Washington Electro Rock/Synth Pop band Color Palette have released their new single ‘Dark Days’. Expanding into the darker facet of their musical prism Color Palette dive deep into electronic rock to create a gripping cinematic number. Flickering electronics flutter and rush about a steady beat while the smooth vocals hold all the instrumental bluster together with its chilled effortless grasp. The bitter guitars sting and soar over the gritty electronic riff creating that ethereal vibe this band do superbly however the winding keys and sinister atmosphere pull the track into its darker shades maintaining an ominous tone. Filled with dramatic bursts the track drives through keeping climactic paced momentum throughout. Each element is perfectly paced from blistering guitar moments to flashes of dazzling electronics and meaty drums creating intense highs in the track with Jay Nemeyes velvety vocals contrasting this whirlwind with his sweet coos and gentle laid back tone. Doused in dreamy bleak vibes it’s a hair raising gem. Exuding a gripping sense of adrenaline this is a captivating track from Color Palette.
No Alarms have released the video for their new single ‘Find Me’. No Alarms was born in Texas as the solo passion project of multi-instrumentalist Andrew Boles, and has since bloomed into a Detroit-based, fully-fledged, five-piece. No Alarms is blending the lines between modern indie pop and new wave revival, and building an engrossing live show from the ground up. Their debut single “Right is What’s Left” was featured in an episode of ABC’s “Kevin Probably Saves the World” originally airing on February 6th, 2018. ‘No Alarms’ EP was the 13th most added record on NACC college charts its debut week, and has since peaked at #132 on the NACC 200.
‘Find Me’ is an entrancing smooth indie pop track that swirls and floats elegantly upon No Alarms’ infectious melty melody. It’s a sleek glossy number as their rooted grooves set a fluctuant foundation for the flashing electronics to rebound and playfully ricochet off while velvety vocals coo and caress the tasty melody. With a sticky summer sun vibe this dance-filled song is uplifting and ethereal as it bounces along energetic drums and dazzling synths making for a wholly satisfying listening experience. With rich textures wrapped delicately in a multi coloured prism ‘Find Me’ showcases No Alarms ability to create a full bodied delightful tune that tantalizes all the senses.
The LA-based duo Magdalena Bay visit a darker side of synth pop on their latest single ‘Ghost’. The pop duo are 22-year-old Mica Tenenbaum (songwriting, vocals) and 23-year-old Matthew Lewin (songwriting, vocals, production). The lyrics to the new track are inspired by the iconic 80’s film Mr. Vampire, which Mica had just watched in a Chinese film class.Following the success of recent singles Neon and Waking Up, Magdalena Bay have an arsenal of finished music that they plan on unleashing on the world now that they’re settled in LA. Ghost is the second of these to be released, and is sure to show listeners a new side to the band who write and produce all of their music from their home studio.
‘Ghost’ is a silken, lustrous pop number tightly bound in laser precision electronics. This track wriggles and weaves its way through rich, pulsing beats slapping against shimmering synths while the glossy pop melody smooths on top with a dreamy luxurious texture that oozes class and swagger. The dazzling soundscapes flash with eerie dark stomps throughout creating a haunting atmosphere to this luscious pop number. Magdalena Bay have created a clean, dance-able and infectious number that moves with grace and elegance while a bubbling groove steers the track to something more sinister.
“We wanted to try something new when we started writing Ghost” explains the band. “We had just finished a string of really bubblegum pop songs. Then, this spooky beat came out of nowhere. The song is darker than our previous releases– but it’s still fun and totally dancy. To us, Ghost is what would happen if Britney Spears and MGMT collaborated on a track..”
Bristol garage rock band The Rupees have released their new single ‘Terror Lover’. Ryan Tucker (Vocals, Guitar) ,Seamus Daley Dee (Drums), Jacob Chambers (Synths) and Tom Phillips (Bass) make up the four piece and their music has already been showcased on BBC Radio 1 (Huw Stephens), BBC Radio 6 (Steve Lamacq), and Sky TV and have played Reading Festival, supporting bands such as Blossoms and The Growlers and selling out their own headline shows.
