Category Archives: psychedelic

Val Cale ‘Docile’

Val Cale are a four piece psyche-blues band from Leeds. The band has quickly made progress through the Leeds city gig scene, and are gaining a reputation for enthralling, atmospheric and groovy live performances. Band members Tom Lister (Lead Vocals / Lead Guitar), Henry Smith (Rhythm Guitar / Backing Vocals), Shafiq Dufrene (Bass Guitar / Keys / Backing Vocals) and Sam Hamer ( Drums / Backing Vocals) have released their new track ‘Docile’ the fifth track from their upcoming EP ‘Black Stuff’ which will be released on the 1st February. ‘Docile’ is a dark eerie swirling mixture of thick sticky tar that lures you into its grip until you are stuck tight in its grasp. Raspy vocals coax with soft velvety textures while the seductive guitar licks entice like bait guiding you gently into the intoxicating psychedelic sound. Deep rooted bass slaps with a sensual slick quality adding a dark mysterious vibe to the track that is goosebump evoking.
You can download the EP ‘Black Stuff’ from 1st February at http://valcale.bandcamp.com/
Stream ‘Docile’ below

Carnivals ‘City of Skulls’.

Carnivals are a four-piece psychedelic band from South East London. Band members Joe Hannen (Lead Guitar & Synth), Harry Wood (Drums), Cal Green (Lead Vocals/Guitar) and George Brimble (Bass/Backing Vocals) have developed a sound that embraces the odd psychedelia of the unknown, whilst keeping themselves tightly gripped to their roots of indie-pop. 2016 saw them release the single ‘Shadows’ which was recorded at Liverpool’s legendary Parr Street Studios, gain Radio play from the likes of Radio X whilst recruiting a budding fanbase on the road playing UK festival slots including Isle Of Wight Festival.
The Psych-Pop quartet have released their latest demo ‘City of Skulls’. This kaleidoscopic of darkened gritty hallucinogenic rock shows the band delving further into the realm of 60’s Psychedelia. The mind bending guitar glitters and flashes with narcotic effects that shimmer like glass facets catching your eye. The track races through at a frantic pace taking time out for the slick shredding kick ass guitar solo. Punchy drums drives the track into this rapid pace adding a heavy manic mosh effect that is perfect for the pit at a live show. Flexible sensual bass slaps with a malleable elastic texture adding an enticing luring quality to the track. The Joy Division- esque vocals exude swagger and charisma. ‘City of Skulls’ takes you on the most thrilling opiate trip of 60s psychedelia mixed with gritty frenzied rock that I can imagine is insane live. When asked about the track the band said “our intentions were to channel a frantic pace with an insight into the live experience, with the lyrics we tried to release the strain of the daily grind”.
Can’t wait to hear more from these guys keep an eye out for Carnivals in 2017.
If you want to catch the lads live you can see them at
January 27th- The Rocksteady, London (Independent venue week)
February 4th- Paper Dress Vintage, London
Follow the band on social media here
Facebook – https://www.facebook.com/carnivalsofficial/
Twitter – https://twitter.com/CarnivalsBand?lang=en
Instagram – https://www.instagram.com/carnivalsofficial/
https://musicglue.com/carnivalsofficial/about

Stream ‘City of Skulls’ below

Desert Fevers ‘Raindrops’

Desert Fevers are Jake Rutter, Zac Blow, Joe Roberts, and Sam Roberts. They play a unique blend of raw, soul flavoured surf tinged garage. This new unique band have released this sweet little track ‘Raindrops’. Its an old school reverb drenched jangle of utter bliss mixed with lo-fi psych pop. Its the perfect recipe for success. The sweet honeyed melody glides with effortless flow creating a sound that is pure delight. A strut worthy jangle on guitar adds a swanky prance and flamboyance to the oh so sleek track. The hip shaking groovy beat coaxes you to move with a funky bounce and vitality. This track exudes swagger and panache from it very core spreading syrupy pop mixed with psychedelic euphoria like sticky sap oozing from every note. It gentle delicate mind numbing psychedelic vibes contrast with the sunny energetic upbeat spring creating a sublime bubble of heavenly elation. The vocals soothe, coated in reverb alongside the instrumentation but not as the main focus they act more like an accompaniment to the rippling elastic oh so cool instrumentation.
Stream ‘Raindrops’ below

