Our Worth A Listen Track This Week Comes From Kingdom Of Reptiles
Kingdom Of Reptiles are a Georgian and Greek Alternative/Grunge duo based in London.The band have released their debut single ‘Blue Magic Gin’ a gritty sweat and leather rock n’ roll track doused in catchy guitar riffs punchy drums and an edgy raw persona. This energetic number strides on the slapping red rawness of the slick guitar lines as it ventures cheekily between its deep grungy range and higher steamy tone effortlessly. The melody prowls over the feisty backdrop with swagger and attitude as this explosive track batters and sensually entices your ears into submission. With a shredding instrumental bridge reminiscent of The Black Keys and sleazy creepy verses weaving their way into your brain, this rock grunge infested gem is infectious, sing along ready and snappy. Keep an eye out for this duo.
Watch the video for ‘Blue Magic Gin’ below
BRONCHO have released their new album ‘Bad Behavior’ an infectious swirl of luscious, teasing and exhilaration tracks to keep you drooling for more. It’s a tasty collection of tracks filled with psychedelic indie pop, laid back tones and insanely catchy grooves to ensure a satisfying listen. ‘All Choked Up’ sets the EP in motion with its churning rhythm creating a danceable foundation for the buoyant guitars and smoky melody. The stop start beat establishes an atmosphere of suspense which is only subdued by the shredding slick guitar solo. This track is so sleek and glossy with dark undertones twirling beneath the hypnotic rhythm. The tracks on the album flow into each other with a smooth fluidity,‘Weekend’ continues the heavenly subtly psychedelic trip with ethereal guitars twinkling between a steady backdrop. Ryan Lindsey’s sweet falsetto vocals provide each song with a heavenly quality. The instrumentation is tight throughout- crafted to perfection with glorious guitar twinkles daintly accompanying Lindsey’s vocals and honeyed melody while the strong beat and elastic bass grooves between. ‘Boys Got To Go’ displays this perfectly, the melodic flow guarantees a soothing listening experience as soft guitars glisten playfully throughout before whining elegantly every so often. BRONCHO provide the most glorious comforting blanket with ‘Keep It In Line’. This track enfolds your ears in a candied soothing melody, beautifully weaved instrumentation and sedating vocals. It’s bouncy, bright but incredibly tranquilizing. These guys delicately unwrap their sound revealing lush textures with each track. Together they gel immaculately- each instrument has its part and yet the tunes they produce feel airy and freeing. The album continues to blossom with ‘Sandman’, bringing a slightly ominous tone into this dreamy mix. The guitar and bass in this track is riveting. The song bubbles and boils around the playful guitar as Lindsey creates a haunting atmosphere. It’s a little more gritty with a creepy almost sleazy vibe but an absolutely thrilling listen.’Undercover’ follows the darker tone of its predecessor lightening it with buoyant grooves stomping between a sliding swagger soaked melody and strutting guitars. This is one well crafted track.The subtle guitar changes from twinkling and gliding to prancing as they flood the track with panache and an infectious funk flavoured danceable quality. ‘Family Values’ is another infectious gem that is sure to put a smile on your face. If you can prise your ears away from the bouncy weaving instrumentation and focus on the lyrics BRONCHO showcase their humorous cheeky side,“I got a thing for your mother / I got a thing to teach your father”. One thing I have come to love about the Tulsa, Oklahoma-based band is their sublime ability to create dreamy woozy tunes like ‘Big City Boys’. Though the track is hazy and dreamy the instrumental backing is strong, pushing forward with a relentless goal of fun loving with a slick proficient style that is one to be admired. The summertime cruising ‘Get In My Car’ follows. The album version sounds a little tweaked and more crisp to the single version released last year. This summer time gem bops and wiggles over a smooth melody and gleaming guitars. Glissading over to a glam rock flavour, BRONCHO provide us with a tantalizing variety of genres to taste throughout this album. They close the album in the best possible way, leaving us hungry for more. The swagger steeped foot stomping danceable and infectious ‘Easy Way Out’ accomplishes this task without fail. It’s slick, pristine, panache driven indie rock drizzled in rock n’ roll flamboyance with nimble steamy guitar licks and a catchy melodic flow to keep us wanting to dance all night long.