‘Terror Lover’ displays The Rupees blustery synth driven sound at its dazzling grizzly best. With distortion galore and a punchy backdrop immersed in searing guitars this track is mighty and mesmerising. The all encompassing light flashy synths weave their mind dissolving soundscapes around this animated number. Its catchy and dance floor ready as disco vibes swarm the track in glistening bedazzlement while snarling vocals snap out the infectious lyrics. Brimming in intense rock energy these guys blend their blinding synth rock meticulously to have you compelled to dance mindlessly to its thundering upbeat thrill.
Electronic duo All Tvvins have released their new single ‘Infinite Swim’ from their second album ‘Just To Exist’ which is due for release early 2019 and produced by James Vincent McMorrow. All Tvvins enjoyed a phenomenal start to their career. Their debut album ‘IIVV’ shot into the Irish charts at #2, earned a Choice Music Prize nomination for Irish Album of the Year and smashed the 15 million streams landmark. Meanwhile, gigs in the UK and Ireland included a life-affirming sold-out show at Dublin’s historic Olympia Theatre as well as a tour as guests to Metric. All Tvvins, who consist of Conor Adams (The Cast Of Cheers) and Lar Kaye (Adebisi Shank) spent January and February of this year recording the new album and the album’s title ‘Just To Exist’ comes from a line in their new single ‘Infinite Swim’.
‘Infinite Swim’ is a funky flex of rich textures weaved through luscious melodies and pristine production. It’s swagger soaked panache strides and glides upon slinky guitars, groove infested bass and dazzling electronic whirls while it’s chic exterior smoothly drifts along with an effortless chilled tone and laid back vibe. The sweet creamy vocals caress and float upon the infectious velvety melody as it magnificently swoons it way comfortably into your mind.The track is rooted with a meaty funk foundation that adds a strut ready danceable shuffle while the electronics slide and glissade with an ethereal soul tinged elegance. A vapourous guitar solo brings this 80’s disco tinged track to slick glorious heights, All Tvvins present us with a first rate glossy number to sink our teeth into.
To celebrate the album’s release, the duo have announced their biggest Dublin headline show to date at The National Stadium on April 13th 2019.
The Ting Tings are back with their fourth studio album ‘The Black Light’. Best known for their massively successful 2009 debut album ‘We Started Nothing’ which boasted the hit singles ‘That’s Not My Name’ and ‘Shut Up & Let Me Go’ the duo have been on a rollercoaster 10-year journey gaining their desired independence. Releasing a further 2 studio albums after their successful debut and adapting their sound to reflect their experiences, the pair were led to their latest work The Black Light, which holds a noticeably darker edge with a mix of Manchester inspired guitar patterns and captivating vocal phrases melded with harsh beats, synths and bass.
‘The Black Light’ is a dark concoction that wriggles and wraps around swirling electronics and alternative pop experimentation. The shadowy riff of ‘Estranged’ twinkles the album into motion. The Ting Tings present their delicate emotional side. Layering their brooding electronics over a melancholic melody this duo build an atmosphere of tension and unease. The haunting dark quality continues with the chilling ‘Earthquake’ and smokey toned ‘Fine & Dandy’.The band shake the album up a bit with ‘Basement’ and ‘Word For This’ whichare reminiscent of The Ting Tings debut album- driving through with buoyant rhythms and exuberant energy to have your feet tapping and head bopping. Filled with attitude and swagger with catchy lyrics and jagged guitars these tracks give a danceable quality to the album and lighten the cloudy atmosphere of the previous tracks.. ‘A & E’ and ‘Blacklight’ push through with an almost trip hop beat slapping against frenzied electronics giving a dazzling club night vibe making for a smooth transition into the upbeat ‘Good Grief’ which features a vibrant guitar riff and shuffle ready beat taking the album to a danceable fun finale.
The Ting Tings ‘The Black Light’ has a decent mix of everything from electronic to attitude soaked alternative rock and punk to bouncy infectious pop. The tracks smoothly flow from one to another making for a satisfying listen.
Contemporary R&B three piece Little Grace have recently released their third single ‘My Bed’. Taking inspiration from Tracey Emin’s art installation, the single proves how connected all art forms are whilst also exploring themes of mental health. With a percentage of all earnings from the single going towards men’s mental health charity CALM, the boys become transparent through their music and hope to encourage the removal of the stigma. Based in North West England, Little Grace have worked with some notable names, including Bristol based drum & bass producer TC, German producer and DJ Robin Schulz (James Blunt, Nick Jonas) and Liverpool based XamVolo. My Bed was written in a day after a surge of inspiration after visiting The Tate Museum, written about the peril of getting lost in your own worries and struggles the track explores daily battles. The accompanying video, created by Spanish animators Eira Ramos and Guillem Guarro, reverses half way through, representing the vicious cycle sufferers of mental health can get caught up in.
