Bone Cult have released their new album ‘Death Electronica’. Starting out as a stripped back guitar and drums outfit, the duo evolved by embracing technology to create new unheard sounds. The band’s popularity has soared internationally following their inclusion as characters in the online videogame ‘Avakin Life’
‘Death Electronica’ is a corrosive collection of tracks as Bone Cult present their powerful and unique sound through this innovative and triumphant album. The duo use driving, animated and sticky beats to create a hyper backbone for their tracks. The fuzzing acid saturated synths swirl through rushing electronics as the band create a dizzying mania reminiscent of The Prodigy through ‘Realise’, ‘Fragments’ and ‘Miracle’ .The heavy thick soundscapes consume the tracks in dark flashing scintillation as the duo create the thrilling atmosphere of a frenzied rave. The instrumentation and static electronic backdrop asphyxiates the frenetic rock elements while the smooth vocals coo underneath. Each track surges with the duo’s hybrid crashing wall of sound as they create songs for the blood thirsty mosh pit as well as coating on a healthy dose of dubstep dance elements.
There is such adrenaline in this album it could give you a heart attack. With all the intense ominous soundscapes Bone Cult manage to pull out some really catchy bangers. ‘Cruel’ has a grungy moody vibe with a pop-ish melody that will stick in your head for days. It’s utterly exhilarating. The album is the perfect concoction, the band swirls wispy new wave lightness into a thick, dark atmosphere with heavy surges of adrenaline to create a sound that has something for everyone. There are pop elements with smooth light twinkles of electronics smeared into thicker more perilous stains of electro- rock while metal slaps and punk whacks adorn the backdrop between the dance influences and to top it all off the band pepper some grunge and alternative rock over this fermenting brew. With the deranged, head-spinning synth of ‘Something Vile’ ,bright ethereal release of ‘ Fever to Stay’ teamed with swirling electronics of ‘Miracle’ and the grating harsh guitars lines that stain the albums underbelly,- ‘Death Electronica’ sees Bone Cult utilise every weapon in their arsenal to create their sonic assault.
‘Death Electronica’ is lean, mean and frothing from the mouth with a vast array of genres. Bone Cult’s fuzzy bulky sound is not for the faint hearted. The album takes the duo’s vast, refined and in ways quite majestic sound and beats you over the head with it. A superb listen.
Brighton three-piece Something Leather is set to release their debut EP ‘Midnight Reverie’, on 17th April.The trio have already gained a reputation for explosive live shows thanks to a host of support slots with up-and-coming bands including Black Midi, Saint Agnes, Sophie and the Giants, Calva Louise and Phobophobes.A triumphant 2019 saw successful UK and European tours establish an increasing following for the band.The year culminated with latest single ‘Lullaby’ garnering further support from BBC 6 Music’s Steve Lamacq.
‘Midnight Reverie’ is a sleek streamlined EP swirled in sultry dark psychedelic tones. Something Leather inject gritty indie rock, opaque pop and ominous atmospheres into ‘Midnight Reverie ‘to create a sublime EP of tremendous magnitude. The production and craftsmanship of this EP is fantastic. The band take their elegant psych rock and mince it into a mirage of dazed pop elements. Each track drags you further into their mesmerising and bewitching sound.
With a sinister flurry of guitars ’Trip To The Sun’ kick starts the EP. Sultry and mind melting the track whirls through dizzying acid dipped electronics while a steady pounding beat and eerie organ – esque elements create that spine chilling backbone. Phillie Etta Jane’s vocals are the sweet hauntingly lulling constant within each track. She creates a soft delicate moment within each song while exuding a sultry panache effortlessly. The dreamy melodies compliment her vocals superbly as they hush and entice you into the harrowing entrapment created by the instrumentation – it’s a bait your ears will willingly take.
