Finally Miles Kane has released his highly anticipated ‘Coup De Grace’ album to enrich our ears with his new found sophistication and maturity seamlessly blended among his rock and roll swagger. Appearing more cultured and thought-out this album surpasses 2013’s ‘Don’t Forget Who You Are’ in both refinement and grandeur. It’s a glam, psych and pop- faceted prism of beauty that packs in some groovy elements and punk wallops along the way. Kane has huddled together a team of collaborators for his third album, which includes seven co-writes with Jamie T while Lana Del Rey co-writes on ‘Loaded’ and John Congleton produces.
‘Too Little Too Late’ sets the fiery brisk pace of the album with punk slaps weaving through Kane’s rock n’ roll backbone. The glam rock stomper ‘Cry On My Guitar’, laid back pop sprinkled strutter ‘Loaded’ and snappy glossy ‘Cold Light of the Day’ follow suit adding a new dash of spice with each track as Kane builds his repertoire delicately blending a new genre dimension into his own panache driven branding. Slick, thrilling guitar wails, solos and licks are plentiful and the sultry bass grooves and clap along anthemic choruses exceed all expectations. Kane has found his dynamite team creating an enthralling album with each track cruising into the next with masterful fluidity and fantastic musicianship that makes every song lovable. The dreamy brooding ‘Killing the Joke’ cools the intensity a little as Kane belts out a hard hitting emotional performance to a sway worthy background. The synth element adds a delicate ethereal quality to this tender number as lamenting guitars wander about pining behind an emotional vocal delivery and steady drum thuds. Kane’s knack for melodies has always been apparent and this album is no different- he slides those glorious honey drizzled melodies into our ears leaving us craving for more as they seep into our brains sweetly caressing and soothing their way inside our minds. ‘Killing the Joke’ displays the sweet tender lovable melody while the funky flex that is title track ‘Coup De Grace’ fleshes out his swanky, chic melody. This 70’s – esque Disco Stu jam returns the albums pace to high voltage fun. With slinky guitars and an elastic bass line driving the track into a strutting frenzy – this hook filled gem is timeless and magnetising. The album speed balls into the shouty attitude driven ‘Silverscreen’ before another delicious high powered melodic number, ‘The Wrong Side of Life’ erupts where Kane exclaims over a jagged drum and guitar combination. It’s passionate and quite expressive vocally while the keys wisp and float around a striking backdrop. ‘Something to Rely On’ draws on the raw vigor of the beginning tracks with shredding sharp guitars stinging between punchy drums and an anthemic chorus. ‘Shavambacu’ closes the album with a finger clicking sleekness that creeps in from somewhere dark in the 60’s lurking between chilling and romantic. The chorus breaks up the eerie vibe with a bopping beat and vibrant sweet melody over delicious little flickers on guitar. It’s honest with a ballroom Foxtrot- esque spring in its step, over a sing along simple melody to have you doing a little shuffle to yourself as Kane sings out the album.
‘Coup De Grace’ glosses and polishes over the cheeky rock n’ roll bravado we know Kane for, with some refined sophisticated flurries sprinkled over a raw and edgy foundation. He packs in a healthy dose of wonderful melodies, sweet and tender moments with some good old fashioned fun and danceable numbers which he swirls into his delectable brew.
Stream ‘Coup De Grace’ below
Indie rock 4-piece Alexis Kings have released their newest single ‘Velvet’ today. Injected with a soulful, funk edge, the track is a feel-good anthem following on from the successful release of their debut EP ‘Squire’ back in 2016, leading to positive reviews from BBC Radio 1’s Huw Stephens, and Radio X’s John Kennedy. Comprising of Brendan Aherne (vocals), Sam Privett (lead guitar), Kalyan Rogers (bass) and Fabio Bocca (drums),, Alexis Kings have made themselves known on the London live circuit over the years, selling out crowds at Barfly in Camden and recently broadening their live shows to cities across Asia and the US.The track which was produced by Ian Dowling (Bombay Bicycle Club, Chapel Club) sets the tone for what to expect from their upcoming debut album due later this year. Velvet is set to be followed by an accompanying video with special feature from Old Men Grooving of Britain’s Got Talent.
‘Velvet’ is a smooth slick number that drifts in on a swanky funk flavoured bass and strutting panache soaked persona.Smooth velvety vocals enfold the luscious honey drizzled melody as slinky guitars sweep over it with a golden feather-light motion. The shuffling danceable funky beat and groove infested bass keeps the foundation of this track buoyant with a rock n roll hued backbone. This flaunty number glides and slides with finesse and a suaveness that leaves you in a swooning stupor. The chic guitar melodies add a glossy lustre and elegance to this old school unblemished charming track. Alexis Kings are budding nicely cultivating their sound into something beautiful and refined.