Ten Fé ‘Twist Your Arm’

London-based duo Ten Fé have released their new single ‘Twist Your Arm’ which was produced by Ewan Pearson (Jagwar Ma, M83, The Rapture). It is a taste of whats to come from their upcoming debut album ‘Hit The Light’ which is due out February 3rd. Ben Moorhouse and Leo Duncan have already given us the acclaimed singles ‘Make Me Better’, ‘In The Air’, ‘Elodie’ and ‘Turn’ which accumulated over 6 million streams on Spotify. ‘Twist Your Arm’ is a relaxed bouncy pop track with trippy swirling electronics chilled with breezy natural tones and soaked in effortlessly cool funky swagger. Your heart skips a beat in time with the pulsating punchy beat as the melody sweeps you up into a fluffy cloud of psychedelic bliss. This deeply yearning track twirls with loose floaty ecstasy while pulling you into its depths with the propulsive strong beat and elastic bass. The funky guitar adds an infectious groove and energetic refreshing lift to the track while the velvety smooth vocals soothe and coo with hair raisingly creamy richness and lush falsetto in the chorus. The track builds to a massive Gospel like crescendo that compels you to sing along and sway back and forth clapping along.
Each track Ten Fé have released brings something new to the table displaying fine musicianship and diversity. Their debut album ‘Hit The Light’ is going to be one satisfying feast of juicy tunes that will brighten up 2017.
Stream ‘Twist Your Arm’ below

Ivory Wave ‘Paradise’

Ivory Wave are a 5 piece band hailing from Birmingham. This unique indie band caught our attention earlier this week. Their recent single ‘Paradise’ is a floaty track that creates a bubbling fizzing world of its own. With sprinkles of psychedelia in swirling synths and sweet lush backing vocals its a fluffy trippy cloud of narcotic ecstasy. Bliss and euphoria ooze from every pulse of the track. With perky indie beats adding a gritty sandy pull to the track and infectious groove its effortlessly cool and chic with a dreamland anaesthetic thrown in. Raspy attitude soaked vocals tie the track up nicely relaying authentic lyrics. These guys have a strong steady impressive sound creating their own little Utopian hypnotic pocket in the indie scene. Once you hear this track you will be addicted.

Stream ‘Paradise’ below

Dia ‘Gambling Girl’

Dia is the stunning project of composer and performer, Danielle Birrittella. The Indie folk/baroque pop artist has released the beautiful, cinematic music video for her latest single, ‘Gambling Girl’ off her debut EP ‘Tiny Ocean’, which was released with Manimal Records and features songs produced by Joey Waronker (Beck, REM, Atoms for Peace), Tim Carr (The Americans, HAIM) and Frankie Siragusa (theLAB). Raised on a Hindu ashram, Dia sang ceremonial ragas as a child, which led to training and performing as an opera singer throughout the U.S. and Europe. Along these travels, she began experimenting with music and writing song fragments on a ukulele, which was gifted to her by her brother. Dia’s practice as a classically trained opera singer induced an incredibly critical ear. Her influences of classical music, such as Baroque and French Romantics are beautifully infused with modern experimental cinematic folk on her debut EP. A native of New England, and graduate of New York University (BA) and California Institute of the Arts (MFA), she has lived and worked as an artist in New York, France, and Italy. Highlighted performances have included Disney Hall’s REDCAT – Los Angeles, La Musica Lirica – Italy, The Chautauqua Institute – New York, La Main d’Or – Paris, and The Ludwig Foundation – Cuba.
‘Gambling Girl’ is a moody cinematic dream pop swirl that is more sticky than honey. The dark stuffy atmosphere suffocates you in a spiralling dreamy haze. The steady thump beat teamed with sultry bewitching lull on vocals give a narcotic hypnotic effect that draws you further and further into the calming opiate illusion. Dia’s vocals act as a sedative or tranquilliser cooing with soft mind numbing qualities. Driven by a seductive sway-like flow ‘Gambling Girl’ lures and entices with graceful delicate charm and daydream obscurity.
Watch the video for ‘Gambling Girl’ which portrays Dia and a cowboy beneath a sunset, riding horses and dancing in the desert below.

