Stevenage, UK four-piece Waste have released their new single ‘Run’. The single is the first new material from the quartet since the release of last years track ‘Bullet’.Prior to this release the boys had already created an organic buzz online with a five track EP produced by Brit Nominated producer Tom Dalgety and a demo for the track ‘Blow’ amassing 25,000+ plays across SoundCloud & Spotify, Selling out Camden’s ‘The Fiddler’s Elbow’ (200 cap) at their EP launch, and being named as one of Subba Cultcha’s ‘Bands of the Weekend’ at Standon Calling Festival. Apart from sharing the stage on the festival circuit with bands such as Idles, The Horrors, and Slaves they have also supported Childhood and Frankie & The Heartstrings, Gold Key and losers combined with other high profile slots alongside acts such as Black Rebel Motorcycle Club, Mallory Knox, The Fratellis and The Amazons.
This fuzz-fueled slick leviathan swarms in with all its rock battering regalia as Waste mercilessly leave their stamp all over your brain. It’s a swagger soaked slithering belter as pulverizing drums, crashing guitars and sleek bass create a powerful wall of sound while the catchy melody glissades and weaves around the mammoth backdrop. It’s a heavy assault that will have a live audience headbanging until they bleed while maintaining a crisp polished exterior that is radio friendly and easy on the ears. These guys have blended the ferocity of rock with their creeping suaveness seamlessly creating a thrilling invigorating listening experience. Its meaty riffs teamed with blustery drums and precise production makes ‘Run’ one riveting tune.
Dublin-based experimental/post-punk band Tribal Dance are set to release their video for ‘And Then All That Was Left Was A Physician And A Silhouette’ tomorrow December 5th. Tribal Dance consists of bassist and vocalist Adam Smyth, guitarist Stephen Dowling and percussionist Leo Clarke. Their debut single “Flongo” released in August 2017, sent out waves of excitement and received extremely positive reviews from music blogs and nationwide newspapers as well as national and international radio play, which contributed to a sold out single release show. The band have been showcased in Whelan’s Ones to Watch along with headlining a special Nialler9 showcase The Button Factory as well an unforgettable performance to a packed tent at KnockanStockan 2018.The band’s sophomore release ‘And Then All That Was Left Was A Physician And A Silhouette’ is set to be the first release on Bad Soup Records in December 2018, accompanied with an intense and dramatic music video, a limited edition physical release.
‘And Then All That Was Left Was A Physician And A Silhouette’ is Tribal Dance’s fierce way of dissolving your mind in their thick murky concoction of math punk with sweet little bubbles of psychedelic rock gasping beneath this suffocating brew. The tense atmosphere builds right from the start as these guys unfold each segment gently with eerie soundscapes twinkling through distorted guitars and punchy drum attacks. This acid saturated gem lures and entices with soft lulling vocals, sweet little guitar injections and a meaty rhythmic foundation. Just as the track seeps into its dreamiest delusional state Tribal Dance electrocute you back to life with a pulverising heavy finale. The fluctuation between Math mania and soothing psychedelia is masterful as Adam Smyth switches from animated screams to soft coos seamlessly while wobbly desert guitar whines between a deep groove and laid back melody. Well crafted this track consumes you entirely in the dizzying world of Tribal Dance and with musicianship this refined and messy all at once – these guys are definitely ones to keep an eye on.
Watch the video for ‘And Then All That Was Left Was A Physician And A Silhouette’ below
Formed by brothers Mike (lead vocals/guitars) and Eric Walsh (drums), Dublin based Drop The Shadow have just released their debut single ‘Break The Fall’.Joined by Sean Carey on bass, the band draw inspiration from the sounds of Alt rock to folk & everywhere in between.
