Brass Phantoms have released their eagerly awaited debut album ‘Holding Out For Horrors’. With a growing fanbase and a reputation for energetic and frenzied live shows, the Dublin five-piece landed themselves support slots with Dublin favourites Delorentos and Manchester darlings The Slow Readers Club. Having toured throughout Ireland and the UK, they are tipped as one of the top acts to see at New York’s Global Music Festival and Conference Mondo NYC.
‘Holding Out For Horrors’ is a magnificent genre-splicing album as Brass Phantoms take their refined musicianship, expressive songwriting and dynamic energy and pour it into an impressive body of work. The album features the band’s singles ‘Hurricane’, ‘City Of Wolves’, ‘Waiting Up’, ‘Indigo’ and recent release ‘What We Leave Behind Us’ which have all been landmarks in the quintets musical growth. Displaying slinky ethereal guitar lines, chiming key progressions, epic melodies and choruses the band present a big lofty sound with weighty lyrics and biting soundscapes. Each track is meticulously layered and deftly crafted to create a thrilling listening experience. With the singles paving the way the band could have slipped in a few weaker and light listens to fill out the track list but that’s not the kind of band Brass Phantoms are. The rest of the album is chock-a-block with big songs of depth and quality.
The Killers – esque ‘Legal Fiction’ thrives on intoxicating guitar lines and atmospheric synths that skillfully blend synth-pop with dark gritty rock; it is a magnificent display of compositional prowess. Ryan Cashell’s vocals have become cinematic, deeper and more distinct than ever as he owns his unique vocal range and expressive emotive scope. He can haunt and chill through a song or mysteriously cast a sinister tone that turns the more instrumentally uplifting tracks ( such as ‘Wood Words’ ) into quite an ominous darker tune. To contrast Cashell’s vocals the band showcase a new facet of Brass Phantoms which we haven’t seen before, a duet with the one and only Colleen Heavey. Her sweet innocent coo’s contrast, blend and add a refreshing light to ‘What We Leave Behind Us’. This kinetic and refined track is a pinnacle moment on the album, showcasing the band’s mature musicianship. They create a richly textured sonic wall of sound exuding tantalising bass grooves which drizzle a funk tone onto the dark synth pop backdrop. A punchy drum foundation and woodblock feature entices the listener while sharp guitar lines weave and tease oozing tension and suspense – an utterly thrilling listening experience.The frantic swirl of ‘Disciples’ reminds us just how dazzling and synth heavy Brass Phantoms can be as they press disco shimmering synths over ominous melodies, and shredding guitar riffs that lament, soar and slice through Adam McCabe’s fluctuant, dead-summoning drums.
Brass Phantoms prove they are quite the dream team, not only does the band have a unique, powerful and charismatic frontman (Ryan Cashell). They also have guitar and bass virtuoso’s in Greg Whelan and James Geraghty and voice of an angel and synth wizard in Colleen Heavey. All this talent is nurtured by McCabe’s hefty dynamic drums which allows each instrument ( guitars, synths, and vocals ) to flourish and shine in prismatic glory. McCabes drums also create the elastic flirtations and ballsy backbone which levitates each song to its epic climax
The sustained dark ecstasy of each song expands as the album progresses. The sultry ‘Something Automatic’ and the blustery elation of ‘Indigo’ are brimming with luscious indie pop melodies consumed in a whirlpool of rich ethereal soundscapes, reinforcing the kinetic adrenaline this band have crafted so meticulously. Even the beautiful and short interlude of ‘Max’s Reprise (We Leave Behind)’ and slow burner ‘Reflection’ which exudes lush harmonies, heartfelt melody and passionate instrumentation, winds the album down without loosing the majestic and impactful punch of its predecessors.
‘Holding Out For Horrors’ is a marvelous, epic collection of synth-rock gems and energetic anthems. For their debut album Brass Phantoms take us on a journey through their own personal experiences while also showcasing their musical growth. Within the album there is enough familiarity and boundary pushing to keep the listener engaged while the darker, thrilling moments keep you hanging on the edge of your seat. Showcasing wonderful blends of synth pop, indie and alternative, ‘Holding Out For Horrors’ is an album to fully indulge in and enjoy over and over again.
Stream ‘Holding Out For Horrors’ below
Author : Danu