BRONCHO is that band that are cool, fun and make you want to scream and tell everyone about. Their sound is appealing to everyone from the lazy daydreamer to the adrenaline punk-rocker and indie-head in between. The provocative lyrics, incredible musicianship and all out swaggering groovy persona within each track is what makes BRONCHO one heck of a band. The sound is distinctive, Lindsey’s vocals are distinctive and their tunes undeniably infectious. It’s music to make you feel, music to make you dance and bop or tap your foot and do air drums to while you relax on a lazy summer’s day, but either way you feel every delightful note.
Stream ‘Bad Behavior’ below
Lead Coloured River have released their new EP ‘Uncensored’. Lead Coloured River are an indie rock quartet hailing from the valleys of South Wales. Forming in February of 2017, they have been hard at work establishing a name for themselves in the Welsh music scene.
‘Uncensored’ is an impressive and compact collection of tracks that showcase Lead Coloured River’s blistering brand of indie rock. From the first track ‘Uncensored Heartache’ with its swagger soaked rock n’ roll flair, we see how this four piece take guitar rock and flesh it out with some wonderful embellishments. Slick shredding riffs pierce through the punchy drum smacks and thrilling rooted bass grooves. Lead Coloured River can whack out a catchy chorus with ease, building the atmosphere, smearing it in darkly coated hues and mysterious tones while creating a “mosh pit frenzy” ready foundation and wrapping it in a danceable blanket. The quartet wear their influences on their sleeves with ‘Deception’ and ‘Set It Out’ oozing an early Arctic Monkeys residue. Each track flows fluidly and swiftly into the next with refined ease. Gritty guitars parade slick licks while the rooted rhythm marches everything at a powerful brisk pace. ‘Set It Out’ displays just how proficient this four piece are at melody progression. The infectious chorus is sure to spark massive live sing alongs while that sublime explosive crescendo and rumble drum progression sets the track apart from its predecessors. It’s meaty, well oiled and crafted beautifully. This I need to see live. ‘Everything’s Changed’ closes the EP ensuring we fully comprehend the brisk vibrant sound of Lead Coloured River. It’s a snappy, hyper number that flails wailing guitar shards about a hefty backdrop while dynamic vocals spit the brisk melody through agile bass lines. The perfect closer to keep you wanting more.
Lead Coloured River have presented us with a slick, vivacious four track EP that tantalizes the senses and promises this four piece are ones to keep an eye on. They are finding their sound and at the moment that sound glides on swagger steeped melodies, high-octane riffs, distorted bass and hefty drums.
Stream ‘Uncensored’ below
Berlin-based energetic rock ’n’ roll band Ponte Pilas have released their new single, the long awaited ‘Out Of My Head’. Ponte Pilas consists of Scottish frontman Calum Bolland and Ecuadorians Daniel Rivera (drums), Randy Bullet (bass) and Ismael Rivera (lead guitar). Although they are not all related, the band considers itself a band of brothers. They have won the love and following of the Berlin scene after playing over 30 shows at famous venues like SO36, Musik und Frieden and PrivatClub. The quartet has been promoting their debut EP Young Perros by touring cities like Prague, Karlsruhe and Leipzig and will support indie legends The Wedding Present in the Netherlands.
‘Out Of My Head’ struts in swagger soaked and ready to knock your socks off with Ponte Pilas’ slick rock n’ roll. Slinky guitars saturate the track in steamy flamboyance while punchy drums and elastic bass create a fluctuant foundation and infectious groovy backdrop for this swanky track to flourish off. The raspy vocals fill this luring track in panache as ‘out Of My Head’ powerfully rushes adrenaline into your veins. With a tight production, sleek musicianship and a shredding guitar solo – it’s a charming strutting display to have you prancing and dancing around the room carelessly.
Stream ‘Out Of My Head’ below
Finally Miles Kane has released his highly anticipated ‘Coup De Grace’ album to enrich our ears with his new found sophistication and maturity seamlessly blended among his rock and roll swagger. Appearing more cultured and thought-out this album surpasses 2013’s ‘Don’t Forget Who You Are’ in both refinement and grandeur. It’s a glam, psych and pop- faceted prism of beauty that packs in some groovy elements and punk wallops along the way. Kane has huddled together a team of collaborators for his third album, which includes seven co-writes with Jamie T while Lana Del Rey co-writes on ‘Loaded’ and John Congleton produces.
