New York City’s Public Access T.V. have released their smart, smooth and effortlessly cool debut album. ‘Never Enough’. The four piece swan in with their laid back sunny vibes exuding panache and present us with an album to get excited about. John Eatherly (lead vocals, guitar), Xan Aird (lead guitar, vocals), Max Peebles (bass, vocals) and Pete Star (drums, vocals) give us their brand of spine- tingling rock and roll that is a triumph from start to finish.
‘ Never Enough’ kicks things off with ‘In Our Blood’ a rapid snappy infectious track that hooks you in from the start. With smooth swagger filled vocals, brawny flexible drums and of course the incredible slick guitar. This track is infectious and tight. With attention paid to perfecting the small details you wont be able to stop yourself from dancing. ‘Evil Disco’ brings us Public Access T.V. ‘s groovy sensual sound. Its funky elastic rhythm and 70s vibe give a strut quality. The velvety deep almost sleazy vocals coax and lure for the verses. The ear worm melody and chord progression will ensure this song will stick in your head and leave you prancing down the street with this track as your soundtrack. Its so dangerously smooth and polished if it was a floor you would slip on it and break your neck. ‘Summertime’ is a fuzzed hazy catchy track with an impulsive clap along effect. The steamy sharp guitar and flexible beat lures your hips into a swing while Eatherly’s vocals pine and almost whine with emotion. With lingering notes on vocals the track is soaked in longing and craving. The sticky intensity of the track changes up a little in the middle adding energy and vibrancy and light peppy backing vocals. The jazzy piano feature brightens the track and lightens the gluey mood to a freeing peppy tone. ‘I Don’t Wanna Live in California‘ is a revamped version of ‘ Metropolis’ which I must admit I found was somehow lacking to the original. I feel it didn’t need the revamp. they have given the track a spacey vibe with a disco feel and changed it around a bit. Thankfully they kept the shredding guitar solo and the hazy sunny vibe and added more spice and oomph to the laid back sound. The malleable beat and springy guitar give the track a bite. Eatherly presents us with a gritty, more fiery vocals and rebellious attitude. ‘End Of An Era’ is old school rock and roll reminiscent of Thin Lizzy. Its a swagger infused track that exudes fiery confidence. The zesty biting guitar adds an old school feel with a blazing riff that is red hot giving the track a razor sharp edge. With spirited energetic perky bass and animated beat it is infectious and dance provoking. ‘Patti Peru’ divulges in their grittier sound. The open line ” I was Ready to Die” gives an image of a desperate man on the edge. Eatherly’s shouty/growl vocals adds urgency and anguish to the track. The sharp guitars and pounding drums give the pop punk bouncy vibe. With sweet backing vocals to sing the track out and another display of proficient nimble guitar, six songs into the album and we are addicted craving more. ‘Careful’ is the mood changer in the album. It takes the roll of the slow ballad Public Access T.V. style. With a sway waltz- like sorrowful tone this track displays suffering and agony in three- four time. The misery and torment is displayed perfectly through the wail like vocals you can almost imagine Eatherly with tears running down his cheeks as he expels his agonising martyrdom to his listeners. Contrary to the shrill of vocals, the instrumentation is delicate and elegant. Fluidly flowing piano and a soft beat creates the perfect sweep of graceful delight. The strident ‘In Love and Alone’ is a short burst of boisterous energy. Its brawling rowdy swagger and interchanging between backing vocals and main vocals slaps you with original innovative rock and roll. The band’s knack for ridiculously catchy melodies keep this track constantly replaying in your head. Its a ruckus causing piece of melodic genius. The bridge is dynamic and frenzy evoking unruly joy. ‘Remember’ is a charming sun soaked easy going track with striking sweet guitar and bright tones. Rumbling drums and gritty vocals add texture to the smooth creamy track. ‘Sudden Emotion’ swirls with intensity and confusion as the verses are subdued and cheery, the chorus brings the explosion of instrumentation conveying conflicting emotions. The content lively vocals keeps a bouncy feel and bop to the track. The repetitive bridge with distant vocals and the soft drum beat slows the track down and gives a fantastic link to the final burst into the energetic chorus. ‘On Location’ is a summer high energy middle finger to the world anthem. Where Eatherly tells us to ” do what you want to do” The whole song seems to build both in energy and tone with blustering guitars and pounding drums while still maintaining a sunny Californian vibe up to its crescendo as the vocals progress to a growly shouty “I don’t wanna hear it” end. The album concludes with ‘Sell You on a Lie’ confirming Public Access T.V. ‘s organic undisputed cool stroll swagger and flair for catchy melodies that are sure to give you stuck song syndrome.
