The Manchester-based trio DARMA, have released their new EP ‘Gloom’. The band comprised of Harry Corbett (vocals), Lloyd Whitehead (bass), and Issac Whitehead (drums), give a new meaning to the term garage rock. The band themselves have coined the phrase “loudquietheavypop” to more accurately describe their sonic sound. Singled out by Louder Than War as one of the most energetic young bands around, DARMA have supported the likes of Primal Scream, Dinosaur Pile Up, and fellow Mancunians The 1975 and Ist Ist, DARMA have had a busy 2018, playing shows at Sound City (Liverpool), Tramlines (Sheffield) and the Manchester Apollo for Radio X.
‘Gloom’ is a searing torpedo ready to demolish your ears in feisty dark grunge, glorious melodies and alternative rock mania. The rich blend of tracks is first rate as they slither between blissfully melodic and frenzy effortlessly to pack in something for everyone. From the first gritty strike in ‘Miasma’ something clicks. A thrilling notion that this band have something special sparks a fire in your belly as crashing guitars throttle through punchy drum whacks and raspy attitude driven vocals. Dark melodies melt with a bubbling texture into your ears as this trio surge kinetic adrenaline into each and every track.The bombarding assault of ‘Procrasturbator’ follows. These tracks are perfect for that mosh pit frenzy as Corbett screams over a hyperactive backdrop filled with lacerating sharp guitars, rumbling bass and bombarding drums. This is one heck of a track. ‘Hey, You’ cools the tone of the EP with a melancholic sweet melody which glides mournfully over a hypnotic drum and bass rhythm while raw guitar-strikes thud throughout. Anthemic choruses are what this trio do well and this track in particular was designed for the mass sing-along live show display. Their muscular rock keeps the tracks from becoming soppy and maintains a stomp and edge to their melodic swoon. Its all blistering frenzy until ‘Interlude’ brings a chilled dreamy “breather” to the EP as twinkling guitars accompany soft vocal coos. Even during this little rest DARMA entwine some distortion at the end to keep us all alert for the ground shaking final track ‘You’re Always Right’. The moody melody lures you into the dark menacing abyss of the track until you are hooked craving for one more listen. Catchy, creepy and enticing the final track on the EP ripples with grit as guitars crunch and smash their way through a mosh ready rhythm while the endearing vocals soar and escalate as the track progresses.
Each track within ‘Gloom’ burrow’s deep into your veins with a satisfying thrilling sense of ecstasy that leaves you frothing at the mouth for more. These guys are just so good, what a debut EP. I need to see them live.
You can catch DARMA live at:
30-Nov-2018 – Jacaranda Records Phase One w/ Rival Bones + Vulture Cult
Stream ‘Gloom’ below
Dublin-based folk singer Jane Willow is set to release her debut EP ‘Onward Still’ on November 22nd with a full band show in The Sound House, Dublin.In recent years Jane’s played an incredible amount of gigs, performing at Vicar Street, Whelan’s, The Workman’s Club, Galway’s Roisin Dubh and Electric Picnic. In August 2017 she opened for Glen Hansard in Vicar Street. She followed this gig with a full band show in the Grand Social.She has been featured on RTE Radio 1, BBC Radio Ulster, Lyric FM and recently won the Intercollective Competition ‘Best Musician’ (2018).On her debut EP she collaborates with Dave Hingerty (drums: Kila, The Frames), Vyvienne Long (cello: Damien Rice) and regular band members Joanna Marie Burke (backing vocals), Eoin Healy (bass), Derek Copley (mandolin) and Scott Flanigan (keys).
‘Onward Still’ is a precious collection of tracks that flow on sweet luscious melodies, pristine musicianship and a purity that is mesmerising. Title track ‘Onward Still’ kicks the EP in motion filled with wholesomeness as a glistening guitar weaves its playful way between warm mandolin, vibrant drum taps and elegant string injections. Jane’s vocals on this EP are enchanting. Throughout ‘On My Mind’ she coos and beautifully expresses the vivid lyrics with an elegance and passion that stops time as the melancholic cello laments through twinkling keys and gracefully plucked guitar. Each track is meticulously crafted for a satisfying listen.From the perky earthy ‘Nobody Knows’ and buoyant joyful ‘Hannah’ to the delicate tender ‘If I Did Love You’, the EP floats upon a dreamy state of majesty and refined grandeur. There is a maturity and genuine purity about each track as the guitars, bass, drums, keys and cello blend perfectly with Jane’s vocals making each stride, flicker and note captivating and magical. ‘Comfort’ brings us to the end of the EP with warm guitar glimmers between Jane’s immaculate vocal delivery. The harmonies are lush as this track does exactly as its title suggests, it soothes the soul and gives a comforting hug to your ears.
