All posts by Indie Buddie

Doctor Payne ‘Guilt’

Doctor Payne has released ‘Guilt’, the first single from his upcoming album. Emphatic rock outfit Doctor Payne pulls listeners to the far reaches of musical emersion. Formed by Brighton based musician and producer Marlon Payne, the project targets the theme of mental peace in a chaotic world.

‘Guilt’ is a swagger soaked rock tune that drives on punctuated rhythms, shredding guitars and refreshing piano embellishments expressing the diverse and tantalising sound of Doctor Payne. Boasting a catchy clap along feature against a full-bodied rock backdrop of buoyant chords and shredding guitar solo’s, Payne creates a ballsy anthem for listeners to enjoy while his smooth vocals depict lyrics that explore emotions of guilt and obsession “god I’m a sinner I don’t know what I’m meant to do. Oh the sickness addicts me, no one can fix me but you”. ‘Guilt’ is a whopper of a tune and one to blast out while you dance around the room. Enjoy.

Stream ‘Guilt’ below 


Author: Danu

Devin Reardon ‘Take Me To The Coast’

Moving from Florida to Ireland in pursuit of musical ambitions, singer-songwriter Devin Reardon has released his new single ‘Take Me To The Coast’. Now living in Co. Wicklow, Ireland, Reardon has been producing a catalogue of indie-folk hits, including his first single ‘Ireland Song’, which was met with resounding success and ample radio airtime on international stations such as Dublin South FM (IRL), Chelmer Radio (UK), and WFCF Flagler Radio (US), among others. ‘Take Me To The Coast’ was mixed by US audio engineer Austin Marsh and recorded at SL Studios in Gorey, Ireland.

‘Take Me To The Coast’ is a charming tune as Devin Reardon coats his heartwarming songwriting in breezy indie-pop. The track has an instant likeability as jangly guitar, and buoyant beats create a sun-kissed surf rock vibe while lush harmonies and warm vocals drive a hook-driven nostalgic melody throughout. Reardon fleshes out his genre-blending sound with jazzy keys, indie-pop elements and supple doo-wop hues to create a warm and radiant tune that is sure to brighten any day.

Stream ‘Take Me To The Coast’ below 


Author: Danu

A Chat With: N.O.A.H’s Ryan Hill

Meath band N.O.A.H have released their highly anticipated debut EP ‘Echoes of The Night’. ‘Echoes of The Night’ is a summation of the past 16 months for this new band, both in metaphor and in sound. 

The EP sees N.O.A.H teaming up with Grammy-Winning Ruadhri Cushnan who produced the record in Camden Studios, as well as John Davis who mastered the record in Metropolis Studios, London

I caught up with lead vocalist and guitarist Ryan Hill to talk about the EP, the significance of the lyric ‘Echoes of The Night’ from the band’s debut single ‘Shine’ and why it was chosen for the EP’s title.

“ ‘Shine’ had such a big impact on the band and the actual line itself resonated with us. It summed up the meaning of the EP altogether, and the sound as well and how much it meant to have our first single out. ‘Shine’ explains this journey that we went on to get to the point where we are at and it just made sense to have it for the EP”

‘Echoes of The Night’ is a diverse collection of tracks that displays different facets of the bands sound. The trio pack in hefty indie anthems like ‘Shine’ and ‘Darkest Hour’ but they show a knack for navigating through pop, soul with some electronic and funk in the mix as well. Ryan explained to me that these songs were specifically chosen to showcase their versatility as a band as well as an overspill of their different tastes and styles.

“To be honest, it’s probably a mix of both. Last year, over the lockdown we wrote, I’d say, around 30 to 40 songs. When it came to picking an EP, as you can see, six songs, it’s a big EP and the reason behind that was because when it came to narrowing down to the set amount of songs for EP itself we wanted to pick something [ that ] gave the listeners something different every time they went on to a track. As you said yourself you do have those, indie kind of anthems like ‘Shine’ and ‘Darkest Hour’ but as you go on through the EP you have songs like ‘I’m Not Scared’, [ it ] was to show how versatile we can be as a band. It’s our influence as well, you know, Ronan [Hynes] our drummer would listen to a lot of Hip Hop, EDM and Dance music, [ these ] influences are in there as well. So it was probably a bit of both and that’s why we went for those six songs out of like 40 other tracks to go on the EP”

“It was a nightmare because we had ourselves picking songs and then we had other members of our team that were [ saying ] ‘Oh, you have to go with this one’. So yeah it was a difficult choice to narrow it down.”

