Our Worth A Listen Track This Week Comes From Michael Jablonka
London’s Michael Jablonka has released his new single ‘Papier-mâché’.Born and bred in the capital, Jablonka has been gigging since the tender age of 14 as an in-demand guitarist for hire, including, over the past couple of years, touring arenas and festivals worldwide with fellow North Londoner and Brit-soul sensation Michael Kiwanuka. During this period, Jablonka decided it was time to blaze his own trail as a bandleader and songwriter, collating a set of intense yet universal rock’n’soul tunes.
‘Papier-mâché’ is another kinetic treasure from Jablonka. Filled with his high powered intensity, passion and prowess for songwriting- this track exudes effortless swagger with tenderness and emotion exploding from every note. With a snappy meaty rhythm driving and pulsing through the track like adrenaline in your veins Jablonka builds the tension slowly adding a new thrilling dimension with each verse as it ferments and broods into the dynamic chorus. Just when you think this molten sweltering gem couldn’t get any better Jablonka bursts into the most riveting spine tingling guitar solo. This solo shreds through your skull with shivering distortion, sublime nimbleness and spiraling grandeur ensuring his masterful guitar skills are firmly imprinted into your brain until you are attempting air guitar while kneeling on the floor dramatically. With an infectious chorus doused in a sweet melody and warm vocals this is another outstanding track from Michael Jablonka.
Lyrically, ‘Papier-mâché’ is something of a metaphor for an intangible idea, a thought that flounders on uncertainty. Michael explains: “Sometimes unconsciously an idea might snowball into an emotion that you’re afraid to confront. And ‘Papier-mâché’ for me is that structural object you can’t quite figure out, it’s fragile and easily falls apart if not taken care of.”
Edinburgh Electronic/Alt. R&B artist Rachel Johnson has released her debut single ‘S/he’ under the moniker Kohla . A fine arts graduate Kohla was writing rock music until last year where she suffered a vocal injury and in turn listened to a lot of hip hop, alt R&B and rap while she was recovering. ‘Kohla’ is a debut of alternative R&B, influenced by Banks, FKA Twigs and James Blake among others, with ‘S/he’ being thematically about jealously, disdain and pride. The artwork was also drawn by Kohla.
‘S/he’ is a molten R&B hued number laced with tension as Kohla unfolds her carefully crafted fierce yet vulnerable sound over a gripping backdrop. Her gentle voice coos through the soft melody with her warm lower range or sweet frail and breathy falsetto creating a delicate easy on the ears seduction . The steady sticky beat is constant through the fluid haunting backing vocals and all round eerie dreamy atmosphere. It’s elegant, sassy and filled with refined class as Kohla announces herself with this steamy darkly coated track.
Oxford four piece rock band Juniper Nights have released their new single ‘Future Spring’. The band consisting of James Gallagher (Vocals/Guitar), Zach Wilmott (Guitar), Marty Melvin (Bass), and Tom Lindsay (Drums) create contrasting atmospheric soundscapes with aggressive guitar-rock.
‘Future Spring’ is a tasty melodic number that bounces along a jagged guitar hook, buoyant rhythmic section and ethereal soundscape. The laid back melody tips away at the verses building steadily into the mighty chorus and dynamic crescendo. It’s easy going with glorious little bass grooves that weave a sublime meaty yet elastic foundation while the sparkling and thrilling guitar lines glisten over this gripping backdrop before shredding through the chorus. Juniper Nights ability to blend the easy-going sweet and razor-sharp bitterness seamlessly is powerful and pretty impressive adding vibrancy and rich depth to the track. Future Spring is well crafted with melodies that tickle the ear, swell the heart, moisten the tear ducts all while filling you with that ” fist-pump might” to have you swaying and singing powerfully along. The refined production reveals sublime new facets upon each listen as meticulous guitar injections, slithering licks and vivid strikes create the ultimate tasty backing for this mellow potent number.
Bath-born alternative rock outfit Farebrother have released their new single ‘I’d Be the Worst’.After releasing roaring singles ‘A Little Late’ and ‘Rewind’ in 2017, which have a collective 140,000+ streams on Spotify, Farebrother have been developing their sound at legendary Rockfield Studios and ‘I’d Be the Worst’ is the glorious result.