Stream ‘Velvet’ below
King Kartel are an Indie Rock’n’roll band from Newry Co. Down and are based in Manchester. The band have released their new single ‘Brown Sugar’ from their upcoming EP ‘Fault By Design’. This stomping blistering number flexes, struts and sprawls in slick rock n roll bravado. Its driven by a catchy melody, jangly keys and a thumping punchy rhythm. This is one hell of a steamy belter filled with scorching sleek instrumentation and a hefty mosh ready chorus. It is one for the mania of a sticky mosh pit. The smooth melody glissades upon the brawny backdrop with elegance and class, ready for mass sing alongs while the fiery guitar strides take on a sultry persona of their own strutting, flamboyantly boasting and elegantly sweeping across the track with a red hot fearless demeanor while the rooted elastic bass and punchy drums add a beefy foundation for the guitars to flourish off. It’s catchy and melodically luscious with enough vaporous sleekness to grab attention and wrestle your ears into blissful submission.
Watch the video for ‘Brown Sugar’ below
Miles Kane is releasing his new album ‘Coup De Grace’ next month and has shared another tantalizing track from it. With Lana Del Ray and Jamie T featured on previous track ‘Loaded’ the new track ‘Too Little Too Late’ gives Jamie T another whirl. This blazing inferno blasts attitude-soaked punk with Kane’s suave rock and roll finely blended throughout. Strident guitar stings, elastic rumble on bass and rooted punchy drum whacks create the fierce backdrop for Kane’s dynamic, spirited yet effortlessly panache-soaked vocals. Gliding on passionate hot-blooded rush to the head rock and roll this track stomps in and steam rolls over all your wild expectations. The verse spits fiery attitude at neck snapping speeds while the infectious chorus cruises in, smooth velvety and effortlessly cool and that rooted ductile bass bridge is just riveting. The melodies are divine as they seep honey sweet lushness to smoothen the harsh frenzied backdrop. Kane has presented us with some exciting, thrilling and stimulating aperitifs to his upcoming ‘Coup De Grace’ album keeping us enthralled and eager as to what glorious tunes will grace our ears in August. All the tracks released so far have been breathtaking. The suspense for the album is killing me.
Stream ‘Too Little Too Late’ below
London based rock duo LEONTAS have released their new single ‘Rhythm + Blues’ alongside co-single ‘Here Today’. The band revolves around singer and guitarist Alex Munteanu and drummer Scott Collier who met at an audition for a separate band in Camden. After the two bonded, realising their musical styles fitted perfectly together LEONTAS was born in Camden’s Creation Studios.
‘Rhythm + Blues’ is your foot stomping bluesy rock and roll banger. Drenched in strutting swagger this track slides in, cool and sassy with a raw punchy sound. Edgy guitar riffs shred through mighty drums and a sing along ready chorus. Filled with a prance inducing confidence and a smooth melody this charming number strides in on an infectious groove and sublime steamy guitar licks, oozing a bold prancing swankiness that is compelling.
‘Here Today’ takes a more chilled approach with a thumping beat setting the sturdy clap along camp fire back drop for the sprightly acoustic guitar strides and raspy vocals. Cruising on a feel good summer vibe this track glides along flooding with warmth and infectiousness. Its shaky rhythm and subtle groove infested approach will warm the cockles of your heart filling you with youthful nostalgia and chill mellow vibes. This track oozes emotion and passion in a laid back easy going manner that makes it instantly like-able and fun.
This duo have a tight sound that is brimming with swagger -their laid back approach adds a sublime relaxed vibe to the tracks while their refined musicianship and dash of sass makes for a captivating and enthralling listen.
Stream ‘Rhythm + Blues’ and ‘Here Today’ below
Miles Kane has released another new track ‘Cry On My Guitar’ from his forthcoming new album, titled ‘Coup De Grace’ which is set for release on August 10. The release marks his third solo album, following predecessor ‘Don’t Forget Who You Are’ from 2013. ‘Cry On My Guitar’ is a stomping dazzler that struts in loaded with intoxicating guitar whines, thumping drums and swagger laced vocals – Kane has channeled his inner Marc Bolan. This slick frenzy of rock n roll is overflowing in steamy panache as the exhilarating chorus blasts adrenaline pumping stamina into your veins while the cool shimmy ready verses chill the feverous atmosphere. ‘Cry On My Guitar’ sounds like it could have come from the seducing glam rock mania of the 70’s with a modern Kane twist. That clap along feature, vaporous guitar solo and constant groovy backdrop drive this electrifying spectacle. It’s a swanky outburst that is sure to have your blood pumping and live audiences in a crazed frenzy. Once again Kane produces a chic riveting number that will have you dancing, attempting air guitar and just feeling like a bad ass.
