Dublin-based experimental/post-punk band Tribal Dance are set to release their video for ‘And Then All That Was Left Was A Physician And A Silhouette’ tomorrow December 5th. Tribal Dance consists of bassist and vocalist Adam Smyth, guitarist Stephen Dowling and percussionist Leo Clarke. Their debut single “Flongo” released in August 2017, sent out waves of excitement and received extremely positive reviews from music blogs and nationwide newspapers as well as national and international radio play, which contributed to a sold out single release show. The band have been showcased in Whelan’s Ones to Watch along with headlining a special Nialler9 showcase The Button Factory as well an unforgettable performance to a packed tent at KnockanStockan 2018.The band’s sophomore release ‘And Then All That Was Left Was A Physician And A Silhouette’ is set to be the first release on Bad Soup Records in December 2018, accompanied with an intense and dramatic music video, a limited edition physical release.
‘And Then All That Was Left Was A Physician And A Silhouette’ is Tribal Dance’s fierce way of dissolving your mind in their thick murky concoction of math punk with sweet little bubbles of psychedelic rock gasping beneath this suffocating brew. The tense atmosphere builds right from the start as these guys unfold each segment gently with eerie soundscapes twinkling through distorted guitars and punchy drum attacks. This acid saturated gem lures and entices with soft lulling vocals, sweet little guitar injections and a meaty rhythmic foundation. Just as the track seeps into its dreamiest delusional state Tribal Dance electrocute you back to life with a pulverising heavy finale. The fluctuation between Math mania and soothing psychedelia is masterful as Adam Smyth switches from animated screams to soft coos seamlessly while wobbly desert guitar whines between a deep groove and laid back melody. Well crafted this track consumes you entirely in the dizzying world of Tribal Dance and with musicianship this refined and messy all at once – these guys are definitely ones to keep an eye on.
Watch the video for ‘And Then All That Was Left Was A Physician And A Silhouette’ below
Northern Ireland art rock/neo psychedelic five piece Cloakroom Q are set to release their new EP ‘Going For A Walk and I’m Not Coming Back’ this Halloween. The band started in late 2016 and have since released a few singles and low fi compilations. These compilations were in the form of “official bootleg” recorded during the band’s earlier stages which include the single “Don’t Come Home” and their other more recent complication “Seven Stories Up”, partly recorded in Toulouse France and features versions of tracks off their debut EP ‘Going for a walk and I’m not coming back’.
‘Going For A Walk and I’m Not Coming Back’ is a spine tingling collection of tracks that weave and flourish with sublime obscurity through abrasive instrumentation while a healthy dose of psychedelic is churned through magnificent art rock elements and intense atmospheres.‘South of Sane’ kicks the mayhem off with the perfect tension building beat and spoken vocals. Soft guitars strum as the thrilling track builds and slowly creeps adding a warm trumpet into its swirling dark soundscape. Musically these guys create refined hair raising masterpieces with western-esque melodies mourning through rich rhythms and pining guitars. Through this EP they showcase their ability to create stripped back wispy, mind melting acid soaked tunes shown brilliantly with ‘d0nkroom’. All these elements are twisted and entwined in euphoric dizzying bliss. ‘People With Energy’ rushes through on a heightened vibe of snappy beats, funky bass lines, jagged guitars and haunting synths. It’s danceable, groovy and filled with energy yet drenched in ominous vibes. Each track is crafted with the finest components to make it luscious, manic and thoroughly enjoyable. Their sound is unique to them and it is this band’s attention to detail and meticulous musicianship that makes these tracks so impressive. The grunge hued ‘Feeding The Stranger’ smears on that dark atmosphere thick. Rugged guitars crash and batter into the punchy drum assault while the vocals exclaim over this frenzied backdrop narrating about coughing blood, alcohol and vomiting.’Unearth’ closes the EP disguised, to start as a soft delicate number with a gentle beat and slow jam groovy bass line. The track builds becoming the mosh ready banger Cloakroom Q are pros at. Their braided rhythms keep a fluctuant foundation for everything to explode off. Cloakroom Q really give it their all for this beast of a track, constructing the verses perfectly to increase and tease the intensity of the fierce dynamite choruses. It’s a lengthy track, clocking in at 07:09 minutes but each and every minute is worth it. These guys blend the soothing and gentle tones seamlessly with the skull bashing heavy tones to lure you into a false sense of safe psychedelia before whacking you out of your dreamy daze with meaty gritty rock injections. It’s a magnificent end to the EP.
Cloakroom Q have created a wholly unique frenzied EP that grooves, whacks and soothes all at once rendering the listener captivated and craving for more.