Sad Palace ‘Breeze/ Rainbow Melt’

 

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Sad Palace are a really smooth effortlessly cool indie band I stumbled upon, don’t you just love when that happens. Sad Palace present us with coastal fresh indie pop bursting with rich juicy melodies and slick musicianship while spacing us out with hints of psychedelia.
‘Rainbow Melt’ gives us a sensual sway-like groove and tender velvety vocals wrapped up in edgy indie pop. The razor sharp sting on guitar adds spice and zest to the track while the ripply rhythm keeps the track bouncing along in an almost 70s psychedelic groove. With luring tempting bass and vocals that ooze panache and swagger this track will coax and sweet talk you into pressing repeat. Rich luscious textures and layers gives the track depth and showcases this band’s solid musicianship. While the brazen flashy guitar licks whip and flatter the flaunting track pulling you further into the groove.
‘Breeze’ lulls you into its melodic funky strut almost instantly. With velvety vocals to start cooing and soothing right into the hook driven feet shuffling riff. With psychedelic entrancing instrumentals, this track swirls you into a dreamy blissful euphoric stupor before slapping you back into the rapid bouncy slice of indie pop. The vocals smoothly glide from creamy dreamy haze to bright and bubbly effortlessly, as the guitar illuminates the track with zealous licks and peppy bounce. This track is infectiously catchy and like honey to the ears. Sad Palace know how to write and craft earworm melodies, mix and blend them with fantastic instrumentation. Watch out for these guys.
Stream ‘Rainbow Melt’ and ‘Breeze’ below

 

The Fin.’Through The Deep’ Remix EP

Japanese masters of shimmering ethereal pop, The Fin. have announced an exclusive remix EP, featuring versions remixed by The Field, Ten Fé and All We Are. The ‘Through The Deep’ remix EP features four adventurous reworkings of tracks from their ocean-inspired dream-pop nugget ‘Through The Deep’ which was released in the summer. The remix EP will also serve as a key component of the launch of Spotify in Japan. Hailing from the vibrant Japanese port city of Kobe, The Fin. elected to temporarily relocate to England’s equally bustling capital in autumn 2016 to explore the impact that life in London might bring to bear on their new material. Having signed to Lost In The Manor Records the previous year, the band’s growing renown on these shores has led to a surge of media interest and prime headline slots such as this year’s Great Escape Festival. The Fin. have performed before thousands of rapturous fans at major Japanese festivals including Fuji Rock, Rising Sun and Viva La Rock. Not content with such acclaim in one country alone, Yuto Uchino (vocals and synths), Ryosuke Odagaki (guitar), Takayasu Taguchi (bass) and Kaoru Nakazawa (drums) set their sights worldwide and in 2015 embarked on a major tour of the US, which included a performance at SXSW, before signing to Lost In The Manor and releasing their debut UK EP, ‘Night Time’.
All We Are step up to the plate first with their exceptional rework of ‘Anchorless Ship’. Guro and Luis convert the sparse funk of the original into a haunting cut of anthemic techno, upping the tempo, bottoming out the bass end and decorating the track with dissonant acid stabs. True to All We Are’s psych-disco leanings, their ‘Anchorless Ship’ evolves into a second act with a ferocious tribal edge, and psychedelic stinging acid trip that livens up the original dream pop and introduces an invitation to dance that can’t be refused.
London’s blissful electro-indie pairing Ten Fé follow next artfully crafting their mix around the melodic synth washes of The Fin.’s 60-second ‘Heat’, originally the track shimmers with a chillwave and beautiful ocean lit glittering synths. Ten Fé expand the groove via a punchy bassline set to a motorik pulse, adding a kick and edge to the track. Phasing the original sine-wave oscillations and warping frontman Yuto’s vocal into an alien drawl. This singular piece of extra-terrestrial kraut-funk builds to a euphoric climax, as horn stabs and sustained harmonics add colour to an irresistible clubland vibe.
Stockholm-born, Berlin-based ambient techno producer Axel Willner, aka The Field, transcends the rapturous dream-pop of the EP’s title track ‘Through The Deep ‘ with an extraordinary 12-minute canvas of electro-minimalism. A hypnotic raga for our time, ‘Through The Deep’ here becomes an unusual jewel of rich, breathy experimentalism, almost imperceptibly peaking and trudging along luring and drawing you onto its mesmerising sonic path.
Finally ‘White Breath’ a remix by The Fin.’s vocalist Yuto Uchino takes us to the end of our psychedelic trance with soft electronic waves weaving and swirling in a blissful mind-bending kaleidoscope. Removing the delicate vocals of the original and becoming completely consumed in thick electronic experimental psychedelia. Beautiful warm tones on guitar give us a strong melody to hold onto keeping us afloat from the pulling and swirling abyss of the track.
The ‘Through The Deep’ remix EP is a Pandora box delight, full of mesmerising waves of synths interweaving and washing with acid elements and sonic depths with reverb weighty guitars on top of blissful melodies. The guys did a fantastic job with the remixes however I will say check out the originals first, you will fall in love with them and will only then appreciate the true talent of The Fin. and the effort and craft that went into creating the remixes.

