Tag Archives: alt pop

BOKITO ‘Better At Getting Worse’

London-Irish ‘tropical indie’ sensations BOKITO have released their belting debut single ‘Better At Getting Worse’ on Lost In The Manor Records. Peddling an uproarious blend of rock, soca, funk and roots, London-based five-piece Bokito consisting of members Moses (vocals), Jody (bass), Joe (guitar), Tom (drums) and Sam (keys/percussion) have coined a phrase for their unique genre mashup: tropical indie. With edgy grooves and unforgettable hooks BOKITO radiate sun-baked carnival vibes.

‘Better At Getting Worse’ is an infectious glowing ball that increases in brightness and luminosity as the track progresses. Beginning with a quirky swirling organ-and-guitar refrain soaring across an angular calypso rhythm, its instantly likeable. This unusual fusion is fresh and immensely thrilling. The affluent percussion will summon up the inner dance goblin in even the most reluctant person.Building into an absolutely astral chorus this track bounces with intense spirit and explosive energy. Its tribal bridge sets your soul on fire with a sun soaked heatwave of delight. Moses brings a splash of rousing Celtic spirit with his extraordinary vibrant and charismatic vocals. Its the stuff dancing is made for.

The track was produced by Bradley Spencer and Alex Beitzke in London’s Fish Tank studios, and mastered by legendary Grammy-nominated engineer Greg Calbi. ‘Better At Getting Worse’ is something of a cautionary insight to the male psyche. Frontman Moses explains:

“The song is primarily aimed at men and their own handling of their emotions… and how useless most of them are at it. But we men are talented at one thing, which is suppressing everything and moulding it into a smile.”
You can catch BOKITO live at
11th February – The Stags Head, Hoxton, London
5th April – The Lock Tavern, Camden, London
28th April – Whelans, Dublin, Ireland
20th May – The Great Escape @ Queens Hotel, Brighton
Stream ‘Better At Getting Worse’ below

Neon Wolf ‘Be American’

Kilkenny alternative-indie five piece Neon Wolf have released their new single ‘Be American’. The band have played at many festivals such as Electric Picnic, Sea Sessions, as well as a main stage appearance at Longitude 2015. They have also supported The Courteeners, Alabama Shakes, The 1975, The Districts and Hudson Taylor in Belfast’s Mandela Hall and Dublin’s Olympia Theatre.
‘Be American’ is about having hope in dark times and it is an insanely catchy mixture of 80’s pop and rock. Shimmering synths glisten and glitter with a blinding bright lustre that exudes intense heat and summer vibes. Soft vocals coax you gently into the infectious bop beat while the percussion shimmy and shake with enticing charm and charisma. The soothing lull on backing vocals is reassuring and calming while the melody is honey to the ears, so sweet and juicy you want to press repeat. This track is the essence of sunshine. With soaring vocals for the bridge its extremely uplifting and will put you instantly in a good mood and i’m not kidding the sun actually starting shining when I played this song first so it even has the suns approval. With Michael Jackson vibes and rich textures Neon Wolf open our minds to the hope of positivity ahead.
Watch ‘Be American’ below

Nova Neon ‘Stone To A Balloon’

London alt-pop five-piece Nova Neon have released new single ‘Stone To A Balloon’ today. It is the latest single to be lifted from their recent debut album ‘Chroma’. Led by the bluesy vocals of Bianca Lewis, Nova Neon create intricate and original songs powered by electro grooves and indie rock dynamics. The band have headlined gigs at historic London venues The Borderline, The Garage and The Barfly, a show-stealing performance at the Isle Of Wight Festival and a run of sold-out Sofar Sounds sessions. They have gained online praise from Brooklyn tastemakers Afropunk and features with Brit clothing brand Original Penguin. Nova Neon also received radio airplay with BBC Introducing, BBC London and Amazing Radio last year.
‘Stone To A Balloon’ is an enchantingly delicate melancholy laden track which bops along with warm textures and soothing qualities. The track starts with a sway-like flow and sombre tone. It then builds and wakens up into an uplifting radiant emotive crescendo that evokes positivity and reassurance. Nova Neon blend a bluesy groove with indie rock creating a sophisticated mature sound that is refined and captivating. The brooding soul vocals inject intense passion into the track while the warm sweet toned interweaving guitar hooks console and revitalise with dynamic zest. The lilting electronica twinkles with a sparkling delicate elegance that gives the track a feathery lift. To match the genre-crossing mix of sounds on the new track, there is also a complex lyrical narrative. As Lewis explains; “Stone To A Balloon is a love song about a broken relationship, where one person is fighting to keep it alive whilst the other one drifts. The metaphor of stone to a balloon is used to reflect that – one person acts as the stone (the rock of the relationship) whilst the other is the balloon (the drifter). In a working relationship, the two counter each other harmoniously – but in this case, it’s the emotional realisation that it no longer works that drives the song.”
Nova Neon will be playing live shows in support of the new single and album in 2017. For more info, head to http://novaneon.com./
Stream ‘Stone To A Balloon’ below