‘Going For A Walk and I’m Not Coming Back’ is released on 31st October- for more information
you can follow Cloakroom Q on Facebook here https://www.facebook.com/disappearlikethis/
BRONCHO have released their new album ‘Bad Behavior’ an infectious swirl of luscious, teasing and exhilaration tracks to keep you drooling for more. It’s a tasty collection of tracks filled with psychedelic indie pop, laid back tones and insanely catchy grooves to ensure a satisfying listen. ‘All Choked Up’ sets the EP in motion with its churning rhythm creating a danceable foundation for the buoyant guitars and smoky melody. The stop start beat establishes an atmosphere of suspense which is only subdued by the shredding slick guitar solo. This track is so sleek and glossy with dark undertones twirling beneath the hypnotic rhythm. The tracks on the album flow into each other with a smooth fluidity,‘Weekend’ continues the heavenly subtly psychedelic trip with ethereal guitars twinkling between a steady backdrop. Ryan Lindsey’s sweet falsetto vocals provide each song with a heavenly quality. The instrumentation is tight throughout- crafted to perfection with glorious guitar twinkles daintly accompanying Lindsey’s vocals and honeyed melody while the strong beat and elastic bass grooves between. ‘Boys Got To Go’ displays this perfectly, the melodic flow guarantees a soothing listening experience as soft guitars glisten playfully throughout before whining elegantly every so often. BRONCHO provide the most glorious comforting blanket with ‘Keep It In Line’. This track enfolds your ears in a candied soothing melody, beautifully weaved instrumentation and sedating vocals. It’s bouncy, bright but incredibly tranquilizing. These guys delicately unwrap their sound revealing lush textures with each track. Together they gel immaculately- each instrument has its part and yet the tunes they produce feel airy and freeing. The album continues to blossom with ‘Sandman’, bringing a slightly ominous tone into this dreamy mix. The guitar and bass in this track is riveting. The song bubbles and boils around the playful guitar as Lindsey creates a haunting atmosphere. It’s a little more gritty with a creepy almost sleazy vibe but an absolutely thrilling listen.’Undercover’ follows the darker tone of its predecessor lightening it with buoyant grooves stomping between a sliding swagger soaked melody and strutting guitars. This is one well crafted track.The subtle guitar changes from twinkling and gliding to prancing as they flood the track with panache and an infectious funk flavoured danceable quality. ‘Family Values’ is another infectious gem that is sure to put a smile on your face. If you can prise your ears away from the bouncy weaving instrumentation and focus on the lyrics BRONCHO showcase their humorous cheeky side,“I got a thing for your mother / I got a thing to teach your father”. One thing I have come to love about the Tulsa, Oklahoma-based band is their sublime ability to create dreamy woozy tunes like ‘Big City Boys’. Though the track is hazy and dreamy the instrumental backing is strong, pushing forward with a relentless goal of fun loving with a slick proficient style that is one to be admired. The summertime cruising ‘Get In My Car’ follows. The album version sounds a little tweaked and more crisp to the single version released last year. This summer time gem bops and wiggles over a smooth melody and gleaming guitars. Glissading over to a glam rock flavour, BRONCHO provide us with a tantalizing variety of genres to taste throughout this album. They close the album in the best possible way, leaving us hungry for more. The swagger steeped foot stomping danceable and infectious ‘Easy Way Out’ accomplishes this task without fail. It’s slick, pristine, panache driven indie rock drizzled in rock n’ roll flamboyance with nimble steamy guitar licks and a catchy melodic flow to keep us wanting to dance all night long.
BRONCHO is that band that are cool, fun and make you want to scream and tell everyone about. Their sound is appealing to everyone from the lazy daydreamer to the adrenaline punk-rocker and indie-head in between. The provocative lyrics, incredible musicianship and all out swaggering groovy persona within each track is what makes BRONCHO one heck of a band. The sound is distinctive, Lindsey’s vocals are distinctive and their tunes undeniably infectious. It’s music to make you feel, music to make you dance and bop or tap your foot and do air drums to while you relax on a lazy summer’s day, but either way you feel every delightful note.