Stream ‘Cry On My Guitar’ below
New Jersey’s The Skullers have returned with a jaunty new summer single, a cover of Richard Hell’s ‘I’m Your Man’. The band is donating the proceeds and raising awareness for a non-profit called Career Gear that helps men in need enter or re-renter the workforce. The band deliver a pristine and respectful cover of ‘I’m Your man’ which was an outtake from Richard Hell & the Voidoids’ 1977 debut album Blank Generation. It’s an undiluted rendition brimming with swagger and class. Jangly guitars stride and breeze through this exhilarating number with steamy effervescence while the smooth vocals caress the carefree irresistible melody with charisma and charm. The guitar solo is crisp and thrilling and the drums punch and pound throughout. It’s a magnificent track to cover filled with buoyancy and bright scintillation teamed with a catchy as hell melody and these guys did a superb job fleshing out the refined unadulterated stomping rock that fills you with good vibes.
The Skullers will perform at Johnny Thunders Birthday Bash on July 15 – a prestigious annual event that takes place at the Bowery Electric in New York.
Stream ‘I’m Your Man’ below
Our Worth A Listen Track This Week Comes From Miles Kane
Miles Kane has released the new single and title track of his anticipated third album ‘Coup De Grace’. It is the second taste of the album following the release of the Jamie T and Lana Del Rey collaboration ‘Loaded‘ earlier this year. The album which follows predecessor ‘Don’t Forget Who You Are’ from 2013 is set for release on August 10.
‘Coup De Grace’ is a snazzy, disco hued dazzling glam rock display from Kane that is sure to have you shaking and grooving mindlessly. The stomping beat slaps and rebounds off fluctuant jangly glitter-soaked guitars while Kane’s vocals glissade upon the infectious melody with swagger and charisma. It’s 70’s esque foot tapping frenzy as the verses cruise and slide with a luring quality right up to the bursting sing along ready chorus. Doused in funky vibes this track steam rolls in with all its flamboyant trance inducing glory to wrestle your mind with its swanky chicness sprawled on top of glam rock finesse. From the first vocal wail this track has you hooked and transported to a groovy timeless world of dance and fun and lets not forget the fluidity in the lyrics, they flow with such rapidity and molten smoothness – its captivating. The deeply weaved elastic bass adds a thrilling rooted quivering foundation for this track to elevate off. The blending of slinky rock attitude driven guitars with disco soundscapes creates a crisp pristine little world of endless dancing and prancing. It’s very slick indeed.
Stream ‘Coup De Grace’ below
Van Bellman has released his new single ‘I Hate To See You This Way’.Van Bellman is the brainchild of Brooklyn-based musician Zac Taylor. You may have seen him playing guitar on TV with multi-platinum band American Authors, or perhaps carrying your luggage at the Gansevoort Hotel on Park Avenue a few years back. Taylor has been cultivating this new project and has now presented his brand of bluesy rock and indie pop.
‘I Hate To See You This Way’ is a gritty, crawling blast of bluesy rock at its most exciting and electrifying. Rough guitars shred and lacerate through a thick muggy drum whack while Taylor’s chilled vocals cruise in luring and creepy for the verses becoming more passionate and emotional for the meteoric chorus. Exploding in a barrel of spinning emotion this track throbs, stomps and screams with rock and roll swagger and slick panache. It’s sharp and brawny with a sensual sliver of finesse embossed on top. The whisky soaked melody wriggles its way into your brain while rough spiky guitars steam and evaporate over the kinetic riveting rock drenched soundscape.With heart-gripping pop speckled moments between the lusty growls and eerie tension this track is a sublime stalking number that drips and oozes sophistication and fine musicianship.
The theme of ‘I Hate To See You This Way’ focuses on the pain of watching someone you love go down a dark road, witnessing them self-destruct. Anyone can relate to this heartbreaking and helpless feeling, whether they have played the role of the nurse or the patient. “It means a lot to me as both a lyrical and sonic story,” said Taylor, who also produced the track at the legendary Mission Sound Studios in Brooklyn through some serious vintage equipment.
Stream ‘I Hate To See You This Way’ below
Manchester’s The Masons are set to release their new single ‘Bed’. Formed in October 2017, the band is made up of Aiden (guitar/vocals), Connor (drums), Kyle (guitar) and Mathew (bass). ‘Bed’ is a slick, compact display from this four piece. Sharp melodic guitar floods the track with a golden vibrancy while punchy drums and groove infested bass lines keep a movable sleek foundation. The melody is sublime as it cruises upon this glorious laid back backdrop with ease and a fluidity while the raspy vocals whack on a touch of grit and swagger. The guitar is just magnificent as it ventures from sweetly warm and euphoric to sharp, blistering and steamy all while maintaining a cool mellow dreaminess that is just superb. It’s a very proficient, tightly bound track with some slinky ornamentation embroidered within to add vivid flecks of colour. This is a cool swagger soaked number blending gritty edgy rock with a dash of smooth indie pop to make it infectious and delicious. These guys are ones to watch.
You can check out the track on their Facebook here https://www.facebook.com/themasonslive/videos/582038048844955/
You can catch the band at their next live show at Jimmy’s 12 Newton Street, Manchester, United Kingdom on 24th June supporting The Capital.