All posts by Indie Buddie

Bantam Lyons ‘When Lips Turn Purple’

Originally from France, the 4-piece Bantam Lyons are releasing a new EP ‘Oh Cordélia’ on May 14th through Kshantu Records, as well as performing at The Great Escape Festival in Brighton on May 20th. Established and revered in their home country, the Gallic 4-piece have already been turning heads on UK shores with a series of acclaimed performances, bringing the band attention from the likes of Mojo Magazine, as well as winning them an invite to perform at this year’s Great Escape Festival in Brighton this May. The band have released their first track from the EP ‘When Lips Turn Purple’ to give us a taste of what we can look forward to.
‘When Lips Turn Purple’ is a darkly stained eerie Gothic-tinged track that packs a fiery punch. Chilling with spooky tones driven by stirring piercing guitar and rapid fierce relentlessly brutal drumming. With emotional agonising vocals this track is a stabbing acute shrilling blow to the head. Bitter and earsplitting-ly powerful Bantam Lyons penetrate your skull with a blistering inferno so eerie and thrilling its hair- raisingly good. A must listen.
Stream ‘When Lips Turn Purple’ below


Polar States ‘Gold’

Liverpool’s emerging indie rockers Polar States are back with a brand new single ‘Gold’ which is taken from the band’s upcoming debut EP ‘Electric’. Championed by BBC Radio 1’s Huw Stephens and BBC 6 Music’s Steve Lamacq, the up and coming Indie four piece have exploded locally and nationally, selling out the Liverpool o2 Academy twice and completing a 10 date UK tour in support of their previous single ‘Elizabeth’, which was added to the BBC Radio 1 ‘Best Of Introducing’ playlist and the Topshop playlist. 2016 saw the band appear at Liverpool Sound City, Tramlines and X&Y Festival in addition to supporting Clean Cut Kid, The Japanese House, We Were Promised Jetpacks and more.
‘Gold’ is a sparkling vivid indie track loaded with fresh bright radiant vibes. Zingy sharp guitar riffs add juicy refreshing burst to the track while the drums add a peppy bounce. This track is effortlessly smooth and cool as the melody cruises with a laid back sunny day dream vibe. Building to a glorious crescendo this track has ebullient zestful energy gushing from every note while remaining calm and breezy. Coated in lush passionate vocals and an irresistible melody this track is one to put on repeat.
According to the band the song is about valuing what you have vocalist/ guitarist Paul Tong said
“The ‘million in my heart line’ was basically a way of saying you should see wealth not in terms of money, but in terms of the people around you whom matter.”
You can catch Polar States live at
24 / 06 – CHEDDLETON / ASHCOMBURY FESTIVAL
30-2 / 07 – MANCHESTER / SONDER FESTIVAL
01 / 07 – LEEDS / WELCOME TO THE NORTH FESTIVAL
21-23 / 07 – MANCHESTER / BLACKTHORN FESTIVAL
22 / 07 – WARRINGTON / FRIARS COURT
23 / 07 – SHEFFIELD / TRAMLINES FESTIVAL
more dates TBA.
Stream ‘Gold’ below

https://soundcloud.com/polarstates/polarstates-gold


A Chat With : The Vex

We caught up with Jacko from the Vex to have a chat about the release of their new ‘The Vex’ EP and to see what makes them tick.

Who are The Vex and how did the band come about?

The Vex are 4 people who create sonic noise with guitars and drums. We love heavy riffs and we love rocksteady.

