Category Archives: psychedelic

BRONCHO ‘Bad Behavior’ Album

BRONCHO have released their new album ‘Bad Behavior’ an infectious swirl of luscious, teasing and exhilaration tracks to keep you drooling for more. It’s a tasty collection of tracks filled with psychedelic indie pop, laid back tones and insanely catchy grooves to ensure a satisfying listen. ‘All Choked Up’ sets the EP in motion with its churning rhythm creating a danceable foundation for the buoyant guitars and smoky melody. The stop start beat establishes an atmosphere of suspense which is only subdued by the shredding slick guitar solo. This track is so sleek and glossy with dark undertones twirling beneath the hypnotic rhythm. The tracks on the album flow into each other with a smooth fluidity,‘Weekend’ continues the heavenly subtly psychedelic trip with ethereal guitars twinkling between a steady backdrop. Ryan Lindsey’s sweet falsetto vocals provide each song with a heavenly quality. The instrumentation is tight throughout- crafted to perfection with glorious guitar twinkles daintly accompanying Lindsey’s vocals and honeyed melody while the strong beat and elastic bass grooves between. ‘Boys Got To Go’ displays this perfectly, the melodic flow guarantees a soothing listening experience as soft guitars glisten playfully throughout before whining elegantly every so often. BRONCHO provide the most glorious comforting blanket with ‘Keep It In Line’. This track enfolds your ears in a candied soothing melody, beautifully weaved instrumentation and sedating vocals. It’s bouncy, bright but incredibly tranquilizing. These guys delicately unwrap their sound revealing lush textures with each track. Together they gel immaculately- each instrument has its part and yet the tunes they produce feel airy and freeing. The album continues to blossom with ‘Sandman’, bringing a slightly ominous tone into this dreamy mix. The guitar and bass in this track is riveting. The song bubbles and boils around the playful guitar as Lindsey creates a haunting atmosphere. It’s a little more gritty with a creepy almost sleazy vibe but an absolutely thrilling listen.’Undercover’ follows the darker tone of its predecessor lightening it with buoyant grooves stomping between a sliding swagger soaked melody and strutting guitars. This is one well crafted track.The subtle guitar changes from twinkling and gliding to prancing as they flood the track with panache and an infectious funk flavoured danceable quality. ‘Family Values’ is another infectious gem that is sure to put a smile on your face. If you can prise your ears away from the bouncy weaving instrumentation and focus on the lyrics BRONCHO showcase their humorous cheeky side,“I got a thing for your mother / I got a thing to teach your father”. One thing I have come to love about the Tulsa, Oklahoma-based band is their sublime ability to create dreamy woozy tunes likeBig City Boys’. Though the track is hazy and dreamy the instrumental backing is strong, pushing forward with a relentless goal of fun loving with a slick proficient style that is one to be admired. The summertime cruising ‘Get In My Car’ follows. The album version sounds a little tweaked and more crisp to the single version released last year. This summer time gem bops and wiggles over a smooth melody and gleaming guitars. Glissading over to a glam rock flavour, BRONCHO provide us with a tantalizing variety of genres to taste throughout this album. They close the album in the best possible way, leaving us hungry for more. The swagger steeped foot stomping danceable and infectious ‘Easy Way Out’ accomplishes this task without fail. It’s slick, pristine, panache driven indie rock drizzled in rock n’ roll flamboyance with nimble steamy guitar licks and a catchy melodic flow to keep us wanting to dance all night long.

BRONCHO is that band that are cool, fun and make you want to scream and tell everyone about. Their sound is appealing to everyone from the lazy daydreamer to the adrenaline punk-rocker and indie-head in between. The provocative lyrics, incredible musicianship and all out swaggering groovy persona within each track is what makes BRONCHO one heck of a band. The sound is distinctive, Lindsey’s vocals are distinctive and their tunes undeniably infectious. It’s music to make you feel, music to make you dance and bop or tap your foot and do air drums to while you relax on a lazy summer’s day, but either way you feel every delightful note.

