All posts by Indie Buddie

Alt- Pop, Indie, indie rock, New Music

Brass Phantoms ‘In Sight’

Dublin’s indie rock band Brass Phantoms have released their new single ‘In Sight’. Their single ‘Waiting Up’ garnered widespread airplay across Irish Radio on RTE 2FM, 98FM, SPIN, Today FM, and Radio Nova, as well as prestigious international features on BBC Radio 6 with Steve Lamacq and Spotify-curated playlists. The five piece consisting of  Ryan Cashell (vocals & bass), Greg Whelan (guitar & backing vocals), James Geraghty (guitar), Adam McCabe (drums & backing vocals), and Colleen Heavey (keys & backing vocals) have headlined shows all over Dublin, performed at major festivals including Other Voices and Indiependence Festival, and were the main support for Delorentos on their sold-out tour. The group has toured through the UK and have performed twice at MONDO Festival in New York, having been listed as one of the festival’s top acts to see.This year has seen Brass Phantoms sign a worldwide distribution deal with Believe Digital. Their single ‘City Of Wolves’ was used to promote television coverage of the UEFA Champions League this year, as well as being added to Spotify’s editorial Hot New Bands playlist .The band follow this success with their brand spanking new slice of indie rock ‘In Sight’.

‘In Sight’ has all the meaty enticing components true Brass Phantoms tracks possess. The ethereal glorious guitars reach piercing thrilling heights as they playfully soar, weave and sparkle over the punchy groove and weighty rhythmic foundation. The guitars in this track are particularly mesmerising as the sweet biting tones slice and sting over the aerial atmosphere with a superb finesse and grandeur that is awe inspiring. This cutting track strides along cool as a cucumber as Ryan Cashell passionately sings over the smooth melody while shimmering icy keys and elastic bass build the track to its massive intense crescendo. These guys create emotive tracks that pack oodles of gusto and rich instrumentation. Each track adds a new and exciting dimension to their sound and ‘In Sight’ is the perfect shiny new addition to their crisp refreshing collection.

About the track, frontman Ryan Cashell says: “In Sight delves into overcoming personal battles and letting go of bitterness. It’s how you treat yourself and deal with these obstacles that will make you stronger.”

Stream ‘In Sight’ below

 


Alt- Pop, electro - rock, electro- pop, Electronic, Indie, New Music, Synth Rock, Synth-pop

The Rupees ‘Terror Lover’

Bristol garage rock band The Rupees have released their new single ‘Terror Lover’. Ryan Tucker (Vocals, Guitar) ,Seamus Daley Dee (Drums),  Jacob Chambers (Synths) and Tom Phillips (Bass) make up the four piece and their music has already been showcased on BBC Radio 1 (Huw Stephens), BBC Radio 6 (Steve Lamacq), and Sky TV and have played Reading Festival, supporting bands such as Blossoms and The Growlers and selling out their own headline shows.

‘Terror Lover’ displays The Rupees blustery synth driven sound at its dazzling grizzly best. With distortion galore and a punchy backdrop immersed in searing guitars this track is mighty and mesmerising. The all encompassing light flashy synths weave their mind dissolving soundscapes around this animated number. Its catchy and dance floor ready as disco vibes swarm the track in glistening bedazzlement while snarling vocals snap out the infectious lyrics. Brimming in intense rock energy these guys blend their blinding synth rock meticulously to have you compelled to dance mindlessly to its thundering upbeat thrill.

Stream ‘Terror Lover’ below



 


Alt- Pop, electro- pop, Electronic, Indie, Indie Pop, Indie Psychedelic, New Music, Psych-Pop, psychedelic

The Misty ‘The Lovely Dead Girl at Table Six’

London based multi-instrumentalist ‘The Misty’ has released his new single ‘The Lovely Dead Girl at Table Six’.  The track was recorded in his own home, as well as enlisting the help of La Frette Studios in Paris, the same studio chosen by rock band Arctic Monkeys for their latest LP release. Alongside the single release The Misty produced a music video, with the help of China Town Studios, featuring a French model to help put together the visual.

‘The Lovely Dead Girl at Table Six’ is a fluctuating flutter of delight as The Misty croons over a dreamy melody while vaporous guitars whine and sting between ethereal soundscapes. Filled with a rich and intense depth this track grooves and sensually sways with psychedelic hues through a delicate melodic flow. The swirling bubble of electronics set the romantic tone as the brooding vocals and sultry guitar injections add a stirring quality and meaty grit. Perfectly crafted this luscious tantalizing track transports you to a soothing dreamy state that captivates with a 70’s psychedelic rock vibe softened by whirls of jazz flickering through a pop lush melody. It’s soft and aerial with a vibrant mouth watering backdrop to tease all the senses.