Jane Willow has provided a warm cosy collection of tracks filled with delicacy and joy while vivid lyrics, beautiful vocals and sublime instrumentation establish her enthralling sound perfectly.
Watch the video for ‘Onward Still’ below
Emilio Pinchi has released his new EP ‘Holiday’. Pinchi is a twenty-something year old living in Liverpool. With previous releases picked up by BBC 6 Music, Pinchi announced his latest EP ‘Holiday’, available digitally and on limited edition metal tin cassette, through Klee Music. Influenced by the likes of Elliot Smith and Car Seat Headrest, Pinchi offers an introspective view on life, nostalgia and consumerism in an anonymous city. His previous singles ‘High Times’ and ‘Paint By Number’ were accompanied by several live dates around Europe and the UK, including performances at Liverpool Sound City 2018, Zizkovska NOC 2018 (Prague), and support slots with the likes of Beans On Toast.
‘Holiday’ is an easygoing sweet collection of tracks to lull you into a sun sprinkled daydream. Title track ‘Holiday’ sets the mellowness in motion with twinkling guitar between a steady beat as Pinchi coo’s over a honeyed melody while buoyant keys playfully bounce around this sparkling gem. The tracks have a unique dreamy effect as they float along cheery melancholic tones with the lyrics sometimes taking a sarcastic outlook. ‘Coffee’ twangs with a sweet lamenting harmonica element while ‘This Machine’ strolls along with lush harmonies and glorious supple guitar elements. Pinchi manages to fill the tracks with bitter sweet tones as he glides along peppy backdrops of daisies and delicacy contrasting perfectly with his heart pining melodies and soft vocals. Elegant guitar strums and a steady beat keeps the tracks trudging along while the keys, harmonica and smooth melodies display the yearning and heart wrenching tones.’White Wine Water Bottle’ brings the EP to a glistening end. There is some beautiful guitar moments in this EP and this track shows this in all its radiant glory. It’s an honest track brimming with superb instrumentation as jangly keys keep the peppy tone throughout while a solid beat maintains a steady foundation for this effortlessly flowing delight.
‘Holiday’ is a charming, authentic EP that rests comfortably on the ears caressing and soothing you with meaningful melodies and subtly luscious instrumentation which envelopes the touching lyrics.
Stream ‘This Machine’ below
Limerick’s finest indie-poppers whenyoung have released their new EP ‘Given Up’ released through Virgin EMI. This follows their recent singles ‘Heaven on Earth’ and their cover of the Cranberries classic ‘Dreams’. The trio also recently released a stunning video for the title track, filmed in London’s iconic Peckham Liberals Club and directed by, Dazed editorial director, Bunny Kinney. It shows the band as a conduit for escape from banal, suburban living.The band have performed in Dublin as part of Shane Mcgowan’s 60th birthday celebration alongside the likes of Nick Cave and Sinead O’Connor. They’ve also supported the likes of Dream Wife, Declan McKenna, The Vaccines and Peace.Having already played storming sets at this year’s Electric Picnic, All Together Now Festival, Great Escape, Latitude, Kendal Calling and Bestival the band are also supporting Blossoms on a nationwide tour in December.