Stream ‘Bad Behavior’ below
Mini Mansions have released their highly anticipated EP ‘Works Every Time’. Singer/guitarist Michael Shuman, singer/keyboardist Tyler Parkford, and bassist Zach Dawes are the glorious trinity of Mini Mansions, a band who push boundaries and overwhelm our minds with psychedelic encryption and delicious tunes. The band have played in some of the world’s biggest rock bands, Queens of The Stone Age, Arctic Monkeys and The Last Shadow Puppets these guys have been flourishing right at the roots of the rock genre readying themselves and fermenting their sound.This new release arrives three years after their second record, ‘The Great Pretenders’, which received critical praise and featured guest appearances from Arctic Monkeys frontman Alex Turner and The Beach Boys’ Brian Wilson and ‘Flashbacks’ a collection of B-side tracks which was released in 2016. Mini Mansions sound is unique and stirring all at once and places them firmly on par if not above their comrades in intricate obscurity and just plain genius. ‘Works Every Time’ is only a glimpse of what these guys are capable of.
‘Works Every Time’ is a concise, flavoursome collection of juicy tracks to re-introduce us to the mouth watering home cooking of Mini Mansions. Title track ‘Works Every Time’ reels us in with a soft beat bouncing off a swoon worthy melody and glistening keys.Filled with wistful tones Parkford takes the vocals on this track, his sweet falsetto cooing over the breathtaking soundscapes as this song floats around a dreamy ethereal atmosphere while the zesty sting on guitars give a lamenting bite and sharpness to the track. ‘Midnight in Tokyo’ rumbles through with Dawes’ elastic bass line teamed with the sticky slapping beats setting the groove infested foundation as the track spirals into a sleazy swagger smacked number. With Prince like Bowie -esque hued verses and a triumphant catchy chorus this track struts in, slicked back, funk fueled and glossy. Shuman’s vocals take the lime light here drenched in panache and gritty rough flamboyance as flashing disco hued electronics dazzle the background while Parkford provides lush tight harmonies. The rich meaty sound is filled gloriously with zingy guitars weaving their way, flickering little bursts of spice throughout. Parkford takes vocals once again on ’This Bullet’ a psychedelic whirl of utter mind melting mania. He ventures to his ominous lower range while Dawes’ throbbing bass and meandering soundscapes rush you with a sinister sense of danger. This track has a residue of Mister Goodnite’s ‘One Against Five’ with a little more darkness and obscurity smeared on top as alien- esque electronics wail about eerie tones and snappy driving beats. There is something magnetic and hypnotic about this track as Mini Mansions distort and dissolve your entire grip of reality with one catchy dizzying tune. It’s dark and creepy especially when Parkford orders “take off your vest“ however it’s difficult to prise yourself away from its chilling charm. Of course the band offer up another stirring cover for us to devour. Having previously embellished our ears with Blondie’s ‘Heart of Glass’ and Sparks ‘Sherlock Holmes’ Mini Mansions dissect and dismember a thrillingly dark rendition of Edwyn Collins‘ ‘A Girl Like You’, dousing it in the gritty sleazy and intoxicating tones we love from this trio. It’s dark as Shuman howls, screams and deeply haunts over whining guitars and flashing electronics. Filled with infectious shimmy grooves this track will make your skin crawl and tantalize all your senses while creeping into your mind where it will firmly reside for days. They did a cover the only way Mini Mansions can … better than the original.
The talent of this band is immense. Each track was meticulously cultivated – simmering and ripening slowly in Mini Mansions pressure cooker until the band were ready to delight and shatter our ears all at once. It’s exciting to see what each release will bring. They never compromise their sound yet push boundaries and provide an enthralling full bodied sound with every release. There is no one else like Mini Mansions out there at the moment. We need this trio to keep music fresh.
Stream ‘Works Every Time’ below
L.A.’s space rock band The Asteroid Shop have released their new single ‘She Moves’. This stomping swagger steeped number strides with blistering guitar over a quivering and pulsing rhythmic backdrop. It’s a darkly hued track with ghostly vocals upon a gritty piercing wall of sound that is so chilling it could raise the dead. Slinky and strut infused the track creeps with a panache driven confidence. It’s a charming bewitchment that beckons your ears to draw nearer into its luring bedazzlement while piercing razor sharp guitars cut and melt away your mind with the most thrilling lacerations known to man. It’s kick-ass acid dripping psychedelic tinged bliss that shows the oh so slick musicianship of this band. I need to hear this live.
Stream ‘She Moves’ below
London-based psych-pop quintet Tempesst have released their latest single ‘Doomsday’, the title track from their forthcoming EP. The band first originated in Queensland, Australia on the Sunshine Coast, based around twin brothers Toma (vocals, guitars) and Andy Banjanin (drums). After a move across the globe, the outfit — rounded out by Eric Weber (guitars), Kane Reynolds (keys), and Blake Misipeka (bass) — made their raucous debut with the 2017 EP ‘Adult Wonderland,’ earning widespread praise in the U.K., which led to dates supporting the likes of Temper Trap and Albert Hammond Jr., and showcases at The Great Escape, NME Awards, and Live At Leeds. The new track is in part a reflection on how our addition to social media and the internet have turned us into mindless creatures, and part a commentary on the current state of the world.
