BRONCHO have released their new album ‘Bad Behavior’ an infectious swirl of luscious, teasing and exhilaration tracks to keep you drooling for more. It’s a tasty collection of tracks filled with psychedelic indie pop, laid back tones and insanely catchy grooves to ensure a satisfying listen. ‘All Choked Up’ sets the EP in motion with its churning rhythm creating a danceable foundation for the buoyant guitars and smoky melody. The stop start beat establishes an atmosphere of suspense which is only subdued by the shredding slick guitar solo. This track is so sleek and glossy with dark undertones twirling beneath the hypnotic rhythm. The tracks on the album flow into each other with a smooth fluidity,‘Weekend’ continues the heavenly subtly psychedelic trip with ethereal guitars twinkling between a steady backdrop. Ryan Lindsey’s sweet falsetto vocals provide each song with a heavenly quality. The instrumentation is tight throughout- crafted to perfection with glorious guitar twinkles daintly accompanying Lindsey’s vocals and honeyed melody while the strong beat and elastic bass grooves between. ‘Boys Got To Go’ displays this perfectly, the melodic flow guarantees a soothing listening experience as soft guitars glisten playfully throughout before whining elegantly every so often. BRONCHO provide the most glorious comforting blanket with ‘Keep It In Line’. This track enfolds your ears in a candied soothing melody, beautifully weaved instrumentation and sedating vocals. It’s bouncy, bright but incredibly tranquilizing. These guys delicately unwrap their sound revealing lush textures with each track. Together they gel immaculately- each instrument has its part and yet the tunes they produce feel airy and freeing. The album continues to blossom with ‘Sandman’, bringing a slightly ominous tone into this dreamy mix. The guitar and bass in this track is riveting. The song bubbles and boils around the playful guitar as Lindsey creates a haunting atmosphere. It’s a little more gritty with a creepy almost sleazy vibe but an absolutely thrilling listen.’Undercover’ follows the darker tone of its predecessor lightening it with buoyant grooves stomping between a sliding swagger soaked melody and strutting guitars. This is one well crafted track.The subtle guitar changes from twinkling and gliding to prancing as they flood the track with panache and an infectious funk flavoured danceable quality. ‘Family Values’ is another infectious gem that is sure to put a smile on your face. If you can prise your ears away from the bouncy weaving instrumentation and focus on the lyrics BRONCHO showcase their humorous cheeky side,“I got a thing for your mother / I got a thing to teach your father”. One thing I have come to love about the Tulsa, Oklahoma-based band is their sublime ability to create dreamy woozy tunes like ‘Big City Boys’. Though the track is hazy and dreamy the instrumental backing is strong, pushing forward with a relentless goal of fun loving with a slick proficient style that is one to be admired. The summertime cruising ‘Get In My Car’ follows. The album version sounds a little tweaked and more crisp to the single version released last year. This summer time gem bops and wiggles over a smooth melody and gleaming guitars. Glissading over to a glam rock flavour, BRONCHO provide us with a tantalizing variety of genres to taste throughout this album. They close the album in the best possible way, leaving us hungry for more. The swagger steeped foot stomping danceable and infectious ‘Easy Way Out’ accomplishes this task without fail. It’s slick, pristine, panache driven indie rock drizzled in rock n’ roll flamboyance with nimble steamy guitar licks and a catchy melodic flow to keep us wanting to dance all night long.
BRONCHO is that band that are cool, fun and make you want to scream and tell everyone about. Their sound is appealing to everyone from the lazy daydreamer to the adrenaline punk-rocker and indie-head in between. The provocative lyrics, incredible musicianship and all out swaggering groovy persona within each track is what makes BRONCHO one heck of a band. The sound is distinctive, Lindsey’s vocals are distinctive and their tunes undeniably infectious. It’s music to make you feel, music to make you dance and bop or tap your foot and do air drums to while you relax on a lazy summer’s day, but either way you feel every delightful note.