Secret Company ‘Alive’

Indie-pop quartet Secret Company ramp up the excitement for the release of their debut album ‘The World Lit Up And Filled With Colour’ which is set for release on March 10th with the release of the intense new single ‘Alive’. With a live performance on Channel 4’s reality show Made In Chelsea and appearances at the likes of Leeds Festival, Secret Garden Party and Isle Of Wight Festival already under their belt the band have shown they’ve got what it takes and this is just the latest addition to a series of impressive hits. They’ve already been clocking up radio play with top DJs from BBC Radio 1, 6Music and Radio X showing them some love, including the incredibly influential Huw Stephens and John Kennedy. Band members Scott Revell (vocals / guitar), James Patman (guitar), Kushal Gupta (bass) and Tim Reyland (drums) offer a pumping energetic anthem showered with sonic flecks and grounded with edgy grit that gives the track punch and wallop. With a soaring accelerated chorus adding the kind of power and stamina that is destined for arenas teamed with infectious melodies its a fist pumping dash of vivacity. The warm vibrant guitar riffs shimmer with shredding razor sharp scintillation as they pierce through the track adding a rawness and freshness that is compelling. The contagious bouncy rhythm adds a slapping rebounding elasticity to the track that will be stuck in your head all day. With emotion filled vocals that exude passion immersing you solely into the track leaving you feeling the urge to let go and be free. Secret Company have stepped into 2017 with their foot firmly on the accelerator with this new track.’ Alive’ is an instant radio hit that should take the band a step closer towards worldwide recognition.
You can catch Secret Company live at
Friday March 10th – The Lexington, London (Headline Show)
You can also pre order their debut album ‘The World Lit Up And Filled With Colour’ here https://itunes.apple.com/gb/album/world-lit-up-filled-colour/id1176470765

Stream ‘Alive’ below

Sundara Karma ‘Youth is Only Ever Fun in Retrospect’

