Our Worth A Listen Track This Week Comes From Dead Rebel
Dead Rebel is a three piece band from Liverpool England comprised of members Rob on guitar & vocals, Dan on drums & vocals and Dylan on guitar. The band have released their debut single ‘No Reply’ with renowned producer Al Groves at The Motor Museum Liverpool (who famously produced Bring Me The Horizon). ‘No Reply’ is a blistering wallop of alternative rock. Brimming with fever inducing frothing at the mouth instrumentation, this track is one heck of a debut. Laced in slick glossy guitar lines, a shredding solo and pulverising drums the mammoth sound this trio create is one to be admired. It’s gritty, razor sharp and mosh pit frenzy ready as crashing guitars slap and flamboyantly strike off the punchy drums while raspy vocals saunter over the catchy vibrant melody. It’s a meaty ear worm that packs one heck of a punch while still holding an air of finesse and grandeur.
Stream ‘No Reply’ below
Photo credit : Annie Feng
Manchester Rock/Grunge/Alternative band Manalishi have released their new EP ‘Why Do They Talk To Me’. Manalishi are a guttural plethora of raw energy and attitude. Consisting of lead vocalist/guitarist Dom Strett, bassist Josh Urpi, and drummer Charlie Gough; they concentrate on their music leaving your ears ringing, and a persistent scratchy feeling in the back of your throat.
The self titled EP is a bloodthirsty collection of grunge soaked alternative rock designed to pummel your brain and get those mosh pits in a frenzy. The band accumulate a refined blend of noisy fuzz and groovy sounds to create a wholly immersing fierce wall of sound. With an onslaught of battering drums and gritty, scuzzy guitars crashing and shattering against one another it’s an intense collection of tracks. ‘Why Do They Talk To Me?’ and ‘Brain In A Jar’ display this perfectly as the squealing guitars and raw, splintering backdrop revolt over raspy vocals and a catchy attitude driven melody. The tracks travel at neck breaking speeds that evoke images of hair flailing headbanging while Manalishi chill the frenzy with a moody melody. ‘Punge’ lightens the heaviness of the EP with jagged light guitar jangles between punchy drum whacks. There is a Nirvana vibe about the track as the expressive vocals expel and hiss over the fiery backdrop while wallowing in the sweetened sulky melody. These guys showcase their ballsy sound with an edgy refinement and closing track ‘Not Here…Not There…’ is a fine example of this. Slowly building the track, Manalishi mope and brood over the glum murky verses before bursting into an all out fragmenting heavy chorus. Mighty drum thuds and grumbly destructive guitars make the hair-raising foundation for this explosive track. The doleful verses contrast magnificently with the bruising chorus and make for an exhilarating listen.
This debut EP is a dynamic mix of sizzling power chords, manic energy and sonic restraint. Manalishi erect sturdy melodic structures and sing-along hard rock over a grunge foundation. They then attack their structure with frenzied screaming and guitar havoc. When Strett revs into high punk gear, shifting his versatile voice from quiet caress to raw-throated fury, the decisive control of the guitars and drums is all that keeps the songs from tipping over that thin line to utter chaos. Pretty impressive.
Stream the EP below
Dublin indie rock band Drivelight have released their new single ‘Take Two’. This blistering track displays a new groovy panache soaked side to this four piece. Brimming with slinky guitar lines seeped in good old rock n’ roll swagger this track struts in swanky and sleek while demolishing all in sight with funky grooves keeping that feet shuffling foundation for those magnificent flamboyant yet gritty guitars to rebound and explode off. With a rooted sensual bass line that coaxes you to the dance floor, an elastic drum backbone, steamy guitars and suave vocals all pumping high intensity adrenaline into your veins this track demands attention and won’t leave your head until you acknowledge it. These guys are coming into their own and ‘Take Two’ is sure to be the springboard for great things. It’s snappy, catchy as hell and filled with enough attitude to have a live crowd going wild. Drivelight have brought some swagger and style while lacing on a healthy dose of slick scorching instrumentation.
You can catch Drivelight live at
24th August: SOMA indie party upstairs Whelan’s.
26th August: Carrickmackross Arts Festival.