The trio write catchy and mystical tunes with a heavy backdrop that is irresistible.’Farewell Fareworse’ has a Sleater-Kinney residue over the distorted electrical mayhem while the prowess on guitars pine and wail with intent over the crashing wall of sound. There is controlled chaos within this EP as the band weave vintage qualities with wild guitars and relentless synths to create their own unique, harrowing yet velvety sleek sound.The noir pop peppered ‘Midnight Dive’ shows a melancholic side to Something Leather. The dreamy whimsical brooding display flows with flashings of black and white west coast images of sulky bliss. This narcotic soothing track drifts with twanging pines on guitar as the track dissolves into multi fragments of laid back moody indie pop. Like all Something Leather songs the track builds to a fizzing crescendo that evaporates your mind. It’s a tragic, beautiful and darkly-shaded pinnacle moment of the EP.
The band return to their seductive and menacing grit for final track ‘Down Another One’. Another stand out number, the drama and intensity of this song is immense. Like daggers, the drums relentlessly pierce and pound while growling backing vocals haunt the backdrop. The jabbing guitars, distorted roars and spine chilling wall of sound create a creepy gut wrenching atmosphere while Phillie Etta Jane’s breathy yet sweet vocals build the tracks momentum. It’s heavy, dark and brilliant.
‘Midnight Reverie’ is a dark concoction of tracks to bask and submerge yourself in. With such murky and sultry cinematic melancholia steeped in elements of psychedelia, indie rock and electronic pop Something Leather have created one first rate body of work. There are distinct moments of brilliance within ‘Midnight Reverie’ that set the bar high making Something Leather one of the most exciting bands around right now.
‘Midnight Reverie’ EP will be released on April 17th until then check out the video for the bands recent single ‘Farewell Fareworse’ below
Bristol band The Rupees have released their new single ‘Run‘. An exhilarating display of indie rock ‘Run’ blisters and boils encompassing The Rupees raw snarling sound with all its might. The band don’t pull punches as they create a scorching garage rock gem. Coarse guitars jaggedly lacerate through a swirling synth smog while the punchy drums and resounding bass pound through a hefty foundation. It’s a lean mean force of nature as the band cause a chaotic wall of sound through refined and vigorous instrumentation without losing their slick swagger. There is a freeing sense of adrenaline and powerful gusto as the track explodes into its frenetic chorus while the gravely vocals and catchy melody relentlessly resonate through the whirlwind backdrop. ‘Run’ is sublime vigorous anthem from The Rupees.
About the track the band said : “Run is about dreaming for something more, being the underdog, wanting to escape whilst existing in world of averageness, having to work a mundane job in a mundane place, but knowing there is something more, knowing there is something inside of you that is trapped in there because of the exact circumstances you find yourself in. But you can run, you can use love and your passions to escape, you are not sure if you are ever winning or losing but you just have to run with it, with the things you love, just keep going!”
Dublin electronic rock band Synk have recently released their new single ‘Waiting Room’.The track was written during the transition into Autumn 2019 and was recorded in isolation in Co. Leitrim shortly after itʼs conception and is self-produced by Synk. Synk is comprised of James Lonergan on Vocals, Guitar, Daniel Smith on Guitar, Phil Noone on Drums, Evan Kennedy on Bass, Vocals, Keys and Fergus Grant on Keys, Guitar, Vocals.
Once again Synk entwines and coils sweet lush moments between chaotic bursts to create a satisfying and mystical track. ‘Waiting Room’ twinkles to an airy fresh start as glistening light flurries of guitar trickle behind a warm vocal lilt. The track fluctuates becoming more dark as rich ominous rhythms weave with jittery angst. I love the opulent textures and sounds this band flood their music with – each quiver, beat and pulse is vibrant and emotive expressing something quite beautiful. The ethereal electronics add a mysterious quality and magical wonder element while the beat is the elastic band that releases the whimsical dream-like soundscape into the atmosphere and pulls it back just as effortlessly. With jangly flutters on guitars the band show character with luminous bursts through the darker smudged depths and moody elements.
Synk keep their tracks pulsing and simmering right up to their crescendos which are always exhilarating and ‘Waiting Room’ follows this superbly keeping your ears bound in a mesmerising daze hanging on every bewitching earthy note. The vocals are shared by James Lonergan and Evan Kennedy, with James singing the first half of the song, and the ending coda sung by Kennedy.