Sundara Karma have released their debut album ‘Youth is Only Ever Fun in Retrospect’. The quartet have been blasting out massive tunes and creating their own brand of sophisticated inventive tunes that capture youthfulness in all its glory, while showcasing intelligent musicianship with lyrical depth beyond their years. ‘Youth is Only Ever Fun in Retrospect’ brightens up theses winter days and transports you to Sundara Karma’s world of fiery raging emotions and intense spirited tracks that evoke blazing hot summery sticky vibes and a hopeful bright atmosphere.
‘A Young Understanding’ kicks of the album with an overwhelming swarm of crashing percussion and a shredding riff that pierces and cuts with razor sharp sting. Lulu’s vibrant and charismatic vocals lifts you up and pulls you into every word. With darker deep undertones the complicated low times of youth is expressed to us in a fantastically anthemic way that only Sundara Karma can do so well. Featuring throbbing bass and swift tempo its a winner that will hook you into the album and keep you listening.
‘Loveblood’ follows with combustive energy bursting with crisp shrill and fizz on guitars that drive the track to victory. Teamed with explosive percussion this track shatters all in its path. Massive anthem arena worthy vibes and dynamic vocals, its a frenzy causing manic track that is made for the intensity of the pit at a live show.
‘Olympia’ which was our worth a listen track a few months ago, is the kind of track you fall in love with as it sweeps you off your feet and pulls out your heartache and joy-filled memories. Its melancholic-drenched melody, wrapped in anthemic adrenaline beckons you to sing along with sweet nostalgia. Lulu’s control of his powerful vocals is mesmerising as he adds a velvety smooth quality that is soothing and touching while capturing each emotion and reflecting it with mirror like sparkle as it bends and shapes into a memory of your youth. The passionate guitar riff drives the track whipping you up in a swirl of uplifting hope, while the flexible bass and steady beat grounds the enthralling track.
‘Happy Family’ slots in next at 6 minutes long, this tender gripping track hits you in the chest and makes you listen to every word that you hardly notice its length. Starting as a ballad with gentle twinkle on sweet mellow warm toned guitar it radiates glowing tones and sprinkles of sunlight. With a thumping beat and clap along feature the track kicks into a springy melancholic bounce with a strong message. Melody wise Sundara Karma kick this one out of the park once again as you are singing along while they hit you hard with touching lines “Left and right, they choke me tight ” and heart on your sleeve lyrics, “Wishing that in time, you’ll find someone to hold onto” The track then builds up to a big crescendo with Americana rhythms and uplifting vibes that fill you with hope. The track is the definition of all the hopes and dreams that one goes through with the glum reality contrasting those dreams.
‘Flame’ reintroduces that epic anthem that will have a live audience exploding and chanting back. Ear worm melody and slick guitar flickering in and out of each verse gives glimpses of the massive chorus to come. Its a dazzling track full of vibrancy and sunny vibes.
‘Loose The Feeling’ bounces with light bubbly tones and twinkling guitar. Its airy vibes ooze expressions of freedom, with Lulu’s vocals adding a gritty edgy quality bursting with emotion and expression. Soft backing vocals add a lulling quality while the soft beat and percussion cushions the track with a comforting bounce.
‘She Said’ is a propeller of vitality, its slick style and shout out chorus is guaranteed to leave a live crowd hoarse the next day. With jangly strident guitars, rapid tempo and swinging pizzazz its a track that hazy memories are made for. Elastic rebounding base drives the track while the whippy percussion will have your hips shaking and feet shuffling in no time. Its a ruckus causing frenzy infused track that you will definitely put on repeat.
‘Vivienne’ is an infectious track that compels you to escape the noise, run away and soak up the love. Gentle beats start and coax while biting shrill on guitars add a breaking free forget it all vibe. Filling you with hopeful tones the track builds to a sure strong beat and becomes a middle finger to the world anthem.
‘Be Nobody’ is a heartfelt tear to the eye swaying track that yearns intimacy. With suspended shrill and distortion on guitars this track packs a punch. Its simple yet extremely effective. Pulsing beat and powerful vocals hits you to your core. In places vocally it reminds me of Meat Loaf as the lyrics are sung rapidly and almost create the beat. Just when you expect the album to slow down Sundara Karma slap you in the face with this fresh new take on their sound.
‘Deep Relief’ bounces with peppy energetic liveliness that fills you with the strength to “Hold On”. The track is soaked in positive vibes and sprinkled with their nostalgic melancholic tones. Soft backing vocals sooth and add a hazy dreamy vibe while the zesty guitar acts like a ray of sunlight shining on your face and brightening up your day.
‘Watching From Great Heights’ features the album’s title in its lyrics and a shredding nostalgic coated guitar solo. Infectious melody and catchy chorus this track runs along smoothly dropping you into a dreamy haze of edgy indie pop.
‘The Night’ brings us to the end of the album with light twinkling guitars sparkling and glistening as the track glides and slides with liquid fluidity. The guitar shines with a biting shrilling solo that features glimpses of psychedelic “wah wah”. With Lulu showcasing his unique wide vocal range this track is a swagger smothered strutting glide of sophisticated indie rock.
Sundara Karma have displayed their well crafted slick effortlessly cool intelligent indie that is so passionate and thrilling you will be with them for every note, hanging on in there as they grasp your very soul and summon your inner youth to rise up and bellow out the relatable lyrics and ear worm melody.
Stream ‘Youth is Only Ever Fun in Retrospect’ below

BAD CHILD ‘Desert Island Lover’

Toronto singer/songwriter BAD CHILD has released his new single ‘Desert Island Lover’. This infectiously smooth track glides with effortlessly cool charm and lazy sunny day vibes. Coated in indifferent moody tones this track is almost beyond feeling, it conveys the mood of “becoming comfortable in your situation and not realising how bad it is”. With a numbing flow that places you into a paralysing trance dulling your mind with its soft heavy percussion which plods and thumps, immersed in its task. The beat and percussion become the main focus point to the mind with its stumbling magnetism while distorted keys splash out sweet melodies giving a blissful hazy daydream vibe. The sharp guitar adds edge and bite to the track. Sulky glum vocals add a monotonous punch to the track while also possessing a charismatic charm for the chorus. This track is an  insanely catchy pop composition and an ambling, entrancing listen blurred with hazy sullen vibes and coated in beachy island tones.
Stream ‘Desert Island Lover’ below