‘Doomsday’ is a mysterious swirling brew of classic ’60s and ’70s influenced psychedelic rock and delicious pop that leaves you in a mind melting daze of delight. Tasty guitar whines weave between dizzying hazy electronics while the smooth melody cruises in to soothe the mind and sugar coat the woozy psychedelic swoons. It’s deliciously creamy with an underling fuzzed sting as the guitars whip a dash of zest into this enthralling liquefying mixture. The luring vocals tease and tempt throughout the eerie verses as lush backing vocals coo and haunt the background leading you deeper and deeper into the consuming trippy abyss of the track. Filled with creepy tones under a captivating cinematic soundscape this earworm has all the component parts to draw the listener in and trap them in its honey drizzled magnetising sound. Its infectious and a truly satisfying listen.
“It’s the first time in my life that I’ve felt so aware of my mortality and it probably doesn’t help that the Facebook and Netflix algorithms have cottoned on and keep feeding me shit on the topic,” Toma says about the track. “‘Doomsday’ is the start of what will probably be a long running theme.”
Stream ‘Doomsday’ below
Following the release of their singles ‘Lovestruck’ and ‘Kid Calm Down’, Manchester-based indie rock band Delphina Kings have announced the release of new EP ‘Don’t Think This Is Gonna Work’ on 6th July. The release will coincide with an EP release party, which will see the band headline Gullivers NQ in their hometown of Manchester on Saturday 7th July. Support will come from fellow North West acts SUNGLO, RAVELLAS and FLANEUR.
‘Don’t Think This Is Gonna Work’ is an infectious collection of adrenaline pumping indie rock that sizzles and boils beneath your skin with thrilling instrumentation. ‘I’m Numb’ kicks off this scorching mania with shrilling distorted guitars over a punchy rhythmic backdrop of danceable groove infected bass lines and shaky percussion teamed with buoyant drums. These guys exude steamy swagger as effortless cool vocals glide over a frenzied strut worthy buzz of sublime instrumentation and dizzying acid soaked soundscapes. Their high voltage sound fills you with an effervescent whir of intensity as each track whacks out a kinetic energy with a sublime anthemic punch. ‘Electric’ is the perfect example of this. The shredding guitars teamed with spiraling vigorous soundscapes makes for an enthralling instantly electrifying listen. Each track surges with heart racing euphoria from the soaring ‘Like You’ with its slinky funk hued persona drizzled in psychedelia to the luring creepy final track ‘Delirious’, Delphina Kings showcase their slick swagger drenched style in all its glory. ‘Like You’ makes a shift in their sound as they hone in on the sultry psychedelic tones, building them meticulously to create a steamy 60’s -esque trippy number that renders you trapped in its sweet luscious delusions. The soothing gentle vocals coo and caress the melty melody while distorted guitars build for the dynamic chorus. ‘Delirious’ closes the EP continuing the psychedelic tones however taking them to darker more eerie depths. The steady beat and strumming guitar becomes the constant as the wispy melody slips between the sleepy hypnotic soundscapes. Their knack with melodies makes each track easy to sing along to with a delightful ear worm effect that will have them stuck in your head all day while the bands ability to blend genres seamlessly makes the experience instantly satisfying.
About the EP bassist/lyricist Andy Hoskinson said : “We’ve only released singles so far, and we wanted to give people something a little longer to get their teeth into, let them get to know us better”. “An EP isn’t necessarily the done thing any more, it feels rebellious”, adds frontman Chris Gibson.
For more you can follow Delphina Kings on Facebook here https://www.facebook.com/delphinakings
Lucille Furs are a Chicago-based 4-piece psychedelic rock/baroque pop band who take inspiration from not only 60¹s trailblazers The Beatles, The Kinks and Love but from contemporary acts such as The Brian Jonestown Massacre, Temples and The Horrors. The band have released their new single ‘Another Land’ by Treehouse Records. After a successful run of showcases at SXSW and a show at Elsewhere in Brooklyn recently, Lucille Furs are looking forward to several shows/festival performances this summer, including sets at the Summer Camp Music Festival and SummerFest in Milwaukee.The band comprised of members Patrick Tsotsos (bass, vocals), Nick Dehmlow (guitar), Brendan Peleo (Lazar-drums, percussion) and Trevor Newton Pritchett (vocals, guitar) have also released a video for ‘Another Land’ which was directed by Celia Marie Peterson and shot on location in Paris, France.