‘Given Up’ is a perfectly balanced EP showcasing the refined and mature musicianship of whenyoung. They jump straight into their bubbly infectious indie with title track ‘Given Up’. Stinging guitars jaggedly slice their way through this Pixies-esque number as the entire track revolves around a driving drum and bass groove with the honey drizzled melody gliding above like a soothing blanket from heaven.The harmonies in this track are just so luscious. ‘Heaven on Earth’ follows. It’s another tasty indie banger filled with vibrancy, shedding guitar lines and the perfect sing along anthemic chorus. Having featured both of these tracks on Indie Buddie this year I have come to appreciate the intricacy within this trios musicianship. Aoife Power’s vocals are immaculate throughout the EP her voice filled with sweet coos, luscious tones and yet she holds a powerful and demanding air that is mesmerising. However it is their ability to create an upbeat tune with darker underlying tones adding depth that sets these guys apart. The sweet ethereal cover of The Cranberries classic ‘Dreams’ lies comfortably nestled in the middle of the EP. Passionate, pristine and touching whenyoung present the track exquisitely- balancing the tender delicacy with edgy rawness seamlessly. It stops time. ‘Sleeper’ brings us to the end of the EP – flawless, sweet and emotional, this track shows us the sombre, majestic side to whenyoung. Reaching into the depths of your mind they find the tender moments, gently draw them out and sweetly lament them back to you. A soft guitar melody mournfully pines behind Power’s beautiful crisp vocals while a delicate tapping beat sets a steady thud and mournful tone to this magical number.
whenyoung didn’t disappoint they lived up to the hype of their singles and even threw in a blinder in the form of the enchanting heavy-hearted ‘Sleeper’.
Stream ‘Given Up’ below
Northern Ireland art rock/neo psychedelic five piece Cloakroom Q are set to release their new EP ‘Going For A Walk and I’m Not Coming Back’ this Halloween. The band started in late 2016 and have since released a few singles and low fi compilations. These compilations were in the form of “official bootleg” recorded during the band’s earlier stages which include the single “Don’t Come Home” and their other more recent complication “Seven Stories Up”, partly recorded in Toulouse France and features versions of tracks off their debut EP ‘Going for a walk and I’m not coming back’.
‘Going For A Walk and I’m Not Coming Back’ is a spine tingling collection of tracks that weave and flourish with sublime obscurity through abrasive instrumentation while a healthy dose of psychedelic is churned through magnificent art rock elements and intense atmospheres.‘South of Sane’ kicks the mayhem off with the perfect tension building beat and spoken vocals. Soft guitars strum as the thrilling track builds and slowly creeps adding a warm trumpet into its swirling dark soundscape. Musically these guys create refined hair raising masterpieces with western-esque melodies mourning through rich rhythms and pining guitars. Through this EP they showcase their ability to create stripped back wispy, mind melting acid soaked tunes shown brilliantly with ‘d0nkroom’. All these elements are twisted and entwined in euphoric dizzying bliss. ‘People With Energy’ rushes through on a heightened vibe of snappy beats, funky bass lines, jagged guitars and haunting synths. It’s danceable, groovy and filled with energy yet drenched in ominous vibes. Each track is crafted with the finest components to make it luscious, manic and thoroughly enjoyable. Their sound is unique to them and it is this band’s attention to detail and meticulous musicianship that makes these tracks so impressive. The grunge hued ‘Feeding The Stranger’ smears on that dark atmosphere thick. Rugged guitars crash and batter into the punchy drum assault while the vocals exclaim over this frenzied backdrop narrating about coughing blood, alcohol and vomiting.’Unearth’ closes the EP disguised, to start as a soft delicate number with a gentle beat and slow jam groovy bass line. The track builds becoming the mosh ready banger Cloakroom Q are pros at. Their braided rhythms keep a fluctuant foundation for everything to explode off. Cloakroom Q really give it their all for this beast of a track, constructing the verses perfectly to increase and tease the intensity of the fierce dynamite choruses. It’s a lengthy track, clocking in at 07:09 minutes but each and every minute is worth it. These guys blend the soothing and gentle tones seamlessly with the skull bashing heavy tones to lure you into a false sense of safe psychedelia before whacking you out of your dreamy daze with meaty gritty rock injections. It’s a magnificent end to the EP.
Cloakroom Q have created a wholly unique frenzied EP that grooves, whacks and soothes all at once rendering the listener captivated and craving for more.
‘Going For A Walk and I’m Not Coming Back’ is released on 31st October- for more information
you can follow Cloakroom Q on Facebook here https://www.facebook.com/disappearlikethis/
Liverpool based five piece Seprona have recently released their self-titled debut EP. Delivering a distinctively northern style, Seprona have seen support from the likes of BBC Radio 2 with previous singles. After gaining a solid fanbase and performing across the UK, the demand for an EP was clear. Recorded in Parr Street Studios (Blossoms, Coldplay, Justin Bieber, Rihanna), each track displays the versatility of the four piece.