‘Too Little Too Late’ sets the fiery brisk pace of the album with punk slaps weaving through Kane’s rock n’ roll backbone. The glam rock stomper ‘Cry On My Guitar’, laid back pop sprinkled strutter ‘Loaded’ and snappy glossy ‘Cold Light of the Day’ follow suit adding a new dash of spice with each track as Kane builds his repertoire delicately blending a new genre dimension into his own panache driven branding. Slick, thrilling guitar wails, solos and licks are plentiful and the sultry bass grooves and clap along anthemic choruses exceed all expectations. Kane has found his dynamite team creating an enthralling album with each track cruising into the next with masterful fluidity and fantastic musicianship that makes every song lovable. The dreamy brooding ‘Killing the Joke’ cools the intensity a little as Kane belts out a hard hitting emotional performance to a sway worthy background. The synth element adds a delicate ethereal quality to this tender number as lamenting guitars wander about pining behind an emotional vocal delivery and steady drum thuds. Kane’s knack for melodies has always been apparent and this album is no different- he slides those glorious honey drizzled melodies into our ears leaving us craving for more as they seep into our brains sweetly caressing and soothing their way inside our minds. ‘Killing the Joke’ displays the sweet tender lovable melody while the funky flex that is title track ‘Coup De Grace’ fleshes out his swanky, chic melody. This 70’s – esque Disco Stu jam returns the albums pace to high voltage fun. With slinky guitars and an elastic bass line driving the track into a strutting frenzy – this hook filled gem is timeless and magnetising. The album speed balls into the shouty attitude driven ‘Silverscreen’ before another delicious high powered melodic number, ‘The Wrong Side of Life’ erupts where Kane exclaims over a jagged drum and guitar combination. It’s passionate and quite expressive vocally while the keys wisp and float around a striking backdrop. ‘Something to Rely On’ draws on the raw vigor of the beginning tracks with shredding sharp guitars stinging between punchy drums and an anthemic chorus. ‘Shavambacu’ closes the album with a finger clicking sleekness that creeps in from somewhere dark in the 60’s lurking between chilling and romantic. The chorus breaks up the eerie vibe with a bopping beat and vibrant sweet melody over delicious little flickers on guitar. It’s honest with a ballroom Foxtrot- esque spring in its step, over a sing along simple melody to have you doing a little shuffle to yourself as Kane sings out the album.
‘Coup De Grace’ glosses and polishes over the cheeky rock n’ roll bravado we know Kane for, with some refined sophisticated flurries sprinkled over a raw and edgy foundation. He packs in a healthy dose of wonderful melodies, sweet and tender moments with some good old fashioned fun and danceable numbers which he swirls into his delectable brew.
Stream ‘Coup De Grace’ below
Indie rock 4-piece Alexis Kings have released their newest single ‘Velvet’ today. Injected with a soulful, funk edge, the track is a feel-good anthem following on from the successful release of their debut EP ‘Squire’ back in 2016, leading to positive reviews from BBC Radio 1’s Huw Stephens, and Radio X’s John Kennedy. Comprising of Brendan Aherne (vocals), Sam Privett (lead guitar), Kalyan Rogers (bass) and Fabio Bocca (drums),, Alexis Kings have made themselves known on the London live circuit over the years, selling out crowds at Barfly in Camden and recently broadening their live shows to cities across Asia and the US.The track which was produced by Ian Dowling (Bombay Bicycle Club, Chapel Club) sets the tone for what to expect from their upcoming debut album due later this year. Velvet is set to be followed by an accompanying video with special feature from Old Men Grooving of Britain’s Got Talent.
‘Velvet’ is a smooth slick number that drifts in on a swanky funk flavoured bass and strutting panache soaked persona.Smooth velvety vocals enfold the luscious honey drizzled melody as slinky guitars sweep over it with a golden feather-light motion. The shuffling danceable funky beat and groove infested bass keeps the foundation of this track buoyant with a rock n roll hued backbone. This flaunty number glides and slides with finesse and a suaveness that leaves you in a swooning stupor. The chic guitar melodies add a glossy lustre and elegance to this old school unblemished charming track. Alexis Kings are budding nicely cultivating their sound into something beautiful and refined.