Watch the video for  ‘The Lovely Dead Girl at Table Six’ below

 


Alt Rock, Grunge, Indie, indie rock, New Music, Rock and Roll, Worth A Listen

Worth A Listen

Our Worth A Listen Track This Week Comes From Kingdom Of Reptiles

Kingdom Of Reptiles are a Georgian and Greek Alternative/Grunge duo based in London.The band have released their debut single ‘Blue Magic Gin’ a gritty sweat and leather rock n’ roll track doused in catchy guitar riffs punchy drums and an edgy raw persona. This energetic number strides on the slapping red rawness of the slick guitar lines as it ventures cheekily between its deep grungy range and higher steamy tone effortlessly. The melody prowls over the feisty backdrop with swagger and attitude as this explosive track batters and sensually entices your ears into submission. With a shredding instrumental bridge reminiscent of The Black Keys and sleazy creepy verses weaving their way into your brain, this rock grunge infested gem is infectious, sing along ready and snappy. Keep an eye out for this duo.

Watch the video for ‘Blue Magic Gin’ below


Alt Rock, EP Review, Grunge, Grunge Pop, Indie, indie rock, New Music

DARMA ‘Gloom’ EP

The Manchester-based trio DARMA, have released their new EP ‘Gloom’. The band comprised of Harry Corbett (vocals), Lloyd Whitehead (bass), and Issac Whitehead (drums), give a new meaning to the term garage rock. The band themselves have coined the phrase “loudquietheavypop” to more accurately describe their sonic sound. Singled out by Louder Than War as one of the most energetic young bands around, DARMA have supported the likes of Primal Scream, Dinosaur Pile Up, and fellow Mancunians The 1975 and Ist Ist, DARMA have had a busy 2018, playing shows at Sound City (Liverpool), Tramlines (Sheffield) and the Manchester Apollo for Radio X. 

‘Gloom’ is a searing torpedo ready to demolish your ears in feisty dark grunge, glorious melodies and alternative rock mania. The rich blend of tracks is first rate as they slither between blissfully melodic and frenzy effortlessly to pack in something for everyone. From the first gritty strike in ‘Miasma’ something clicks. A thrilling notion that this band have something special sparks a fire in your belly as crashing guitars throttle through punchy drum whacks and raspy attitude driven vocals. Dark melodies melt with a bubbling texture into your ears as this trio surge kinetic adrenaline into each and every track.The bombarding assault of  ‘Procrasturbator’ follows. These tracks are perfect for that mosh pit frenzy as Corbett screams over a hyperactive backdrop filled with lacerating sharp guitars, rumbling bass and bombarding drums. This is one heck of a track. ‘Hey, You’ cools the tone of the EP with a melancholic sweet melody which glides mournfully over a hypnotic drum and bass rhythm while raw guitar-strikes thud throughout. Anthemic choruses are what this trio do well and this track in particular was designed for the mass sing-along live show display. Their muscular rock keeps the tracks from becoming soppy and maintains a stomp and edge to their melodic swoon. Its all blistering frenzy until ‘Interlude’ brings a chilled dreamy “breather” to the EP as twinkling guitars accompany soft vocal coos. Even during this little rest DARMA entwine some distortion at the end to keep us all alert for the ground shaking final track ‘You’re Always Right’. The moody melody lures you into the dark menacing abyss of the track until you are hooked craving for one more listen. Catchy, creepy and enticing the final track on the EP ripples with grit as guitars crunch and smash their way through a mosh ready rhythm while the endearing vocals soar and escalate as the track progresses.

Each track within ‘Gloom’ burrow’s deep into your veins with a satisfying thrilling sense of ecstasy that leaves you frothing at the mouth for more. These guys are just so good, what a debut EP. I need to see them live.

You can catch DARMA live at:

30-Nov-2018 – Jacaranda Records Phase One w/ Rival Bones + Vulture Cult

Stream ‘Gloom’ below

 


Indie Pop, New Music, Singer/Songwriter

Giorgio De Palo ‘Rails’

Italian singer-songwriter Giorgio De Palo has released his debut single ‘Rails’. The song is the last goodbye between two soulmates waiting for a train. With this romantic cliché Giorgio represents his very own anxiety towards love linked to the passage of time. ‘Rails’ is an expression of this insecurity and the loss of control through the metaphor of farewell. Born in Rome, raised internationally and currently based in Berlin, his new single is taken off his upcoming EP ‘First Waves’, which will be released in the first months of 2019.