Stream ‘Bad Behavior’ below


THUMPER ‘Down’

Noise­-pop quintet THUMPER have released their new single ‘Down’, produced by Dan Fox of Girl Band.2018 has seen THUMPER top several Ones To Watch lists in Ireland and tour relentlessly headlining Hard Working Class Heroes, joining Fangclub on tour, and playing festivals all summer long such as Sea Sessions, Body & Soul, and Electric Picnic.

‘Down’ is a pungent, biting number swirling with mouth watering pop hooks lavishly placed on a grunge backdrop. Whirring guitars fizz and spin about with infectious razor sharp riffs and vibrant laid back jingles  while a glorious sun kissed melody glissades along the buoyant beat. This track is affluent with rich swirling soundscapes as it meanders into a psychedelic dizzying trip of distortion. THUMPER blends the bitter/sweet effortlessly- filling their tracks with exuberant dreamy tones laced with daisies and sweetness which lead you down the delirious rabbit hole into frenzied chaos. With a lo- fi production easing you into its floppy 90s-soaked noise-rock- this track reins in the pure elements of rock, grunge and pop to create the perfect frazzling blend of bliss. There is something for everyone here, these guys slowly and delicately build the song adding a new layer and dimension each time until it’s an all out mouth frothing whack of psychedelic scuzzy rock. Its frenzied boppy euphoria displays THUMPER’S tight undeniably slick sound and impressive musicianship.

Stream ‘Down’ below  

Watch the video for ‘Down’ below 

 


Pin Ups ‘Do You Hate Yourself Yet?

London based three piece Pin Ups have released their new single ‘Do You Hate Yourself Yet?.’After a chance phone call with a friend of a friend, drummer Jesse (hailing from Norwich) and singer/guitarist Josh (from East London) came together in another project Pastel Colours. After stripping down from a 5-piece to a 3-piece and recruiting Jesse’s brother Louis on bass, Pin Ups was born. Their latest release ‘Do You Hate Yourself Yet?’ was recorded in the wee hours of a Sunday morning with producer/engineer Scott Docherty. The song deals with the feelings after waking up from a particularly heavy night out, those of confusion, doubt and self-loathing, as you question why you do it to yourself, and who’s that person over there?

‘Do You Hate Yourself Yet?’  is a combustible track brooding and smouldering in a gloomy grunge atmosphere as stinging guitars jingle their way playfully between punchy drums and a pop drizzled melody. Raspy hushed vocals whisper the verses as the track slowly brews and bubbles. Its moody and vibrant all at once as the song builds into a dynamic chorus sprinkled with 70’s /80’s post punk attitude. It’s catchy with a darker undercurrent that takes over as the track progresses into a blistering instrumental with shrilling guitars whining and screeching over pulverising rhythms, mighty drum whacks and aggressive vocals. This summer soaked scorcher burns its groovy infectious way into your ears with dizzying psychedelic hues among its grunge hostility. ‘Do You Hate Yourself Yet?’ is a tight well crafted Pixies -esque track that makes this trio one to keep and eye on.

Watch the video for  ‘Do You Hate Yourself Yet?’ below


Mini Mansions ‘Works Every Time’ EP

Mini Mansions have released their highly anticipated EP ‘Works Every Time’. Singer/guitarist Michael Shuman, singer/keyboardist Tyler Parkford, and bassist Zach Dawes are the glorious trinity of Mini Mansions, a band who push boundaries and overwhelm our minds with psychedelic encryption and delicious tunes. The band have played in some of the world’s biggest rock bands, Queens of The Stone Age, Arctic Monkeys and The Last Shadow Puppets these guys have been flourishing right at the roots of the rock genre readying themselves and fermenting their sound.This new release arrives three years after their second record, ‘The Great Pretenders’, which received critical praise and featured guest appearances from Arctic Monkeys frontman Alex Turner and The Beach Boys’ Brian Wilson and ‘Flashbacks’ a collection  of B-side tracks which was released in 2016. Mini Mansions sound is unique and stirring all at once and places them firmly on par if not above their comrades in intricate obscurity and just plain genius. ‘Works Every Time’ is only a glimpse of what these guys are capable of.