Henry Chadwick ‘Guest at Home’ EP

Currently based in California, indie artist Henry Chadwick has been making waves with his new EP, ‘Guest at Home’. A singer, songwriter, multi-instrumentalist and producer, his self-produced EP showcases Chadwick’s skills, as he wrote, engineered and played most of the instruments on it. Chadwick’s music has charted on both the Hype Machine and Indie Shuffle Charts with #1 Spots and his single ‘Alright’ has just reached 100,000 streams on Spotify. Chadwick draws influences as much from music of the past (The Beatles, The kinks, T-Rex, Nirvana, David Bowie etc.,) as from  current artists who keep pushing forward stylistically and sonically. Henry makes catchy, thoughtful and usually energetic music with a unique perspective, edge and charm. Henry Chadwick was raised in a studio environment, his father being an engineer who worked out of Cherokee studios in Hollywood through the 1980’s and continued to record in his home studio in the Santa Cruz Mountains.
‘Guest at Home’ EP brings a sound that will transport you to back to the swinging 60s with flashes of current indie edge to pull you into a spiralling concoction of energetic charming delight. Title track ‘Guest At Home’ kicks things off with a ripe zealous guitar riff sugar coated in an infectious melody that swoons and floats with ecstasy. Peppy bouncy beat, clap along feature and smooth vocals make this track an instant hit. The witty lyrics and sweet shrill on guitar teamed with a slice of rock and roll Jerry Lee Lewis -esque piano this track will have you rocking around the clock. ‘Overtime’ slows the pace with strumming guitar and reverb psychedelic vocals. Its a prism of trippy sparkling hypnotic euphoria. Soft beats and spaced out vibes give the track a floating wispy daydream feel. ‘Alright’ is a hazy Californian driving track. Bursting with cool sun kissed vibes exuding effortless sleek swagger with a creamy fluid flow. Slick guitar adds a zest and a sensual smack of charm to the track. Its a groovy dexterous foxy strut of laid back smooth rock. ‘Something I Don’t Know’ showcases that superb rock with ear worm melody and infectious hair raising heart quickening guitar feature teamed with punchy drums that makes you dance around the room in a joyous frenzy. Its an uplifting radiant tune that appeals to every fibre of your being. Chadwick displays the high range in his vocals for the catchy lovable chorus. ‘The Two Of Us’ closes the EP with edgy guitar and eerie vocals. Perfect harmonies add a lush texture while the strong beat drives the track forward. Simple sway-like feel with darker undertones keeps the track fresh and makes it stand out from the others. With psychedelic twists towards the end Chadwick knows how to keep your attention throughout making you want to hear more.
Stream ‘Guest at Home’ EP below

Adam & Elvis ‘Hanging Tree’

Adam & Elvis have released their new single ‘Hanging Tree’. Their thought-provoking, pull-no-punches style which is set to a musical backdrop of exhilarating wall-of-sound pop and primitive punk energy, unleashed by Patrick on guitar/vocals and Tom on bass/vocals respectively, with the aid of Juliet Styles (synths/saxophone), Steve Wraight (vocals/percussion) and Dan Robershaw (guitar). The Berkshire band have been championed by regional radio and performed their gripping live shows on the same bill as Fat White Family, The Zombies and The Correspondents, as well as numerous festivals across the south of England.
‘Hanging Tree’ is a sorry tale of a young intellectual who, despite his rationalism, loses his mind over unrequited love. Its peppy gritty alternative pop drenched in dark tragically comical tones. Deep dramatic vocals change from moody baritone to full-throttle tenor. The chorus breaks into a sweet bobbing melodious indie disco that bops and hops with elasticity and springiness coated in syrupy vocals. Jagged guitars gash as the rhythm blasts and thunders through the track with raw choppy wildness. Adam & Elvis perfectly make the dark gruelling gut-wrenching theme peppy and wacky while still expressing the pain dramatically with razor sharp saw-toothed instrumentation and deep vocals.
You can catch Adam & Elvis live at:
Sat 6 January 2017: Sebright Arms, London E2
Fri 24 February: The George Tavern, London E1 – Freak Power Records Residency
Fri 24 March: The George Tavern, London E1 – Freak Power Records Residency
Fri 26 May: The George Tavern, London E1 – Freak Power Records Residency
Fri 23 June: The George Tavern, London E1 – Freak Power Records Residency

Watch the video for ‘Hanging Tree’ which was shot by Balla Kingston, Craig Rogers and Antonio Pineda below. It captures the band in ebullient mood at UK Live Sound studios in Reading, where ‘Hanging Tree’ was produced.