15 September Take Two Single launch Upstairs Whelan’s
Stream ‘Take Two’ below
L.A.’s space rock band The Asteroid Shop have released their new single ‘She Moves’. This stomping swagger steeped number strides with blistering guitar over a quivering and pulsing rhythmic backdrop. It’s a darkly hued track with ghostly vocals upon a gritty piercing wall of sound that is so chilling it could raise the dead. Slinky and strut infused the track creeps with a panache driven confidence. It’s a charming bewitchment that beckons your ears to draw nearer into its luring bedazzlement while piercing razor sharp guitars cut and melt away your mind with the most thrilling lacerations known to man. It’s kick-ass acid dripping psychedelic tinged bliss that shows the oh so slick musicianship of this band. I need to hear this live.
Stream ‘She Moves’ below
Waterford garage rock band Collides have released their new EP ‘Fools Feel Fine’, a rugged snappy collection of tracks that announce this new band with fiery attitude and some infectious wild hooks. It’s five burly tracks with enough mosh mania seeped throughout to make for some pretty insane live shows. ‘What’s On Your Mind’ sets their brand of slick garage rock in motion. Groovy bass and punchy drums create the fluctuant backbone for the swagger soaked verses and slinky guitars as they glissade over the raspy vocals. It’s the heavy raucous chorus that sets the track alight as crashing guitars pummel around the mighty drum whacks while also soaring and screeching over them with a sultry glossy sheen. It’s a sing along ready crowd friendly chorus that packs some hefty wallops between the sleek wiggles. ‘We’re So Cruel’ continues the relentless stamina with an energetic instrumental onslaught of mosh ready frenzy. The guitars are impressive in this EP- they slither between tasty nimble grandeur to savage and intense. The melodies throughout the EP peak for the infectious choruses and falsetto segments as Collides move between panache soaked grooves to ballsy rock bravado seamlessly. ‘All The Time’ displays their silky side with a shimmy -esque beat over a rugged backdrop of strident guitars and rooted bass rumbles. These guys have sass for sure and it shows in their tunes. ‘Dream In Dream’ displays a hint of sophistication with its sliding melody and eerie hues on guitar between the buoyant spring of the verses before another riotous crescendo crashes into your skull ready for a heavy headbang episode. The subtle psychedelic hints here are sublime and a welcomed surprise. ‘Land Ho’ closes the EP starting on a gentle tone of lush vocals and lamenting guitar before the screaming hefty outburst. The weaving between sweetly soft and blustery is perfect as this mostly instrumental piece displays the craft of these guys. It’s raw and edgy with the perfect sliver of steamy guitar injections over a tyrant invasion of bulky instrumentation. This track shows Collides at their best- it’s haunting, emotional and riveting all while brutally whacking you in the face with organic garage rock. There is no fuss, no flamboyance just biting, chilling, exhilaration.
‘Fools Feel Fine’ is a concentrated slap of what Collides can do. The rawness blended with sweet melodic flurries, on top of a nice dash of swagger make for a satisfying listen and marks these guys as ones to keep an eye on.
Stream ‘Fools Feel Fine’ below
Fresh from their first UK headline tour, Irish rock band Fangclub have released their highly personal new EP titled ‘True Love’. Last year the trio Steven King, Kevin Keane and Dara Coleman released their self titled debut album to mass critical acclaim and also toured the UK and Ireland with their own headline dates as well as playing shows with Biffy Clyro, Muse, Pixies, and SWMRS. Fangclub have gathered major attention from the press (Kerrang!, Rock Sound, Upset) and specialist DJ’s at BBC Radio 1 (Annie Mac, Huw Stephens, Daniel P.Carter, Phil Taggart), and Kerrang! Radio with their monstrous tracks ‘Bullet Head’, ‘Loner’, ‘Dreamcatcher’ and ‘Bad Words’.