‘I’m Not Scared’ features Hare Squead who bring a hip hop style to the band’s cinematic sound. The duo perfectly matches the anthemic, eerie and expressive instrumentation with their fluid raps. 

“Well, we recorded with Ruadhri Cushnan in Camden Studios, and Hare Squead were in there most of the time in the other room. Our main goal for that track, the last track on the EP was to experiment with something different, and when we were in with Ruadhri, it was a case of, we’d like to have someone in doing freestyle rap over this verse and that was always the main goal. It just made sense because the lads from Hare Squead were popping in and out while we were recording, and we just thought it’d be a cool collaboration. It’s kind of always been like that it was the same when we did ‘Darkest Hour’, we wanted to get Booka Brass on because it’s great to work with other Irish artists, so yeah, it just made sense”

Not only have N.O.A.H become known for their powerful and evocative musicianship, but their lyrics also capture the listener’s attention through meaningful and clever turns of phrase. Especially within ‘I’m Not Scared’ they are particularly moving,“ these silver bullets cut me open now everyone can see right through me”. Ryan explained to me what inspired these lyrical moments.

“Yeah, all these tracks were written over the lockdown. I believe that when you’re writing lyrics it comes from life experience but I found over the lockdown, you’re constantly writing, you get to the stage [ where ] you’re not seeing new things. You’re kind of locked away at home and stuff like that. So I think that it got to the stage for myself [ where ] writing was like almost creating your own story. Even for ‘I’m Not Scared’ the idea I got from that was a man that was losing hope which I suppose the meaning resonates with the listener because during that time of lockdown a lot of people were losing hope.I tried to stick to that theme but, as you said make it more creative. I think even for me from a writing side it was different, it’s just to pinpoint on that theme of isolation, loss of hope, you know”

“Yeah, and some people would ask me, ‘oh, what’s the song about’ and it was in the moment you know, it’s a story that you’re telling and it can be difficult to explain [ that ] sometimes.” 

Ryan shows a lot of diversity and range in his vocals throughout the EP. From falsetto in ‘I’m Not Scared’, tenderness in ‘Turn Your Heart Around’ and powerfully emotive in ‘Hands Up’. It’s a confident vocal display that matches the band’s masterful musicianship and marks him as a vocalist to keep an eye on.

“You know, I think it was only in the past year when we were doing demos at home. Sometimes you’d get in a rut where songs sound the same, and no matter how much you change them up instrumentally you have to look further and say let’s look at the vocals themselves. I think I’d be more confident now when it comes to the vocals, and that has a lot to do with people we’ve worked with as well in the studio like when we were working with Ruadhri he’d guide me in a way that we can do things differently, that I wouldn’t have even thought of. I’m not vocally trained, and never had any vocal coach or anything like that so for me it’s taking advice from people who’ve worked with other artists that probably are vocally trained to do things in a certain way. Yeah, I think after doing this EP I’d have more confidence in my vocals.”

“Hands Up was one of the main tracks that when we were in the studio, a lot of emphasis was on how that [ vocals ] was going to be done, and Ruadhri guided me in a way to not [ do ] the usual sort of belted out vocal, to do more intimate and you know, closer to me kind of stuff. It definitely was different for me as well, it’s a lower register, a bit quieter”

 ‘Darkest Hour’ is my favourite song on the EP. The sing-along hook, dark atmosphere, and vibrant brass combination are simply magnificent. However, there is something special about ‘I’m Not Scared’ the emotion it evokes is on another level to the rest of the tracks on the EP. It’s a great track to end the EP and teases a different sound from N.O.A.H. Ryan told me why he is most proud of ‘I’m Not Scared’.