Their self titled EP presents five drum driven diverse tracks that bounce along a compelling backdrop with gripping melodies beautifully folding and enveloping sublime guitar moments. ‘Mystery Moves Me’ kicks the EP off with its moody strikingly riveting atmosphere as a delicate melody floats around eerie guitar refrains and an explosive rhythmic foundation.Filled with ominous mystery, this track displays the rich splendor of Seprona’s musicianship. ‘Who Won The War’ and ‘In The Heat Of The Moment’ continue the sinister vibe with stinging guitars wandering between the stomping drums and chilling vibes. The tracks are composed with refined grandeur that makes every song creep and crawl yet pack in an immense hefty instrumental backing. They keep the tunes catchy with a subtle anthemic persona. ‘Fragile’ takes the roll of the more tender emotional ballad as they strip things down to a soft beat, twinkling guitars and a delicate vocal delivery before building to its mighty passionate crescendo. The bands knack with melody is top notch and the velvety dynamic vocals pack in oodles of emotion that cut deep. I love the guitar elements in these tracks they are crisp and immaculately laid out with warm honey tones that make them so sweet on the ears. ‘You Know You’re Wrong’ closes the EP with an adrenaline rush of instrumentation. Sharp guitars crash against the snappy drum whacks and groovy danceable foundations while the eerie melody lingers around this vigorous soundscape. The guitars stride through a dark yet infectious melody before the track builds onto a hopping mosh ready crescendo. It’s a thrilling well crafted end to what is a wholly consuming EP.
Seprona’s self titled EP creeps, crawls and glides with energetic indie and musicianship to make you dance, mosh and sway. Filled with detailed lyricism, gripping instrumentation and mystery this EP takes you on a journey with each sublime track.
Throughout the coming months, the band will also be embarking on an extensive UK tour. You can catch them live here
20th – Red Rum – Stafford
21st – The Salty Dog – Northwich
27th – Undegun – Wrexham
2nd – The Grand Vault – Wigan
5th – Night People – Manchester
10th – The Lounge – Warrington
16th – The Newbridge Inn – Newbridge
29th – Nice n Sleazy – Glasgow
Stream Seprona below
After releasing his debut – the Sweet Boy EP – and three standalone singles in 2018, as well as a packed touring schedule including the inaugural It Takes A Village festival, Matthew Corrigan’s solo project Ghostking is Dead returns with a new EP, ‘This Is Doubt’, on Hausu. Following the trajectory of his musical evolution, ‘This Is Doubt’ sees Corrigan experimenting with new forms within his songs.This EP draws from the difficulties of the year’s work so far, the physical and emotional price of the work, and the pressure of creating newer, groundbreaking work despite having a huge number of songs written by age 20.
‘This Is Doubt’ is a weaving entanglement of mind melting bliss filled with mysterious wobbling structures and electronic sounds blended between warm synths, infectious melodies and hip hop flavours. A new rendition of an earlier Bandcamp single ‘Tokyo’ which is a song about re-creating and changing identities creates the smooth cruising tone of the EP. A gentle slapping beat gloops between subtle electronics creating that immersing dark atmosphere that beautifully surrounds Corrigan’s deep vocals. The glorious melodies are presented in a lavish lounge bar manner with the ethereal electronics building in the background swirling and caressing your ears in rich textures and weaving soundscapes. There is a jazz element sprinkled along the tracks with ‘Hollow’ showcasing this most fluidly. With a hip hop feature and spoken lyrics this track brings confidence and attitude into the spacey EP. There is rich depth and moody vibes smeared throughout however, Corrigan balances this perfectly with a touch of soul, slick smoothness and steamy grooves. ‘Burn Out’ glides and sweetly twinkles along cooing vocals and buoyant guitars. The atmosphere floats and wisps about the dreamy background and catchy melody. This melody at times swaggers with a Justin Timberlake suaveness yet maintains and drives through on the Ghostking is Dead stamp. The immense sulky brooding sultriness continues with ‘Its Over’. With vocal whines of depression and glumness between a fabulous enchanting guitar injection and glistening synths – Corrigan pines and almost howls over the steamy guitar and steady rhythms to create the perfect sobbing material. ‘How Did I Get Here?’ brings us to an emotional and fiery end to the EP. Organ chords give an erratic spookie sense of misery as the anguish filled vocals exclaim over a groove infested backdrop that verges on a slow form of reggae- like beats and striking keys which venture into a sort of ethnic style.
