Miles Kane is releasing his new album ‘Coup De Grace’ next month and has shared another tantalizing track from it. With Lana Del Ray and Jamie T featured on previous track ‘Loaded’ the new track ‘Too Little Too Late’ gives Jamie T another whirl. This blazing inferno blasts attitude-soaked punk with Kane’s suave rock and roll finely blended throughout. Strident guitar stings, elastic rumble on bass and rooted punchy drum whacks create the fierce backdrop for Kane’s dynamic, spirited yet effortlessly panache-soaked vocals. Gliding on passionate hot-blooded rush to the head rock and roll this track stomps in and steam rolls over all your wild expectations. The verse spits fiery attitude at neck snapping speeds while the infectious chorus cruises in, smooth velvety and effortlessly cool and that rooted ductile bass bridge is just riveting. The melodies are divine as they seep honey sweet lushness to smoothen the harsh frenzied backdrop. Kane has presented us with some exciting, thrilling and stimulating aperitifs to his upcoming ‘Coup De Grace’ album keeping us enthralled and eager as to what glorious tunes will grace our ears in August. All the tracks released so far have been breathtaking. The suspense for the album is killing me.
Stream ‘Too Little Too Late’ below
Three-piece rock band Silver Citizen have recently released their new single ‘Now We Groove’. Hailing from Brisbane, Australia, Silver Citizen returned in 2016 as a reincarnation of their previous musical undertaking. During this hiatus the band have revamped themselves by introducing refined stylistic approaches, such as heavy guitar riffs layered underneath the discerning lyrics of lead singer Jimmy Wenham. Drawing on the influences of Audioslave and the Foo Fighters, Now We Groove is saturated with a variety of memorable riffs, explosive drums and powerful choruses.
This mosh ready banger pelts in with meaty heavy riffs on top of punchy drum whacks and dynamic vocals. The brawny bass lines weave between the drum rumbles with an elastic groove while the shredding guitars pierce and stride throughout. It’s a mighty unfaltering display of rap rock that thunders in – fierce and savage ready to pummel your skull with its adrenaline shot of vigour and might. Catchy and melodic with enough heaviness to have a mosh pit in a brawling frenzy ‘Now We Groove’ is pretty slick and extremely engaging.
Stream ‘Now We Groove’ below
New Jersey’s The Skullers have returned with a jaunty new summer single, a cover of Richard Hell’s ‘I’m Your Man’. The band is donating the proceeds and raising awareness for a non-profit called Career Gear that helps men in need enter or re-renter the workforce. The band deliver a pristine and respectful cover of ‘I’m Your man’ which was an outtake from Richard Hell & the Voidoids’ 1977 debut album Blank Generation. It’s an undiluted rendition brimming with swagger and class. Jangly guitars stride and breeze through this exhilarating number with steamy effervescence while the smooth vocals caress the carefree irresistible melody with charisma and charm. The guitar solo is crisp and thrilling and the drums punch and pound throughout. It’s a magnificent track to cover filled with buoyancy and bright scintillation teamed with a catchy as hell melody and these guys did a superb job fleshing out the refined unadulterated stomping rock that fills you with good vibes.
The Skullers will perform at Johnny Thunders Birthday Bash on July 15 – a prestigious annual event that takes place at the Bowery Electric in New York.
Stream ‘I’m Your Man’ below
London’s Sisteray have released their new single ‘Algorithm Prison’ through Vallance Records, referencing the digital age that we live in as the Cambridge Analytica scandal continues to swirl around us.With a string of thrilling live performances across the past year, including at Reading Festival, Camden Rocks, Tramlines Festival, shows for Dr Martens, their first European dates, and all culminating in a sold out show at London’s Dingwalls just last month, Sisteray have been quickly clicking through the gears and given us a new British band to truly get excited about.This new stinging belter is a precursor to their EP set for release in May.
‘Algorithm Prison’ is an intoxicating grimy anthem whacking against a blistering, surly wall of sound. Shrilling guitars crash and lacerate through bruising drums and rumbling blood pumping bass. It’s angsty fuelled enraged punk rock that can ignite a nation with its buzz infested, neck snapping sound that pummels into you. Niall Rowan howls and spews “We ain’t your target market” while riotous instrumentation sets the back drop. It’s feisty, gnarly and thrillingly electrifying.