This swagger steeped delight announces Farebrother’s triumphant return with slicked back confidence and a dazzlingly infectious glossy pop exterior. With punchy drums, jangly guitar and strut ready panache this track swarms in – animated, catchy and filled with charm and charisma. Those jagged riffs slicing through the funk flavoured bass grooves and danceable beat takes this bands sound to another glistening suave level. Blending the rugged raw rock with silky disco hues, steamy guitar licks and lustrous indie elements Farebrother pull another doozy out of the bag.
Washington Electro Rock/Synth Pop band Color Palette have released their new single ‘Dark Days’. Expanding into the darker facet of their musical prism Color Palette dive deep into electronic rock to create a gripping cinematic number. Flickering electronics flutter and rush about a steady beat while the smooth vocals hold all the instrumental bluster together with its chilled effortless grasp. The bitter guitars sting and soar over the gritty electronic riff creating that ethereal vibe this band do superbly however the winding keys and sinister atmosphere pull the track into its darker shades maintaining an ominous tone. Filled with dramatic bursts the track drives through keeping climactic paced momentum throughout. Each element is perfectly paced from blistering guitar moments to flashes of dazzling electronics and meaty drums creating intense highs in the track with Jay Nemeyes velvety vocals contrasting this whirlwind with his sweet coos and gentle laid back tone. Doused in dreamy bleak vibes it’s a hair raising gem. Exuding a gripping sense of adrenaline this is a captivating track from Color Palette.
Our Worth A Listen Track This Week Comes From GURU
Emerging from the high-rent utopia of Brighton, indie newcomers GURU announce themselves with their irresistible take on punk in the form of debut single ‘Consumer Helpline’. The quartet comprised of Tommy Cherrill (vocals), Kieran Hunter (guitar), Ferg Belfrage (bass) and Simon ‘Danny Boy’ Daniels (drums) have already earned impressive support slots alongside Lady Bird, LIFE and Kagoule and have gained some early praise for their demos (BBC 6 Music).
‘Consumer Helpline’ is a razor sharp well executed slice of raucous punk. Its a swagger dripping fuzzy assault that goes down smooth with a sharp after-sting. Splintery guitars shred and lacerate through the rough rhythmic foundation and battering drum onslaught as the cool easy going vocals suave their way through the verses before stumbling and dramatically exclaiming over the chorus. The track whirlwinds its way into a frenzied thunderous crescendo. Their thrilling brand of psychedelic rock seeps with panache as they pulverize their powerful punk through every fibre of your being. It’s gritty, messy and coarse yet GURU slide in some really slick refined elements to create a wholly satisfying number that whooshes through with pungent adrenaline leaving you craving for more. Keep an eye out for these lads.
Dublin-based experimental/post-punk band Tribal Dance are set to release their video for ‘And Then All That Was Left Was A Physician And A Silhouette’ tomorrow December 5th. Tribal Dance consists of bassist and vocalist Adam Smyth, guitarist Stephen Dowling and percussionist Leo Clarke. Their debut single “Flongo” released in August 2017, sent out waves of excitement and received extremely positive reviews from music blogs and nationwide newspapers as well as national and international radio play, which contributed to a sold out single release show. The band have been showcased in Whelan’s Ones to Watch along with headlining a special Nialler9 showcase The Button Factory as well an unforgettable performance to a packed tent at KnockanStockan 2018.The band’s sophomore release ‘And Then All That Was Left Was A Physician And A Silhouette’ is set to be the first release on Bad Soup Records in December 2018, accompanied with an intense and dramatic music video, a limited edition physical release.
‘And Then All That Was Left Was A Physician And A Silhouette’ is Tribal Dance’s fierce way of dissolving your mind in their thick murky concoction of math punk with sweet little bubbles of psychedelic rock gasping beneath this suffocating brew. The tense atmosphere builds right from the start as these guys unfold each segment gently with eerie soundscapes twinkling through distorted guitars and punchy drum attacks. This acid saturated gem lures and entices with soft lulling vocals, sweet little guitar injections and a meaty rhythmic foundation. Just as the track seeps into its dreamiest delusional state Tribal Dance electrocute you back to life with a pulverising heavy finale. The fluctuation between Math mania and soothing psychedelia is masterful as Adam Smyth switches from animated screams to soft coos seamlessly while wobbly desert guitar whines between a deep groove and laid back melody. Well crafted this track consumes you entirely in the dizzying world of Tribal Dance and with musicianship this refined and messy all at once – these guys are definitely ones to keep an eye on.