Stream ‘Velvet’ below
King Kartel are an Indie Rock’n’roll band from Newry Co. Down and are based in Manchester. The band have released their new single ‘Brown Sugar’ from their upcoming EP ‘Fault By Design’. This stomping blistering number flexes, struts and sprawls in slick rock n roll bravado. Its driven by a catchy melody, jangly keys and a thumping punchy rhythm. This is one hell of a steamy belter filled with scorching sleek instrumentation and a hefty mosh ready chorus. It is one for the mania of a sticky mosh pit. The smooth melody glissades upon the brawny backdrop with elegance and class, ready for mass sing alongs while the fiery guitar strides take on a sultry persona of their own strutting, flamboyantly boasting and elegantly sweeping across the track with a red hot fearless demeanor while the rooted elastic bass and punchy drums add a beefy foundation for the guitars to flourish off. It’s catchy and melodically luscious with enough vaporous sleekness to grab attention and wrestle your ears into blissful submission.
Watch the video for ‘Brown Sugar’ below
Miles Kane is releasing his new album ‘Coup De Grace’ next month and has shared another tantalizing track from it. With Lana Del Ray and Jamie T featured on previous track ‘Loaded’ the new track ‘Too Little Too Late’ gives Jamie T another whirl. This blazing inferno blasts attitude-soaked punk with Kane’s suave rock and roll finely blended throughout. Strident guitar stings, elastic rumble on bass and rooted punchy drum whacks create the fierce backdrop for Kane’s dynamic, spirited yet effortlessly panache-soaked vocals. Gliding on passionate hot-blooded rush to the head rock and roll this track stomps in and steam rolls over all your wild expectations. The verse spits fiery attitude at neck snapping speeds while the infectious chorus cruises in, smooth velvety and effortlessly cool and that rooted ductile bass bridge is just riveting. The melodies are divine as they seep honey sweet lushness to smoothen the harsh frenzied backdrop. Kane has presented us with some exciting, thrilling and stimulating aperitifs to his upcoming ‘Coup De Grace’ album keeping us enthralled and eager as to what glorious tunes will grace our ears in August. All the tracks released so far have been breathtaking. The suspense for the album is killing me.
Stream ‘Too Little Too Late’ below
London based rock duo LEONTAS have released their new single ‘Rhythm + Blues’ alongside co-single ‘Here Today’. The band revolves around singer and guitarist Alex Munteanu and drummer Scott Collier who met at an audition for a separate band in Camden. After the two bonded, realising their musical styles fitted perfectly together LEONTAS was born in Camden’s Creation Studios.
‘Rhythm + Blues’ is your foot stomping bluesy rock and roll banger. Drenched in strutting swagger this track slides in, cool and sassy with a raw punchy sound. Edgy guitar riffs shred through mighty drums and a sing along ready chorus. Filled with a prance inducing confidence and a smooth melody this charming number strides in on an infectious groove and sublime steamy guitar licks, oozing a bold prancing swankiness that is compelling.
‘Here Today’ takes a more chilled approach with a thumping beat setting the sturdy clap along camp fire back drop for the sprightly acoustic guitar strides and raspy vocals. Cruising on a feel good summer vibe this track glides along flooding with warmth and infectiousness. Its shaky rhythm and subtle groove infested approach will warm the cockles of your heart filling you with youthful nostalgia and chill mellow vibes. This track oozes emotion and passion in a laid back easy going manner that makes it instantly like-able and fun.
This duo have a tight sound that is brimming with swagger -their laid back approach adds a sublime relaxed vibe to the tracks while their refined musicianship and dash of sass makes for a captivating and enthralling listen.
Stream ‘Rhythm + Blues’ and ‘Here Today’ below
Miles Kane has released another new track ‘Cry On My Guitar’ from his forthcoming new album, titled ‘Coup De Grace’ which is set for release on August 10. The release marks his third solo album, following predecessor ‘Don’t Forget Who You Are’ from 2013. ‘Cry On My Guitar’ is a stomping dazzler that struts in loaded with intoxicating guitar whines, thumping drums and swagger laced vocals – Kane has channeled his inner Marc Bolan. This slick frenzy of rock n roll is overflowing in steamy panache as the exhilarating chorus blasts adrenaline pumping stamina into your veins while the cool shimmy ready verses chill the feverous atmosphere. ‘Cry On My Guitar’ sounds like it could have come from the seducing glam rock mania of the 70’s with a modern Kane twist. That clap along feature, vaporous guitar solo and constant groovy backdrop drive this electrifying spectacle. It’s a swanky outburst that is sure to have your blood pumping and live audiences in a crazed frenzy. Once again Kane produces a chic riveting number that will have you dancing, attempting air guitar and just feeling like a bad ass.
Stream ‘Cry On My Guitar’ below