‘Break The Fall’ is an impressively mature number brimming with slinky guitar lines, steamy bass grooves and a solid drum progression. This track glides effortlessly through a smooth suave melody as raspy soul filled vocals coo and soar over slick guitar licks with a sweltering country hue and elastic bass rumbles. Building into a whopping silky turbo banger this charming number seeps and oozes swanky swagger as the glossy guitar evaporates off the luscious rock melody keeping you hanging in suspense off every word. There is enough grit mixed with infectious sensual soul to keep your ears craving for more and lets not forget that shredding guitar solo. This blistering track announces Drop The Shadow with great poise and panache in the form of glorious classic rock and soul pop. The band have also just released a video for ‘Break The Fall’, produced by vocalist Mike Walsh you can watch it below.
Northern Ireland art rock/neo psychedelic five piece Cloakroom Q are set to release their new EP ‘Going For A Walk and I’m Not Coming Back’ this Halloween. The band started in late 2016 and have since released a few singles and low fi compilations. These compilations were in the form of “official bootleg” recorded during the band’s earlier stages which include the single “Don’t Come Home” and their other more recent complication “Seven Stories Up”, partly recorded in Toulouse France and features versions of tracks off their debut EP ‘Going for a walk and I’m not coming back’.
‘Going For A Walk and I’m Not Coming Back’ is a spine tingling collection of tracks that weave and flourish with sublime obscurity through abrasive instrumentation while a healthy dose of psychedelic is churned through magnificent art rock elements and intense atmospheres.‘South of Sane’ kicks the mayhem off with the perfect tension building beat and spoken vocals. Soft guitars strum as the thrilling track builds and slowly creeps adding a warm trumpet into its swirling dark soundscape. Musically these guys create refined hair raising masterpieces with western-esque melodies mourning through rich rhythms and pining guitars. Through this EP they showcase their ability to create stripped back wispy, mind melting acid soaked tunes shown brilliantly with ‘d0nkroom’. All these elements are twisted and entwined in euphoric dizzying bliss. ‘People With Energy’ rushes through on a heightened vibe of snappy beats, funky bass lines, jagged guitars and haunting synths. It’s danceable, groovy and filled with energy yet drenched in ominous vibes. Each track is crafted with the finest components to make it luscious, manic and thoroughly enjoyable. Their sound is unique to them and it is this band’s attention to detail and meticulous musicianship that makes these tracks so impressive. The grunge hued ‘Feeding The Stranger’ smears on that dark atmosphere thick. Rugged guitars crash and batter into the punchy drum assault while the vocals exclaim over this frenzied backdrop narrating about coughing blood, alcohol and vomiting.’Unearth’ closes the EP disguised, to start as a soft delicate number with a gentle beat and slow jam groovy bass line. The track builds becoming the mosh ready banger Cloakroom Q are pros at. Their braided rhythms keep a fluctuant foundation for everything to explode off. Cloakroom Q really give it their all for this beast of a track, constructing the verses perfectly to increase and tease the intensity of the fierce dynamite choruses. It’s a lengthy track, clocking in at 07:09 minutes but each and every minute is worth it. These guys blend the soothing and gentle tones seamlessly with the skull bashing heavy tones to lure you into a false sense of safe psychedelia before whacking you out of your dreamy daze with meaty gritty rock injections. It’s a magnificent end to the EP.
Cloakroom Q have created a wholly unique frenzied EP that grooves, whacks and soothes all at once rendering the listener captivated and craving for more.