Sisteray also have a series of live dates coming up, including Camden Rocks, The Great Escape Festival, and a headline show at London’s 100 Club later in the year.You can catch them live at
06 Apr – NORTHAMPTON – The Black Prince
28 Apr – SCUNTHORPE – Café INDIEpendent
01 May – DUBLIN – The Workman’s Club
03 May – GALWAY – The Black Gate Cultural Centre
18 May – BRIGHTON – The Great Escape Festival
19 May – SHEFFIELD – The Royal Standard (Royal Bedding Concert)
02 June – LONDON – Camden Rocks Festival
20 July – LONDON – Nambucca (NambuccaPalooza Festival)
14 + 15 Sept – HUELVA, SPAIN – AnfiRock Festival
17 Oct – LONDON – 100 Club
Stream ‘Algorithm Prison’ below
Our Worth A Listen Track This Week Comes From Serene
Serene are a four piece post-punk, garage rock band formed in London. The four piece are peeping through the keyhole and booting the doors open with their debut single ‘With You’. With its almighty defying vigorous riffs jaggedly sawing through the track it’s ballsy rough and powerful. This track is a thrilling assault of battering punk rock. Pummeling drums demolish all in sight while shrilling guitars penetrate through your skull with vicious ferocity. Its fierce instrumentation and relentless blood thirsty rhythm section gash and slash spitting blistering acid while eerie vocals and chilled infectious melody cool the intensity a little. ‘With You’ is an exhilarating listen for sure.
Watch the video for ‘With You’ below
Cross Wires are an East London/Essex based four piece consisting of Jonathan Chapman (Vocals) Peter Muller (Guitar) Pete Letch (Bass) and Ian Clarke (Drums). The band have built up a great live reputation playing at some of the best venues across London including The Old Blue Last, BIRTHDAYS, The Victoria Dalston, Camden Barfly, Sebright Arms, The Garage, Islington Academy, Queen of Hoxton, 93 Feet East, The Dublin Castle, Notting Hill Arts Club, The George Tavern, The Half Moon Putney and Tooting Tram & Social. They have recently released their mini album ‘Living In A Radio City’ which was recorded at Lightship 95 in East London and produced by Rory Attwell (The Vaccines, Telegram, Palma Violets). Many of the tracks from the album have been given radio plays and gained support from the likes of Gary Crowley at BBC Introducing, Georgie Rodgers at Virgin Radio, Charlie Ashcroft and Shell Zenner at Amazing Radio and Tom Robinsons Fresh On The Net.
‘Living In A Radio City’ is an exhilarating album jam-packed with enough quick jabs of feisty ballsy punk to cause a riot. From the scrappy fierceness of opening track ‘We Call The Shots’ these guys demand attention and announce their raw punchy sound brimming with crashing guitars, pummelling drums and attitude driven vocals. The boisterous ‘Walking Wounded’ and the Kasabian- esque ‘Machine 7’ displays their anarchy soaked melodies slapped on top of jagged razor sharp trigger-happy guitars and neck snapping bass lines. While ‘I Want Radio’ shakes things up a bit disguised at the beginning as a 60’s rock and roll tune with foot stomping drums and bright jangly guitars before exploding into a true raw punk rock anthem. This track was made for the sticky blood thirsty mosh pits. ‘Slow Waves’ features a slick bass line acting as the sublime rampant rhythmic backbone of the song while this snappy track shouts and punches with harsh edgy riotous punk rock. The album is a relentless assault of punk fury. The tracks are quick, snappy and rowdy yet completely consuming and energising. This four piece have compiled eight tracks that inject adrenaline into your veins boosting you with brawling stamina. So much energy surges from this album you will want to run around the room for hours just to burn it off. ‘Fanzines’ is the perfect example of their mania causing sound while ‘Modern Art’ cools the tone slightly giving a little breather to the madness. With funky guitars and a rich rhythm it’s shimmy ready and a glimpse at the cooler, swagger soaked side to Cross Wires. ‘Pink Dogs’ closes the album a little chilled with spacey guitars and an aerial tone scattered on top of a melancholic melody.
Cross Wires know how to write some intense tracks that pack a mighty punch while displaying raw energy and charisma through feisty instrumentation and sublime catchy melodies. They blend seamlessly between strong assertive soundscapes with meaty drums, crashing guitars and fiery vocals to lightly breezy soundscapes with some rock and roll hints. They don’t just make punk music they create the Cross Wires experience of kick ass frantic tunes and slick innovative musicianship.
Stream ‘Living In A Radio City’ below
Our Worth A Listen Track This Week Comes From Bad Lungs.
Bad Lungs are a garage/punk band from North London. The band comprised of members Tom Rowlett(vox/ Guitar), Frank Lada (Guitar), Dominic Sennet (Bass), Winfred Kent (Keys) and Chris Britain (Drums) have released their debut single ‘The DT’s’ which the five piece self released and pressed themselves.
‘DT’S’ is a vicious bombardment of garage punk, relentlessly wacked out at a neck breaking pace creating the ultimate dizzying hyper assault to the senses. With vocal howls that spit and snear, shrilling guitars that whine pierce screech and wail teamed with pummelling drums it’s a mammoth cyclone ready for those sticky blood thirsty mosh pits. Its fast-heavy garage rock played dexterously and ferociously by this quintet. Ghostly keyboards eerily creep while meaty guitars stride and stomp with raging hysteria. It’s a force to be reckoned with topped off with thrilling distortion bashed along with mighty powerful drumming. This beast of a track shoots you with such a high voltage it will take days to recover.
