Indie band No Alarms have released their new single ‘Marble Bars’.No Alarms was born in Texas as the solo passion project of multi-instrumentalist Andrew Boles, and has since bloomed into a Detroit-based, fully-fledged, five-piece. Their single ‘Right is What’s Left’ was featured in an episode of ABC’s “Kevin Probably Saves the World’ and their ‘No Alarms’ EP was the 13th most added record on NACC college charts its debut week, and has since peaked at #132 on the NACC 200.
‘Marble Bars’ is a slick ethereal burst of youthful indie. it is brimming with lush synths creating that instant rush of adrenaline while a rooted rhythmic backdrop stomps and bounces on a fluctuant meaty heart thumping foundation. The track is compelling and filled with passion as the warm vocals caress the catchy sweet melody. No Alarms showcase their fine musicianship as they grip your heart firmly with every note, synth lick and guitar flutter. They douse the track in a youthful flurry of urgency while light zesty twinkles on guitar flicker in and out with an edgy sting and refreshing burst of energy. Its feel good exhilarating indie at its best.
Birmingham band Lycio have released their new single ‘Young Ties’. This latest cut is one of the bands oldest compositions, and sees a return to their darker side. The track was mastered at Metropolis Studios by Stuart Hawkes (Jack Garratt, Rae Morris, Lorde, Fickle Friends, Rudimental, Mura Masa).
‘Young Ties’ is a wispy ethereal slice of atmospheric indie wrapped in swirling, fluctuant synths while an elegant piano and flashing drum arrangement provide a gripping and meaty backdrop to this airy number. Mendez’ passionate vocals powerfully plough through the chorus with oodles of expression while gently cooing through the delicate brooding verses. The track is doused in sweet melancholy as swoony dreamy soundscapes flurry and delicately rebound off the luscious melody and sway-able synths. Richly layered, each gripping note is laced in emotion as the track gracefully and beautifully dances with its darker tones creating an ambient full-bodied sound. Another majestic track from Lycio.
Of the track, frontwoman Genie Mendez explains – “Young Ties is about mental health. Trying to understand how my head works, whether it’s a gift or a curse (‘the beauty that’s inside my mind’), and then trying to accept it (‘I’ll go where you are taking me’). Then of course everyone’s getting on with their daily routine not knowing the struggle of those around them (‘all the young men in long ties…’). And of course ‘can you bring me home/can you take control’ is a question for my own head. I’m asking my mind if it can really handle this, if we can bounce back from it.”
Motions are an indie band from Dublin. Following the release of their well received ‘Late Night Calls’ EP in 2018, alongside a string of gigs and festival appearances across Ireland they have released their new single ‘Play The Hits’. . The track was written by Dave Nulty & Tom Daly and produced by Alessio Buso.
‘Play The Hits’ is a synth laced dance number luxuriate in 80’s speckled electronics. This catchy dance number is infused with rich flashing soundscapes as shimmering synths flicker and playfully ricochet off snappy beats and skittish rhythms. With a swirling ethereal atmosphere jangly guitars and smooth warm vocals this infectious number struts in cool and effortless with sticky scorching sun kissed electronics hooking it firmly into your brain. A few pinches of indie zest is sprinkled on top of this pop steeped anthem making it a charming shuffle-ready tune from Motions.
RAFFER has released the first single from his upcoming self-titled EP ‘The Media’. This self-produced piece lyrically explores the falsehood today’s media sell to the general public. RAFFER – aka. Callum Rafferty is the DIY indie-pop artist/producer from Kent who has spent the past year supporting some household indie names including King No-One, The Academic and Airways.
‘The Media’ is a fizzy mix of sun-blasted synths,zingy guitars and delicious pop smacked melodies. Brimming with infectious guitar hooks this vibrant delight, toe taps its way through buoyant bass lines, rich rhythms and sparkling electronics. Snappy and sprightly it frolics its way around you brain seeping that honey drizzled melody into your easy until you are dancing and singing along. Not only is this track saturated in sun soaked vibes RAFFER blasts a scorching guitar solo in for good measure to firmly press that sun tan glow into your skin.
You can catch RAFFER live at
25th Jan – Guildford Electric Theatre 9th Mar – Edinburgh Sneaky Pete’s 10th Mar – Glasgow Broadcast 30th Mar – Sheffield Café Totem 31st Mar – Nottingham TBC + Many more dates to be announced.
Baltimore songwriting duo Chaunter have released their new track ‘Boo Cat’. Comprised of Jenghis Pettit and Brooks Kossover Chaunter are set to release their first full length album, “Dream Dynamics” featuring an aspirational league of Baltimore heavyweights, from Dan Deacon to Sam Herring of Future Islands to Lower Dens’ Jana Hunter, Matmos, and more.
‘Boo Cat’ is a charming catchy number whisked up in dreamy synths, sizzling guitars and luscious tranquilizing soundscapes. A soft sugar coated melody soothes and slides through light guitar twinkles and floating atmospheres.The track drifts calmly and sweetly through before a catchy sing along chorus bops in, lifting the song from hazy and dreamy to sprightly and infectious. Gentle vocals caress the soft melody delicately before a magnificent group harmony introduces the rich full chorus. There’s a flute feature mangled beautifully between reverb laced guitar and ethereal synths adding an earthy texture to this unique soothing and infectious track. A little quirky and charming this track is well crafted and rushes with a refreshing retro sound that is simply divine.