‘Waiting Room’ is an intricate rippling mirage, shimmering with the masterful and compelling musicianship of Synk. I love how they convey so much emotion through contrasting sounds with such beauty and balance, it’s quite masterful.
In their first 40 shows as a band Greywind have already achieved playing some of the biggest festivals in the world, including Reading and Leeds Festival, Isle of Wight Festival, Download Festival, Rock Am Ring and have supported the likes of You Me At Six, Palaye Royale, Thrice and in December 2019 played a sold out arena show with The Coronas. They have been heavily backed by BBC Radio 1, Zane Lowe and MTV.
The brother and sister duo, Steph and Paul O’Sullivan’s debut album ‘Afterthoughts’ was recorded in Texas with Grammy-Winning producer Jason Perry and has achieved huge critical acclaim from the likes Zane Lowe, Kerrang!, Rocksound, MTV. The album was released through Universal Music and charted in the Top 10 of the Official UK Rock Chart.
These guys are known to put on one heck of a show and we are pleased to have them infiltrate our socials for a live takeover not to be missed.
You can watch their latest single ‘Desolate’ below
Following the recent success with debut single ‘Kitchen Sinking’, Dublin’s garage/indie-rockers TV People return with their new single ‘Time Eats Up’. The track was mixed by Dan Doherty of Darklands Audio (Fontaines D.C.,Vulpynes) and mastered at Abbey Road Studios by Christian Wright (Radiohead, Blur, LCD Soundsystem)
Gyrating through jagged ethereal guitar riffs and slaughtering drum progressions ‘Time Eats Up’ presents TV People’s ambitious garage rock in all its raw relentless glory. A dreamy melody carefully swerves around trigger happy guitars and combustible drums as the band tease between laid back hazy monotony and fiery explosions. Sweet jingles on guitars playfully dance between the sulking bass and punchy drums. Paul Donohoe’s vocals trudge with a coarse texture over the smooth melody creating a moody sense of boredom as he narrates the tracks theme of solitude and isolation. The band build the song superbly allowing it to fidget and itch to its massive harsh crescendo with shrilling guitars and thrashing wall of sound. ‘Time Eats Up’ is an impressive new track from TV People. Keep an eye on these guys.
About the track lead singer Paul Donohoe explains: “I wrote the lyrics for ‘Time Eats Up’ at the tail end of a 6 month spell of unemployment. I think we really managed to capture the mixed emotions of that idle state of existence in the song. The feelings of liberation that come with sitting idle and how these conflict with the dread that time is passing you by were a huge influence in the songwriting process for us. I came to view time as a very sinister and oppressive force and we tried to get this across in the music. As the song progresses, the sounds begin to get a bit heavier and sharper. We wanted the intensity of the outro to swallow up the more melodic sounds from the song’s earlier verses as a way to convey the toxicity of that way of living.”
Blackpool alternative rock band JEKYLL have released their new EP ‘The Whispering Gallery’.The band consists of Joel Foster (vocals / guitar), Lewis Armistead (bass), Liam Singleton (drums) and Mike Spence (guitar). Jekyll hooked up with fierce panda at The Great Escape in 2018 in time for the lively, driving debut ‘Jekyll’ EP. Much of that release, as well as the ‘The Whispering Gallery’ singles, have been championed by Huw Stephens, Steve Lamacq and John Kennedy, while their summertime BBC Maida Vale session for Radio 1 was played out on the Huw, Jack Saunders and Daniel P Carter shows.