You have released your new EP tell us a bit about that and what can we expect to hear from it?
‘The Vex’ EP is our debut vinyl which we’re very excited about. It’s a single sided 12 inch with 5 tracks. Sonically it goes from punk to rock n roll to heavy reggae to dub. We sing about a young girls gallantry, existence and freedom of speech.
Your style smashes punk rock against sharp-edged Jamaican rhythms and stomp ready beats how do you come up with these catchy tracks and what is your writing style?
Thanks for noticing! Yeah we love these styles of music so when we jam it always sounds like a mash up of the two, we think they compliment each other perfectly too. There’s normally a riff that its based around a song will come out of that.
Do you have a favourite track on the EP and why?
It changes from moment to moment, but right now I’m loving the coolness of ‘Darker Shade Of Black’.
You have a track called ‘Satori’ which is the  Zen-Buddhist term for awakening, or enlightenment how did you discover this term and what brought about writing the song?
I am a massive fan of Alan Watts’ talks (YouTube him). He shined a light on eastern philosophies Toaism, Zen-Buddhism etc, its a very enjoyable way of looking at the world. Worrying is pointless.
You guys definitely like to face the issues of injustice with tracks like ‘Education Kills’ which references the bravery of Malala Yousafzai, shot in the head by the Pakistan Taliban while campaigning for women’s rights to education and ‘Darker Shade Of Black’ a defiant nod to freedom of speech, is this appealing to your following or are these issues close to your heart?
We’ll always write about issues that strike a chord with us. With Malala Yousafzai I remember being really impacted by her story I wrote the song almost immediately.
Whats a live show with you guys like?
Loud, skanking, singing, dancing and hopefully make you think about what you wanna do in life and give you the nerve to go do it.
Have you any live shows coming up?
Wednesday 8th May Rich Rix. The Finsbury in July
 Any Irish dates planned?
Not as yet, but would love to get down to the south and west coasts of Ireland, Kerry is on the list.
Whats next for The Vex?
More riffs, more messages, more EPs, more vinyl, more spreading the good vibes!

Jacko x

You can get  ‘The Vex’ EP here https://thevex.bandcamp.com/

Stream ‘Living In The’ below


A Chat With : The Revellions

We caught up with James Lister from The Revellions after their single launch show at The Grand Social, Dublin, to talk about the new release and what we can expect from the new album.

Tell us a bit about yourselves, how did you all meet and how did the band start?

The band started many years ago and we’ve evolved over the years. Members have come and gone, myself and Michael the drummer have been there from the start. I met Juan who’s from Spain he plays bass we met about a year ago and we just kind of worked very well. Another friend Sean he plays rhythm guitar he came in to fill in and after a while we met Anna who’s a crazy woman and she plays the keys for us. We met Ed later on. Eds only been in the band about a year. We’ve been working on a record since then and we’ve almost completed it, it’s in the stages of being mixed and tonight we will be launching our single ‘False Hope ‘so any spare cash head to the record store and buy it.

There are 6 of you in the band does that make for crazy rehearsals with 6 opinions to hear, does democracy play a big part?

No – well it can, but not really. I do all the songwriting myself so a lot of the arrangements come from me. I suppose you give a bit of freedom to everybody in the band but at the end of the day the structures and stuff would be written by myself. Someone I think in every band has to have a stronger pull so the band actually works. But everyone that’s involved in our music is always well experienced. If we use any session players brass or anything they would be very good. We had a great backing singer come onto the album called Gina Rose, beautiful voice. Opinions are quite easy going, the lads are easy going, so there’s a lot of good continuity in the band. Everyone likes each other more or less, you have your ups and downs like everybody but I don’t know, it is what it is.

You have a diverse sound of Garage Surf Rock mixed with psychedelia and a bit of grunge at times does this mixed sound reflect different influences from different members of the band?

No. We listen to a lot of music though. My wife is Spanish she’s from Valencia so I’ve a lot of influence from worldwide music. I don’t try and get ourselves too into a niche we try and make it our own – our own stamp on any music that we like from any style.We do have a lot of influences from 60’s and 70’s dare I say 90’s but it’s always kind of keeping it flowing and keeping us all interested as members of the band. So we try not to focus entirely on one kind of style just so we can enjoy playing.

You guys have a knack for writing fun foot stomping tunes, Talk us through your music writing process, how you come up with the slick riffs and catchy hooks and melodies?

I write the song i bring it down we choose the instruments and sounds we want to use we don’t try and complete it all in a couple of nights it kind of evolves over weeks sometimes months, there’s no technique there’s no science to it, it works or it doesn’t really.

Where does your inspiration come from?

Everyday life, you know people, friends, stories nothing specific I like to take whatever goodness I can out of any situation, anything like that enlightens me I suppose.

You have released your new single ‘False Hope’ with b side Carrie-Ann tell us about those tracks?

‘False Hope’ – I was trying to write a song that I suppose I’m giving out a little bit at the situation I was in at the time I wrote it. About being told I have to do something and not wanting to do it and trying to resist. It doesn’t always work out that way but the song is kind of dragging me in that direction and that’s what I wanted to write the song about. Its false hope and you know an illusion basically that people offer you that’s not entirely true.