‘My Bed’ is a rich full bodied number that sweetly blends electronic and R&B through gripping soundscapes and moving lyrics. Smooth vocals caress the catchy riveting melody with a delicate tenderness while swirling electronics whirl and sweep in the background churning with hair raising emotion and subtle little burst of adrenaline throughout. A sticky gloopy beat slaps and crawls its way around delicate twinkling synths for the verses building the track to its infectious magnetic chorus. This richly produced track glides and simmers around dark tones and eerie soundscapes while the synth pop flavours and velvety vocals sweeten the track and make for a captivating listen.
Washington, DC. indie electronic band Color Palette have released their new single ‘Chelsea’, another gripping ethereal number filled with rich instrumentation creating the perfect aerial backdrop to the pop sprinkled sombre melody. Icy electronics swirl and consume the smooth chilled melody with flashing scintillation and enthralling cinematic soundscapes as lush harmonies, riveting darkly hued key progressions and weaving guitars create the most bewitching, majestic foundation for this captivating lush tune. The chorus develops and grows steadily becoming more intense and magnified until it finally blossoms into an epic almost anthemic outburst. This striking track is a refined piece of work that showcases Color Palette’s fine crafted musicianship with grace. elegance and captivating splendor.
Birmingham’s Ivory Wave, have released their new track, ‘Frankie’ via ModernSky UK. Fresh from sets at festivals such as, Tramlines and Truck Festival, as well as Birmingham SHIIINE ON Weekender. The band have just supported The DMA’s by personal invitation.Formed of George, Connor, Luke, Rob and Seb, the band have become known for their hooks and good vibes to boot. The band have been touring the UK heavily for quite some time, and have started making some remarkable waves in their hometown. ‘Frankie’, picks up where Ivory Waves’s last single, ‘Cool Kids’, left off. The production of this track was aided by Gavin Monaghan in Wolverhampton’s Magic Garden Studio.
Much like their live performance, ‘Frankie’, exudes a level of fun-loving exuberance. This infectious party indie pop banger rides in on a slick wave of hyper synths swirling around buoyant beats and shuffle inducing danceable grooves. Glistening guitars meander through the exhilarating soundscapes lacing the track in a sleek fluid whack of indie while attitude drenched vocals strut in with panache and punch. Frankie is designed to fill the dance floor – it’s an instant adrenaline shot to the veins. With a clap along feature ready to infect the live audiences and glossy production providing a dazzling sheen- it’s one heck of a body mover.
You can catch Ivory Wave Live at:
20th October – Manchester – Night People 25th October – Leeds – Lending Room 2nd November – Birmingham – O2 Institute 2 5th November – Brighton – Komedia studio
Our Worth A Listen Track This Week Comes From LOVE SICK
Julie and Shaun first met working for the same life insurance call center at an office Christmas party where Julie divulged her passion for singing. A few weeks later, the pair bumped into each other at a Glasgow train station and the rest, as they say, is history. LOVE SICK first introduced themselves in 2017 with their debut single ‘Bullet’, which quickly captivated a global audience of almost 1 million listeners and support from the likes of BBC, KCRW, and even Sir Elton John himself.LOVE SICK announces their forthcoming “No Sleep” EP by sharing the first single ‘Fever’.
This dark pop delight swirls and ferments beneath a hypnotic groove, driven by trip hop beats. Dizzying electronics lure you into the delusions of bliss prowling in the deep enticing abyss of‘Fever’. The infectious melody seeps into your ears whispering a sweet bewitching curse to your soul as Julie’s sweet vocals entice and seduce over this mesmerising hypnotic track. Warping their blend of pop into a trance inducing menacing number LOVE SICK are a duo to keep an eye on. Their cool, chilled, musically rich musicianship and slick crisp production will have you dancing in a darkly hued, mind dazed trance of bliss.
Stream ‘Fever’ below
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.