Stream both the original and the ‘Through The Deep’ remix EP below

Heez ‘Codependent’ EP

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Heez has released his EP ‘Codependent’ its a five track meandering labyrinth of intricate electronics churning with dark tones and poetic lyrics. Previously featured on Indie Buddie ‘Dancing’ kicks off the EP with its snappy beat, interweaving electronics and shadowy atmospheres. The heavy hearted vocals add emotion to the track while the rap adds rhythm and gives an edge. The quick synth-stabs which are a recurring feature in Heez’s EP give the track an elastic bendable quality while providing a strong sharp whack beat that has a trance effect. ‘The XX Makes Me Sad’ which we also featured this year is a deep rooted flex wave track that is sticky and muggy in thick slap beats and punchy electronics. The haunting lull of backing vocals give a subtle ghostly wailing effect to the track as if they groan and moan with anguish conveying the depression and sorrow of the track. ‘Cold Soul’ follows with distorted spoken vocals and simple accompaniment drawing the listeners attention to the lyrics. The slight echo and “wah wah” vibration to start has a psychedelic vibe. A strong beat enters giving something solid to hold onto before you slip into a trance. ‘Must Be Love’ brightens the tone of the EP with a catchy pop melody for the chorus. Rap vocals brings an R&B feel while the soft instrumentation has a feathery feel and cheery vibe which contrasts the entire EP up to now and showcases Heez can do happy but his way. ‘Sunday’ is a slick sensual light at the end of the dark swirling psychedelic black vortex tunnel that was the first half of the ‘Codependent’ EP. Filling us with hope for the future and optimism. Its a daydream of hazy sunshine with a hint of reggae thrown in and a brighter glimpse of that whack beat teamed with razor shape edgy guitar and strums from a  warm mellow acoustic guitar.
Stream the ‘Codependent’ EP below

Worth A Listen

Our Worth A Listen Track This Week Comes From Temples

Psychedelic indie rock band Temples have made their triumphant return with their new single ‘Certainty’. This is their first new music since 2014’s Sun Structures. The single was produced by frontman James Bagshaw and is taken from their much anticipated second album ‘Volcano’ which will be released on Friday 3rd March, 2017. ‘Certainty’ features a floaty “castles in the air” dreamlike vibe smothered in a playful feathery light harmonious melody. Sweet honeyed vocals soothe and coax you down a path of dancing toys and joyous shimmering synths. With darkened eerie and unsettling undertones, Temples give you that candy coated flighty euphoria with a darkened twist. Fuzzed guitar lines and thumping bass adds a bite and edge to this syrupy trip. The infectious melody and elevated sugar rush keeps you craving more and more of this fantastically composed track.
Watch the video for ‘Certainty’ below