‘False Hope’ is trippy, floaty and groovy but appears a little tighter and more refined than your previous albums how do you feel you guys have progressed and developed from “The Revellions” and “Give it Time” albums?

Yeah I was trying to make a cleaner more suitable sound for a larger audience. I’m still writing for me but I wanted to write it more easier for people to grab onto because garage rock and roll music, it’s quite a little niche it’s quite a pigeon hole to be honest. But music wise I’ve evolved since I’ve started making records and working with engineers. Working in studios also has changed. I also know now a lot more how to get something I want to get like before I would have been told or supervised or assisted into going a direction where it maybe worked but maybe wasn’t exactly where I was trying to get in the first place, lack of knowledge on my own behalf and not being able to get there but now it’s a little bit different. We’d be pretty quick in getting the sound we want and we don’t have to be told. The second album I recorded myself and mixed and produced myself. So this album I didn’t have a lot of outside opinions and we got a great guy called Garry up in Red Lake Studios, he’s a great guy, great producer, great engineer place is lovely, nice wooden cabin up there you can get lost out there or whatever you want to do. You can stay out there for weeks no one will bother you.

Where did the idea for the cover art for ‘False Hope’ come from?

My wife is a designer so she’s quite reasonable, being my wife I can give out to her better than I can give out to any other designer when she see’s this she will definitely agree. She’s a saint and if I need something changed she will change it for me but she always has a better look at it then I would. Designing covers is not really something that i’m tuned into I’d like to pretend I was but it wouldn’t be in my forte. But she’s very good and I do trust her with our designs and stuff like that.

Your new album will be released later this year what can we expect from that?

There’s a bit of rock and roll in it and a bit of psychedelic in it and a bit of everything to be honest. I don’t think there is one specific sound – the sounds that we bring into it makes it kind of.., it’s not a one trick pony going home. I enjoyed making it I still haven’t finished we are still doing a bit of brass next month and a few songs need to be mixed but the way it’s shaping up at the moment I think it’s going to be fantastic.

Would you say you guys are at your best live?

Yes and no I love working in the studio. Live is great but I love working in the studio you have a lot more freedom. I do like live performances but making music and performing live is too separate things. You can do a lot of experiments that you couldn’t do on stage which really kind of helps bring the record to a make-believe place. Whereas live can be quite direct and in your face and you can make it work and try and put as much energy in as possible but yeah it’s too separate things.

What is your Favourite song to perform live and why?

My favourite song to perform I didn’t get to perform tonight which is unfortunate it will be on the record so It’s called ‘I Know It’s Mine’ It’s a cool tune we didn’t play it tonight but it will be on the record

You have toured in Germany, France, United Kingdom, Norway and Spain what was that like for you and do you have a favourite ?

No they are all great usually we do them all a second run so it kind of feels exactly like we are not necessarily in France or Germany. We are in a van and we do the show we drive for 6 or 8 hours or whatever. It’s not the same as travelling or going on holidays. So we wake up in a different town or whatever we do the show but it’s always great, the reaction the crowd and the people are amazing they are always welcoming and it’s always nice to see what way people are in different towns. It’s a lot different to this country. I always find people here are stand offish in Ireland whereas in France or Germany they are very in your face. It’s better I really like that but Irish kind of like, they don’t trust you for a little bit eventually they get to know you better and they come a bit closer but it’s a lot harder, a lot more harder work to get them in whereas in France or Germany everyone just stands there and it’s great they are just mad for it.

Have you had any bizarre experiences while you were touring or on stage?

Yeah many…. well I remember one time in France the Farfisa Organ was carried through the crowd and about 5 people with the keyboard player started playing i think i was in the crowd. I don’t know what way I was with the guitars it was just crazy I wouldn’t even call it music it was just noise – organised noise but it was pretty cool. But what’s crazy – it’s a live performance, people are supposed to get indulged you’d never get that over here people are a little bit afraid to loose their inhibitions maybe. We’ve had loads I remember (laughs) ah no there is a few I don’t even wanna say they could be looking at this, no I better not but yeah we have had a few.

Do you find it difficult to get the audience to engage?

In Ireland it is but everywhere else they are a bit more in your face It’s almost like they’ve paid in and they want their money’s worth it’s different over here it can be challenging you always see that guy in the back tapping his foot maybe then after a while you might get a leg shake or something then eventually a couple people dancing, it takes a few and then it’s like an infectious disease. If someone does it then it spreads.