‘True Love’ marks massive growth in the bands sound. The swirling and churning dark tones lurk underneath even the most peppy sounding of the tracks. There is something more sophisticated and painful in this EP. The meaty brain crush blast we are used to once again feature on True Love however they have honed in and sharpened everything from meatier ground shaking basslines and immense pounding drum grooves to slick acute guitar lacerations placed perfectly for maximum impact. Fangclub have us firmly in their grips and they are not letting go. Recent single ‘Knife’ sets the thrilling mayhem in motion with gritty basslines grumbling under slashing guitars and demanding drums. The chilled vocals cool the scorching instrumental backdrop for the verse teasing the explosive chorus we have come to love from Fangclub. Slick basslines have become a staple on this EP as they fluidly flow throughout each track with a sublime rooted groove adding a lusty darkness to each track, like a shadowy thread holding each song together. ‘Heart Is A Landmine’ is where their shadowy eerie tones take over. A moody melody bleeds over a punchy backdrop of slithering guitars whining between a mighty rhythmic bounce. It’s a cinematic tune that could feature in a Batman movie especially with its stirring melody and sublime griping guitar feature. It’s pretty dark and dramatic yet magnificently catchy and climatic all at once. ‘Smother’ brightens the tone of the EP. The guitars become lighter as they zealously inject juicy zest between punchy punk flavoured rock. Its sun kissed melody melts upon the gritty soundscapes like butter as a slick guitar solo and sing along ready chorus slaps on a glossy finish. The “buzz kill” ‘Sweater Forever’ follows. This is my kind of tune. It’s a moody sunny day wallowing blast of grunge that is just magnificent. The drums trudge through a gloopy sweet melody while the piercing sting on guitars lament and soar over this sullen tune. It’s both vibrant and sulky all at once as their vivid use of instrumentation and shaky percussion creates gripping heart wrenching turmoil for us to immerse in. Those twinkling keys add a light innocence through the heavy monotony. The scale of emotion presented through music in this track is masterful and exactly how I hoped these guys would progress. The sheer musical depth containing perfectly timed multi facets glimmering through emotional honest lyrics make for a completely absorbing listening experience. ‘High’ closes the EP bringing everything full circle. It’s upbeat, powerful, catchy and filled with scorching guitar lines. The vocals lure you into the relentless onslaught of crashing drums, brawny bass lines and mouth watering guitar work.
‘True Love’ is a flavourful and tantalizing EP from the trio and proves Fangclub have a lot to offer – they are just coming into their prime.
Stream ‘True Love’ below
Photo credit:Tanya Cullen:Bronte Photography
Mullingar rock artist Scally has just brought out the video for his third single ‘Let’s F*ck’ due for release on June 29th. The bombastic track packs a massive punch as it echoes shades of Rage Against The Machine. The track is the B-side to Scally’s latest single ‘Get Ready For War’ which was released back in March. It’s a slick raw shot of rock doused in brassy attitude. Shredding guitars crash and strike against rapid punchy drums and a groove laced bass. The track builds to a seizure inducing crescendo filled with thrilling distortion and brain spasming shrills on guitar. The riffs are well oiled and catchy while Scally’s laid back vocals daze through the verse becoming more dynamic for the brazen chorus. This high intensity track is soaked in gritty rock and roll swagger with the usual amount of pompousness you expect from Scally, however the effervescent guitar arrangement perhaps warrants this as it plows and soars through the brawny drums weaving its way around the rooted rhythmic undertow creating an ecstatic dance that practically lurches into the stomping chorus. It’s a raw lacerating groovy number that worms its way into your brain and will be next to near impossible to remove from your skull.
Scally states that the track is about “my friend who fancied this chick for ages and he just wouldn’t go over and chat to her, the verses is me telling him to grow a pair of balls and go over and talk to her and the chorus is all the things he wants to say to her but can’t”.
You can catch Scally with his band – ‘The Dirty Rats’ live at Danny Byrnes, Mullingar on July 1st
Watch the video for ‘Lets F*ck’ below, viewer discretion is advised.
Pop rock artist Bane Riff has released his debut single ‘Less Than Enough’, a catchy rock track written to inspire his listeners to pursue those unforgettable moments that we sometimes forget about in the madness of every day life. Fairly new to the industry, Bane Riff came from a background in finance industry. Although running his own successful insurance business, Riff realised that he wasn’t happy and felt that something was missing in his life, from then he decided to act quickly and pursue his true passion. ‘Less Than Enough’ was written over a couple of hours by Riff himself, and recorded in studio with producer Martin Daus, guitarist in several popular Danish pop rock bands. Inspired by a hilarious moment experienced in a restaurant with the restaurant owner and his wife, the track reminds us that life comes down to the moments that you won’t forget. For him, the song is an awakening.