Public Access T.V. have big things ahead. They’re just getting started…
Stream ‘ Never Enough’ below
Miles Horn is a talented and multifaceted composer and singer from London. His musical expression covers a wide spectrum of styles from stripped back acoustic ballads to full on anthemic belters. Horn has released his debut EP ‘Slow Motion’ this month on which he has played lead guitar, piano and vocals on all of his recordings. The EP was predominantly self-recorded in various front rooms and bedrooms across London with the finishing touches and mixing carried out at Resident Studios. The final mastering was done at Abbey Road Studios by Frank Arkwright who has worked with Blur and The Smiths. ‘Slow Motion’ shows us Horn’s blend of soul-rock and blues, the five tracks venture through themes of lost love and the frustration of youth, all coloured by haunting vocal harmonies and heartfelt guitar riffs.
The opening track ‘Walking in The Park’ stirs us with the bluntness of lyrics like “I just want to be loved, is that such a crime?”, all wrapped in the warmth of Miles’ Grandfather’s Hammond Organ. Though the lyrics are melancholy and full of wistfulness the bright guitar glows and adds vibrancy to the track that gives it a chirpy feel. This contrast teamed with Horns smooth deep vocals adds a rich warm texture and acts as a comforting blanket soothing you from the emotional sombre lyrics. The title track ‘Slow Motion’ gives us a sway – like tender sound sprinkled with some sensual bluesy seasoning. With velvety vocals and the haunting ethereal echoes of the backing vocals to start, portraying a delicate moment. The track builds to a restrained yet unleashed sultry guitar solo. This track showcases Horns steamy bluesy style and fantastic guitar skills. ‘All Gone Quiet On The Western Front’ explores the vacuous pain of a lost love, this theme is portrayed perfectly and tenderly with vibrato on cello and sweet lull on backing vocals. The hard hitting instrumental with sharp shredding guitar and punchy steady drums adds dramatic emotion. The guitar seems to pine the loss as it wails and almost evokes the pain of the heartache. This track is Horn wearing his heart on his sleeve and presenting us with raw emotion. The fourth track, ‘Something Beautiful’, opens with Horn’s vocals accompanied by a beautiful Ben Howard-esque finger picking, very gentle and delicate with faint subtle and dainty backing vocals. We are lead into a catchy singalong chorus that exudes class and panache and radiates sunshine and a heavenly glow. Finally, the EP closes with ‘Lately’ a beautifully arranged piano led ballad gently brushed by the tasteful tone of bluesy licks. Horns vocals are emotion filled and passionate. The luscious melody is blissful and beautiful with tear jerking sombre tones. Its a simple track with warm tones and sweet piano that eases you to the end of the “Slow Motion’ journey.
Miles Horn will be performing at various London venues this Autumn. His next showcase will be at the iconic venue The Bedford in Balham (which has nurtured the likes of Paolo Nutini and Ed Sheeran) on Monday 7th November 2016.
