Category Archives: Punk Rock

Alt Rock, Indie, indie rock, New Music, Punk Rock

Bloody English ‘Conflict Resolution’

Bloody English have just released their new single ‘Conflict Resolution’. The band are primarily a family affair with brothers Peter and Andrew Gomez joining their cousin, Chris Reynolds and his friend Sean O’Hanlon to form a covers band for a friend’s memorial gig. When Laurence Burden was recruited as vocalist they began writing original material.The London based band made national headlines following a charity gig for Momentum, when Daily Mail pictured them with Jeremy Corbyn with the caption ‘Corbyn with members of the band Bloody English’. Day to day, hobnobbing with the political class gives way to working with musical collectives, DJing at underground parties and promoting club nights in East London.

‘Conflict Resolution’ is a wild thrilling  number that batters and smashes your eardrums into tiny unrecognisable pieces. Travelling at an unruly hyperactive pace this track thunders in on a snappy punching groove of pulverizing relentless drums and elastic bass while crashing guitars dizzy and distort their way around the frantic backdrop. It’s loud, raucous and angry as Burden howls, exclaims and screams spitting the rapid lyrics into your brain while the intense rambunctious instrumentation bruises and shatters.It’s one for the frenzy of the mosh pit each blistering briery note evokes the smell of sweat, blood and the glorious sight of frantic pushing and jumping. This impassioned number summons the mosh pit frenzy into your room – in all its brutal glory.

Stream ‘Conflict Resolution’ below


Alt Rock, EP Review, Indie, indie rock, New Music, Punk Rock

SISTERAY ‘Sisteray Said’ EP

Following a thrilling 18 months in which they’ve lit up festival stages, sold out delirious venues, released their debut ’15 Minutes’ EP, and delighted tastemakers and fans alike, SISTERAY are now set to release their new EP ‘Sisteray Said’ on 7th September, ahead of a UK tour that includes a headline show at London’s 100 Club.

‘Sisteray Said’ displays this four piece’s gut buckling punk rock in all its glorious, rawness and swaggering dripping finesse. Calum Landau’s drumming maintains a lovable fluctuant foundation for each track – thumping swift elastic fierceness into each song with relentless stamina. The killer intro to ‘Wannabes’ shows just how tight these guys have become. Each stomp strides with surety and determination. Dan Connolly maneuvers and weaves slick crashing guitar lines between the hefty rhythms – from rooted grumbles to utterly supreme wails and whines he soars and dives between them with utter brilliance. It’s a groove infested meaty number brimming with adrenaline and blistering intensity while whacking out a crowd friendly sing along chorus. Sisteray know what works well on the live circuit and these tunes are crafted for maximum live show enjoyment. ‘Rumour Mill’ kicks off with another sublime drum rumble while Mick Hanrahan’s resilient bass groove rebounds like rubber creating a dark rolling undertone in the song. This sublime track explodes into a fuzz filled distorted whirring crescendo before speed-balling into the neck snapping ‘Algorithm Prison’. Niall Rowan’s vocals ooze attitude throughout each number with aggression and dynamic expression. He almost shouts and chants at us filling you with hyperactive energy while blending seamlessly and complementing the instrumental assault perfectly. The brisk pace of the tracks surge huge electronic volts through your veins as the infectious melodies and vigorous backdrops ensure a wholly thrilling listening experience. Title track ‘Sisteray Said’ closes the EP fuming with kinetic energy, as slick guitars lacerate and whine over a frenzy inducing onslaught of punchy drums and nimble bass slaps mangled together to create an exhilarating groovy foundation.

‘Sisteray Said’ is an impressive riotous collection of tracks perfectly layered and crafted for that get up and dance, mosh and jump feeling of euphoria. These guys are witty and have a knack for weaving in little filigrees of guitar or bass to inject some slickness and a hint of elegance into their unruly swagger driven sound. Within a blink the tracks range from pure aggression to pure beauty with such refinement its graceful yet barbaric. There is some serious talent here.