Stream ‘Bad Behavior’ below
Mini Mansions have released their highly anticipated EP ‘Works Every Time’. Singer/guitarist Michael Shuman, singer/keyboardist Tyler Parkford, and bassist Zach Dawes are the glorious trinity of Mini Mansions, a band who push boundaries and overwhelm our minds with psychedelic encryption and delicious tunes. The band have played in some of the world’s biggest rock bands, Queens of The Stone Age, Arctic Monkeys and The Last Shadow Puppets these guys have been flourishing right at the roots of the rock genre readying themselves and fermenting their sound.This new release arrives three years after their second record, ‘The Great Pretenders’, which received critical praise and featured guest appearances from Arctic Monkeys frontman Alex Turner and The Beach Boys’ Brian Wilson and ‘Flashbacks’ a collection of B-side tracks which was released in 2016. Mini Mansions sound is unique and stirring all at once and places them firmly on par if not above their comrades in intricate obscurity and just plain genius. ‘Works Every Time’ is only a glimpse of what these guys are capable of.
‘Works Every Time’ is a concise, flavoursome collection of juicy tracks to re-introduce us to the mouth watering home cooking of Mini Mansions. Title track ‘Works Every Time’ reels us in with a soft beat bouncing off a swoon worthy melody and glistening keys.Filled with wistful tones Parkford takes the vocals on this track, his sweet falsetto cooing over the breathtaking soundscapes as this song floats around a dreamy ethereal atmosphere while the zesty sting on guitars give a lamenting bite and sharpness to the track. ‘Midnight in Tokyo’ rumbles through with Dawes’ elastic bass line teamed with the sticky slapping beats setting the groove infested foundation as the track spirals into a sleazy swagger smacked number. With Prince like Bowie -esque hued verses and a triumphant catchy chorus this track struts in, slicked back, funk fueled and glossy. Shuman’s vocals take the lime light here drenched in panache and gritty rough flamboyance as flashing disco hued electronics dazzle the background while Parkford provides lush tight harmonies. The rich meaty sound is filled gloriously with zingy guitars weaving their way, flickering little bursts of spice throughout. Parkford takes vocals once again on ’This Bullet’ a psychedelic whirl of utter mind melting mania. He ventures to his ominous lower range while Dawes’ throbbing bass and meandering soundscapes rush you with a sinister sense of danger. This track has a residue of Mister Goodnite’s ‘One Against Five’ with a little more darkness and obscurity smeared on top as alien- esque electronics wail about eerie tones and snappy driving beats. There is something magnetic and hypnotic about this track as Mini Mansions distort and dissolve your entire grip of reality with one catchy dizzying tune. It’s dark and creepy especially when Parkford orders “take off your vest“ however it’s difficult to prise yourself away from its chilling charm. Of course the band offer up another stirring cover for us to devour. Having previously embellished our ears with Blondie’s ‘Heart of Glass’ and Sparks ‘Sherlock Holmes’ Mini Mansions dissect and dismember a thrillingly dark rendition of Edwyn Collins‘ ‘A Girl Like You’, dousing it in the gritty sleazy and intoxicating tones we love from this trio. It’s dark as Shuman howls, screams and deeply haunts over whining guitars and flashing electronics. Filled with infectious shimmy grooves this track will make your skin crawl and tantalize all your senses while creeping into your mind where it will firmly reside for days. They did a cover the only way Mini Mansions can … better than the original.
The talent of this band is immense. Each track was meticulously cultivated – simmering and ripening slowly in Mini Mansions pressure cooker until the band were ready to delight and shatter our ears all at once. It’s exciting to see what each release will bring. They never compromise their sound yet push boundaries and provide an enthralling full bodied sound with every release. There is no one else like Mini Mansions out there at the moment. We need this trio to keep music fresh.
Stream ‘Works Every Time’ below
Our Worth A Listen Track This Week Comes From Dead Rebel
Dead Rebel is a three piece band from Liverpool England comprised of members Rob on guitar & vocals, Dan on drums & vocals and Dylan on guitar. The band have released their debut single ‘No Reply’ with renowned producer Al Groves at The Motor Museum Liverpool (who famously produced Bring Me The Horizon). ‘No Reply’ is a blistering wallop of alternative rock. Brimming with fever inducing frothing at the mouth instrumentation, this track is one heck of a debut. Laced in slick glossy guitar lines, a shredding solo and pulverising drums the mammoth sound this trio create is one to be admired. It’s gritty, razor sharp and mosh pit frenzy ready as crashing guitars slap and flamboyantly strike off the punchy drums while raspy vocals saunter over the catchy vibrant melody. It’s a meaty ear worm that packs one heck of a punch while still holding an air of finesse and grandeur.