‘Works Every Time’ is a concise, flavoursome collection of juicy tracks to re-introduce us to the mouth watering home cooking of Mini Mansions. Title track ‘Works Every Time’ reels us in with a soft beat bouncing off a swoon worthy melody and glistening keys.Filled with wistful tones Parkford takes the vocals on this track, his sweet falsetto cooing over the breathtaking soundscapes as this song floats around a dreamy ethereal atmosphere while the zesty sting on guitars give a lamenting bite and sharpness to the track. ‘Midnight in Tokyo’ rumbles through with Dawes’ elastic bass line teamed with the sticky slapping beats setting the groove infested foundation as the track spirals into a sleazy swagger smacked number. With Prince like Bowie -esque hued verses and a triumphant catchy chorus this track struts in, slicked back, funk fueled and glossy. Shuman’s vocals take the lime light here drenched in panache and gritty rough flamboyance as flashing disco hued electronics dazzle the background while Parkford provides lush tight harmonies. The rich meaty sound is filled gloriously with zingy guitars weaving their way, flickering little bursts of spice throughout. Parkford takes vocals once again on ’This Bullet’ a psychedelic whirl of utter mind melting mania. He ventures to his ominous lower range while Dawes’ throbbing bass and meandering soundscapes rush you with a sinister sense of danger. This track has a residue of Mister Goodnite’s ‘One Against Five’ with a little more darkness and obscurity smeared on top as alien- esque electronics wail about eerie tones and snappy driving beats. There is something magnetic and hypnotic about this track as Mini Mansions distort and dissolve your entire grip of reality with one catchy dizzying tune. It’s dark and creepy especially when Parkford orders take off your vest“ however it’s difficult to prise yourself away from its chilling charm. Of course the band offer up another stirring cover for us to devour. Having previously embellished our ears with Blondie’s ‘Heart of Glass’ and Sparks ‘Sherlock Holmes’ Mini Mansions dissect and dismember a thrillingly dark rendition of Edwyn Collins‘ ‘A Girl Like You’, dousing it in the gritty sleazy and intoxicating tones we love from this trio. It’s dark as Shuman howls, screams and deeply haunts over whining guitars and flashing electronics. Filled with infectious shimmy grooves this track will make your skin crawl and tantalize all your senses while creeping into your mind where it will firmly reside for days. They did a cover the only way Mini Mansions can … better than the original.

The talent of this band is immense. Each track was meticulously cultivated – simmering and ripening slowly in Mini Mansions pressure cooker until the band were ready to delight and shatter our ears all at once. It’s exciting to see what each release will bring. They never compromise their sound yet push boundaries and provide an enthralling full bodied sound with every release. There is no one else like Mini Mansions out there at the moment. We need this trio to keep music fresh.

Stream ‘Works Every Time’ below

 


Lana Del Rey ‘Venice Bitch’

Following on from last week’s release of ‘Mariners Apartment Complex’, Lana Del Rey has now released another new track ‘Venice Bitch’. The track which is expected to appear on her next album, ‘Norman Fucking Rockwell’ premiered as World Record on Apple Music’s Beats 1 with Zane Lowe” yesterday and is available to stream and download now. Lana Del Rey is currently in the studio working with Jack Antonoff. A full-length record won’t be due for release until 2019 but Lana is excited to preview some early material from the sessions for fans.

‘Venice Bitch’ is a 10-minute span of dreamy floaty ballad -esque tones wrapped in a psychedelic prismatic  blanket. Del Rey drapes her sultry vocals over a tender first half of the track as subtle guitars twinkle about swoony strings while a sweet calming melody caresses your ears gently and delicately seeping into your mind. Del Rey’s vocals disarm and subdue with her honeyed tone lulling and cooing gracefully. This sublimely tranquilizing gem is easy on the ears as it subtly builds becoming a little more obscure with the psychedelic tones steering the track into a kaleidoscopic daze. Just as you are melting into its soothing moody hazy vibe the track slides into a falling hallucinogenic bottomless dream of weaving almost dizzying soundscapes and distorted lingering guitar fuzz while Del Rey laments above this woozy backdrop. It’s a gripping unique number from Lana Del Rey.

