Gosport, Hampshire alternative rock/punk band The New Shoes have released their debut single ‘Little Racket’ on Mayfield Records.This track wrestles punk to the ground and mangles some 60s pop and garage rock into its structure to create a snappy animated and thoroughly satisfying number. With a choppy rhythm, pop sprinkled melody and a melodic guitar feature this punchy track is a boisterous animated no nonsense anthem. Designed for the sticky mosh pit, it’s brimming with short adrenaline bursts and a catchy chorus while a shredding guitar solo lacerates through the rigorous backdrop sizzling with swagger. With the messy rough and ready punk undertones, raw rugged garage and a luscious coating of buoyant 60’s melodies The New Shoes have provided a kinetic vigorous debut.
Our Worth A Listen Track This Week Comes From Johnny Kills
Following on from the success of ‘’Who’s Counting?͛, their first release via Killing Moon, Johnny Kills emerge for the second time in 2018 with their new tune ‘Seems’. Earning champions including BBC Introducing, The Line of Best Fit, DORK, Indie Shuffle and The Metro plus dozens more tastemaker radio stations and blogs with their flair for delivering scuzzy pop off-cuts, the trio are made up of Tim, biological brother Lewis Lloyd-Kinnings and spiritual brother Cameron Gipp. Aiding them in bringing their tracks to an acceptable auditory standard is Leeds based producer and Forever Cult bassist Alex Greaves (TRASH, PLAZA, Seeing Hands) on production and mixing duties, with Pete Maher (Pixies, Lana Del Rey, Scissor Sisters) on mastering.
‘Seems’ is a glam rock dash of bedazzlement propelled into a fuzz fueled garage-rock setting to create a whirlpool of blistering bliss. A pounding relentless bass line forces its punk-esque ego through the glittery bravado with relentless ground shaking ferocity while the falsetto vocals subdue this pounding with its flamboyant sleekness. This track weaves a wiggly wonky thread through the instrumental battery to make for a scuzzy quirky listening experience filled with angst and vigor.
The Cheap Thrills are a garage/psych pop band from Liverpool. Renowned for producing sonic pop songs with catchy hooks and melodies crafted and then recorded in the centre of Liverpool. The band have released their new single ‘Sentimentality’ and it’s a sugar rush of indie pop bliss. It is shaken and fizzed with crashing guitars splintering off punchy robust drums which adds a healthy dose of garage grittiness. Smooth vocals surge passion and youthful adrenaline over a jumpy bass line and spacey guitars while the infectious luscious melody sweetens the deal and leaves you craving more. With shimmering flashing synths adding a rush of breezy aerial freedom it’s a blood pumping blistering gush that will have you up dancing and bellowing out the lyrics in no time. The Cheap Thrills are an exciting band that create electrifying passionate tunes that leave you itching for more.
Smash Boom Pow are Vancouver, BC blood-brother duo Ulysses (Vocals / Guitar) and Zane (Drums). They have released their new single ‘Way Too Much’. The track is taken from the duo’s forthcoming sophomore EP, which is scheduled to be released later this year.
‘Way Too Much’ is a raw razor-sharp garage pop track brimming with gritty jagged riffs so harsh and dirty you will need a tetanus shot. Pounding drums are skull bashingly thrilling while Ulysses’ raspy vocals spit and exude attitude and almost disgust. It’s a splintery fiery track with a sick catchy pop drizzled melody that will be stuck in your head all day. You will have to forcefully prise this track from your head. Watch out for these guys they are just too good.
About the track the band said, “The lyric you’re asking way too much of me” is not about an unreasonable labour request, but rather unfair emotional demands and the psychic damage they can inflict. On one hand, you have love for someone and are inclined to compromise for the sake of the relationship, on the other you’ve gotta be true to your experience and set the record straight. It’s not worth living a lie.”