‘Going For A Walk and I’m Not Coming Back’ is released on 31st October- for more information
BRONCHO have released their new album ‘Bad Behavior’ an infectious swirl of luscious, teasing and exhilaration tracks to keep you drooling for more. It’s a tasty collection of tracks filled with psychedelic indie pop, laid back tones and insanely catchy grooves to ensure a satisfying listen. ‘All Choked Up’ sets the EP in motion with its churning rhythm creating a danceable foundation for the buoyant guitars and smoky melody. The stop start beat establishes an atmosphere of suspense which is only subdued by the shredding slick guitar solo. This track is so sleek and glossy with dark undertones twirling beneath the hypnotic rhythm. The tracks on the album flow into each other with a smooth fluidity,‘Weekend’ continues the heavenly subtly psychedelic trip with ethereal guitars twinkling between a steady backdrop. Ryan Lindsey’s sweet falsetto vocals provide each song with a heavenly quality. The instrumentation is tight throughout- crafted to perfection with glorious guitar twinkles daintly accompanying Lindsey’s vocals and honeyed melody while the strong beat and elastic bass grooves between. ‘Boys Got To Go’ displays this perfectly, the melodic flow guarantees a soothing listening experience as soft guitars glisten playfully throughout before whining elegantly every so often. BRONCHO provide the most glorious comforting blanket with ‘Keep It In Line’. This track enfolds your ears in a candied soothing melody, beautifully weaved instrumentation and sedating vocals. It’s bouncy, bright but incredibly tranquilizing. These guys delicately unwrap their sound revealing lush textures with each track. Together they gel immaculately- each instrument has its part and yet the tunes they produce feel airy and freeing. The album continues to blossom with ‘Sandman’, bringing a slightly ominous tone into this dreamy mix. The guitar and bass in this track is riveting. The song bubbles and boils around the playful guitar as Lindsey creates a haunting atmosphere. It’s a little more gritty with a creepy almost sleazy vibe but an absolutely thrilling listen.’Undercover’ follows the darker tone of its predecessor lightening it with buoyant grooves stomping between a sliding swagger soaked melody and strutting guitars. This is one well crafted track.The subtle guitar changes from twinkling and gliding to prancing as they flood the track with panache and an infectious funk flavoured danceable quality. ‘Family Values’ is another infectious gem that is sure to put a smile on your face. If you can prise your ears away from the bouncy weaving instrumentation and focus on the lyrics BRONCHO showcase their humorous cheeky side,“I got a thing for your mother / I got a thing to teach your father”. One thing I have come to love about the Tulsa, Oklahoma-based band is their sublime ability to create dreamy woozy tunes like ‘Big City Boys’. Though the track is hazy and dreamy the instrumental backing is strong, pushing forward with a relentless goal of fun loving with a slick proficient style that is one to be admired. The summertime cruising ‘Get In My Car’ follows. The album version sounds a little tweaked and more crisp to the single version released last year. This summer time gem bops and wiggles over a smooth melody and gleaming guitars. Glissading over to a glam rock flavour, BRONCHO provide us with a tantalizing variety of genres to taste throughout this album. They close the album in the best possible way, leaving us hungry for more. The swagger steeped foot stomping danceable and infectious ‘Easy Way Out’ accomplishes this task without fail. It’s slick, pristine, panache driven indie rock drizzled in rock n’ roll flamboyance with nimble steamy guitar licks and a catchy melodic flow to keep us wanting to dance all night long.
BRONCHO is that band that are cool, fun and make you want to scream and tell everyone about. Their sound is appealing to everyone from the lazy daydreamer to the adrenaline punk-rocker and indie-head in between. The provocative lyrics, incredible musicianship and all out swaggering groovy persona within each track is what makes BRONCHO one heck of a band. The sound is distinctive, Lindsey’s vocals are distinctive and their tunes undeniably infectious. It’s music to make you feel, music to make you dance and bop or tap your foot and do air drums to while you relax on a lazy summer’s day, but either way you feel every delightful note.
Mini Mansions have released their highly anticipated EP ‘Works Every Time’. Singer/guitarist Michael Shuman, singer/keyboardist Tyler Parkford, and bassist Zach Dawes are the glorious trinity of Mini Mansions, a band who push boundaries and overwhelm our minds with psychedelic encryption and delicious tunes. The band have played in some of the world’s biggest rock bands, Queens of The Stone Age, Arctic Monkeys and The Last Shadow Puppets these guys have been flourishing right at the roots of the rock genre readying themselves and fermenting their sound.This new release arrives three years after their second record, ‘The Great Pretenders’, which received critical praise and featured guest appearances from Arctic Monkeys frontman Alex Turner and The Beach Boys’ Brian Wilson and ‘Flashbacks’ a collection of B-side tracks which was released in 2016. Mini Mansions sound is unique and stirring all at once and places them firmly on par if not above their comrades in intricate obscurity and just plain genius. ‘Works Every Time’ is only a glimpse of what these guys are capable of.