‘The Whispering Gallery’ is an ambitious collection of tracks as JEKYLL present their wonderfully embellished musicianship through a dramatic ethereal wall of sound. The band magnify their hyper alternative rock through a prism of implosive guitars, relentless bass lines and pounding drums. ‘The Whispering Gallery’ streams energetic alternative rock into a distortion filtered kaleidoscope to create sublime facets of shoegaze hues and indie pop undertones. The invigorating rush of ‘The Escapist’ kick starts the EP with a flurry of guitars ricocheting off the punchy drums as the band build a haunting crashing sound tightly entwined in an exhilarating sense of tension and mystery. With crisp vocals and climactic progression there is a Muse – esque vibe about the track. The constant jogging rhythms and western – like tonality mangled between an epic arrangement displays maturity and growth in the band. ‘I Do What I Can’ and ‘Marionette’ follow the intensity, splurging a spine chilling bass rumble over the bands bracing melodic foundation. The eerie crawling melodies and equally implosive and explosive soundscapes make each track thrilling and tantalizing to the ears as the band flesh out sublime songwriting and lushly textured songs. With shredding solos, sharp falsettos and bitter sweet tones between blistering instrumentation each track is one energetic bursting eruption after another. JEKYLL display their shoegaze swagger through ‘Echoes (Uncut)’ with crashing razor sharp guitar lacerating through a buoyant backdrop while a sweet laid back melody grooves throughout as if innocently oblivious to the perilous heavy background. The verses drift beautifully into the mighty chorus with ease allowing each blossoming instrumental burst to flourish wonderfully for the psychedelic tinged crescendo. It’s a doozy of a track that is both charming, sweet and epic all at once. The band close the EP with a sweet little gem ‘Midnight Swim’. The calmest and most delicate number on the EP. This track, sways with soft piano and subtle twinkling soundscapes. As the song unfolds the piano wisps you away in an elegant arrangement while soft tender vocals coo with passionate and supple emotion. It’s a calming and utterly time stopping piece to bring the EP to a superb and mature finale.
JEKYLL show maturity beyond their years with ‘The Whispering Gallery’. They present a sound rich with lush textures, masterful intricacies and refined majestic musicianship that is sure to revolve in your head all day and leave you in awe of their grand and dignified arrangements.
About the EP Joel Foster said: “I first got the idea for the name of the EP from a poem by Thomas Hardy called ‘In A Whispering Gallery. The poem, as I understand it, is all about whispers from an unknown source reaching you and making you believe in transcendental and / or spiritual communication. A Whispering Gallery is also what the inside of domes in cathedrals are usually called, because if you stand in them whispers carry as loud as any other sound and are clearly audible. One of the main themes of the EP is based around the idea that the relationship between people and the stars is similar to that of a whispering gallery. Many of the songs on the EP reference stars and astral nobodies: ‘Echoes’ is all about stars; ‘The Escapist’ talks about the stars watching you self-destruct and longing to save you from harm; and ‘Midnight Swim’ also references going for a swim in the moonlight – ‘where trinket stars hang upon bloated skies’ – to cleanse yourself of life’s chaos. It just felt like the most fitting title and it fits the sentimental and spiritual themes perfectly.”
Our Worth A Listen Track This Week Comes From The Killers
The Killers have released their new single ‘Caution’, taken from their forthcoming, highly-anticipated sixth studio album, ‘Imploding The Mirage’. Featured artists on the album include Lindsey Buckingham, kd lang, Weyes Blood, Adam Granduciel (War On Drugs), Blake Mills, and Lucius.
With powerful imploding instrumentation and a gripping heartfelt melody ‘Caution’ announces The Killers return through anthemic chords and fist pump might. The nostalgic melody drifts sweetly upon a bubbling backdrop of effervescent drums, shimmering synths and shredding guitars. The band find the sweet spot between previous albums – Sam’s Town’s indie edge, Battle Born’s warm country hues and Wonderful Wonderful’s disco infectiousness. Brandon Flowers’ unique powerful vocals exude tender heartwarming emotion. The track pushes through with relentless stamina and refreshing pizzazz as the rhythmic pulse and slinky guitars ooze kinetic vigor. It’s a song to empower the down beaten as the whirlwind of ethereal synths, euphoric guitars and mighty drums ignite the fighter within. With a masterful guitar solo The Killers once again knock it out of the park with ‘Caution’
Bio : Gizmo Varillas kicks off his 2020 with new single ‘Love Over Everything’. The follow-up to previous single ‘Saving Grace’, which featured an appearance from the legendary Tony Allen on drums.Response to Gizmo’s three 2019-released singles was spectacular, with plays received on BBC Radio Two (Jo Whiley), BBC 6 Music (Lauren Laverne, Chris Hawkins & Tom Robinson), BBC Radio Wales (Huw Stephens, Janice Long & Adam Walton), BBC London (Gary Crowley & Jess Iszatt), and Amazing Radio. A live sessions was recorded for BBC London (Gary Crowley), and “Out Of The Darkness” was added to the BBC Radio Wales A-List. He has surpassed 30 Million Streams, with over 13 million streams on Spotify alone (with 300,000 monthly listeners & 750,000 monthly streams).He had a sold out headline show at London Assembly in November 2019, and supported Rodrigo Y Gabriella, Jack Savoretti, and Seu Jorge, as well as making appearances at Montreux Jazz Festival, Zermatt Unplugged, Latitude Festival, The Reeperbahn Festival, and Eurosonic,
Track: Love Over Everything
Why We Like It: It’s a luscious swirling mirage of indie pop bliss as zesty guitars create an ethereal soundscape through the tight bass groove and intricate Afro-beat drums.The track twinkles and chimes with a euphoric dreamy texture. As the song blossoms it becomes more rich and wonderfully ornate. Smooth soothing vocals caress the melty melody while delicate backing vocals lull with a narcotic sweetness. ‘Love Over Everything’ is a graceful and fun number sure to charm its way onto repeat.