“‘I’m Not Scared’, the reason is that we’ve been sitting on that song for over a year, and it was always that one track that sounded a bit different to the rest. When we recorded the EP itself that was the last one we worked on. There was a stage where, ‘we know what the song is but can we actually make this a track on the EP’. It was just one big idea and we had to get the song done in two recording sessions. It was a bit of a rush to do it, but then when we heard that finished product, I think it resonated with me the most even though it is the last one out of the bunch. I’m just delighted to hear it in its full, complete stage”

But it has to be said ‘Turn Your Heart Around’ is a beautiful song. The band strip all the lush production back allowing Ryan’s voice to express the tender emotion before slowly building to a cinematic crescendo. The track is an utterly time stopping listening experience.

“We started this off on an acoustic guitar with the chords. Adam actually wrote the lyrics for that track as well so I think I had the chords on the acoustic guitar and then he just came in and said we’ll try out these lyrics. That was a demo that we wrote I think around seven, eight months ago. I think one morning we were sitting there, and it didn’t take much time at all, we sat there and Adam handed me the lyrics and it happened naturally. Obviously, there was improvements made to it. But it really just happened naturally. Even in that track it’s sort of a belt out vocal but it’s a comfortable song to sing you know, and it still has that emotional thread throughout the whole track as well.”

Each member’s musical prowess is what makes N.O.A.H’s sound so special. All three members  Ryan along with bassist Adam Rooney, and drummer Ronan Hynes have talent in abundance which they bring to the band to create tight, cohesive and arena-worthy tunes that are irresistible to the ears.

“Yeah, definitely. I think especially over the past few months we’ve all improved on our instruments and stuff like that. We can bring more to the table now than before. We’re more comfortable playing because we’ve been together nearly every day for the past few months. We’ve gone more in-depth in certain things we can do, whether it be on synths, keyboards, guitar sounds, drums a whole lot you know. I think it makes a big difference, it’s kinda opened our eyes to the stuff we can do.”

‘I’ll Be There’ is a wonderful tune. It changes the pace of the EP allowing the band to present a glorious gem through refined and beautifully arranged instrumentation.  It’s that sunshine in a tune earworm that brightens every day. The rhythm and bass in particular in the song is fun and bouncy. ‘I’ll Be There’ is going to be one sing-along moment at gigs that will ooze feel-good vibes.

“That was one of the last tracks that we picked to go on the EP. I suppose you could say that the actual tempo of the track is a lot quicker than the others, it’s a 60 BPM of a track even though it sounds quite chill, it’s a very quick song but it was one of the first that we recorded when we were in Camden Studios, it was sort of a pick me up track and I suppose almost going back to our roots of playing or where we got our main influences from Kings Of Leon, The Killers and stuff like that. We all love rock music and indie rock music and we wanted to emphasize that in the song and even working with Ruadhri he said I want people on this EP to hear that it is a band, it’s a full band playing in a room. So, yeah, I think it’s just to give that more natural band vibe to the song, once again having the first sing along when it comes to playing live as well”

N.O.A.H will take to the main stage in Whelan’s on the 10th of December. These songs are destined for the live setting and the band are buzzing to play for their fans.

“Well, we played a few months ago the first indoor gig in Navan in the Solstice Theatre, it was a big place and it was only holding 50 people. It was our first time playing these tracks, and it’s weird because you’re so used to hearing the songs through headphones, and then when you go to play them live with real instruments it’s a loud show but it packs a punch you know. People can expect it will be a great show. We’ve had nothing but time to rehearse and we’ll always put on a great show. We can’t wait to be honest, we can’t wait to play.”

It’s an exciting time for N.O.A.H. The band has achieved a tremendous amount already. From signing with Mother Artists, supporting Bell X1 to performing live on BBC Radio. The lead single from ‘Echoes of the Nights’, ‘Hands Up’ was released in late July and has received amazing support from Irish radio and the wider media. Highlights include being playlisted on RTÉ 2FM as well as being chosen as one of the iLove Tracks for September on iRadio. Ryan told me what we can look forward to from the band in the future.

“What we’re looking at now is short term goals, we’re supposed to be doing an Irish tour in February and to be honest I think it’s going to be almost like a repeat of, we go back and write new tracks, start touring next year around Europe and maybe get over to America, hopefully. It’s just gonna be a case of writing and gigging when everything opens back up and yeah, hopefully, take over the world of music”

‘Echoes of The Night’ is a spectacular debut EP from N.O.A.H. The band showcase their boundless talent through this vibrant, musically dense and hook-filled collection of tracks. Within the EP there are immaculate moments of heightened emotion relayed through irresistible melodies, driving rhythms and majestic guitar work that takes your breath away. N.O.A.H are a band to treasure and if ‘Echoes of The Night’ is anything to go by this band have a bright future ahead. 