The Revellions are a six piece band of misfits based in Dublin city that play a mixed sound of Garage Surf Rock with a side order of psychedelic music. Band members James Lister (Lead Vocals & Guitar) . Sean Adderley (Guitar). Edward Ãspel (Guitar & Backing Vocals). Juan Castilla ( Bass Guitar). Anna Mulhbach (Keys & Backing Vocals) and Mick Smith (Drums) have been taking their sound to the next level following their two well known albums “The Revellions” and “Give it Time”, being promoted by several successful tours in Germany, France, United Kingdom, Norway and Spain. The band is currently working on the final stages of their forthcoming 3rd album. Courtesy of Mersol Music Label The Revellions are also releasing a New Single for Record Store Day on April 22nd 2017 and will be having a launch party for that in the Grand Social. The Single is called ‘False Hope’ and will be released on 7″ vinyl in a textured card sleeve with superb artwork done by Blanca Fons. We had a listen to the track along with its b side ‘Carrie Ann’ to get a taste of what’s to come from the third album. ‘False Hope’ is a trippy moment into luscious floaty soundscapes with almost triumphant little bursts throughout. Its a groove-based shimmy flooded with an overwhelming exhalation of cool sensual swagger and euphoric bliss. Its mind numbing psychedelia which crashes over you in waves of sound, pulling back and pushing forward, becoming stronger as the track progresses. Wobbly guitars create a prism of thrilling distortion while punchy drums and elastic bass lure you into the inner depths of the track. Peppy and full of sultry tones its a steamy boogie that is insanely catchy and compelling while intense raspy vocals add grit and fight to the swirling enigma. The track builds to an intense dizzying crescendo bursting with life and energy before the final mighty chorus. ‘False Hope’ is tightly bound and well crafted creating a trippy bubble and a staggeringly good display from The Revellions. ‘Carrie Ann’ is a vibrant swagger filled strut of joy. Its a confidence-building ball of fire. Nimble slick guitar adds elation and oomph while the rapid spring of percussion lifts the track into a state of buzz filled exhilaration. Raspy vocals give us a rough and tumble quality while exceptional keys bring us depth and rich textures. Its an all round pleaser. ‘Carrie Ann’ is superbly layered and soaked in panache with a strut- like prance, its a blistering charmer. Soft lull of backing vocals adds an elevated feel to the track while instrumentally the track explodes with an illustrious blase.
The Revellions new album will see the light at the end of 2017 as the band has already started to showcase the new songs across the core venues of garage rock music in Dublin city and a tour over in Spain. These guys are ones to keep and eye out for.
You can catch them live at The Grand Social, Dublin 22nd April we’ll be there and it promises to be one hell of a show.
Follow The Revellions on Facebook here https://www.facebook.com/therevellions/
Birmingham-based garage-psych-rockers The Good Water have released their new single ‘Mansaid’. The track comes hot on the heels of their previous single ‘See Your Light’ which received airplay with Steve Lamacq, Mary-Anne Hobbes and Shaun Keaveny at BBC 6Music as well as tastemakers at Amazing Radio and influential LA stations KROQ and Indie 1031). Since forming in early 2015, The Good Water have been busy. The boys quickly picked up loyal support from Brum Radio with their drone-rock debut single ‘Everything Is’, They have gained new fans at raucous shows around the Midlands and blew away audiences supporting Mercury Rev, Super Furry Animals and Bill Ryder-Jones at Lunar Festival. The duo’s brand of psychedelic rock grooves, obscure lyrics and nimble riffs is streamlined into tight garage-pop frameworks and press has been quick to spot their talents, with rave reviews from Soundsphere Magazine, Ear To The Ground Music, Slap Magazine, Diamond Deposits, Born Music Online and Mytacism Music amongst many others. ‘Mansaid’ is red hot fiery garage rock smothered in a gritty fuzzed mind trip of psych-pop. Its a strutting frantic rush of effortless cool puzzlement that exudes swagger and blistering slick flamboyance. Blazing riffs give the track a scorching intensity while the psychedelic pop harmonies soothe and cool the track down before it kicks into the shredding frenzied mosh worthy chorus. With verses that glide in with liquid fluidity backed by feverish flaming guitar riffs and a driving punch on drums its insanely addictive. These guys are ones to watch.
Stream ‘Mansaid’ below
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.