‘Another Land’ is a sheer psychedelic marvel. Doused in a dreamy mirage of glittering guitars between swirling trippy soundscapes this track is a kaleidoscopic curling mind melting surge of utopia. The guitars venture from an Oriental guitar style to spaghetti western -esque seamlessly while a bopping beat hops along the molten melody. It’s hazy, blissfully dazing obscurity that soothes and tranquillises your mind melting it into a slushy of creamy fluffy bliss. The deeply hallucinating instrumental firmly grips you into the wispy clutches of the track while velvety vocals coo and pacify leaving you in a lush liquefying state of ecstasy. It’s pretty chill and mellow-taking all your moods and feelings away leaving you mindlessly wallowing in this trippy lush daydream.
Watch the video for ‘Another Land’ below
Sheffield lo-fi garage-rock five-piece Wulfman Fury have released their new single ‘Getaway’. Fronted by experienced session player George Moran, the band is made up of Steve Harrison (bass/vocals), Joe Moran (guitar/vocals), Will Severs (keys), and Dave Mitchell (drums). The brain child of George and Dave, Wulfman Fury was born from George’s ‘Fox Den Studios’ and has been going from strength to strength since its conception in October 2017. To date, the band have self-released two singles, ‘Nightsweats’ and ‘Draw the Line’, as well as a Sheffield themed b-side ‘Blades and Owls’. Each release has been met with early praise from those in the industry and a growing fan base inside and out of Sheffield. ‘Nightweats’, ‘Draw the Line’ and new single ‘Getaway’ have had airplay on BBC Introducing, BBC Radio Wales, Amazing Radio and on stations in Canada and France to name a few. In their hometown Wulfman Fury are yet to play a gig that hasn’t sold out.
‘Getaway’ is that sublime rush to the head of indie rock that thrills to the core. It’s brimming with rich melodic sounds from the infectious adrenaline inducing melody to dazzling keys that shimmer between a punchy rhythm. With fuzzed guitar jabs and a staggeringly smooth swagger laced vocal- this track has it all. The melody is doused in mysterious vibes while distortion whines behind flashing keys creating a spacey, psychedelic atmosphere. Guitars whirl and stab electrifying buzz fulled intensity through a stomping rhythm to create a wholly engulfing, riveting listen. It’s a breathtaking display from Wulfman Fury and another outstanding track to get excited about.
You can catch Wulfman Fury live at:
12th May London – Nambucca (This Feeling)
25th Sheffield – Record Junkee (This Feeling)
21st July Sheffield – Tramlines Festival
29th September – Leadmill (Headline)
Watch the video for ‘Getaway’ below
Our Worth A Listen Track This Week Comes From Strange Cages
Brighton trio Strange Cages have returned with a series of live dates and another dizzingly impressive new single ‘Hypothalamus Blues’, out now through Vallance Records.With a frenetic, snotty, psych-surf rock ‘n’ roll sound in the vein of The Cramps or Ty Segall, Strange Cages have already been making big strides in their short existence, quickly gaining support from the likes of Clash Magazine, NME, Q Magazine, The 405 and The Line of Best Fit, whilst tearing up stages in support of King Gizzard & The Lizard Wizard, Night Beats, and Boogarins. Having followed up their Theo Verney produced debut ‘Desert’ with the single ‘Pony’, Strange Cages went on to release their head-spinning EP ‘The Cracks’ last year, and now the trio return with ‘Hypothalamus Blues’.
‘Hypothalamus Blues’ is a feverous whack of dizzying psychedelia wrapped in a neatly bound concoction of krautrock and post-punk. This trippy mind melting number will lure you in with a smooth snappy effortless cool vocal line and western-esque twinkling guitar before submerging you in a swirling delusion inducing narcotic soundscape. The track begins dreamy and sweetly euphoric as a hazy melody melts upon soft laid back mellow soundscapes. It then builds into an electric shock of blinding shrilling distortion and heavy fuzzed psychedelia. Before settling again slowly easing the skull bashing mania only to build that frenzy back up again. This schizophrenic bewildering track is a thrilling and spine chilling experience which was carefully crafted for the perplexing trip of a life time.
Strange Cages will also head out to perform a series of UK live dates in support of the release catch them live at
22 Feb – CARDIFF – The Full Moon
23 Feb – BRIGHTON – Green Door Store
01 Mar – LONDON – The Lock Tavern
Stream ‘Hypothalamus Blues’ below