‘Rails’ is a sweet ditty that floods with passion and tenderness. Warm twinkling guitar embraces the soft melody with a melancholic tone as Giorgio caresses this lamentable scene with his gentle vocals. The soft beat is blended through the wistful sting on guitar while sway-able soundscapes create a cinematic gripping atmosphere.It’s emotional and elegant all while surging bittersweet tones of romance and loss through every pulse and sublime note. This easy going rich indie pop track is a sublime debut from the Italian singer songwriter.

Watch the video for ‘Rails’ below

 

 


Alt- Pop, electro- pop, Electronic, Indie, Indie Pop, New Music, Synth-pop

Edits ‘Cold’

Manchester synth pop duo Edits have released their new single ‘Cold’. Formed in the legendary crumbling walls of Salford Uni’s Adelphi building, Liv Westhead (Vocals/Synths) and Chris Abbott (Guitars/Programming) provide their D.I.Y. aesthetic; producing everything themselves, including their music videos. Their latest single follows on from January’s ‘Re-Surface’ EP and the accompanying video takes the viewer on a journey through snow-covered mountains.

‘Cold’ is an endearing, breezy synth pop number that chills and swirls with kinetic icy adrenaline. Twinkling synths glitter and glisten through the brooding melody as Westhead coo’s over the spine tingling melody. Her vocal command is mesmerising as she sweetly and effortlessly shifts into her falsetto holding a soothing yet ominous tone. The track flurries and dances about dark soundscapes as it becomes heavier towards the crescendo. The slapping beat flashes dazzling trip hop hues throughout as Edits use their electronics to their full potential- creating a cinematic icy number to chill you to the core yet entice you into the track depths. It’s a mature, bold track that slides this duo’s charming glacial sound into your frostbitten ears with ease.

Stream ‘Cold’ below

 


EP Review, New Music, Singer/Songwriter

Jane Willow ‘Onward Still’ EP

Dublin-based folk singer Jane Willow is set to release her debut EP ‘Onward Still’ on November 22nd with a full band show in The Sound House, Dublin.In recent years Jane’s played an incredible amount of gigs, performing at Vicar  Street, Whelan’s, The Workman’s Club, Galway’s Roisin Dubh and Electric Picnic. In August 2017 she opened for Glen Hansard in Vicar Street. She followed this gig with a full band show in the Grand  Social.She has been featured on RTE Radio 1, BBC Radio Ulster, Lyric FM and recently won the Intercollective Competition ‘Best Musician’ (2018).On her debut EP she collaborates with Dave Hingerty (drums: Kila, The Frames), Vyvienne Long (cello: Damien Rice) and regular band members Joanna Marie Burke (backing vocals), Eoin  Healy (bass), Derek Copley (mandolin) and Scott Flanigan (keys).

‘Onward Still’ is a precious collection of tracks that flow on sweet luscious melodies, pristine musicianship and a purity that is mesmerising. Title track ‘Onward Still’ kicks the EP in motion filled with wholesomeness as a glistening guitar weaves its playful way between warm mandolin, vibrant drum taps and elegant string injections. Jane’s vocals on this EP are enchanting. Throughout ‘On My Mind’ she coos and beautifully expresses the vivid lyrics with an elegance and passion that stops time as the melancholic cello laments through twinkling keys and gracefully plucked guitar. Each track is meticulously crafted for a satisfying listen.From the perky earthy ‘Nobody Knows’ and buoyant joyful ‘Hannah’ to the delicate tender ‘If I Did Love You’, the EP floats upon a dreamy state of majesty and refined grandeur. There is a maturity and genuine purity about each track as the guitars, bass, drums, keys and cello blend perfectly with Jane’s vocals making each stride, flicker and note captivating and magical. ‘Comfort’ brings us to the end of the EP with warm guitar glimmers between Jane’s immaculate vocal delivery. The harmonies are lush as this track does exactly as its title suggests,  it soothes the soul and gives a comforting hug to your ears.

Jane Willow has provided a warm cosy collection of tracks  filled with delicacy and joy while vivid lyrics, beautiful vocals and sublime instrumentation establish her enthralling sound perfectly.

Watch the video for ‘Onward Still’ below

 

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Album Review, Blues, Folk, Folk and Soul, Indie, New Music