No Alarms have released the video for their new single ‘Find Me’. No Alarms was born in Texas as the solo passion project of multi-instrumentalist Andrew Boles, and has since bloomed into a Detroit-based, fully-fledged, five-piece. No Alarms is blending the lines between modern indie pop and new wave revival, and building an engrossing live show from the ground up. Their debut single “Right is What’s Left” was featured in an episode of ABC’s “Kevin Probably Saves the World” originally airing on February 6th, 2018. ‘No Alarms’ EP was the 13th most added record on NACC college charts its debut week, and has since peaked at #132 on the NACC 200.
‘Find Me’ is an entrancing smooth indie pop track that swirls and floats elegantly upon No Alarms’ infectious melty melody. It’s a sleek glossy number as their rooted grooves set a fluctuant foundation for the flashing electronics to rebound and playfully ricochet off while velvety vocals coo and caress the tasty melody. With a sticky summer sun vibe this dance-filled song is uplifting and ethereal as it bounces along energetic drums and dazzling synths making for a wholly satisfying listening experience. With rich textures wrapped delicately in a multi coloured prism ‘Find Me’ showcases No Alarms ability to create a full bodied delightful tune that tantalizes all the senses.
The LA-based duo Magdalena Bay visit a darker side of synth pop on their latest single ‘Ghost’. The pop duo are 22-year-old Mica Tenenbaum (songwriting, vocals) and 23-year-old Matthew Lewin (songwriting, vocals, production). The lyrics to the new track are inspired by the iconic 80’s film Mr. Vampire, which Mica had just watched in a Chinese film class.Following the success of recent singles Neon and Waking Up, Magdalena Bay have an arsenal of finished music that they plan on unleashing on the world now that they’re settled in LA. Ghost is the second of these to be released, and is sure to show listeners a new side to the band who write and produce all of their music from their home studio.
‘Ghost’ is a silken, lustrous pop number tightly bound in laser precision electronics. This track wriggles and weaves its way through rich, pulsing beats slapping against shimmering synths while the glossy pop melody smooths on top with a dreamy luxurious texture that oozes class and swagger. The dazzling soundscapes flash with eerie dark stomps throughout creating a haunting atmosphere to this luscious pop number. Magdalena Bay have created a clean, dance-able and infectious number that moves with grace and elegance while a bubbling groove steers the track to something more sinister.
“We wanted to try something new when we started writing Ghost” explains the band. “We had just finished a string of really bubblegum pop songs. Then, this spooky beat came out of nowhere. The song is darker than our previous releases– but it’s still fun and totally dancy. To us, Ghost is what would happen if Britney Spears and MGMT collaborated on a track..”
Bristol garage rock band The Rupees have released their new single ‘Terror Lover’. Ryan Tucker (Vocals, Guitar) ,Seamus Daley Dee (Drums), Jacob Chambers (Synths) and Tom Phillips (Bass) make up the four piece and their music has already been showcased on BBC Radio 1 (Huw Stephens), BBC Radio 6 (Steve Lamacq), and Sky TV and have played Reading Festival, supporting bands such as Blossoms and The Growlers and selling out their own headline shows.
‘Terror Lover’ displays The Rupees blustery synth driven sound at its dazzling grizzly best. With distortion galore and a punchy backdrop immersed in searing guitars this track is mighty and mesmerising. The all encompassing light flashy synths weave their mind dissolving soundscapes around this animated number. Its catchy and dance floor ready as disco vibes swarm the track in glistening bedazzlement while snarling vocals snap out the infectious lyrics. Brimming in intense rock energy these guys blend their blinding synth rock meticulously to have you compelled to dance mindlessly to its thundering upbeat thrill.
Manchester synth pop duo Edits have released their new single ‘Cold’. Formed in the legendary crumbling walls of Salford Uni’s Adelphi building, Liv Westhead (Vocals/Synths) and Chris Abbott (Guitars/Programming) provide their D.I.Y. aesthetic; producing everything themselves, including their music videos. Their latest single follows on from January’s ‘Re-Surface’ EP and the accompanying video takes the viewer on a journey through snow-covered mountains.
‘Cold’ is an endearing, breezy synth pop number that chills and swirls with kinetic icy adrenaline. Twinkling synths glitter and glisten through the brooding melody as Westhead coo’s over the spine tingling melody. Her vocal command is mesmerising as she sweetly and effortlessly shifts into her falsetto holding a soothing yet ominous tone. The track flurries and dances about dark soundscapes as it becomes heavier towards the crescendo. The slapping beat flashes dazzling trip hop hues throughout as Edits use their electronics to their full potential- creating a cinematic icy number to chill you to the core yet entice you into the track depths. It’s a mature, bold track that slides this duo’s charming glacial sound into your frostbitten ears with ease.
Welsh dream-pop outfit Kidsmoke have released their new single ‘Rising Sun’,the first from their upcoming album expected next year. With a sync-feature on Charlie Brooker’s Netflix series Black Mirror, they burst into 2018 with single ‘Sister Sadness’ (named one of Steve Lamacq’s 6 Music Recommend’s tracks of the year), were featured as The Sunday Times Breaking Act, supported Gaz Coombes and were invited by Robert Smith to play his Meltdown Festival in support of The Joy Formidable.
‘Rising Sun’ is a sizzling, swirling spin of psychedelic pop wrapped in a blistering indie coating of bliss. Pulsating beats slap and whack a gooey beat of delight behind spiraling soundscapes and zesty guitars creating a dizzying hyper trip which encapsulates your ears in a shimmering sweet energetic sound of euphoria. Its pop melody melts upon this jagged indie backdrop as the smooth vocals disperse vibrant blasts of velvety goodness. With luscious harmonies and pristine guitar melodies radiating lustrous bursts of scintillation throughout – this track is simply glorious.
Stream ‘Rising Sun’ below
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.