What advice do you have for people who want to form their own bands?

Don’t (laughs) – it’s a life of misery. No it has its challenges 80% of a band is about waiting around talking and waiting to play if you’re doing tours. 20% of the time is playing – the rest of it is down to airports and the back of vans so be prepared for that. It’s not always on stage and craziness it can be quite challenging depending on the person as well. You need to be quite strong mentally and capable to do that for long periods of time especially if you’re fond of drink you won’t last long.

What’s next for The Revellions?

We are playing Whelans next month. We are doing Bare In The Woods Festival which is coming up soon. We are recording some brass next month. We have some brass players coming in to do a bit of session work for us and we are just continuing to do what we do. There will be a tour later on in the year and we will probable do Germany and Spain France and that scene again hopefully in maybe September.

Any last Words?

Go to the shop and buy my single ‘False Hope’

Stream ‘False Hope’ below


Tiny Eyes ‘Falling’

Tiny Eyes is a one-man band from Leicester, a singer and producer who’s reared himself on the understated elegance of lovelorn balladeers from the twentieth and twenty-first centuries. After cutting his teeth as the frontman of an angst-rock band for a few years, Tiny Eyes auteur Joel Evans met his partner (singer/songwriter Martha Bean) and found himself mellowing out. Feeling disconnected from the angst-ridden world of thrashing guitars his band drifted apart. It was around that time that he’d acquired an upright piano from the 1920’s.He quickly found a new musical voice and tonality that harmonised with his maturing tastes. He is a narrative songwriter in the classic sense, employing clever turns of phrase and vivid imagery to weave imaginatively and provocative yarns into his music. He has now released his new single ‘Falling’ taken from the ‘Tiny Eyes’ EP which is due out May 19th.
‘Falling’ is a soft flurry of feather-like bliss. A luscious heartfelt melody glides with a romantic sway-like grandeur. Its short sweet arrangement displays his sophisticated mindful approach. A beautiful elegant piano feature wanders through the subtle passionately dainty vocal melody. This track flows in a wave of dreamy calm tranquillity. Its the Shangri-la of mind numbing elation. With a crisp sound and gentle approach Evans creates the perfect little pocket in this crazy world to take time to  breath and let go. Tiny Eyes is a brilliant and unique new sound that you can fall in love with.
The accompanying video is exemplary of the DIY ethos Tiny Eyes employs in every aspect of his artistry. Comprised of two layers superimposed on each other and shot almost wholly on an iPhone (half the footage through rave glasses), it’s a homemade psychedelic visual accompaniment to the lo-fi retro pop universe that Tiny Eyes creates through his expansive songwriting.
Watch the video for ‘Falling’ below


Kev Minney ‘Just Another Day’

Northampton’s Kev Minney has released his new single ‘Just Another Day’. Late in 2015, funded by his fans, Minney travelled to New York, where he recorded his debut EP ‘All You Need’, with Kenny Siegal and Jesse Lauter at Old Soul Studios and now, working closely with Mercury-nominated producer Jag Jago, he has created an album which combines his superlative guitar playing and distinctive vocals with a modern electronic sensibility and orchestral serenity. Minney is about to release his much-anticipated second album and ‘Just Another Day’ is the first glimpse of this.

‘Just Another Day’ is a delicate melodic track laced in haunting eerie tones and spine tingling soundscapes. With swirling instrumentation wisping like a chilly breeze against a steady sticky beat and twinkling warm guitar, Minney creates a chilling ghostly experience. His vocals are emotional yet soft and gentle while the strings add a mysterious flicker of urgency and danger to the track. Soft lull on backing vocals soothe and coo with a calming effect. ‘Just Another Day’ is a sublime chilling ghostly track that is well crafted displaying Minney’s own unique style.
Watch the video for ‘Just Another Day’ below


This Party ‘Lover’