‘This Is Doubt’ is a unique collection of enthralling and enchanting tracks filled with rich rhythms, deep meanings and expressive vocals. There is something quite mesmerising about each track – it almost places you in a trance – entirely of Ghostking is Dead’s creation.
Stream ‘This Is Doubt’ below
Lead Coloured River have released their new EP ‘Uncensored’. Lead Coloured River are an indie rock quartet hailing from the valleys of South Wales. Forming in February of 2017, they have been hard at work establishing a name for themselves in the Welsh music scene.
‘Uncensored’ is an impressive and compact collection of tracks that showcase Lead Coloured River’s blistering brand of indie rock. From the first track ‘Uncensored Heartache’ with its swagger soaked rock n’ roll flair, we see how this four piece take guitar rock and flesh it out with some wonderful embellishments. Slick shredding riffs pierce through the punchy drum smacks and thrilling rooted bass grooves. Lead Coloured River can whack out a catchy chorus with ease, building the atmosphere, smearing it in darkly coated hues and mysterious tones while creating a “mosh pit frenzy” ready foundation and wrapping it in a danceable blanket. The quartet wear their influences on their sleeves with ‘Deception’ and ‘Set It Out’ oozing an early Arctic Monkeys residue. Each track flows fluidly and swiftly into the next with refined ease. Gritty guitars parade slick licks while the rooted rhythm marches everything at a powerful brisk pace. ‘Set It Out’ displays just how proficient this four piece are at melody progression. The infectious chorus is sure to spark massive live sing alongs while that sublime explosive crescendo and rumble drum progression sets the track apart from its predecessors. It’s meaty, well oiled and crafted beautifully. This I need to see live. ‘Everything’s Changed’ closes the EP ensuring we fully comprehend the brisk vibrant sound of Lead Coloured River. It’s a snappy, hyper number that flails wailing guitar shards about a hefty backdrop while dynamic vocals spit the brisk melody through agile bass lines. The perfect closer to keep you wanting more.
Lead Coloured River have presented us with a slick, vivacious four track EP that tantalizes the senses and promises this four piece are ones to keep an eye on. They are finding their sound and at the moment that sound glides on swagger steeped melodies, high-octane riffs, distorted bass and hefty drums.
Stream ‘Uncensored’ below
Mini Mansions have released their highly anticipated EP ‘Works Every Time’. Singer/guitarist Michael Shuman, singer/keyboardist Tyler Parkford, and bassist Zach Dawes are the glorious trinity of Mini Mansions, a band who push boundaries and overwhelm our minds with psychedelic encryption and delicious tunes. The band have played in some of the world’s biggest rock bands, Queens of The Stone Age, Arctic Monkeys and The Last Shadow Puppets these guys have been flourishing right at the roots of the rock genre readying themselves and fermenting their sound.This new release arrives three years after their second record, ‘The Great Pretenders’, which received critical praise and featured guest appearances from Arctic Monkeys frontman Alex Turner and The Beach Boys’ Brian Wilson and ‘Flashbacks’ a collection of B-side tracks which was released in 2016. Mini Mansions sound is unique and stirring all at once and places them firmly on par if not above their comrades in intricate obscurity and just plain genius. ‘Works Every Time’ is only a glimpse of what these guys are capable of.