Stream ‘Slow Motion’ below
Our Worth A Listen Track This Week Comes From By Starlight
London alternative rock three-piece By Starlight have announced the release of their debut single ‘So Desperate’. The pounding new single is lifted from their upcoming debut EP and combines grunge riffs with ethereal pop hooks to mark the arrival of a uniquely talented new rock band. Led by charismatic singer-bassist Sara Murray with Ivo Sotirov on Drums and Martino Al on Guitars. ‘So Desperate’ brings us their hybrid of muscular grunge-punk and dream pop. The track is drenched in a dark shadowy atmosphere swirling in murky melodies and distortion. This track is a whirlwind of psychedelic intoxication, luring and enticing with a fuzzed grunge blast and winding weaving textures that pull and coax you into its eerie dangerous core. The brawny yet elastic beat maintains a strong rock foundation while the rest of the track consumes you with its bewitching churning and interviewing structure. Murray’s vocals are seducing, hypnotising and ensnaring with sweet lulling quality’s. This track can mesmerise and fascinate you until you are subdued, obeying every command enthralled and enraptured in its spell.
Stream ‘So Desperate’ below
I Drink Therefore There’s Darkness are a melodic, melancholy driven band from Blackpool formed in January 2015 by ex members of post-rock band Goonies Never Say Die. Band members Barry Parkinson, Dan Kerr, Warren Brown and Joel Winters have released their the first song ‘There’s Always Another Summer’ from their forthcoming album ‘élan vital’. The album is currently being mixed by James Routh of Sonic Boom Six and though there’s no release date yet, this first song is taken from a charity compilation CD album called ‘Streetlive’ for the Street Life charity, helping homeless youths in Blackpool. ‘There’s Always Another Summer’ is a refreshing track with a bright peppy guitar riff that seeps into your brain and rests in a chirpy bubble of fun. The track develops with moody raspy vocals and a melancholy tone. The interchanging between chirpy guitar and bubbly beat to sulky gloomy vocals adds a fresh and unique contrast that makes this track captivating. The guitar solo adds a twinkle of charm and charisma before the song rests finally on a heavier gritty rock almost mosh worthy crescendo. The drums become more hefty and the vocals more dynamic and rusty. A fantastic debut from I Drink Therefore There’s Darkness looking forward to hearing the album.
Stream ‘There’s Always Another Summer’
Leeds indie band Marsicans are James Newbigging (lead vocals and guitar), Oliver Jameson (guitar and vocals), Rob Brander (bass, keyboards and lead vocals) and Matthew ‘Cale’ McHale (drums and vocals). They have released their new EP ‘The Absence’ this month. The EP is the culmination of Marsicans’ 2016 releases and features the four tracks which have had national airplay in the UK via Radio 1 and Radio X over the course of the year. Three of the EP’s four featured tracks were given BBC Radio 1 support, including Huw Stephens’ premiere of the title track which also made Apple Music’s Best Of The Week playlist, whilst ‘Far Away’ a track we previously did a feature on was featured Spotify UK’s New Music Friday playlist. ‘The Absence’ presents us with Marsicans fantastic harmony-laden upbeat tropical sound that is raw and fresh yet polished in all the right places. Title track ‘Absence’ kicks off the EP and sprinkles with the four piece’s signature glowing infectious melody with lush harmonies and richly textured arrangements. Zealous guitar and vibrant synths keep this track uplifting while the soft spongy beat adds bounce and elasticity. The vocals are simple to start and become more dynamic as the track progresses. This track glows with bright vibes and is a gem glistening in the sun. ‘Arms of Another’ gives us a groovy springy sound. With an elevating high energy and catchy melody that will have you bopping and dancing from the first note. This track has an edgier sound with sharp distorted guitar that acts as the lime zest to your tropical cocktail. The rapid malleable beat maintains the tracks agile and spirited tempo. ‘Swimming’ is a blissful treasure with an ear worm melody and the perfect blend of luxurious harmonies and soaring vocals. The slick deluxe guitar riff is infectious and the glistening synths provide an elegant sweet quality throughout the track. With a slightly heavier sound towards the end, Marsicans confirms they can diversify their sound while still remaining bright and bubbly. ‘Far Away (Saudade)’ is the final track on the EP. This was the first track that caught our attention back in July. The track is ablaze with striking addictive hooks and quirky lyrics teamed with a honed melody and slashing guitar. This track is a fantastic listen. The lively animated rhythm gives the song an upbeat indie pop feel.