‘Works Every Time’ is a concise, flavoursome collection of juicy tracks to re-introduce us to the mouth watering home cooking of Mini Mansions. Title track ‘Works Every Time’ reels us in with a soft beat bouncing off a swoon worthy melody and glistening keys.Filled with wistful tones Parkford takes the vocals on this track, his sweet falsetto cooing over the breathtaking soundscapes as this song floats around a dreamy ethereal atmosphere while the zesty sting on guitars give a lamenting bite and sharpness to the track. ‘Midnight in Tokyo’ rumbles through with Dawes’ elastic bass line teamed with the sticky slapping beats setting the groove infested foundation as the track spirals into a sleazy swagger smacked number. With Prince like Bowie -esque hued verses and a triumphant catchy chorus this track struts in, slicked back, funk fueled and glossy. Shuman’s vocals take the lime light here drenched in panache and gritty rough flamboyance as flashing disco hued electronics dazzle the background while Parkford provides lush tight harmonies. The rich meaty sound is filled gloriously with zingy guitars weaving their way, flickering little bursts of spice throughout. Parkford takes vocals once again on ’This Bullet’ a psychedelic whirl of utter mind melting mania. He ventures to his ominous lower range while Dawes’ throbbing bass and meandering soundscapes rush you with a sinister sense of danger. This track has a residue of Mister Goodnite’s ‘One Against Five’ with a little more darkness and obscurity smeared on top as alien- esque electronics wail about eerie tones and snappy driving beats. There is something magnetic and hypnotic about this track as Mini Mansions distort and dissolve your entire grip of reality with one catchy dizzying tune. It’s dark and creepy especially when Parkford orders “take off your vest“ however it’s difficult to prise yourself away from its chilling charm. Of course the band offer up another stirring cover for us to devour. Having previously embellished our ears with Blondie’s ‘Heart of Glass’ and Sparks ‘Sherlock Holmes’ Mini Mansions dissect and dismember a thrillingly dark rendition of Edwyn Collins‘ ‘A Girl Like You’, dousing it in the gritty sleazy and intoxicating tones we love from this trio. It’s dark as Shuman howls, screams and deeply haunts over whining guitars and flashing electronics. Filled with infectious shimmy grooves this track will make your skin crawl and tantalize all your senses while creeping into your mind where it will firmly reside for days. They did a cover the only way Mini Mansions can … better than the original.
The talent of this band is immense. Each track was meticulously cultivated – simmering and ripening slowly in Mini Mansions pressure cooker until the band were ready to delight and shatter our ears all at once. It’s exciting to see what each release will bring. They never compromise their sound yet push boundaries and provide an enthralling full bodied sound with every release. There is no one else like Mini Mansions out there at the moment. We need this trio to keep music fresh.
Our Worth A Listen Track This Week Comes From Dead Rebel
Dead Rebel is a three piece band from Liverpool England comprised of members Rob on guitar & vocals, Dan on drums & vocals and Dylan on guitar. The band have released their debut single ‘No Reply’ with renowned producer Al Groves at The Motor Museum Liverpool (who famously produced Bring Me The Horizon). ‘No Reply’ is a blistering wallop of alternative rock. Brimming with fever inducing frothing at the mouth instrumentation, this track is one heck of a debut. Laced in slick glossy guitar lines, a shredding solo and pulverising drums the mammoth sound this trio create is one to be admired. It’s gritty, razor sharp and mosh pit frenzy ready as crashing guitars slap and flamboyantly strike off the punchy drums while raspy vocals saunter over the catchy vibrant melody. It’s a meaty ear worm that packs one heck of a punch while still holding an air of finesse and grandeur.