Stream ‘No Reply’ below
Photo credit : Annie Feng
Manchester Rock/Grunge/Alternative band Manalishi have released their new EP ‘Why Do They Talk To Me’. Manalishi are a guttural plethora of raw energy and attitude. Consisting of lead vocalist/guitarist Dom Strett, bassist Josh Urpi, and drummer Charlie Gough; they concentrate on their music leaving your ears ringing, and a persistent scratchy feeling in the back of your throat.
The self titled EP is a bloodthirsty collection of grunge soaked alternative rock designed to pummel your brain and get those mosh pits in a frenzy. The band accumulate a refined blend of noisy fuzz and groovy sounds to create a wholly immersing fierce wall of sound. With an onslaught of battering drums and gritty, scuzzy guitars crashing and shattering against one another it’s an intense collection of tracks. ‘Why Do They Talk To Me?’ and ‘Brain In A Jar’ display this perfectly as the squealing guitars and raw, splintering backdrop revolt over raspy vocals and a catchy attitude driven melody. The tracks travel at neck breaking speeds that evoke images of hair flailing headbanging while Manalishi chill the frenzy with a moody melody. ‘Punge’ lightens the heaviness of the EP with jagged light guitar jangles between punchy drum whacks. There is a Nirvana vibe about the track as the expressive vocals expel and hiss over the fiery backdrop while wallowing in the sweetened sulky melody. These guys showcase their ballsy sound with an edgy refinement and closing track ‘Not Here…Not There…’ is a fine example of this. Slowly building the track, Manalishi mope and brood over the glum murky verses before bursting into an all out fragmenting heavy chorus. Mighty drum thuds and grumbly destructive guitars make the hair-raising foundation for this explosive track. The doleful verses contrast magnificently with the bruising chorus and make for an exhilarating listen.
This debut EP is a dynamic mix of sizzling power chords, manic energy and sonic restraint. Manalishi erect sturdy melodic structures and sing-along hard rock over a grunge foundation. They then attack their structure with frenzied screaming and guitar havoc. When Strett revs into high punk gear, shifting his versatile voice from quiet caress to raw-throated fury, the decisive control of the guitars and drums is all that keeps the songs from tipping over that thin line to utter chaos. Pretty impressive.
Stream the EP below
Dublin indie rock band Drivelight have released their new single ‘Take Two’. This blistering track displays a new groovy panache soaked side to this four piece. Brimming with slinky guitar lines seeped in good old rock n’ roll swagger this track struts in swanky and sleek while demolishing all in sight with funky grooves keeping that feet shuffling foundation for those magnificent flamboyant yet gritty guitars to rebound and explode off. With a rooted sensual bass line that coaxes you to the dance floor, an elastic drum backbone, steamy guitars and suave vocals all pumping high intensity adrenaline into your veins this track demands attention and won’t leave your head until you acknowledge it. These guys are coming into their own and ‘Take Two’ is sure to be the springboard for great things. It’s snappy, catchy as hell and filled with enough attitude to have a live crowd going wild. Drivelight have brought some swagger and style while lacing on a healthy dose of slick scorching instrumentation.
You can catch Drivelight live at
24th August: SOMA indie party upstairs Whelan’s.
26th August: Carrickmackross Arts Festival.
15 September Take Two Single launch Upstairs Whelan’s
Stream ‘Take Two’ below
L.A.’s space rock band The Asteroid Shop have released their new single ‘She Moves’. This stomping swagger steeped number strides with blistering guitar over a quivering and pulsing rhythmic backdrop. It’s a darkly hued track with ghostly vocals upon a gritty piercing wall of sound that is so chilling it could raise the dead. Slinky and strut infused the track creeps with a panache driven confidence. It’s a charming bewitchment that beckons your ears to draw nearer into its luring bedazzlement while piercing razor sharp guitars cut and melt away your mind with the most thrilling lacerations known to man. It’s kick-ass acid dripping psychedelic tinged bliss that shows the oh so slick musicianship of this band. I need to hear this live.
