Category Archives: Alt Rock

Alt Rock, indie rock, New Music, Rock

Waste ‘Run’

Stevenage, UK four-piece Waste have released their new single ‘Run’. The single is the first new material from the quartet since the release of last years track ‘Bullet’.Prior to this release the boys had already created an organic buzz online with a five track EP produced by Brit Nominated producer Tom Dalgety and a demo for the track ‘Blow’ amassing 25,000+ plays across SoundCloud & Spotify, Selling out Camden’s ‘The Fiddler’s Elbow’ (200 cap) at their EP launch, and being named as one of Subba Cultcha’s ‘Bands of the Weekend’ at Standon Calling Festival. Apart from sharing the stage on the festival circuit with bands such as Idles, The Horrors, and Slaves they have also supported Childhood and Frankie & The Heartstrings, Gold Key and losers combined with other high profile slots alongside acts such as Black Rebel Motorcycle Club, Mallory Knox, The Fratellis and The Amazons.

This fuzz-fueled slick leviathan swarms in with all its rock battering regalia as Waste mercilessly leave their stamp all over your brain. It’s a swagger soaked slithering belter as pulverizing drums, crashing guitars and sleek bass create a powerful wall of sound while the catchy melody glissades and weaves around the mammoth backdrop. It’s a heavy assault that will have a live audience headbanging until they bleed while maintaining a crisp polished exterior that is radio friendly and easy on the ears. These guys have blended the ferocity of rock with their creeping suaveness seamlessly creating a thrilling invigorating listening experience. Its meaty riffs teamed with blustery drums and precise production makes ‘Run’ one riveting tune.

Stream ‘Run’ below


Alt Rock, Indie, Indie Psychedelic, Indie Punk, indie rock, New Music, psychedelic, Punk Rock, Worth A Listen

Worth A Listen

Our Worth A Listen Track This Week Comes From GURU 

Emerging from the high-rent utopia of Brighton, indie newcomers GURU announce themselves with their irresistible take on punk in the form of debut single ‘Consumer Helpline’. The quartet comprised of Tommy Cherrill (vocals), Kieran Hunter (guitar), Ferg Belfrage (bass) and Simon ‘Danny Boy’ Daniels (drums) have already earned impressive support slots alongside Lady Bird, LIFE and Kagoule and have gained some early praise for their demos (BBC 6 Music).

‘Consumer Helpline’ is a razor sharp well executed slice of raucous punk. Its a swagger dripping fuzzy assault that goes down smooth with a sharp after-sting. Splintery guitars shred and lacerate through the rough rhythmic foundation and battering drum onslaught as the cool easy going vocals suave their way through the verses before stumbling and dramatically exclaiming over the chorus. The track whirlwinds its way into a frenzied thunderous crescendo. Their thrilling brand of psychedelic rock seeps with panache as they pulverize their powerful punk through every fibre of your being. It’s gritty, messy and coarse yet GURU slide in some really slick refined elements to create a wholly satisfying number that whooshes through with pungent adrenaline leaving you craving for more. Keep an eye out for these lads.


Stream  ‘Consumer Helpline’ below


Alt Rock, Experimental Rock, Hypnotic, Indie, Indie Psychedelic, Indie Punk, Mathy Alt-Rock, New Music, psychedelic, Punk Rock, Rock, Trance, Video Premiere

Tribal Dance ‘And Then All That Was Left Was A Physician And A Silhouette’ Video Premier

Dublin-based experimental/post-punk band Tribal Dance are set to release their video for ‘And Then All That Was Left Was A Physician And A Silhouette’ tomorrow December 5th. Tribal Dance consists of bassist and vocalist Adam Smyth, guitarist Stephen Dowling and percussionist Leo Clarke. Their debut single “Flongo” released in August 2017, sent out waves of excitement and received extremely positive reviews from music blogs and nationwide newspapers as well as national and international radio play, which contributed to a sold out single release show. The band have been showcased in Whelan’s Ones to Watch along with headlining a special Nialler9 showcase The Button Factory as well an unforgettable performance to a packed tent at KnockanStockan 2018.The band’s sophomore release ‘And Then All That Was Left Was A Physician And A Silhouette’ is set to be the first release on Bad Soup Records in December 2018, accompanied with an intense and dramatic music video, a limited edition physical release.