Marsicans ‘The Absence’ is a collection of upbeat infectious indie pop perfectly blended with sugar coated luxurious melodies, soaring vocals with bursts of zealous guitar and flexible spirited rhythm. Marsicans take their tropical mouth watering hard edged sound to another infectiously delicious level keeping you wanting more.
Marsicans have embarked on a 17-date UK tour starting earlier this month.You can still catch them live at
01 Oct – Manchester, Aatma
04 Oct – Hull, The Polar Bear
08 Oct – Middlesbrough, Twisterella Festival
10 Oct – Sunderland, 7even
14 Oct – Banbury, Also Known As
19 Oct – Basingstoke, The Sanctuary Live
20 Oct – Brighton, Bleach
21 Oct – London, Hoxton Square Bar & Kitchen
23 Oct – Matlock, Twenty Ten
28 Oct – Liverpool, The Magnet
04 Nov – Chester, Telford’s Warehouse
10 Nov – Leeds, Brudenell Social Club
11 Nov – Glasgow, Old Hairdresser’s
12 Nov – Edinburgh, La Belle Angele
Stream ‘The Absence’ below
South Wales four-piece Climbing Trees consists of members Matthew Frederick (Piano, Guitar, Vocals), Colenso Jones (Guitar, Bass, Vocals), Martin Webb (Guitar, Bass, Vocals) and James Bennetts (Drums, Percussion, Vocals). They describe their sound as Cymrucana (mixture of folk, country and Americana). The band formed in 2011 and came to the attention of BBC Introducing with the distinctive sound of their critically acclaimed debut album ‘Hebron’, which was recorded in isolation in the woods of Carmarthenshire, the band were announced as one of twelve artists to take part in the inaugural year of the BBC and Arts Council of Wales’ Horizons project in the Spring of 2014. They have had appearances at Green Man Festival, Festival No.6 and The Hay Festival and have also performed at the Dylan Thomas Centenary celebrations in Laugharne Castle. With a live session at London’s legendary Maida Vale Studios , a television appearance alongside the BBC National Orchestra of Wales as well as soundtracking the BBC’s Real Valleys season and featuring in American documentary Fade To Winter, Climbing Trees have had a busy few years and gained an ever growing following.
The band have finished their eagerly-awaited and much anticipated second album ‘Borders’ which has been shortlisted for this year’s Welsh Music Prize. This month they released their new single ‘Amber’ which is the third to be taken from the album. The track is flush with bright warm tones and richly entwined with lush melodies and glowing textures. The addition of the string quartet adds a delicate sweet elegance and sway to the track lifting it up and giving it flight and motion. The piano is also gentle and tender and compliments the track perfectly adding a beautiful graceful quality. The vocals are warm and soothing with smooth soft country tones. The guitars glitter and glisten while also adding depth to the elevating song. Climbing Trees continue to progress and perfect their unique sound and give us a track that is feathery light yet dense with warm golden textures.