You can catch Sisteray live at

3 Oct – BRIGHTON – Hope and Ruin

05 Oct – BRISTOL – Mothers Ruin

06 Oct – OXFORD – The Cellar

08 Oct – SOUTHAMPTON – The Joiners

10 Oct – LEEDS – The Lending Room

11 Oct – SHEFFIELD – Cafe Totem

12 Oct – LIVERPOOL – Jacaranda

13 Oct – READING – Oxjam

17 Oct – LONDON – 100 Club

18 Oct – ST ALBANS – The Horn

Stream ‘Wannabes’ below

 

 


Alt Rock, Indie, indie rock, New Music, Punk Rock

Sisteray ‘Wannabes’

London’s Sisteray have released their new single ‘Wannabes’ taken from their upcoming EP ‘Sisteray Said’ set for release this September. Following a thrilling 18 months in which they’ve lit up festival stages, sold out delirious venues, released their debut ’15 Minutes’ EP, and delighted tastemakers and fans alike and are all set for a UK tour that includes a headline show at London’s 100 Club. Released through Vallance Records ‘Sisteray Said’ delivers on all the London 4-piece’s early promise, with four brilliantly inspired tracks railing against the modern age and giving us a voice for their generation.

The latest track from the forthcoming release ‘Wannabes’ is another brilliant slice of what Sisteray are best at. The slick tunefulness mangled within the intoxicating grimy anthemic blasts make for a wholly consuming experience. Sisteray are becoming more witty, more catchy and tight with each release and when teamed with their brand of chaotic charm there is no stopping this band. Shredding guitars lash and whirl with swagger infested grandeur over punchy drum strikes and groove infested basslines making for an infectious whack of genuine rugged vigour. They know how to write a tune that will have a mosh pit stuck in a sweaty danceable mess.  ‘Wannabes’  is a little more slick and slinky than all out riotous but they have managed to find that glorious line between sleek rock n roll and unruly, skull bashing punk and it’s pretty impressive. The raw energy of the track is blended between panache drenched slivers of guitar, elastic hip swinging basslines, sing along ready choruses and epic edgy instrumental slices – there is something for everyone here.

‘Wannabes’ is out now and ‘Sisteray Said’ is released on limited edition 12″ splatter vinyl (50 copies only!), standard vinyl, cassette, CD, and from all good digital stores through Vallance Records on September 7th 2018. The band’s EP track ‘Algorithm Prison’ is also available right now as an instant grat track when you pre-save the upcoming EP through Spotify, and also with all EP pre-orders through iTunes from July 2nd!

Ltd Edition vinyl, CD, cassette pre-order HERE

Spotify pre-save HERE

iTunes pre-order HERE

You can catch Sisteray Live at :

03 Oct – BRIGHTON – Hope and Ruin

05 Oct – BRISTOL – Mothers Ruin

06 Oct – OXFORD – The Cellar

08 Oct – SOUTHAMPTON – The Joiners

10 Oct – LEEDS – The Lending Room

11 Oct – SHEFFIELD – Cafe Totem

12 Oct – LIVERPOOL – Jacaranda

13 Oct – READING – Oxjam

17 Oct – LONDON – 100 Club

18 Oct – ST ALBANS – The Horn

 

Stream ‘Wannabes’ below

 

 

 


Indie, indie rock, New Music, Punk Rock, Rock and Roll

Miles Kane ‘Too Little Too Late’

Miles Kane is releasing his new album ‘Coup De Grace’ next month and has shared another tantalizing track from it. With Lana Del Ray and Jamie T featured on previous track ‘Loaded’ the new track ‘Too Little Too Late’ gives Jamie T another whirl. This blazing inferno blasts attitude-soaked punk with Kane’s suave rock and roll finely blended throughout. Strident guitar stings, elastic rumble on bass and rooted punchy drum whacks create the fierce backdrop for Kane’s dynamic, spirited yet effortlessly panache-soaked vocals. Gliding on passionate hot-blooded rush to the head rock and roll this track stomps in and steam rolls over all your wild expectations. The verse spits fiery attitude at neck snapping speeds while the infectious chorus cruises in, smooth velvety and effortlessly cool and that rooted ductile bass bridge is just riveting. The melodies are divine as they seep honey sweet lushness to smoothen the harsh frenzied backdrop. Kane has presented us with some exciting, thrilling and stimulating aperitifs to his upcoming ‘Coup De Grace’ album keeping us enthralled and eager as to what glorious tunes will grace our ears in August. All the tracks released so far have been breathtaking. The suspense for the album is killing me.