Stream ‘Echoes of The Night’ below 


Author: Danu

Event News: IN THROUGH THE OUT DOOR  ‘Live and in person from inside the hatches of Sin É, Dublin…’

///   IN THROUGH THE OUT DOOR  \\\

‘Live and in person from inside the hatches of Sin É, Dublin…’

Sin É will host a month-long series of standalone shows with some of the best acts in Ireland. Coming through the doors of Dublin’s iconic Sin É and happening throughout the month of October, this series was made possible with support from The Live Venue Collective and the Department of Tourism, Culture, Arts, Gaeltacht, Sport, and Media.  

Kicking off the series in Week 1 from October 1st will see songstress Bróna Keogh, sharing the bill with Tallaght singer-songwriter Russell Hogg. Indie Rock Pixie Cut Rhythm Orchestra double headliner with Melter, while new project ANDI is set to wow alongside incredible folk singer Dubh Lee on the bill. Closing the opening week is none other than Sean O’Meara with juicy duo Ispíní na hÉireann.

This is an exciting lineup for the month with artists to suit all music tastes and genres. Sin É have pulled out all the stops to ensure October will be a fantastic month for live music.

FULL SCHEDULE

  • Friday 1st October – Bróna Keogh | Russell Hogg
  • Saturday 2nd October – Pixie Cut Rhythm Orchestra | Melter
  • Thursday 7th October – Andi | Dubh Lee
  • Friday 8th October – Sean O’ Meara | Ispíní na hÉireann
  • Saturday 9th October – Yankari
  • Sunday 10th October – The Des Hopkins Dixieland Jazz Band
  • Thursday 14th October – Toshín
  • Friday 15th October – Hazey Haze | Citrus Fresh | Krome
  • Saturday 16th October – Columbia Mills | Dunx
  • Sunday 17th October – Varo & Friends | Laura Ann Brady
  • Wednesday 20th October – Vulpynes | Evelyn Finnerty
  • Thursday 21st October – The Dead Fox Sisters | Caoi De Barra
  • Friday 22nd October – Mick Pyro | Gaolbyrd
  • Saturday 23rd October – Special Guest – Bronagh Gallagher and Leila Jane
  • Sunday 24th October – Shy Mascot | Djackulate & H-Ci
  • Wednesday 27th October – Monstera Deliciosa: Fiach O Briain Group | Niwel Tsumbu
  • Thursday 28th October – Dani Larkin | Oscar Blue
  • Friday 29th October – Jackie Beverly | Aonair
  • Saturday 30th October – Yenkee | Five To Two

Tickets for all shows are on sale NOW via Eventbrite.

Full listings here : https://www.eventbrite.ie/d/ireland–dublin/sin-e/ 


Author: Danu

onedaybear ‘Swim (ODB remix)’

Mancunian artist, onedaybear, has released his new single, ‘Swim (ODB remix)’.onedaybear began posting tracks on Soundcloud in 2010 while studying at The University of Manchester. He was inspired by the city’s rich musical heritage to start making music and started out his musical career by uploading demos to Soundcloud whilst being a part of other bands (La Dharma and a few smaller projects). This year, he decided to go into the studio as a solo artist for the first time to record the single ‘Swim’. 

‘Swim (ODB remix)’ is a dark and brooding concoction as onedaybear ferments alternative pop melodies under moody grunge/ post-punk sounds to create an enthralling and mysterious listening experience. The song has a tense wall of sound and is simply a joy to listen to; punchy beats create a sturdy foundation as biting guitars soar through a haunting backdrop while onedaybears nonchalant spoken vocals cut through the tracks eerie soundscape. ‘Swim (ODB remix)’ is a well-crafted tune filled with slicing riffs, moody melodies and exhilarating musicianship, marking onedaybear an artist to keep an eye on.