Stream ‘DT’s’ below
Static Vision are a punk band from Limerick who have just released their debut album ‘What Is and Now’. It’s a no nonsense assault to your eardrums of slickly presented swagger drenched punk rock with some powerful garage thrown in. Recorded in one day in the Music Hubb Studios in Limerick with Chris Quigley it’s a impressive collection of tunes. ‘The Unknown’ slaps you straight into their rowdy punk sound with shrilling distortion and an aggressive vocal. However, it’s not all shouting and bashing instruments these guys refine it down adding some sublime indie drizzled guitar riffs and an infectious melancholic sing along ready melody into the mix. ‘Tune’ introduces an Arctic Monkeys ‘Brianstorm’ – esque riff to start building into a sun soaked hazy verse which explodes with screaming vocals. It’s a fiery expressive album showcasing their raw kinetic sound. With tunes like ‘Got Soul’ and ‘Familiar Faces’ bringing us the light indie bops rooted in a ruckus causing explosion that I can imagine gets a crowd going crazy. Their tracks are well crafted leaving space to wiggle and dance between the frantic moshing and neck snapping headbanging. ‘Feels Like I’m Older’ is the mellow mood shifter of the album. With bright jangly guitar lines and a peppy sway-like tempo teamed with lush backing vocals it’s a breezy spurt of luminous indie. The vocals remain harsh and fiery but the instrumentation contrasts with a sweet Californian sun kissed vibe. The album is brimming with organic coarse tracks that exude the energy of a live show. Sure, it’s rough and tumble but that’s why it works it’s real and honest. ‘Dead’ is moody sulky bliss reminiscent of Nirvana while the vibrant ‘Alcoholic’ and the sultry ‘Girls’ bounce back with quirky vocals and an infectious indie elasticity which brightens the atmosphere. With psychedelic hues thrown on top and some shredding guitar features these guys are ones to watch.
Static Vision ‘What Is and Now’ Launch show is on tomorrow the 18th November in the Pharmacia Limerick if your around check them out.
Stream ‘What is and Now’ below
LA pop punk veterans Orange emerge from four years of complete silence with a new UK based line up which took a year of auditioning to find, a new single and a UK headlining tour this September. The long awaited come-back single ‘Late Nights and Early Mornings’ was recorded and produced entirely by Joe Dexter (vocals, bass) in his bedroom and paints a picture of what it’s like being on the road night after night, hangover after hangover. The band’s touring history consist of tours shared with Bowling For Soup, Zebrahead, Reel Big Fish, The Misfits, Agent Orange, Phenomenauts, Nekromantix, The Aditcts, UK Subs, US Bombs and many others.
‘Late Nights and Early Mornings’ smashes with powerful punk rock punches. Guitars crash and crunch while deep vocals sneer over a nostalgic soaked melody. Whip-cracking punchy drums and elastic bass slaps give a fire fueled brawn and roughness to the track. It’s sharp, rapid and adrenaline pumping punk rock that hits hard and blasts out even harder.
You can catch Orange on their UK tour at
Sept 13 – Southampton, Talking Heads
Sept 14 – Milton Keynes, Craufurd Arms
Sept 15 – Swindon, The Vic
Sept 16 – Birmingham, The End
Sept 17 – London, New Cross Inn
Stream ‘Late Nights and Early Mornings’ below
Our Worth A Listen Track This Week Comes From The OBGMs
The OBGMs (The oOohh Baby Gimme Mores) are a Canadian punk rock quartet based out of Toronto, Canada. Founded in 2007, by Densil McFarlane (Lead Vocals and Guitar) and Colanthony Humphrey (Percussion), the band fully formed their unique sound with additions Jemuel Roberts (Keyboard, Vocals) and Joseph Brosnan (Bass, Vocals).The bands forthcoming self-titled debut album will be released in a few weeks and the band have revealed a third track from the record in the form of ‘Beat Up Kidz’, which has been released alongside an illustrative music video. The video is full of colour and goes some way to demonstrating the punk rock dance party that is a The OBGMs live show. It’s a party vibe that The OBGMs brought to London’s Afropunk last month and they were even able to translate the good times to a stripped-down set for Sofarsounds.
‘Beat Up Kidz’ is a bruising blistering track, razor sharp and fiery from the start it’s a slap in the face of OBGMs harsh punk rock. Blustery and brutal shrilling guitars cut through the track with ear bleeding distortion while punchy drums wildly pulverize. It’s head crushing ferocity but slick and cool. Elastic groove on bass drives the track into a sensual state of delusion while spitting sneering vocals howl and wail. With a wall of bloodthirsty heavy sounds these guys would drive a live crowd crazy. It’s mighty powerful and absolutely electrifying.
Watch the video for ‘Beat Up Kidz’ below