‘Less Than Enough’ is a swagger soaked country drizzled rock track. Riff’s raspy vocals flood warmth into the song while a punchy drum beat, and golden guitar lines add a whack of rock and roll strutting grit. It’s a charming number with a sing along ready Bon Jovi- esque chorus that will have a live crowd bellowing from the top of their lungs. This bright peppy tune will fill you with that get up and go stamina as it exudes good heart warming vibes while packing in some mighty brawn to have you tapping your foot and dancing carelessly in no time. With an irresistible melody and tight production it’s infectious for sure.
Stream ‘Less Than Enough’ below
Smash Boom Pow have just released a new single and b-side titled ‘Some People’ and ‘JD’. Offering a gritty Alt-Rock sound bursting with catchy hooks, Smash Boom Pow is blood brothers Ulysses [vocals/guitar] and Zane [drums] Coppard from the Westcoast of Canada. Their passion for their craft has attracted the attention of fans, musicians, and industry folk alike – earning them numerous opportunities for creative and career advancement. Among the most powerful and transformative were a top 12 spot in 2015’s Peak Performance BC project, and having been selected to partake in the Converse Rubber Tracks initiative. Smash Boom Pow has had the pleasure of sharing the stage and performing alongside: We Are The City, The Pack AD, Dralms, and The Velveteins, as well as a tour of Western Canada with Soft Alarm. A steady supply of quality media to an active and engaged audience has resulted in over 20k YouTube views, and song placements in the TV series ‘Motive’ and upcoming indie film ‘THE CANNON’ (directed by Marshall Axani).
‘Some People’ is a vibrant hook laden number driven with gritty guitars slicing through punchy drums and laid back vocals. The infectious melody floats upon this jagged backdrop creating a contrast of lush dreamy tones filled with hazy casualness and heavy edged indie rock. The jangly guitar injections flood the track with a vivid energy and zesty quality while the smooth vocals and delicious melody sweeten the choppy rough grunge flavoured foundation.
‘JD’ is an thrilling instrumental gem. Gritty, rough and rugged this burly number is laced with beefy guitar riffs- shredding and jaggedly sawing through mighty pummeling drums with red hot intensity you can almost feel the steam evaporating off each note and stride. It’s a sublime meaty display from the duo.
These two tracks show Smash Boom Pow’s refined diversity and slick musicianship. Their ability to tranquilize with hazy lazy vibes and indie rock bliss is divine in ‘Some People’ but they bring the hard core whack of b-side ‘JD’ to roughen things up a bit and its just a magnificent combination.
Stream ‘Some People’ and ‘JD’ below
Van Bellman has released his new single ‘I Hate To See You This Way’.Van Bellman is the brainchild of Brooklyn-based musician Zac Taylor. You may have seen him playing guitar on TV with multi-platinum band American Authors, or perhaps carrying your luggage at the Gansevoort Hotel on Park Avenue a few years back. Taylor has been cultivating this new project and has now presented his brand of bluesy rock and indie pop.
‘I Hate To See You This Way’ is a gritty, crawling blast of bluesy rock at its most exciting and electrifying. Rough guitars shred and lacerate through a thick muggy drum whack while Taylor’s chilled vocals cruise in luring and creepy for the verses becoming more passionate and emotional for the meteoric chorus. Exploding in a barrel of spinning emotion this track throbs, stomps and screams with rock and roll swagger and slick panache. It’s sharp and brawny with a sensual sliver of finesse embossed on top. The whisky soaked melody wriggles its way into your brain while rough spiky guitars steam and evaporate over the kinetic riveting rock drenched soundscape.With heart-gripping pop speckled moments between the lusty growls and eerie tension this track is a sublime stalking number that drips and oozes sophistication and fine musicianship.
The theme of ‘I Hate To See You This Way’ focuses on the pain of watching someone you love go down a dark road, witnessing them self-destruct. Anyone can relate to this heartbreaking and helpless feeling, whether they have played the role of the nurse or the patient. “It means a lot to me as both a lyrical and sonic story,” said Taylor, who also produced the track at the legendary Mission Sound Studios in Brooklyn through some serious vintage equipment.
Stream ‘I Hate To See You This Way’ below