Stream ‘Swim (ODB remix)’ below 


Author: Danu

Jon Yonts ‘What it is’ Album

US-based artist Jon Yonts has released his brand new album ‘What it is.’ Jon Yonts’ musical journey began in 2006 when he relocated to Anchorage, Alaska. With nothing but an acoustic guitar to occupy him during his off-hours, it was during this time that he began coming up with his own compositions. In the years that followed Jon Yonts added work after work to his original repertoire, and with each new creation, his style continued to evolve, becoming ever-increasingly intricate and unique. In 2010, he acquired a violin and began attending Humboldt State University in pursuit of a degree in music. 

‘What it is’ is a bright and mellow collection of tracks that boasts the glowing musicianship of Jon Yonts. The tracks travel along intricate beats and sweet guitar melodies as Yonts ventures into swirling psychedelic tones and breezy lo-fi elements. From the hypnotic melody in ‘Wings’ to the warm violin and traditional tones in ‘Colors’  each track ebbs and flows with rich instrumentation and easy listening folk -esque ease. Yonts uses biting electric guitar, unique percussion, electronic embellishments and looped vocals to create a mysterious and wholly consuming wall of sound that transports you into a world created entirely by the artists unique and intriguing musical dexterity. The album is a joy to listen to and is a fine display of musical prowess from Yonts.

Stream ‘What it is’ below 


Author: Danu

Indie Quick Picks featuring – Beyond the Wash, Pixie Cut Rhythm Orchestra,Padjo Dolan and Julian Lamadrid

Beyond the Wash

Photo Credit: Eliza Kocur

Genre : Alternative pop

Bio : Crafting a mix of energetic pop and throwback New Wave, Beyond the Wash (BTW) is the solo project of Irish songwriter, Patrick O’Donnell. He quickly became recognised for conceptual works that brought together artists from many different creative fields such as dance, design, sculpture and book making. These collaborations hint towards a diverse blend of both visual and sonic influences – while music is ultimately at its core, BTW’s output is both varied and unexpected. His new single ‘Min/us’ sees production input from Cian Sweeney (1000 Beasts), and long-term collaborator Christian Best (Mick Flannery).

Track: Min/us

Why We Like It: Beyond the Wash fleshes out his infectious sound to create a glorious bop that is riveting to listen to. The track is an effervescent alternative pop tune that pivots around palpitating rhythms, shimmering synths and ethereal electronic pop pulses. Warm vocals caress a nostalgic melody while an 80’s hued backdrop of zesty guitars adds an edge and freshness to the lush soundscape. Surging with compelling melodies and intriguing instrumentation ‘Min/us’ is a knock out tune from Beyond the Wash.

You can follow Beyond the Wash on Facebook here https://www.facebook.com/beyondthewash/

Stream ‘Min/us’ below 

Pixie Cut Rhythm Orchestra

Photo Credit: Greg Purcell

Genre : Indie

Bio : Pixie Cut Rhythm Orchestra is made up of songwriter/guitarist Sarah Deegan, drummer Danni Nolan and bassist Alice Grollero, who met through gigging around Dublin. They are influenced by artists such as Kathleen Hanna and Sinead O’ Connor. Released on Anon Records, ‘Empty Envelope’ is the follow up to February’s ‘I didn’t love you when I said I did and I don’t now’, which received radio and media support in Ireland, US and UK, playlisted on RTE 2fm, 8Radio, BBC NI and KEXP.Pixie Cut Rhythm Orchestra will be headlining Sin E, Dublin on October 2nd (with support from Melter). The band will also be appearing at Ireland Music Week (online) on October 6th and supporting M(h)aol in Workman’s Cellar on Nov 12th.

Track: Empty Envelope

Why We Like It: The track oozes dreamy soundscapes and lucid shoegaze tones as Pixie Cut Rhythm Orchestra blend soft haunting melodies with grunge instrumentation to create a beautifully fluid tune. The song is multi-textured as the band use layered vocals to create an echo effect behind Sarah Deegan’s vocal lulls while subtle instrumentation creates an immersive and dense wall of sound in the backdrop. From distorted wobbles and sweet pines on guitar to pounding drums and rooted bass grooves, the band present their bewitching sound in all its glory.

You can follow Pixie Cut Rhythm Orchestra on Facebook here https://www.facebook.com/pixiecutrhythmorchestra

Stream ‘Empty Envelope’ below 

Padjo Dolan

Genre : Singer-songwriter

Bio : Irish artist Padjo Dolan has released his new single ‘Hazel Eyes’. The track is one of the first offerings from Padjo as an independent artist outside of a band and features Patrick Dolan (aka Padjo Dolan) on guitar and vocals with Cian Boylan, Conor Brady, Dave Hingerty, and Robbie Malone also involved in the project.