Stream ‘She Moves’ below
Waterford garage rock band Collides have released their new EP ‘Fools Feel Fine’, a rugged snappy collection of tracks that announce this new band with fiery attitude and some infectious wild hooks. It’s five burly tracks with enough mosh mania seeped throughout to make for some pretty insane live shows. ‘What’s On Your Mind’ sets their brand of slick garage rock in motion. Groovy bass and punchy drums create the fluctuant backbone for the swagger soaked verses and slinky guitars as they glissade over the raspy vocals. It’s the heavy raucous chorus that sets the track alight as crashing guitars pummel around the mighty drum whacks while also soaring and screeching over them with a sultry glossy sheen. It’s a sing along ready crowd friendly chorus that packs some hefty wallops between the sleek wiggles. ‘We’re So Cruel’ continues the relentless stamina with an energetic instrumental onslaught of mosh ready frenzy. The guitars are impressive in this EP- they slither between tasty nimble grandeur to savage and intense. The melodies throughout the EP peak for the infectious choruses and falsetto segments as Collides move between panache soaked grooves to ballsy rock bravado seamlessly. ‘All The Time’ displays their silky side with a shimmy -esque beat over a rugged backdrop of strident guitars and rooted bass rumbles. These guys have sass for sure and it shows in their tunes. ‘Dream In Dream’ displays a hint of sophistication with its sliding melody and eerie hues on guitar between the buoyant spring of the verses before another riotous crescendo crashes into your skull ready for a heavy headbang episode. The subtle psychedelic hints here are sublime and a welcomed surprise. ‘Land Ho’ closes the EP starting on a gentle tone of lush vocals and lamenting guitar before the screaming hefty outburst. The weaving between sweetly soft and blustery is perfect as this mostly instrumental piece displays the craft of these guys. It’s raw and edgy with the perfect sliver of steamy guitar injections over a tyrant invasion of bulky instrumentation. This track shows Collides at their best- it’s haunting, emotional and riveting all while brutally whacking you in the face with organic garage rock. There is no fuss, no flamboyance just biting, chilling, exhilaration.
‘Fools Feel Fine’ is a concentrated slap of what Collides can do. The rawness blended with sweet melodic flurries, on top of a nice dash of swagger make for a satisfying listen and marks these guys as ones to keep an eye on.
Stream ‘Fools Feel Fine’ below
Fresh from their first UK headline tour, Irish rock band Fangclub have released their highly personal new EP titled ‘True Love’. Last year the trio Steven King, Kevin Keane and Dara Coleman released their self titled debut album to mass critical acclaim and also toured the UK and Ireland with their own headline dates as well as playing shows with Biffy Clyro, Muse, Pixies, and SWMRS. Fangclub have gathered major attention from the press (Kerrang!, Rock Sound, Upset) and specialist DJ’s at BBC Radio 1 (Annie Mac, Huw Stephens, Daniel P.Carter, Phil Taggart), and Kerrang! Radio with their monstrous tracks ‘Bullet Head’, ‘Loner’, ‘Dreamcatcher’ and ‘Bad Words’.