Brighton based, This Party have released their new single ‘Lover’ the lead track off their upcoming EP. Band members Hal Cleverdon (guitar), Marcus Gilham (bass), Tom Hodgson (drums) and Matt MacNeill (vocals), formed after a chance encounter at a Smiths tribute gig and now release their guitar fuelled indie pop on their own independent label, Moscow Let’s Go. Their latest singles grabbed the attention of Steve Lamacq on BBC 6 Music and BBC Introducing and they are releasing their first EP ‘Lover’ on 15 May 2017.
‘Lover’ is a delicious piece of guitar driven indie-pop pie. Whizzing with a fruity jangly catchy guitar riff, this upbeat little ditty will have you hooked in seconds. Sharp guitar bursts with luminosity and sun-kissed radiance while energetic drums and lively bass gives the track an instant spring in its step.The passionate vocals burn with dynamic vitality and oomph while cooling the tone a little. Its fun with a buzz of stamina and energy. Perfect for hot sunny summer days.
You can catch This Party live at
Tues 09 May 2017 – Supporting Purs – The Victoria – LONDON – Free Entry
Tues 16 May 2017 – EP Launch Party – Prince Albert – BRIGHTON – £4 Entry
Fri 02 June 2017 – Wychwood Festival – Cheltenham Racecourse – Alongside The Buzzcocks, Billy Bragg, Inheaven and more…
Stream ‘Lover’ below


Iron Islands ‘Within These Bones’

London alternative rock trio Iron Islands have released their new track ‘Within These Bones’. The track was written about lead singer, Martin Andrews’ experience of losing his father and all the money made from the downloads are going to the British Heart Foundation.
‘Within These Bones’ is a delicate heartfelt slow jam. Elegant piano gently glides throughout the track with a free flowing innocence while the cushioned drums and strong bass give support and strength to this emotional tender song. Though the subject matter is sombre and raw the instrumentation maintains a hopeful bounce and positivity almost like a comforting warm blanket against the harsh reality. Iron Islands beautifully portray this emotional story of coming to grips with the loss of a loved one with dignity and superb elegance.
You can buy ‘Within These Bones’ here https://itunes.apple.com/gb/album/within-these-bones-single/id1231961345

 

Stream ‘Within These Bones’ below


Amaru Tribe Album

Amaru Tribe have released their debut self titled LP. Emerging from their trans-oceanic journeys the six piece gathered by the laws of creative gravity in the city of Melbourne to resonate with a new sound vision. In the Quechua language of the Andes, Amaru means “a serpent which connects the spiritual and the subterranean world”. The album is produced by Oscar Jimenez aka Chibcha (Watussi, Madre Monte, Miss Colombia) and Amaru Tribe. Its unique energy showcases collaborations with artists from all around the world including Tonolec (Argentina), QVLN (USA), Stuart Fergie from OKA (Australia) and more. Their strong musical heritage imbues their compositions, which explore electronics fused with tribal instrumentation, uniting South America and Oceania into one musical vibration. Amaru Tribe calls this style Oceanic Cumbia or in spanish: Cumbia Oceanica, which gives the name to their first track in the album and introduction to their sound.
Rich in textures and overflowing with delicious spicy flavours blending with Amazonic drums, vibrating charangos and powerful vocal harmonies. Amaru Tribe have created a sound that is opulent and almost soul fulfilling. Heavenly melodies and dance along rhythms keep the party flowing throughout the album while radiating sunny vibes. With warm mellow tones on guitar and body moving grooves this album is perfect for BBQS in the sun. With songs connected to topics of social change, ancestral wisdom, love and life, its affluent and full of substance. The album’s bilingual nature allows the listener to discover connections between Australia’s diverse cultural backgrounds and it consolidates its place in a new global identity while also being fun to dance to.
Stream the Amaru Tribe LP below


Mouth Breather ‘Mysteries of Nature’.

Mouth Breather have released a video to their new track ‘Mysteries of Nature’. This funky track is slippery, swanky, flamboyance smothered in sultry psychedelia and 70’s tinged grooves. Its all flares and flowers wrapped in a dreamy hypnotic haze. This track is sweet simplicity, catchy and laced in a funky bass. Wobbly trippy 70’s soundscapes flood the track in a wispy mind bending euphoria while lush nectarous vocals unwrap your mind. This dreamy light track is so catchy and free like a helium balloon it floats in the air, gravity sure isn’t telling this track what to do. Exceptionally well formed ‘Mysteries of Nature’ is a Utopian gem.
When asked about the track the band said
“Mysteries of Nature” grew out of a funky bass-line I laid down while jamming with some friends last summer. Simple, yet catchy enough that every other part of the song just seemed to naturally fall into place. There wasn’t much planning that went into the video either. The director, William Wilkinson, and I used an old TV zoom lens and a sequin curtain to capture a glossy, zoom-heavy 70s visual accompaniment”.

Watch the video for ‘Mysteries of Nature’ below