‘And Then All That Was Left Was A Physician And A Silhouette’ is Tribal Dance’s fierce way of dissolving your mind in their thick murky concoction of math punk with sweet little bubbles of psychedelic rock gasping beneath this suffocating brew. The tense atmosphere builds right from the start as these guys unfold each segment gently with eerie soundscapes twinkling through distorted guitars and punchy drum attacks. This acid saturated gem lures and entices with soft lulling vocals, sweet little guitar injections and a meaty rhythmic foundation. Just as the track seeps into its dreamiest delusional state Tribal Dance electrocute you back to life with a pulverising heavy finale. The fluctuation between Math mania and soothing psychedelia is masterful as Adam Smyth switches from animated screams to soft coos seamlessly while wobbly desert guitar whines between a deep groove and laid back melody. Well crafted this track consumes you entirely in the dizzying world of Tribal Dance and with musicianship this refined and messy all at once – these guys are definitely ones to keep an eye on.


Watch the video for ‘And Then All That Was Left Was A Physician And A Silhouette’ below


Alt Rock, Indie, indie rock, New Music

Runaway Hounds ‘Nightlight’

Wolverhampton’s Runaway Hounds have released their new single ‘Nightlight’. Driven by a passion to create and a love for music, twin brothers Owen (vocals/guitar) and Kent (lead guitar) Stavenuiter spent many of their school years experimenting with genres, sounds and instruments alongside classmate and close friend Dan Glover (bass). However, it was not until late 2016, with the arrival of Callum Ford (drums), that the group found their own distinguished sound and Runaway Hounds was born.In just over a year, the band have played several headline sets in venues in the West Midlands and have taken their sound across the UK, performing to crowds as far as London.Their debut single ‘Rattlesnake’,gained airplay and support from the likes of BBC Introducing along with their second single ‘Sophie’.

‘Nightlight’ is an unblemished clean track that smoulders and burns gradually into a blistering indie number. There is an intense energy behind this tack as in all of Runaway Hounds’ songs however, this number simmers steadily to its crescendo with the backdrop creating a little more space allowing each element to shine. The rumble on bass and drum tap creates a suspenseful intro before the track flourishes into its wonderful flurrying verses. Zesty guitar melodies lament and jingle above this anthemic number creating the perfect tone and ethereal experience. These glorious guitar melodies are the pinnacle of the track, they add such vibrancy and emotion that makes the song come to life in a graceful and beautiful manner while still sliding in a healthy dose of indie rawness. The chorus explodes with punchy drums, sing along ready lyrics and a fantastic bass line weaving between the crashing guitars. Runaway Hounds have clearly taken time to refine their sound. Focusing on their musicianship, they have provided a gripping wholly satisfying track that packs a mighty punch. This four piece are thriving and blossoming in their musical surroundings.

Stream ‘Nightlight’ below

 

 

 


Alt Rock, Grunge, Indie, indie rock, New Music, Rock and Roll, Worth A Listen

Worth A Listen

Our Worth A Listen Track This Week Comes From Kingdom Of Reptiles

Kingdom Of Reptiles are a Georgian and Greek Alternative/Grunge duo based in London.The band have released their debut single ‘Blue Magic Gin’ a gritty sweat and leather rock n’ roll track doused in catchy guitar riffs punchy drums and an edgy raw persona. This energetic number strides on the slapping red rawness of the slick guitar lines as it ventures cheekily between its deep grungy range and higher steamy tone effortlessly. The melody prowls over the feisty backdrop with swagger and attitude as this explosive track batters and sensually entices your ears into submission. With a shredding instrumental bridge reminiscent of The Black Keys and sleazy creepy verses weaving their way into your brain, this rock grunge infested gem is infectious, sing along ready and snappy. Keep an eye out for this duo.