‘True Love’ marks massive growth in the bands sound. The swirling and churning dark tones lurk underneath even the most peppy sounding of the tracks. There is something more sophisticated and painful in this EP. The meaty brain crush blast we are used to once again feature on True Love however they have honed in and sharpened everything from meatier ground shaking basslines and immense pounding drum grooves to slick acute guitar lacerations placed perfectly for maximum impact. Fangclub have us firmly in their grips and they are not letting go. Recent single ‘Knife’ sets the thrilling mayhem in motion with gritty basslines grumbling under slashing guitars and demanding drums. The chilled vocals cool the scorching instrumental backdrop for the verse teasing the explosive chorus we have come to love from Fangclub. Slick basslines have become a staple on this EP as they fluidly flow throughout each track with a sublime rooted groove adding a lusty darkness to each track, like a shadowy thread holding each song together. ‘Heart Is A Landmine’ is where their shadowy eerie tones take over. A moody melody bleeds over a punchy backdrop of slithering guitars whining between a mighty rhythmic bounce. It’s a cinematic tune that could feature in a Batman movie especially with its stirring melody and sublime griping guitar feature. It’s pretty dark and dramatic yet magnificently catchy and climatic all at once. ‘Smother’ brightens the tone of the EP. The guitars become lighter as they zealously inject juicy zest between punchy punk flavoured rock. Its sun kissed melody melts upon the gritty soundscapes like butter as a slick guitar solo and sing along ready chorus slaps on a glossy finish. The “buzz kill” ‘Sweater Forever’ follows. This is my kind of tune. It’s a moody sunny day wallowing blast of grunge that is just magnificent. The drums trudge through a gloopy sweet melody while the piercing sting on guitars lament and soar over this sullen tune. It’s both vibrant and sulky all at once as their vivid use of instrumentation and shaky percussion creates gripping heart wrenching turmoil for us to immerse in. Those twinkling keys add a light innocence through the heavy monotony. The scale of emotion presented through music in this track is masterful and exactly how I hoped these guys would progress. The sheer musical depth containing perfectly timed multi facets glimmering through emotional honest lyrics make for a completely absorbing listening experience. ‘High’ closes the EP bringing everything full circle. It’s upbeat, powerful, catchy and filled with scorching guitar lines. The vocals lure you into the relentless onslaught of crashing drums, brawny bass lines and mouth watering guitar work.
‘True Love’ is a flavourful and tantalizing EP from the trio and proves Fangclub have a lot to offer – they are just coming into their prime.
Stream ‘True Love’ below
Photo credit:Tanya Cullen:Bronte Photography
Mullingar rock artist Scally has just brought out the video for his third single ‘Let’s F*ck’ due for release on June 29th. The bombastic track packs a massive punch as it echoes shades of Rage Against The Machine. The track is the B-side to Scally’s latest single ‘Get Ready For War’ which was released back in March. It’s a slick raw shot of rock doused in brassy attitude. Shredding guitars crash and strike against rapid punchy drums and a groove laced bass. The track builds to a seizure inducing crescendo filled with thrilling distortion and brain spasming shrills on guitar. The riffs are well oiled and catchy while Scally’s laid back vocals daze through the verse becoming more dynamic for the brazen chorus. This high intensity track is soaked in gritty rock and roll swagger with the usual amount of pompousness you expect from Scally, however the effervescent guitar arrangement perhaps warrants this as it plows and soars through the brawny drums weaving its way around the rooted rhythmic undertow creating an ecstatic dance that practically lurches into the stomping chorus. It’s a raw lacerating groovy number that worms its way into your brain and will be next to near impossible to remove from your skull.
Scally states that the track is about “my friend who fancied this chick for ages and he just wouldn’t go over and chat to her, the verses is me telling him to grow a pair of balls and go over and talk to her and the chorus is all the things he wants to say to her but can’t”.
You can catch Scally with his band – ‘The Dirty Rats’ live at Danny Byrnes, Mullingar on July 1st
Watch the video for ‘Lets F*ck’ below, viewer discretion is advised.
Pop rock artist Bane Riff has released his debut single ‘Less Than Enough’, a catchy rock track written to inspire his listeners to pursue those unforgettable moments that we sometimes forget about in the madness of every day life. Fairly new to the industry, Bane Riff came from a background in finance industry. Although running his own successful insurance business, Riff realised that he wasn’t happy and felt that something was missing in his life, from then he decided to act quickly and pursue his true passion. ‘Less Than Enough’ was written over a couple of hours by Riff himself, and recorded in studio with producer Martin Daus, guitarist in several popular Danish pop rock bands. Inspired by a hilarious moment experienced in a restaurant with the restaurant owner and his wife, the track reminds us that life comes down to the moments that you won’t forget. For him, the song is an awakening.
‘Less Than Enough’ is a swagger soaked country drizzled rock track. Riff’s raspy vocals flood warmth into the song while a punchy drum beat, and golden guitar lines add a whack of rock and roll strutting grit. It’s a charming number with a sing along ready Bon Jovi- esque chorus that will have a live crowd bellowing from the top of their lungs. This bright peppy tune will fill you with that get up and go stamina as it exudes good heart warming vibes while packing in some mighty brawn to have you tapping your foot and dancing carelessly in no time. With an irresistible melody and tight production it’s infectious for sure.
Stream ‘Less Than Enough’ below