts insulting her instead, saying that nobody really cares about her, despite his earlier feelings. The song reflects on childhood and adolescent romances, where this kind of reaction to rejection is Prevalent.”
Mellor are set to release their first new material of the year, single ‘Helsinki’ on March 22 via AWAL. After a reshuffle of members the new line-up has settled on: Gary Kingham , Sam Igoe , Kristian Bell and Josh Woodward. Mellor have been featured on the Spotify Indie list, Transistor and Hot New bands playlists, Apple Music’s Breaking Bands playlist, had national and local radio support from Tom Robinson, John Kennedy, Frank Skinner and most recently Abbie McCarthy on BBC Radio 1 and have also played at festivals such as HURL Fest, Butefest, Truck Festival, Tex Fest, Are You Listening, Tramlines and Camden Rocks.
‘Helsinki’ is another absorbing indie mammoth from Mellor. Traveling on blistering guitars and a relentless bass groove this track is set to high voltage from the start. Swagger drenched guitars wail, soar and majestically intensify the song while a punchy drum and elastic bass rumble keep that snappy foot tapping foundation that is sure to have a live audience going wild. With a surge of adrenaline through every pulse, beat and guitar tickle this song is one electrifying thrill. The track is tight, as Mellor create an exhilarating wall of sound that crashes into every fiber of your being- filling you with instant energy. Gary Kingham’s warm raspy vocals lace the song in passion and expression as he effortlessly and powerfully holds his own over the mighty instrumental hop and dynamic soundscape. It’s one whirling rush of fantastic indie. Make sure to check ‘Helsinki’ out when its released on March 22nd.
About the track the band said :” ‘Helsinki’ is about someone who has been lead on and given false hope for so long, that they eventually have that realisation, where they should just cut that controlling, self-indulgent person off completely.”
Our Worth A Listen Track This Week Comes From Gorilla Punch Radio
Manchester based Rock Band, Gorilla Punch Radio are back with a 12 track album titled ‘No Retreat’. The album comes two years after their debut single reached worldwide radio coverage. They have produced 12 powerful, hard hitting examples of rock music. Each of the tracks have a tantalizing raw edge. The leading track ‘No Retreat’ is their most popular single to date which achieved worldwide radio play despite being a debut.Gorilla Punch Radio consists of guitarist James Booth, drummer and producer Elliot Vaughan, whose previous work includes clients such as ‘Frank Turner’ and ‘Pulled Apart By Horses’, alongside the talented Horus Ghani on the bass axe and Sam Jackson on the six string.
‘No Retreat’ is a heavy beast, battering through your skull with blistering slick riffs, punchy drums and a thrilling infernal rumble on bass. Overflowing with gritty, ruckus infused energy this track relentlessly travels through your ears clobbering you instantly with guitars louder and meaner with each verse and chorus progression. Catchy and intense it’s intricately crafted, meticulously polished and ruthlessly efficient in its pursuit to provide the listener with the ultimate rock thrill. It builds from hyper mania into a metal hued crescendo that throws caution to the wind and allows frantic chaos to take over while falsetto vocals wail in a haunting tension building manner. A whispered vocal continues this tension before they frantically break to a dramatic end. It’s one ear smacking anthem.
Gosport, Hampshire alternative rock/punk band The New Shoes have released their debut single ‘Little Racket’ on Mayfield Records.This track wrestles punk to the ground and mangles some 60s pop and garage rock into its structure to create a snappy animated and thoroughly satisfying number. With a choppy rhythm, pop sprinkled melody and a melodic guitar feature this punchy track is a boisterous animated no nonsense anthem. Designed for the sticky mosh pit, it’s brimming with short adrenaline bursts and a catchy chorus while a shredding guitar solo lacerates through the rigorous backdrop sizzling with swagger. With the messy rough and ready punk undertones, raw rugged garage and a luscious coating of buoyant 60’s melodies The New Shoes have provided a kinetic vigorous debut.
Chay Snowdon return with double-single; ‘Mon Cheri’ and ‘Sha La La’.The Bristol based band (Liam Roberts on lead guitar, George Roach on bass, Ed Fox on drums and Chay Snowdon providing vocals and rhythm guitar) have already made their mark in the music independent scene with support slots with the likes of ‘The Sherlocks, ‘JUDAS’, ‘VANT’, ‘The Snuts’, ‘Glass Caves’ and ‘Oddity Road’ as well as performances at Camden Rocks and two UK tours. The band have now returned with two knockout indie tunes.