Palmas ‘Flowers’.

palmas

Philadelphia’s surf/soul band Palmas have released their new single ‘Flowers’. Band members Eric Camarota ( guitarist) , Matthew Young (guitarist) , Adam Cantiello ( guitarist), Pat Degan (drummer) and Kurt Cain (vocalist) present us with their perfect blend of delicious sweet swirling melodies and experimental array of instrumentation. This Beatles – esque track bursts with luscious psychedelic features adding a euphoric dreamland vibe interweaving with blissful honeyed vocals and lush heavenly harmonies. Its a succulent beautifully delicate track that blossoms and flourishes as Palmas add a complex orchestral arrangement. The twirling trippy 60’s vibe consumes you in a gentle flurry of delightful intoxication as you are wrapped up in a colourful floral blanket of warm cosy tones and rich textures. With aptly placed percussion and the balmy mellow depth of the strings, it is an absolute joy and satisfactory listen. Palmas are budding into a fantastic band these guys deserve to do well.
Stream ‘Flowers’ below

 

Marsicans ‘The Absence’ EP

marsicans_robbiejaybarratt01

Leeds indie band Marsicans are James Newbigging (lead vocals and guitar), Oliver Jameson (guitar and vocals), Rob Brander (bass, keyboards and lead vocals) and Matthew ‘Cale’ McHale (drums and vocals). They have released their new EP ‘The Absence’ this month. The EP is the culmination of Marsicans’ 2016 releases and features the four tracks which have had national airplay in the UK via Radio 1 and Radio X over the course of the year. Three of the EP’s four featured tracks were given BBC Radio 1 support, including Huw Stephens’ premiere of the title track which also made Apple Music’s Best Of The Week playlist, whilst ‘Far Away’ a track we previously did a feature on was featured Spotify UK’s New Music Friday playlist.
‘The Absence’ presents us with Marsicans fantastic harmony-laden upbeat tropical sound that is raw and fresh yet polished in all the right places. Title track ‘Absence’ kicks off the EP and sprinkles with the four piece’s signature glowing infectious melody with lush harmonies and richly textured arrangements. Zealous guitar and vibrant synths keep this track uplifting while the soft spongy beat adds bounce and elasticity. The vocals are simple to start and become more dynamic as the track progresses. This track glows with bright vibes and is a gem glistening in the sun. ‘Arms of Another’ gives us a groovy springy sound. With an elevating high energy and catchy melody that will have you bopping and dancing from the first note. This track has an edgier sound with sharp distorted guitar that acts as the lime zest to your tropical cocktail. The rapid malleable beat maintains the tracks agile and spirited tempo. ‘Swimming’ is a blissful treasure with an ear worm melody and the perfect blend of luxurious harmonies and soaring vocals. The slick deluxe guitar riff is infectious and the glistening synths provide an elegant sweet quality throughout the track. With a slightly heavier sound towards the end, Marsicans confirms they can diversify their sound while still remaining bright and bubbly. ‘Far Away (Saudade)’ is the final track on the EP. This was the first track that caught our attention back in July. The track is ablaze with striking addictive hooks and quirky lyrics teamed with a honed melody and slashing guitar. This track is a fantastic listen. The lively animated rhythm gives the song an upbeat indie pop feel.
Marsicans ‘The Absence’ is a collection of upbeat infectious indie pop perfectly blended with sugar coated luxurious melodies, soaring vocals with bursts of zealous guitar and flexible spirited rhythm. Marsicans take their tropical mouth watering hard edged sound to another infectiously delicious level keeping you wanting more.
Marsicans have embarked on a 17-date UK tour starting earlier this month.You can still catch them live at
01 Oct – Manchester, Aatma
04 Oct – Hull, The Polar Bear
08 Oct – Middlesbrough, Twisterella Festival
10 Oct – Sunderland, 7even
14 Oct – Banbury, Also Known As
19 Oct – Basingstoke, The Sanctuary Live
20 Oct – Brighton, Bleach
21 Oct – London, Hoxton Square Bar & Kitchen
23 Oct – Matlock, Twenty Ten
28 Oct – Liverpool, The Magnet
04 Nov – Chester, Telford’s Warehouse
10 Nov – Leeds, Brudenell Social Club
11 Nov – Glasgow, Old Hairdresser’s
12 Nov – Edinburgh, La Belle Angele
Stream ‘The Absence’ below