Track: Hazel Eyes

Why We Like It: It’s a rich country-rock tune brimming with wholesome tones and vibrant melodies filled with jaunty guitar, punchy drums and jangly piano embellishments. The song exudes warmth and deals with themes of escapism and nostalgia as Dolan’s warm vocals sing “you could take my hand / we could travel up the coast / and find the answer in the sand” over desert-esque guitars and a catchy rhythm section. Driving on heart-pounding vigour and infectious melodies ‘Hazel Eyes’ is an irresistible and passionate single from Padjo Dolan.

You can follow Padjo Dolan on Facebook here https://www.facebook.com/Padjo-Dolan-102060652172454/

Stream ‘Hazel Eyes’ below 

Julian Lamadrid

Photo Credit: Julian Lamadrid

Genre : Singer Songwriter

Bio : Singer-songwriter and multi-instrumentalist Julian Lamadrid has released his new single ‘One More Trip’. 

Track: One More Trip

Why We Like It: This ethereal tune is lovingly crafted and balances tones of nostalgia, hope and melancholy. The track seems minimalist when it starts with airy electronics, sharp guitar twinkles, and a laid back melody as Lamadrid croons “I believe that dreams come true, at least I hope they do”. However, the song unfolds magnificently becoming more rich and vibrant. The bright synths bounce through a wall of thick beats and fuzzy soundscapes which contrast the innocence and hope provided in the melody. In true Lamadrid manner ‘One More Trip’ is filled with intricate, surprising, and vivid instrumentation as the song erupts into a rock peppered crescendo that boasts pounding drums and shredding guitar embellishments. This wonderfully expressive and inspiring song is laced in Lamadrid’s passionate and evocative musicianship and continues his run of masterful, heartfelt tunes.

You can follow Julian Lamadrid on Instagram here https://www.instagram.com/julianlamadrid/

Watch the video for ‘One More Trip’ below 

You Can Follow Our Indie Quick Picks On Spotify Here


Author: Danu

Ryan Egan ‘Weeknights’

Critically acclaimed American singer, songwriter, multi-instrumentalist and producer Ryan Egan has released his new single, ‘Weeknights’.The track was co-produced by Kevin Basko (Foxygen, Rubber Band Gun). Egan’s first release in nearly two years, ‘Weeknights’ is the first single off his debut, full-length album ‘Soft Power’ which is set for release on April 8, 2022. 

Weeknights’ is a laid back tune dripping in Ryan Egan’s suave and refined musicianship. Soft Saxophone elements create a retro jazz vibe throughout as Egan slips a funky groove under ethereal soundscapes of twinkling keys and vaporous guitar refrains while his smooth vocals almost whisper over the sleek melody. The track exudes an instant elegant charm that is difficult to resist enhanced by the irresistible melody and lush harmonies within the emotive soundscapes. ‘Weeknights’ is an exciting display of musicianship from Egan. Press play, indulge and enjoy.

About ‘Weeknights’ Egan said: “I wrote Weeknights just before leaving NYC for Paris in 2019.  It’s a song about summer nights in the city, nervous hook ups and living with your heart on your sleeve. The song’s sonic character, to my ears, has an element of “French Touch” à la artists such as Air or Sébastien Tellier, as well as indie staples like Mac Demarco, Benny Sings, & Rhye.”

Stream ‘Weeknights’ below 


Author: Danu

Kynsy ‘Mr Nice Guy’

 Photo Credit: George Voronov

Kynsy has released her new single ‘Mr Nice Guy’. Kynsy is the solo project of 23 year-old Irish multi-instrumentalist, songwriter and producer Ciara Lindsey. The song is co-produced by Kynsy and James Dring (Gorillaz / Jamie T / Sorry).”Mr Nice Guy” is the first new single from Kynsy since the release of her critically acclaimed debut EP, Things That Don’t Exist released in January of this year.  