Watch the video for ‘Blue Magic Gin’ below


Alt Rock, EP Review, Grunge, Grunge Pop, Indie, indie rock, New Music

DARMA ‘Gloom’ EP

The Manchester-based trio DARMA, have released their new EP ‘Gloom’. The band comprised of Harry Corbett (vocals), Lloyd Whitehead (bass), and Issac Whitehead (drums), give a new meaning to the term garage rock. The band themselves have coined the phrase “loudquietheavypop” to more accurately describe their sonic sound. Singled out by Louder Than War as one of the most energetic young bands around, DARMA have supported the likes of Primal Scream, Dinosaur Pile Up, and fellow Mancunians The 1975 and Ist Ist, DARMA have had a busy 2018, playing shows at Sound City (Liverpool), Tramlines (Sheffield) and the Manchester Apollo for Radio X. 

‘Gloom’ is a searing torpedo ready to demolish your ears in feisty dark grunge, glorious melodies and alternative rock mania. The rich blend of tracks is first rate as they slither between blissfully melodic and frenzy effortlessly to pack in something for everyone. From the first gritty strike in ‘Miasma’ something clicks. A thrilling notion that this band have something special sparks a fire in your belly as crashing guitars throttle through punchy drum whacks and raspy attitude driven vocals. Dark melodies melt with a bubbling texture into your ears as this trio surge kinetic adrenaline into each and every track.The bombarding assault of  ‘Procrasturbator’ follows. These tracks are perfect for that mosh pit frenzy as Corbett screams over a hyperactive backdrop filled with lacerating sharp guitars, rumbling bass and bombarding drums. This is one heck of a track. ‘Hey, You’ cools the tone of the EP with a melancholic sweet melody which glides mournfully over a hypnotic drum and bass rhythm while raw guitar-strikes thud throughout. Anthemic choruses are what this trio do well and this track in particular was designed for the mass sing-along live show display. Their muscular rock keeps the tracks from becoming soppy and maintains a stomp and edge to their melodic swoon. Its all blistering frenzy until ‘Interlude’ brings a chilled dreamy “breather” to the EP as twinkling guitars accompany soft vocal coos. Even during this little rest DARMA entwine some distortion at the end to keep us all alert for the ground shaking final track ‘You’re Always Right’. The moody melody lures you into the dark menacing abyss of the track until you are hooked craving for one more listen. Catchy, creepy and enticing the final track on the EP ripples with grit as guitars crunch and smash their way through a mosh ready rhythm while the endearing vocals soar and escalate as the track progresses.

Each track within ‘Gloom’ burrow’s deep into your veins with a satisfying thrilling sense of ecstasy that leaves you frothing at the mouth for more. These guys are just so good, what a debut EP. I need to see them live.

You can catch DARMA live at:

30-Nov-2018 – Jacaranda Records Phase One w/ Rival Bones + Vulture Cult

Stream ‘Gloom’ below

 


Alt Rock, Indie, New Music, Singer/Songwriter

Badhands ‘Monday Morning’

Badhands (aka Daniel Fitzpatrick) has released his debut album this week along with the video for the lead single, ‘Monday Morning’.Badhands is the musical project of Dublin songwriter and musician Dan Fitzpatrick. His recently completed debut album, entitled ‘Predictable Boy’, began as a collaboration with producer and bass player Tom Cosgrave (The Minutes), then quickly evolved in to a more expansive project with the enlistment of multi-instrumentalist Aoife Ruth, drummer Ken Mooney, and engineer Chris Barry. With a strong focus on lyrics and vocals the album explores themes such as laziness, loneliness, loss and madness. Badhands debut single ‘Waves’ was released in November 2017, and was soon followed by an impressive run of live gigs, namely a performance at the Whelan’s Ones to Watch festival, a packed headline show in The Workmans Club, and a sold out gig at Vicar Street supporting Michael McDonald.Predictable Boy marks Fitzpatrick’s first venture as a solo artist, having previously worked as a musician and songwriter for years with the likes of The Mighty Stef, The Last Tycoons, Paddy Hanna and Maud in Cahoots.