‘Mon Cheri’ is a brisk swagger-dripping banger sure to set a mosh pit alight. With jangly guitars weaving and striking bursts of vibrancy through foot stomping drums – this charming adrenaline surging track is locked and loaded, ready to make you dance, shuffle and bop. With shrilling guitar whines, rich buoyant rhythms and panache soaked vocals, its a rush of wild indie rock. Riding on high adrenaline instrumentation, this catchy track is a punchy, potent thrill from the start.
‘Sha La La’ is the flip-side to ‘Mon Cheri’s’ energy with its slow dance tempo and delicate brooding instrumentation. It’s sweet, tender and emotional as Snowdon’s warm vocals exude passion and soul. The smooth melody floats gently over twinkling guitars and soft drum taps. A moving guitar feature fills the song with that “hold me close” swoon leading the track into its dramatic classic rock crescendo of heartfelt guitars mourning over punchy drums and sing along refrain.
‘Mon Cheri’ and ‘Sha La La’ are two equally gripping and diverse tracks from Chay Snowdon showing just how versatile these guys can be. Each note leaves you craving to hear more.
Four piece indie band VELVET have released their debut single ‘Out to Get Me’ which was recorded in Newcastle at Loft Studios with Matt from Little Comets.The band comprised of Jack Rasmussen, Lee Wright, Liam Cooke and Josh West are heading back into the studio in February to record their debut 4 track EP which is set for release in March.
‘Out to Get Me’ is a sweet number that floats on dreamy tones, delicate twinkling guitars and a creamy soft melody. Spongy drums bounce and hop with a feathery light buoyancy as the ethereal guitars add a stinging gentle breeze to this supple gem while also weaving sublime melodies filled with melancholia and heavenly scintillation throughout. With warm raspy vocals flooding the song with coziness and passion- this delightful track is an easy going melodic ditty that wraps your ears in glorious soothing indie.
Vampire Weekend have returned, greeting their tune thirsty fans with a warm, cosy and instantly satisfying two track combo. ‘Harmony Hall’ and ‘2021’ are the first tracks released from the band’s upcoming fourth album, ‘Father of the Bride’.
In true Vampire Weekend fashion ‘Harmony Hall’ floods through with rich opulent sounds and textures to tantalize and enrich the senses. It’s as if Vampire Weekend have announced the bright beautiful coming of spring and thawing of winter. Soft guitars twinkle around the delicate melody while each verse and track progression introduces a new subtle element as the song unfolds into a blossoming beauty. There is a subtle,elegant, baroque element between a jazz flavoured piano. The piano flurries through,ever so delicately and charmingly unwrapping the delightful goodness within the song. Ezra Koenig’s velvety vocals caress and comfort the melty melody with a sprinkling of sugary delight while the elastic bass grooves, shuffling percussion and buoyant drums maintain the playful boppy foundation. The track, which features the closing lyrics “I don’t wanna live like this, but I don’t wanna die” from ‘Finger Back’ on their previous album Modern Vampires of the City is cosy and a little cryptic as Koenig leaves a nice little trail of lyrical bread crumbs for his dedicated fans to follow. With a Simon & Garfunkel -esque harmony and romantic tinted coating, Vampire Weekend ensured their return would be worth the wait.
‘2021’ is a sweet little track coming in at less than 2 minutes, this addictive ditty glides upon subtle instrumentation of warm guitar, twinkling keys and tapping hi- hat while Koenig softly and emotionally croons the sweet lyrics. With a falsetto sample singing “Boy” between the lush delicacy this track has a repetitive hypnotic charm to it that is difficult to resist.
Dublin based Gorilla Troubadour have released their second single ‘Tom Cruise Does All His Own Stunts’ and boy it’s a doozy. Following the release of their debut single ‘The Apple Truck’ and an ensuing tour around Ireland, the band have made a name for themselves as gritty rockers, combining powerful riffs and ear catching hooks. Over the summer they played at festivals such as Townlands Carnival and Gael Linn as well as a headline in The Workman’s Club as part of Gigonometry and packing out Geoff’s Bar in their hometown of Waterford. The band recently headlined The Workmans Club on the 17th of January to a full venue.