Manchester Rock/Grunge/Alternative band Manalishi have released their new EP ‘Why Do They Talk To Me’. Manalishi are a guttural plethora of raw energy and attitude. Consisting of lead vocalist/guitarist Dom Strett, bassist Josh Urpi, and drummer Charlie Gough; they concentrate on their music leaving your ears ringing, and a persistent scratchy feeling in the back of your throat.
The self titled EP is a bloodthirsty collection of grunge soaked alternative rock designed to pummel your brain and get those mosh pits in a frenzy. The band accumulate a refined blend of noisy fuzz and groovy sounds to create a wholly immersing fierce wall of sound. With an onslaught of battering drums and gritty, scuzzy guitars crashing and shattering against one another it’s an intense collection of tracks. ‘Why Do They Talk To Me?’ and ‘Brain In A Jar’ display this perfectly as the squealing guitars and raw, splintering backdrop revolt over raspy vocals and a catchy attitude driven melody. The tracks travel at neck breaking speeds that evoke images of hair flailing headbanging while Manalishi chill the frenzy with a moody melody. ‘Punge’ lightens the heaviness of the EP with jagged light guitar jangles between punchy drum whacks. There is a Nirvana vibe about the track as the expressive vocals expel and hiss over the fiery backdrop while wallowing in the sweetened sulky melody. These guys showcase their ballsy sound with an edgy refinement and closing track ‘Not Here…Not There…’ is a fine example of this. Slowly building the track, Manalishi mope and brood over the glum murky verses before bursting into an all out fragmenting heavy chorus. Mighty drum thuds and grumbly destructive guitars make the hair-raising foundation for this explosive track. The doleful verses contrast magnificently with the bruising chorus and make for an exhilarating listen.
This debut EP is a dynamic mix of sizzling power chords, manic energy and sonic restraint. Manalishi erect sturdy melodic structures and sing-along hard rock over a grunge foundation. They then attack their structure with frenzied screaming and guitar havoc. When Strett revs into high punk gear, shifting his versatile voice from quiet caress to raw-throated fury, the decisive control of the guitars and drums is all that keeps the songs from tipping over that thin line to utter chaos. Pretty impressive.
Dublin indie rock band Drivelight have released their new single ‘Take Two’. This blistering track displays a new groovy panache soaked side to this four piece. Brimming with slinky guitar lines seeped in good old rock n’ roll swagger this track struts in swanky and sleek while demolishing all in sight with funky grooves keeping that feet shuffling foundation for those magnificent flamboyant yet gritty guitars to rebound and explode off. With a rooted sensual bass line that coaxes you to the dance floor, an elastic drum backbone, steamy guitars and suave vocals all pumping high intensity adrenaline into your veins this track demands attention and won’t leave your head until you acknowledge it. These guys are coming into their own and ‘Take Two’ is sure to be the springboard for great things. It’s snappy, catchy as hell and filled with enough attitude to have a live crowd going wild. Drivelight have brought some swagger and style while lacing on a healthy dose of slick scorching instrumentation.
You can catch Drivelight live at
24th August: SOMA indie party upstairs Whelan’s.
26th August: Carrickmackross Arts Festival.
15 September Take Two Single launch UpstairsWhelan’s
L.A.’s space rock band The Asteroid Shop have released their new single ‘She Moves’. This stomping swagger steeped number strides with blistering guitar over a quivering and pulsing rhythmic backdrop. It’s a darkly hued track with ghostly vocals upon a gritty piercing wall of sound that is so chilling it could raise the dead. Slinky and strut infused the track creeps with a panache driven confidence. It’s a charming bewitchment that beckons your ears to draw nearer into its luring bedazzlement while piercing razor sharp guitars cut and melt away your mind with the most thrilling lacerations known to man. It’s kick-ass acid dripping psychedelic tinged bliss that shows the oh so slick musicianship of this band. I need to hear this live.
Stream ‘She Moves’ below
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.