Watch the video for ‘Venice Bitch’ below


The Asteroid Shop ‘She Moves’

L.A.’s  space rock band The Asteroid Shop have released their new single ‘She Moves’. This stomping swagger steeped number strides with blistering guitar over a quivering and pulsing rhythmic backdrop. It’s a darkly hued track with ghostly vocals upon a gritty piercing wall of sound that is so chilling it could raise the dead. Slinky and strut infused the track creeps with a panache driven confidence. It’s a charming bewitchment that beckons your ears to draw nearer into its luring bedazzlement while piercing razor sharp guitars cut and melt away your mind with the most thrilling lacerations known to man. It’s kick-ass acid dripping psychedelic tinged bliss that shows the oh so slick musicianship of this band. I need to hear this live.

Stream ‘She Moves’ below

 


Worth A Listen

Our Worth A Listen Track This Week Comes From Eldren

Denver-based psych-rock group Eldren have returned with their new single, ‘Still Want More’ which is off upcoming album, ‘Miss Information Aged’, which is set to be released September 21 via Needlejuice Records and follows a climatic two year run for the band as they shared the stage with the likes of Gomez, Cold War Kids, The Black Angels, Imagine Dragons and Dr. Dog while also experienced the loss of their founding bassist, Steve Holloway at age 25.

‘Still Want More’ is a juicy glistening number that struts and flexes with prismatic colour and swagger dripping from every glorious note. Velvety vocals glide upon a delicious honey drizzled melody and vibrant backdrop of shimmering synths, tantalizing beats and flamboyant pizzazz. Zealous guitars inject a dash of zest and vibrancy while the glistening synths dazzle and swoon around the dreamy melody. Eldren flood the track with rich doses of swanky panache as a funky bass line weaves between the psychedelic hues and euphoric heavenly synth-pop tones while the guitars provide punchy rock jabs through this angel delight filled tune. It’s so luscious, creamy and rich with chilled vibes consuming the track in a charismatic sun soaked bubble of joy. This is a charming glistening gem that will brighten up your day and have you strutting down the street like a boss- sweet talking your way out of every situation. It’s that good.

 

Stream ‘Still Want More’ below


Sun Mahshene ‘Tales of Fiction’

Fresh off their slot at Vantastival, Dublin Indie Psychgazers Sun Mahshene are set to release their new single ‘Tales of Fiction’ on the 28th of July. The track was recorded and co-produced by Dan Doherty in Darklands Audio. This is the first single to be taken from their forthcoming debut album ‘Contradictions & Tales of Fiction’ which is due for release in October 2018. Sun Mahshene started off as a solo project by guitarist, vocalist and songwriter Nathan Henderson and soon turned into a collective of talented musicians, bringing Dave Murray on board for drumming duty and Ian McGinn on rhythm and lead guitar. With a mutual ambition to create something special they decided to merge their wide range of influences and joined forces with Darren Hughes on Bass and Ryan Daffy as third guitarist.

These guys know how to make mind melting tunes and ‘Tales of Fiction’ is no different. Filled with shrilling guitars and floor shaking punchy drums and bass combination, the monstrous wall of sound this track brings is something to behold. Swirling soundscapes mystify with wispy dreamy kaleidoscopic hues while the crashing biting guitars soar, wail and glide with a relentless onslaught into your ears in the most captivating and thrilling manner that leaves you in a blissful haze of euphoria. The adrenaline rush that exudes from this track is sublime while the smooth honey drizzled melody flows in on a laid-back cloud of sweet sedation. Henderson’s vocals weave between powerfully dynamic and velvety smooth tones while oozing a fiery passion. It’s a big tune camouflaged as a sweet psych trip. Once this track kicks in it goes full throttle – psychedelic indie rock at its shoegazing fueled best.  Once again Sun Mahshene produce a fresh mouth-watering slice of captivating infectiousness to sink our teeth into.