‘Tom Cruise Does All His Own Stunts’ is a thrilling smooth criminal that terrorizes and haunts with slick charm and staggering swagger while an abrasive instrumental backdrop entraps you in Gorilla Troubadour’s sound. These guys have style for sure, as biting raw guitars erode through the punchy drums while a sensual bassline wiggles, weaves and lures you deeper into this bewitching track. The guitars wail and pierce creating a haunting atmosphere of danger and mystery while panache soaked deep vocals coo and entrap over this blistering display. It’s catchy, exhilarating and magnificently crafted. The rich depths in this track are pretty masterful for such a young band- the darkness swirls and rumbles through that sublime bubbling and fermenting bassline while the finesse on guitars creates a sweet tension release, all the while the track is coiling and intertwining with lush backing vocal lulls and pristine harmonies as the track builds to a dramatic crescendo. Gorilla Troubadour have meticulously crafted this song- constructing its component parts prudently and the result is pretty impressive. I’m loving their professional, crisp yet corrosive and enthralling sound.
The launch gig for ‘Tom Cruise Does All His Own Stunts’ is scheduled in Whelans on for the 19th of February. Also planned are launch dates in venues all across the country as the band look to build on their success of 2018.
Reading indie band RAIN CREW have released their debut EP ‘Honey’. RAIN CREW are a 4 piece female fronted alt/indie rock band. Having spent the best part of 2018 gigging, the band have shared the stage with the likes of Valeras, Catholic Action, and The Xcerts, playing venues such as Boileroom, West End Centre, O2 Academy Islington and Camden Monarch. The quartet have also had the pleasure of headlining multiple DIY festivals over the summer.
‘Honey’ is a nifty collection of tracks that pack in some hook filled melodies, slick guitar work and tight musicianship. There is something for everyone here – a healthy dose of pop mangled beneath angsty punk, warped through an indie prism. Titled track ‘Honey’ sets the scene. Refined bass tickles behind the luring verses while the sharp guitars stride and crash against punchy drums for the anthemic chorus. Beth Atkinson’s vocals venture from sweet and enticing to powerful and mighty as she holds her own over the mighty instrumental bursts. There is a nice little change-up halfway through the track which brings in lush harmonies and showcases the promising versatility in this band. Following this blistering number with warm tones is ‘Control’ which starts like an acoustic heartwarming slow burner before bursting into another powerful chorus. The luscious blend between delicate warm indie pop and harsh punk is riveting. There are some sublime guitars and bass moments throughout the EP and RAIN CREW make the most of these placing them in the most glorious places ready to win you over with their lovable melodies and tones. ‘I Don’t Like You’ showcases the bands sassy, swagger soaked attitude with a hint of rock n’ roll driving the instrumental panache while ‘Blink’ brings the EP to a close pushing that catchy vibrant sound home ensuring RAIN CREW aren’t a band you are going to forget. It’s fun, danceable and brimming with gusto.
‘Honey’ is a rich diversified and enjoyable EP that has plenty of special little flickers to ignite your youthful spark and evoke images of live show sing-alongs and bopping mosh pit fans.
Our Worth A Listen Track This Week Comes From Circus Wolves
Guy Wynn Davies (vocals), Cameron Tetlow (drums), Ben Dodson (bass) Jack Taylor and Jim Ker (guitars) comprise Manchester alt.indie band Circus Wolves who have shared the stage with the likes of The Slow Readers Club, The Amazons and No Hot Ashes. They are set to release their new single ‘No Country’ on January 26th ahead of the band’s highly anticipated headline show at Night & Day in Manchester on Saturday 2nd February.
‘No Country’ is a searing, jaunty swivel of the exhilarating alternative rock Circus Wolves do so well. The five piece whack out the intense high voltage rock from the get go with blistering guitars crashing off dynamic drum whacks while a rooted bass groove rumbles and wiggles creating a sublime fluctuant foundation for this track to soar and ricochet off. With animated jagged rhythms thumping through scorching guitar fondles and smashing solo’s, Circus Wolves have blasted into 2019 taking no prisoners. Dripping in swagger and a gritty rush of adrenaline- this high powered track is locked and loaded for the sweaty live shows. With its catchy laid back melody in tow and powerful vocals adding that final atomic punch- it’s the perfect sweet and sour blend to tantalize your power rock taste buds.