Stream ‘Too Little Too Late’ below


Alt Rock, EP Review, New Music, Punk Rock

All Hope Remains ‘Hindsight’ EP

Four-piece punk rock outfit All Hope Remains have released their newest 7-track EP ‘Hindsight’. All Hope Remains is a punk-rock band taking a contemporary approach to a scene that boomed in the mid 90’s.Forming a little over 2 years ago, All Hope Remains is an amalgamation of members from former Surf Coast bands, LostBoyFound and Driveby Epic. Spending the first chunk of their time together behind closed doors writing and creating their sound before moving on to gigging under the band name Kill The King, which was eventually changed upon finding the name didn’t truly reflect the project they’d worked to build. The EP itself consists of a variation of early songs written at the start of their formation, and songs written more recently, offering an insight into the growth of the band over the past few years whilst remaining consistently tight and mature throughout. Taking influence from bands such as No Use For A Name, Strung Out and Bodyjar, who lead the uprise of the punk-rock scene in the early 90’s, All Hope Remains present a modern interpretation of the music that inspired their development as musicians.

‘Hindsight’ is a fast paced, gritty, guitar driven collection of tracks that pound with the youthful adrenaline of early 90’s punk rock. It’s a brisk EP that flies by in the blink of an eye as some of the tracks are short and sweet. ‘Sorrow Sustained’ sets the EP in motion with accelerated guitars crashing against punchy drums creating a hyper wall of sound for the ethereal melody to rebound off. The track runs along at a snappy pace while jagged start stop injections shake things up a bit ready for that mosh pit mania.‘Tolerate’ and ‘Smoke And Mirrors’ are two short numbers, both coming in at just over 1 and a half minutes of brisk heavy guitars and crunching soundscapes.  The band flesh out their emotion pop punk melodies in tracks such as ‘Bleed Regret’ and ‘These Machines’ as these soft sweet melodies melt over a hefty instrumental bashing. All Hope Remains flood a decent amount of sun soaked vibes through their sound as well as the guitars scorch and shred throughout. The bustling, vivacious punk rock relentlessly ploughs through right to the last track ‘Worthless’. The stamina throughout this EP travels at bubbling, high intense speeds to create a familiar yet refreshing listen.

‘Hindsight’ showcases All Hope Remains’ ability to produce listenable tunes and hefty doses of punk rock with some pop thrown on top to create a distinct and respectable sound that is sure to be insane live.

Stream ‘Hindsight’ below


Alt Rock, Brit Punk, New Music, Punk Rock

Sisteray ‘Algorithm Prison’

London’s Sisteray have released their new single ‘Algorithm Prison’ through Vallance Records, referencing the digital age that we live in as the Cambridge Analytica scandal continues to swirl around us.With a string of thrilling live performances across the past year, including at Reading Festival, Camden Rocks, Tramlines Festival, shows for Dr Martens, their first European dates, and all culminating in a sold out show at London’s Dingwalls just last month, Sisteray have been quickly clicking through the gears and given us a new British band to truly get excited about.This new stinging belter is a precursor to their EP set for release in May.

‘Algorithm Prison’ is an intoxicating grimy anthem whacking against a blistering, surly wall of sound. Shrilling guitars crash and lacerate through bruising drums and rumbling blood pumping bass. It’s angsty fuelled enraged punk rock that can ignite a nation with its buzz infested, neck snapping sound that pummels into you. Niall Rowan howls and spews “We ain’t your target market” while riotous instrumentation sets the back drop. It’s feisty, gnarly and thrillingly electrifying.

Sisteray also have a series of live dates coming up, including Camden Rocks, The Great Escape Festival, and a headline show at London’s 100 Club later in the year.You can catch them live at

06 Apr – NORTHAMPTON – The Black Prince
28 Apr – SCUNTHORPE – Café INDIEpendent
01 May – DUBLIN – The Workman’s Club
03 May – GALWAY – The Black Gate Cultural Centre
18 May – BRIGHTON – The Great Escape Festival
19 May – SHEFFIELD – The Royal Standard (Royal Bedding Concert)
02 June – LONDON – Camden Rocks Festival
20 July – LONDON – Nambucca (NambuccaPalooza Festival)
14 + 15 Sept – HUELVA, SPAIN – AnfiRock Festival
17 Oct – LONDON – 100 Club

Stream ‘Algorithm Prison’ below


Alt Rock, Garage Rock, New Music, Post Punk, Punk Rock, Worth A Listen

Worth A Listen

Our Worth A Listen Track This Week Comes From Serene

Serene are a four piece post-punk, garage rock band formed in London. The four piece are peeping through the keyhole and booting the doors open with their debut single ‘With You’. With its almighty defying vigorous riffs jaggedly sawing through the track it’s ballsy rough and powerful. This track is a thrilling assault of battering punk rock. Pummeling drums demolish all in sight while shrilling guitars penetrate through your skull with vicious ferocity.  Its fierce instrumentation and relentless blood thirsty rhythm section gash and slash spitting blistering acid while eerie vocals and chilled infectious melody cool the intensity a little. ‘With You’ is an exhilarating listen for sure.