Stream ‘Amber’below
Singer-songwriter and multi-instrumentalist Marga Lane has released the first single ‘Thinking About You’ off her upcoming EP, ‘Undressed’. When New Yorker Marga Lane graduated from Berklee College of Music in Boston she moved to Los Angeles to further pursue a career as a professional recording artist and songwriter. In 2015 she began compiling what would be her most ambitious and personal project to date, a five-track story of love and loss. Lane has found success touring throughout the US including performing at fashion weeks and singing the national anthem at over 10 NBA and MLB games. She has enjoyed the support from popular recording stars and industry veterans including Lance Bass who featured her on his SiriusXM radio show “Dirty Pop”. ‘Thinking About You’ “is a celebration of love in its truest form, a new relationship and the hope and bliss that accompany it”. Its a sweet romantic delicate track that is bursting with warm bright tones and blissfulness, Simply portrayed with an upbeat jazz style guitar that will warm your very soul and brighten any day. Its a light daydream track that is floating on a fluffy cloud of joy. Lane’s vocals glow in a Motown style as she perfectly displays her cheery emotions in a voice that is immaculate and captivating. The candied luscious backing vocals blend effortlessly with the main vocals and give this track a flawless beautiful charm. With a bounce guitar pluck this track is uplifting and oh so heavenly to listen to.
Looking forward to hearing the EP ‘Undressed’ which is set for release December 2nd, 2016 worldwide.
Stream ‘Thinking About You’ below
Heez has release his new singles ‘the xx makes me sad’ . Its a deep rooted flex wave track darkened in a concoction of sorrowful melancholy tones swirling and fusing in heavy thick electronics. The sticky muggy beat slaps and sticks and adds punch while conveying the poetic lyrics of depression and sorrow. The lull of backing vocals give a subtle ghostly wailing effect to the track as if they groan and moan with anguish. Heez performs this track with emotional spoken vocals for the verse and soft velvety vocals for the chorus. Encrusted with a whack beat that focuses the mind on a solid feature so you don’t become consumed by rest of the track churning and interweaving into a black abyss.
Scarlet are the cloaked dark horse who have been working relentlessly over the past few years to make a name for themselves. Since launching in 2014 the band have worked with producers Jon Withnall, (Coldplay’s Parachutes, A Rush Of Blood To The Head, and X&Y) Michael Johnson (Joy Division, Pink Floyd, New Order, Stone Roses). They have secured places supporting Neon Waltz, Pulled Apart By Horses, a set at Liverpools Concert For Gaza, and a slot supporting The Struts. In 2015 the four piece secured slots playing DIY’s ‘breaking out’ night at Liverpool music week festival, supported Swervedriver, Black Honey, Kagoule and released their debut single ‘Anyway’ and now are currently working with Al Groves (Bring Me The Horizon, CAST) on their debut album ‘Effigy’ which is to be released in the UK and Japan in October.
The female fronted band have just released their new single ‘Your Control’. Its a juicy jangle pop anthem multi textured with sharp on-point guitars and a soft spongy beat. The syrupy vocals are delicate and silky. Its darkened tones and reverb give the track rich textures and a shadowy atmosphere while still remaining light and airy. This catchy power pop track exudes fighting spirit while remaining elegant until the massive mosh worthy crescendo. ‘Your Control’ shows Scarlet’s skilled musicianship as they have created a track that is dreamy and easy to listen to but maintains a rawness that adds an edge that keeps this band fresh and dynamic. Watch out for these guys.
Stream ‘Your Control’ below
Black honey have just released their new single ‘Hello Today’. Izzy Baxter, (vocals, guitar) Chris Ostler (guitar), Tommy Taylor (bass) and Tom Dewhurst (drums) continue their efforts for world domination with this staggering indie pop ear worm. They shake things up shifting from their previous brooding melancholic vibes smothered in intoxicating psychedelia to a peppy “screw you” middle finger attitude. Izzy exudes swagger and sass as she expresses her feelings exquisitely with aptly placed French phrases. This empowering track with its hyper sugar coated pop exterior and subtle bitter sting of the lyrics is a ball of bouncy fun with a slapping ricochet effect. It is glazed with a fuzzed guitar sound that still maintains the sunny hazy vibes we are used to from Black Honey. With rich percussion and a flexible groovy rhythm the four piece bring something new and fresh to the table. The slick guitar adds a razor sharp edge and rawness to the track which otherwise appears sleek, polished and refined.
Another fantastic track from Black Honey these guys just keep getting better and better.
Stream ‘Hello Today’ below
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