‘Works Every Time’ is a concise, flavoursome collection of juicy tracks to re-introduce us to the mouth watering home cooking of Mini Mansions. Title track ‘Works Every Time’ reels us in with a soft beat bouncing off a swoon worthy melody and glistening keys.Filled with wistful tones Parkford takes the vocals on this track, his sweet falsetto cooing over the breathtaking soundscapes as this song floats around a dreamy ethereal atmosphere while the zesty sting on guitars give a lamenting bite and sharpness to the track. ‘Midnight in Tokyo’ rumbles through with Dawes’ elastic bass line teamed with the sticky slapping beats setting the groove infested foundation as the track spirals into a sleazy swagger smacked number. With Prince like Bowie -esque hued verses and a triumphant catchy chorus this track struts in, slicked back, funk fueled and glossy. Shuman’s vocals take the lime light here drenched in panache and gritty rough flamboyance as flashing disco hued electronics dazzle the background while Parkford provides lush tight harmonies. The rich meaty sound is filled gloriously with zingy guitars weaving their way, flickering little bursts of spice throughout. Parkford takes vocals once again on ’This Bullet’ a psychedelic whirl of utter mind melting mania. He ventures to his ominous lower range while Dawes’ throbbing bass and meandering soundscapes rush you with a sinister sense of danger. This track has a residue of Mister Goodnite’s ‘One Against Five’ with a little more darkness and obscurity smeared on top as alien- esque electronics wail about eerie tones and snappy driving beats. There is something magnetic and hypnotic about this track as Mini Mansions distort and dissolve your entire grip of reality with one catchy dizzying tune. It’s dark and creepy especially when Parkford orders “take off your vest“ however it’s difficult to prise yourself away from its chilling charm. Of course the band offer up another stirring cover for us to devour. Having previously embellished our ears with Blondie’s ‘Heart of Glass’ and Sparks ‘Sherlock Holmes’ Mini Mansions dissect and dismember a thrillingly dark rendition of Edwyn Collins‘ ‘A Girl Like You’, dousing it in the gritty sleazy and intoxicating tones we love from this trio. It’s dark as Shuman howls, screams and deeply haunts over whining guitars and flashing electronics. Filled with infectious shimmy grooves this track will make your skin crawl and tantalize all your senses while creeping into your mind where it will firmly reside for days. They did a cover the only way Mini Mansions can … better than the original.
The talent of this band is immense. Each track was meticulously cultivated – simmering and ripening slowly in Mini Mansions pressure cooker until the band were ready to delight and shatter our ears all at once. It’s exciting to see what each release will bring. They never compromise their sound yet push boundaries and provide an enthralling full bodied sound with every release. There is no one else like Mini Mansions out there at the moment. We need this trio to keep music fresh.
Stream ‘Works Every Time’ below
The Word UK have released their new EP ‘Fish In The Sea’. The Word (UK) are a Pop Rock band from Medway, Kent. They first got together in 2017 due to their mutual love for The Beatles (the name was taken from a Beatles song), which sums up the band well – these four lads aspire to write and perform music to the same standard as the biggest bands around, past and present.In search of the ‘old-school sound’ of their idols from the 1960s and 70s, the band headed to Ranscombe Studios, Rochester, famed locally for its analogue equipment and back-to-basics approach to recording. Most of what you hear was laid down live in a single room, with the band playing all at once – and all without a computer in sight. The result? A group of songs that capture a snapshot of the energy of their live performances, and a nod to the classic way of doing things.’Fish In The Sea’ is the band’s first EP. It’s a cluster of five tracks showcasing some of the original tunes the band have been pumping out live all over the UK for the last year; in pubs, clubs and even busking on the streets.
Swirled in luscious 60’s -esque melodies with a tight wall of sound driving this peppy collection of tracks ‘Fish In The Sea’ is a wholly satisfying uplifting EP. Glorious honey drenched melodies caressed by warm sweet harmonies are the pinnacle point of this EP. ‘Brother,Brother’ and title track ‘Fish In The Sea’ swoon with these delicious melodies, shredding guitar licks and a driving rhythm section that evokes images of surf waves and good times. With a shimmy ready lightness and compact Beatles – esque approach the track glides into your ears with effortless sun kissed charm. Intricate guitars weave and wander their way through each track with a golden, glorious toned thread of delight. The tongue twister ‘Lemonella Citronella’ is a darling little gem that sits comfortably in the middle of the EP. The enchanting guitar once again entwines and illuminates this balmy gem. The Word UK shake things up a little with the Bo Diddley rhythmic intro of ‘Captain Pine’ teamed with a rooted bass rumble. This track brings a slightly darker tone to the EP as the guitars whine over the stormy instrumentation. The melody however, remains peppy and bright. These are catchy tunes that will put a smile on your face and have you singing along and clapping in no time. Closing track ‘The Hillbilly Song’ is the perfect example of this, bringing a 60’s swing into the mix that is sure to have a live audience dancing and bopping along.With a shredding guitar solo and harmonica injection this vibrant track is a blistering highly energetic number to bring the EP to an end.
‘Fish In The Sea’ is a playful charming collection of tracks that exude swagger and easy going fun to keep your hearts light and joyful. These guys have showcased their proficient musicianship through some highly enjoyable tunes.
Stream ‘Fish In The sea’ below