Watch the video for ‘With You’ below


Album Review, Alt Rock, Funk, indie rock, New Music, Punk Rock, Rock and Roll

Public Access T.V. ‘Street Safari’ Album

Public Access T.V. are back to provide some infectious tunes to wrap your ears around with their highly anticipated sophomore album ‘Street Safari’. It’s an album that hones in on their sound, refines it, uncoils all the intricate details and arranges them in a neat matured compact production of finesse.

‘Safari (In My Head)’ brings on their chilled disco shift and introduces the album with a little touch of chicness. With its strut ready shuffle inducing rhythm and jungle like injection mixed with sharp jagged guitars subtly wailing and stinging behind the most mellow soundscapes this track introduces ‘Street Safari’ with class. Melodies are the secret ingredient in Public Access T.V.’s delicious brew and ‘Shell No. 2’ displays this perfectly. Luscious backing vocals coo the last word of each line while a catchy melody drifts upon vibrant guitars and an infectious buoyant rhythm. A fluttering keyboard feature hops along its merry way making this track instantly likeable and fun. With an intro that grabs you by the ears, fastens itself securely in your mind and entraps you, ‘Your God and Mine’ is the creme de le creme of the album. The intro alone has the aroma of Depeche Mode, New Order or INXS with a nice slap of Prince sass on top and that melty melody is just sublime. Their ability to surge swagger into a track without coming across over done is magnificent and they back this panache up with a healthy dose of slick laid back instrumentation which takes its time and glides with an unhurried sense of space. This album fleshes out the different groovy facets to this four piece. The funkadelic bravado of ‘MetroTech’, with its running elastic sensual bassline and rich jittery rhythm contrasts sharply to the brooding R&B- esque slow burner ‘Told You Too Much’ and displays the bands fine musicianship and rich musical depth.

From smooth melodies sliding and gliding on top of slicked back flaunty flamboyance to the exhilarating intensity and punchiness of ‘Rough Boy’, Public Access T.V. keep the album interesting. ‘Lost in the Game’ will lure you to the dancefloor for sure with its flaunty melody and buoyant rhythm. This shimmy ready number hits all the right spots. How can you refuse that funky guitar hook in ‘Wait it Out’? Each track whacks out another infectious melody, bass line or guitar hook for you to blissfully indulge in. ‘Meltdown’ has an 80’s power anthem feel to it while flooding you with youthful exuberance. With its thrilling driving bass line, breath-taking synth feature and golden guitar moments this is a powerful little gem. The band choose the dizzying electronic ‘The Quicksands’ which blinds with its hypnotic, revolving groove and spacy soundscapes to bring us to the end of the album and leave you craving more.

‘Street Safari’ is another smashing album from the four piece. The tracks are clearer, more crisp and confident. Public Access T.V. have defined their sound, its precise and is the soundtrack you need for strutting down the street.

Stream ‘Street Safari’ below

 

We had a chat with John Eatherly and Max Peebles about the ‘Street Safari’ album check out what they had to say below 

 


Alt Rock, indie rock, New Music, Post Punk, Punk Rock, Worth A Listen

Worth A Listen

Our Worth A Listen Track This week Comes from Vundabar

Boston duo Vundabar have announced a UK and EU tour throughout April and May and shared the official video for their addictive single ‘Acetone’. The sludge-indie band have built a massive following through non-stop touring and their signature brand of jittery, rambunctious post-punk, yet much of their music hints at something darker beneath the surface. Having just wrapped up a two month Autumn/Winter US tour with The Frights and Hockey Dad, Vundabar are about to embark on their Spring North American headline tour with support from Ratboys, which includes a stop through SXSW, before heading over to Europe and the UK. The duo are set to release their brand new album ‘Smell Smoke’ on February 23rd.