Magpie Diaries ‘Sanctuary’ Album

Country/folk group Magpie Diaries have released their long-awaited 11-track debut album ‘Sanctuary’ via Dashville. Originating in Hunter Valley, Australia, singer-songwriter Matt “Magpie” Johnston unassumingly founded Magpie Diaries as a coping mechanism for the loss of a dear friend, channeling his grief into the band’s signature brand of smooth alternative country music, bolstered by a tinge of folk and psychedelic rock straight out of the 70s. Motivated to continue this musical journey, Johnston set to work on the songs, recording Sanctuary with producer Matt Sherrod (Crowded House, Beck, William Crighton), over the next 3 years. Alongside his own musical endeavours, Magpie hosts a festival in his family property once a year. The festival titled The Gum Ball started over 10 years ago and today brings in crowds from around the world.
‘Sanctuary’ is a laid back mellow collection of tracks that melt gloriously into the ears creating a rich easy listening experience. The tracks swoon and glide about melancholic tones and dreamy vibes. Opening track ‘Beat Myself Up’ creates the swaying calm atmosphere with warm raspy vocals, lush harmonies and bittersweet guitar twangs. The guitar melodies in the tracks creates a sweet euphoric tone throughout the album from pining laments to steamy whines in ‘Irresistable Pie’ – the guitars flood each track with rich and varied characters. The album ranges from the upbeat soulful folky tones of ‘When Love Comes, ’10 Honey’ and ‘Beetroot’ to the tender ‘Strawberries & Cream’ and ‘If You’re Hurting’.When Magpie Diaries wants to lull you into a dreamy melancholic country toned stupor they do it superbly with sweet lyrics, beautiful melodies and soft passionate instrumentation and when they want to add a dash of shimmying vibrancy the shift is seamless and joyous without ruining the easy going mood of the album. The foot tapping infectious ‘Mumma’s Right’ and the delicate emotional ‘This Spring’ show this perfectly. The shift in tone is refreshing yet subtle. ‘Wastin’ Time’ thuds in on a darker tone as a stomping beat backs a sultry bluesy guitar and luring mysterious atmosphere. The brass elements through the album are simply sublime and lace each track with a juicy sultry persona. The raw ‘Don’t Give Up’ closes the album on an emotional vibe as glistening keys twinkle softly between strong guitar chords and lush vocals. It’s a passionate bruised end to the album that hits you hard in the chest and pulls at those heart strings. It’s a comforting track that gives hope and motivation in difficult times.

‘Sanctuary’ blends, churns and glides through a multitude of emotions from sensual, melancholic to cheery effortlessly while creating the perfect relaxed atmosphere to submerge yourself in.

Magpie Diaries will support the release of Sanctuary with 4 shows at the prestigious Woodford Folk Festival over New Years, along with an Australian East Coast tour throughout January – March. More information can be found on their socials here https://www.facebook.com/magpiediaries/

 

Stream ‘Sanctuary’ below

 


Alt Rock, Indie, New Music, Singer/Songwriter

Badhands ‘Monday Morning’

Badhands (aka Daniel Fitzpatrick) has released his debut album this week along with the video for the lead single, ‘Monday Morning’.Badhands is the musical project of Dublin songwriter and musician Dan Fitzpatrick. His recently completed debut album, entitled ‘Predictable Boy’, began as a collaboration with producer and bass player Tom Cosgrave (The Minutes), then quickly evolved in to a more expansive project with the enlistment of multi-instrumentalist Aoife Ruth, drummer Ken Mooney, and engineer Chris Barry. With a strong focus on lyrics and vocals the album explores themes such as laziness, loneliness, loss and madness. Badhands debut single ‘Waves’ was released in November 2017, and was soon followed by an impressive run of live gigs, namely a performance at the Whelan’s Ones to Watch festival, a packed headline show in The Workmans Club, and a sold out gig at Vicar Street supporting Michael McDonald.Predictable Boy marks Fitzpatrick’s first venture as a solo artist, having previously worked as a musician and songwriter for years with the likes of The Mighty Stef, The Last Tycoons, Paddy Hanna and Maud in Cahoots.

‘Monday Morning’ is a gloriously melodic number which floats upon a rich energetic backdrop of jagged guitar injections, punchy drums and an elastic rooted bass line that weaves and twirls its way into your spine making you groove and dance along. With a bitter sweet melancholic melody drizzled into your ears by Fitzpatrick’s warm raspy vocals, this track is drenched in passionate tender moments that are incredibly relatable and touching. With sombre tones perfectly contrasted against vibrant lush instrumentation, Fitzpatrick presents a wholly consuming, mature number full of gusto and honesty. His musicianship is refined, pure and brimming with opulent textures as he wavers between the darker tones of the brooding Monday monotony and the lively foot tapping energy seamlessly to create a charming little ditty that is sure to make your day better.
Badhands ‘Predictable Boy launch is at The Workman’s Club in Dublin this coming Saturday, November 17th make sure to check it out. More live dates below

November 16th – Bennigans, Derry
November 17th – The Workmans Club, Dublin
November 22nd – The Roisin Dubh, Galway
November 24th – Broken Home, Newbridge
December 7th – Pharmacia, Limerick
Plus More TBA

Watch the video for ‘Monday Morning’ below