Talking about the track, Gizmo explains its inspiration;“Although we can’t always choose what happens to us, we can choose how we react. Choosing hate is much easier and loops back in a vicious cycle. The only way to truly heal is to choose love over everything”.
Bio : For the last two years LongDayLateNight have been attracting mass attention from the likes of BBC Introducing and This Feeling with their quirky cynical lyricism and catchy choruses. Their infamously chaotic live show has earned them a growing fanbase, taking to the stage at big name festivals such as Isle of Wight and The Great Escape Brighton.
Track: Useless Complaints
Why We Like It: This jangly indie track drifts on a bittersweet candy floss melody and intricate instrumentation. This song is irresistibly soothing and nectarous as lamenting delicate guitar meanders over a buoyant punchy drum foundation. The band blend a soft surf rock element with a do wop tonality and modern indie edge to create something quite wholesome and honest while remaining engaging and energetic.
Bio : Dublin-born singer/songwriter Robert O’Connor. Robert’s first release of 2020, ‘Older ‘20’ sees him collaborate with EDM artist Skynem GT for the second time, after the Peruvian producer won a remix contest run by Robert to remix his single “Real Good Fight” last summer.
Track: Older ‘20
Why We Like It: It’s a heartfelt number embellished with flickering electronics and suspenseful soundscapes. Robert’s warm vocals hold a country tone while the twinkling keys and wispy atmosphere create a soaring gripping quality in the track. The dazzling beats and intense brooding soundscapes provide a pulsing rush of emotion while the catchy melody drifts elegantly upon this bubbling backdrop. It’s a wholesome passionate track backed sublimely by lush intricate electronics.
Bio : Critically acclaimed Swedish/Belgian duo Victoria+Jean will return with their second album ‘UNDERDOG’ in the spring of 2020. They kick off this new decade with new single ‘Imbecile’. The song features vocals from French singer Romain Humeau.To accompany the track there is a Sebastien Alouf directed video.
Track: Imbecile
Why We Like It: This sultry track ferments and festers beneath an ominous bass line while the luring guitar weaves and coils masterfully with sweltering swagger. The duo simmer this dark brooding track sublimely as they smear sticky bubbling electronics through sinister soundscapes to create a chilling and utterly thrilling number. Victoria’s striking vocals haunt and entice as the track creeps and crawls to its powerful chorus. The band flesh out their rock n’ roll grit and swagger through the sharp jabs and slick flourishments on guitar while the persistent beat hooks the track firmly into the darkest membrane of your mind. The contrast between Romain Humeau’s gravel-rumble on vocals and Victoria’s crisp shrills makes for the most engaging listening experience.
Bio : DYAD are a high energetic post grunge/garage rock band from County Tyrone, Northern Ireland comprised of Matthew Ryan onGuitar & Vocals, Ciaran O’Kane on Drums and Peter Curry on Bass.