‘Acetone’ is a clenching intense grip of post punk. With jittery guitars swirling and crashing into punchy drums this track is filled with frustration and angst as the busy instrumentation rushes around at dizzying speeds. The catchy melody flickers around – doused in melancholic tones accompanied by an almost pizzicato jerky vocal bridge. These guys display a raw vulnerability with gripping lyrics and blistering shredding instrumentation that is thrilling and extremely emotive. It’s unique composure with stops and starts and agitated guitar shrills over choppy vocal lines is somewhat nerve wrecking yet ridiculously infectious and compelling.

You can catch Vundabar live at their  UK / EU tour here

25 April – Jena – Glashaus

26 April – Berlin – ACUD

27 April – Copenhagen – Loppen

28 April – Hamburg – Goldener Salon

30 April – Brighton – The Hope & Ruin

02 May – London – The Lexington

03 May – Birmingham – The Sunflower Lounge

04 May – Manchester – Castle Hotel

07 May – Glasgow – The Hug and Pint

08 May – Edinburgh – Sneaky Pete’s

09 May – Sheffield – Picture House Social

11 May – Cambridge – The Portland Arms

14 May – Barcelona – Meteoro

 For the North American tour dates go to their Facebook page here https://www.facebook.com/Vundabar/

Watch the video for ‘Acetone’ below

 


Album Review, Alt Rock, indie rock, Punk Rock

Cross Wires ‘Living In A Radio City’ Album

Cross Wires are an East London/Essex based four piece consisting of Jonathan Chapman (Vocals) Peter Muller (Guitar) Pete Letch (Bass) and Ian Clarke (Drums). The band have built up a great live reputation playing at some of the best venues across London including The Old Blue Last, BIRTHDAYS, The Victoria Dalston, Camden Barfly, Sebright Arms, The Garage, Islington Academy, Queen of Hoxton, 93 Feet East, The Dublin Castle, Notting Hill Arts Club, The George Tavern, The Half Moon Putney and Tooting Tram & Social. They have recently released their mini album ‘Living In A Radio City’ which was recorded at Lightship 95 in East London and produced by Rory Attwell (The Vaccines, Telegram, Palma Violets). Many of the tracks from the album have been given radio plays and gained support from the likes of Gary Crowley at BBC Introducing, Georgie Rodgers at Virgin Radio, Charlie Ashcroft and Shell Zenner at Amazing Radio and Tom Robinsons Fresh On The Net.

‘Living In A Radio City’ is an exhilarating album jam-packed with enough quick jabs of feisty ballsy punk to cause a riot. From the scrappy fierceness of opening track ‘We Call The Shots’ these guys demand attention and announce their raw punchy sound brimming with crashing guitars, pummelling drums and attitude driven vocals. The boisterous ‘Walking Wounded’ and the Kasabian- esque  ‘Machine 7’ displays their anarchy soaked melodies slapped on top of jagged razor sharp trigger-happy guitars and neck snapping bass lines. While  ‘I Want Radio’ shakes things up a bit disguised at the beginning  as a 60’s rock and roll tune with foot stomping drums and bright jangly guitars before exploding into a true raw punk rock anthem. This track was made for the sticky blood thirsty mosh pits. ‘Slow Waves’ features a slick bass line acting as the sublime rampant rhythmic backbone of the song while this snappy track shouts and punches with harsh edgy riotous punk rock. The album is a relentless assault of punk fury. The tracks are quick, snappy and rowdy yet completely consuming and energising. This four piece have compiled eight tracks that inject adrenaline into your veins boosting you with brawling stamina. So much energy surges from this album you will want to run around the room for hours just to burn it off. ‘Fanzines’ is the perfect example of their mania causing sound while ‘Modern Art’ cools the tone slightly giving a little breather to the madness. With funky guitars and a rich rhythm it’s shimmy ready and a glimpse at the cooler, swagger soaked side to Cross Wires. ‘Pink Dogs’ closes the album a little chilled with spacey guitars and an aerial tone scattered on top of a melancholic melody.

Cross Wires know how to write some intense tracks that pack a mighty punch while displaying raw energy and charisma through feisty instrumentation and sublime catchy melodies. They blend seamlessly between strong assertive soundscapes with meaty drums, crashing guitars and fiery vocals to lightly breezy soundscapes with some rock and roll hints. They don’t just make punk music they create the Cross Wires experience of kick ass frantic tunes and slick innovative musicianship.

Stream ‘Living In A Radio City’ below