Watch the video for ‘And Then All That Was Left Was A Physician And A Silhouette’ below
No Alarms have released the video for their new single ‘Find Me’. No Alarms was born in Texas as the solo passion project of multi-instrumentalist Andrew Boles, and has since bloomed into a Detroit-based, fully-fledged, five-piece. No Alarms is blending the lines between modern indie pop and new wave revival, and building an engrossing live show from the ground up. Their debut single “Right is What’s Left” was featured in an episode of ABC’s “Kevin Probably Saves the World” originally airing on February 6th, 2018. ‘No Alarms’ EP was the 13th most added record on NACC college charts its debut week, and has since peaked at #132 on the NACC 200.
‘Find Me’ is an entrancing smooth indie pop track that swirls and floats elegantly upon No Alarms’ infectious melty melody. It’s a sleek glossy number as their rooted grooves set a fluctuant foundation for the flashing electronics to rebound and playfully ricochet off while velvety vocals coo and caress the tasty melody. With a sticky summer sun vibe this dance-filled song is uplifting and ethereal as it bounces along energetic drums and dazzling synths making for a wholly satisfying listening experience. With rich textures wrapped delicately in a multi coloured prism ‘Find Me’ showcases No Alarms ability to create a full bodied delightful tune that tantalizes all the senses.
Wolverhampton’s Runaway Hounds have released their new single ‘Nightlight’. Driven by a passion to create and a love for music, twin brothers Owen (vocals/guitar) and Kent (lead guitar) Stavenuiter spent many of their school years experimenting with genres, sounds and instruments alongside classmate and close friend Dan Glover (bass). However, it was not until late 2016, with the arrival of Callum Ford (drums), that the group found their own distinguished sound and Runaway Hounds was born.In just over a year, the band have played several headline sets in venues in the West Midlands and have taken their sound across the UK, performing to crowds as far as London.Their debut single ‘Rattlesnake’,gained airplay and support from the likes of BBC Introducing along with their second single ‘Sophie’.
‘Nightlight’ is an unblemished clean track that smoulders and burns gradually into a blistering indie number. There is an intense energy behind this tack as in all of Runaway Hounds’ songs however, this number simmers steadily to its crescendo with the backdrop creating a little more space allowing each element to shine. The rumble on bass and drum tap creates a suspenseful intro before the track flourishes into its wonderful flurrying verses. Zesty guitar melodies lament and jingle above this anthemic number creating the perfect tone and ethereal experience. These glorious guitar melodies are the pinnacle of the track, they add such vibrancy and emotion that makes the song come to life in a graceful and beautiful manner while still sliding in a healthy dose of indie rawness. The chorus explodes with punchy drums, sing along ready lyrics and a fantastic bass line weaving between the crashing guitars. Runaway Hounds have clearly taken time to refine their sound. Focusing on their musicianship, they have provided a gripping wholly satisfying track that packs a mighty punch. This four piece are thriving and blossoming in their musical surroundings.
Birmingham based duo SOCIAL STATE have released their new single ‘Never Gonna Get It’. The two piece comprised of Andy and Brad blend Indie, Hip-Hop, Punk and Emo to establish an unprecedented sonic identity. They are heavily inspired by growing up in the Midlands, not doing well in education and the antics of teenage youth. Their debut ‘Never Gonna Get It’ is a statement piece which talks about the constraints and misrepresentation of the millennial generation. The song is the first release in the cycle, with numerous releases to come within the following months.
‘Never Gonna Get It’ is a catchy spurt of indie punk filled with adrenaline surging vitality. This duo whack out a buoyant rugged pop-smacked number with a meaty texture and hook filled gang-chant chorus that is sure to ignite a live audience. Their rap flows fluidly as the duo spit out the lyrics with attitude and an air of revolt while jaunty guitars playfully rebound off a snappy beat. This track is infectious – that chorus will have to be peeled and prised out of your head. SOCIAL STATE are a fiery duo providing vibrant light numbers with a meaty substance. Keep an eye out for these brash anti-establishment chappies.
Watch the video for ‘Never Gonna Get It’ below
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.