Track: Guilty, Not Guilty
Why We Like It: It’s a brawny blast of moody grunge rock as DYAD use heavy thick bass lines to drive the track into a gritty storm of mosh mania. The verses set the track’s sinister tone as the ominous meaty bass, slaps and weaves between the steady beat before the song erupts for the chorus. With raw guitar riffs and pummeling drums the track has a sinister quality and blood thirsty presence. There is a chilling intensity within this track that is so satisfying and edgy.The catchy melody and rasp filled vocals curdle the tracks lean mean outburst as DYAD create a blistering dark number that is sure to be epic live.
Bio : Liverpool’s The Peach Fuzz return with their new single ‘Softie’ via Skeleton Key Records/Warners.The Peach Fuzz worked once more with producer James Skelly (Blossoms, She Drew The Gun) at Liverpool’s Parr Street Studios, having also collaborated on previous singles The Outside Looking In and Pieces. The band have received strong radio support already, with BBC Radio, Radio X, and BBC Introducing championing the band, in addition to influential editorial playlist inclusions such as Spotify’s New Music Friday.
Track: Softie
Why We Like It: It’s a sweet fizzy slice of indie pop wrapped in a sweet marshmallow coating of bliss. The band present a zesty soundscape of sharp juicy guitars, shimmering vintage synths and elastic bass grooves over a buoyant spongy beat while the soft sugary melody coats this bubbling backdrop in a dreamy softness. With velvety vocals and lush backing vocals The Peach Fuzz present a wholly invigorating track to indulge in. Their up tempo and passionate electronic indie creates a rush of intensity that is just sublime while the soothing lyrics and honesty adds a refreshing edge.Described by the band as “an exhausted, teary-eyed rant that came to life when the macho bullshit became too much”, the single kicks back at conformity and stereotypes while being irresistibly catchy.
Alternative rock quartet Long and Greasy have recently released their new album ‘The Rock/Pop Show’. Formed in school during a music module, the band instantly clicked on their musical influences and began jamming and writing. Made up of members Naoise May, Elias Dempsey (guitars and vocals), Tim Sweeney (bass) and Paul Gleeson (drums), the band have a blistering, exciting and unique sound.
Drenched in slinky guitar lines, meaty rhythms and dripping in panache ‘The Rock/Pop Show’ is an unbridled collection of Long and Greasy’s infectious sound. The band shake things up a lot in the album, weaving between genres, making for a refreshing listening experience. ‘Missing Out’, Hide Your Grin’ and ‘Doubt’ are the indie rock punk flavoured back bone of the album. Jaunty guitars, vibrant drum and sublime rumbles on bass embroider the track in a dark groove rooted wall of sound while quirky vocals and smooth catchy melodies inject vibrant energy into the tracks. As well as their knack with pop melodies and catchy sing along refrains the band showcase some beautiful guitar flourishes in ‘Na Na Nah’, Lads’ and ‘Couch to Couch’. ‘Worse Off’ is the sultry gem within the album with sleek smoky guitars and dark undertones while ‘Skidmarks’ exudesa cheeky country and “Sweet Home Alabama” vibe.
The album flows with an effortless charm and bubbling texture that keeps the listener engaged. Long and Greasy manage to make every track fun and jubilant while packing in some refined instrumentation and swagger. These guys aren’t all fun and games though. The brooding guitar twinkling in ‘Climbing’ takes the mood down with the aid of whispered vocals before the band build into their psychedelic-hued chorus. This brooding number cools the EP, introducing the lofty ethereal side to the bands sound with lush harmonies and moody melodies. However the band leave the best for last with ‘Long and Greasy’. This rampant instrumental number steamrolls in on fiery riffs ricocheting off the crashing wall of sound as the drum pulverizes throughout. It’s a sticky mosh ready track which bleeds out into psychedelic lush textures and swirling dizzying soundscapes before returning to its frantic mania – its a well crafted, diverse and ever changing number and an intelligent finale for an album.
‘The Rock/Pop Show’ is an invigorating, wonderful collection of exciting tunes. Long and Greasy display a fun, refined and blistering sound with rich intricacies and sublime groovy moments.
Stream ‘The Rock/Pop Show’ below
Author : Danu
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