Surging with tightly weaved instrumentation ‘Mr Nice Guy’ is an irresistible indie-pop tune that boasts the ever-evolving sound of Kynsy. Within ‘Mr. Nice Guy’ we see Kynsy smother a groovy indie foundation with lashings of synths and pop- esque melodies to create a tantalizing tune brimming with sass and vigour.

Skillfully produced the song’s sonic wall of sound expands with zesty stings on guitar and sweet key refrains while drum grooves and pulsing bass lines flutter throughout. The upbeat nature of the instrumentation contrasts Kynsy’s nonchalant vocals as the artist croons out some pretty hard-hitting lyrics “Hey there Mr. nice guy, f*cking with your stuck fly. Have you got no class at all”.

Kynsy is an immensely talented musician who is creating an impeccable track record of invigorating tunes for listeners to enjoy. The artist possesses an unnatural and enviable gift for creating catchy earworm melodies filled with sharp witty lyrics and jubilant instrumentation; the result is a sublime display of musicianship that leaves much to be admired. ‘Mr Nice Guy’’ is a spectacular example of this.

Talking about the new song and video, Kynsy says: “It’s a song about money and working and having one of those horrible bosses who tells you he’s trying to be ‘the nice guy’ while he goes through you outside on the street. It’s mostly based on an encounter I had in a waitressing job. I suppose there is a message in there about the power of empathy and kindness in how you deal with people. The video echoes a lot of the themes in the song just pushed to an extreme level. Working with Dave and Conor we created a surreal world that’s really colourful but eerie at the same time. The master [me!] is on a constant power trip and forces her minions to endure some pretty awful treatment for her own gratification. To honour the positive message in the song we get to see how treating people like this will come back to bite you one way or another. “

Kynsy has also announced a series of tour dates taking place this December with shows at Upstairs Whelan’s, Dublin on 9th December, Kasbah Social Club, Limerick on 10th December and Connolly’s of Leap, Cork on 11th December.

She will perform her debut international live shows this November, with dates at the inaugural Pitchfork Music Festival London at The Roundhouse on Sunday 14th November and Pitchfork Festival Paris on 19th November. 

Watch the video for ‘Mr Nice Guy’ below 


Author: Danu

HAWKE THE BAND ‘Limo’

Photo Credit: Grace Philips

Dublin duo HAWKE THE BAND are set to release their brand new single ‘Limo’ today. The track is due to go live at 7 pm. Formed by best friends Richie Power (vocals/keyboards) and Eoghan Mac Mahon (vocals/guitar) in the shadow of Dublin’s world-famous Guinness Brewery. ‘Limo’ was recorded in London and Dublin and produced by Conor McLaughlin (of Sick Love), assisted by the highly-regarded D. Cullen (Boo Hewerdine (The Bible). HAWKE THE BAND are currently finalising a very special Dublin hometown gig (more details soon), but are very pleased to confirm a handful of new UK live dates for late 2021, including a new London show as special guests of Bedford born indie-rocker Elijah Miller.

‘Limo’ is a sleek single that boasts the arena-worthy sound of HAWKE THE BAND. Saturated in chiming melodies, lurching rhythms and soaring guitars, the track surges with adrenaline as the band layer the song meticulously to create an ethereal fist-pumping rock tune. The track skyrockets into massive choruses and an even bigger crescendo of crashing guitars, rampant basslines and swelling synth embellishments while the brooding verses create tension throughout. HAWKE THE BAND pack in clever, catchy lyrical content as Eoghan Mac Mahon bellows out the sure to epic live pre-chorus “ Don’t call my name, don’t fall for shame “. It’s a song destined for manic live shows as the shredding solo, echoed vocals and driving drum pounds evoke images of arena and festival sing-alongs. HAWKE THE BAND have a hefty and powerful sound. Their dedication to creating passionate, musically rich anthems is admirable and the impressive ‘Limo’ is a fine example of this.

You Can Catch HAWKE THE BAND live at

  • 26 September Hull O’Riley’s (18+)
  • 15 October Newcastle Surf Café (14+)
  • 16 October Manchester Tribeca (14+)
  • 21 October London Luna Lounge (18+)
  • 10 December London – The Grace (with Elijah Miller)

Tickets on-sale now via https://www.hawketheband.com/tickets

For more follow HAWKE THE BAND on Facebook here https://www.facebook.com/hawketheband


Author: Danu