Stream ‘Tales of Fiction’ below


Serene ‘Pendle Hill ‘and ‘Footsteps in the Dark’

Psychedelic rock trio Serene are set to release two new songs, ‘Pendle Hill ‘and ‘Footsteps in the Dark’ this week for Kendal calling.  The band who are based in The Lake District and Liverpool have regular spots on the Manchester and Liverpool circuit; The Night and Day Cafe, The Castle, Zombie Shack, The Peer Hat, The Zanzibar, along with the brand new Peaky Blinders Bar (Liverpool). In summer, Serene are often found at a multitude of Lake District festivals, such as Kendal Calling, EskFest, Another Fine Fest, PigFest, DogFest, MoonFest, Noon til Midnight and Grasmere Guzzler. In the summer of 2016 they embarked upon a two week tour of Italy, previewing their new material prior to releasing their debut album – ‘The Lonely Road’. This proved a successful adventure, as it gained the band a session with BBC Introducing, along with CumbriaLIVE describing the band as ‘one of the finest live acts in the county’. Serene also supported Nazareth on their tour of England in January this year.

‘Pendle Hill ‘and ‘Footsteps in the Dark’ display the depth and maturity of this trio. Their precise and enthralling musicianship is what I have come to love about this band. ‘Pendle Hill’ swirls with dark eerie tones creating a spine chilling atmosphere as haunting vocals sets the harrowing scene for the shadowy verses. The flickering guitars meander through the almost tribal beat adding a danceable groove to the psychedelic mindless soundscapes. If you want a submerging chilling experience filled with rich tangible instrumentation that grips and pulls you into a mysterious world of ominous possibilities this is the tune for you. The depths and multi textures layered into a captivating hypnotic tune is masterful and just a first class experience. ‘Footsteps in the Dark’ follows this marvelous trend with cool tones over sweltering oriental-esque and sometimes traditional or Celtic -ish guitar moments. The melody is superbly melancholic as it sweeps and rushes over the psychedelic hues with a grandeur and elegance that would bring a gentle tear to your eye. The bass and drums keep an elastic and fluctuant groovy foundation for the ethereal luscious soundscapes to wisp around and playfully rebound off. This dreamy hazy gem floats about with a feathery lightness while still maintaining a meaty brawny hold. Vocals gently coo and brood with an angelic heavenly sweetness while this infectious mesmerising track immerses you in an overwhelming surge of euphoric yet wistful bliss.

These guys are coming into their prime and it’s a pleasure to watch and experience their magnificent tunes come to life is such a beautiful colourful and prismatic way.

Stream ‘Pendle Hill ‘and ‘Footsteps in the Dark’ below


Tempesst ‘Doomsday’

London-based psych-pop quintet Tempesst have released their latest single ‘Doomsday’, the title track from their forthcoming EP.  The band first originated in Queensland, Australia on the Sunshine Coast, based around twin brothers Toma (vocals, guitars) and Andy Banjanin (drums). After a move across the globe, the outfit — rounded out by Eric Weber (guitars), Kane Reynolds (keys), and Blake Misipeka (bass) — made their raucous debut with the 2017 EP ‘Adult Wonderland,’ earning widespread praise in the U.K., which led to dates supporting the likes of Temper Trap and Albert Hammond Jr., and showcases at The Great Escape, NME Awards, and Live At Leeds. The new track is in part a reflection on how our addition to social media and the internet have turned us into mindless creatures, and part a commentary on the current state of the world.

‘Doomsday’ is a mysterious swirling brew of classic ’60s and ’70s influenced psychedelic rock and delicious pop that leaves you in a mind melting daze of delight. Tasty guitar whines weave between dizzying hazy electronics while the smooth melody cruises in to soothe the mind and sugar coat the woozy psychedelic swoons. It’s deliciously creamy with an underling fuzzed sting as the guitars whip a dash of zest into this enthralling liquefying mixture. The luring vocals tease and tempt throughout the eerie verses as lush backing vocals coo and haunt the background leading you deeper and deeper into the consuming trippy abyss of the track. Filled with creepy tones under a captivating cinematic soundscape this earworm has all the component parts to draw the listener in and trap them in its honey drizzled magnetising sound. Its infectious and a truly satisfying listen.

“It’s the first time in my life that I’ve felt so aware of my mortality and it probably doesn’t help that the Facebook and Netflix algorithms have cottoned on and keep feeding me shit on the topic,” Toma says about the track. “‘Doomsday’ is the start of what will probably be a long running theme.”

Stream ‘Doomsday’ below