‘Monday Morning’ is a gloriously melodic number which floats upon a rich energetic backdrop of jagged guitar injections, punchy drums and an elastic rooted bass line that weaves and twirls its way into your spine making you groove and dance along. With a bitter sweet melancholic melody drizzled into your ears by Fitzpatrick’s warm raspy vocals, this track is drenched in passionate tender moments that are incredibly relatable and touching. With sombre tones perfectly contrasted against vibrant lush instrumentation, Fitzpatrick presents a wholly consuming, mature number full of gusto and honesty. His musicianship is refined, pure and brimming with opulent textures as he wavers between the darker tones of the brooding Monday monotony and the lively foot tapping energy seamlessly to create a charming little ditty that is sure to make your day better.
Badhands ‘Predictable Boy launch is at The Workman’s Club in Dublin this coming Saturday, November 17th make sure to check it out. More live dates below

November 16th – Bennigans, Derry
November 17th – The Workmans Club, Dublin
November 22nd – The Roisin Dubh, Galway
November 24th – Broken Home, Newbridge
December 7th – Pharmacia, Limerick
Plus More TBA

Watch the video for ‘Monday Morning’ below

 


Alt Rock, Indie, Indie Buddie Introducing, indie rock, New Music, Punk Rock

Indie Buddie Introducing : doops

Reading based three piece doops have released their second single ‘Laika’.The band comprised of Andrew Bingham (Guitar, Vocals), Chris Crouch (Drums) & Luke Connor (Bass)  have already supported the likes of ‘Touts’, ‘King Nun’ and ‘Saint Agnes’.They have also played packed slots at Are You Listening Festival, Readipop & Oxjam along with a sold out release show for their debut single ‘GUSHROOM’ at the Monto Water Rats in Kings X.

‘Laika’ is an abrasive, raw gash of alternative rock at its most blistering, mind dissolving best. These guys whack out this hyperactive number as it travels at a brisk speed ready for a brawl and jam packed with shrilling guitar distortion and a snappy exhilarating rhythm. Coming in at a short 1 minute and 25 seconds, this song is one pure concoction, distilled to its finest dizzying dosage. The punk attitude is doused on top of raw guitar lacerations. Heavy, meaty beats push the track into your head with a thrilling, bashing force while spacey acid fizzling riffs keep everything at a dynamic high. The rapid lyrics spit through the frenzied soundscapes with an effortless ease as the track builds to a paralyzing guitar solo. These guys have a fresh penetrating sound that is sure to drive your blood pressure to the roof in the most invigorating way.

Stream ‘Laika’ below

 


Alt Rock, Alt- Pop, Indie, Indie Pop, indie rock, New Music

KAVES ‘Serotonin’

Norwich four piece alternative rock band KAVES have released their new single ‘Serotonin’. KAVES were formed in Norwich in June 2017 after attending a Black Peaks and YONAKA show. Their debut single ’27’ was released on 24th November 2017. The band’s debut live show at The Waterfront in Norwich on 7th December 2017 was a sell out. The tongue in cheek video for the single received 2500 views via Facebook in 2 days, and the song itself got played 2 weeks running on BBC Introducing in Norfolk.

‘Serotonin’ is a catchy shuffle and bounce of indie rock filled with intricate guitar twinkles and punchy funk flavoured rhythms. Caitlin Mapes’ charming vocals ooze charisma and warm tones which melt upon the vibrant melody. It’s a buoyant gem that flickers light springy vibes between slinky guitar lines and a sublime bass groove. Lush backing vocals and perfectly placed instrumentation provides glorious little bursts that keep this song refreshing. This track is a compact tasty number from this four piece.

Stream ‘Serotonin’ below

 


Alt Rock, Indie, indie rock, New Music

Edited People ‘Feel My Skin’

Edited People have released their debut single ‘Feel My Skin’. The band consists of four members Alisha Vickers (Vocals), Josh Ellinor (Guitar), Thomas Whitaker (Bass) and Laura Bentley (Drums) pioneering a new-wave of Alternative music. Their sound is reminiscent of 90’s rock mixed with modern, heavier flavours.

‘Feel My Skin’ is a moody slap of adrenaline fueled alternative rock. The track revolves around gritty guitar lacerations through a punchy slap of drums while elastic bass rumbles set a flexible foundation. Alisha Vickers’ vocals are laced in rich varied tones as she wails, howls and coo’s sweetly between the rough and tumble backdrop. There is no denying the powerful command she has over her vocals and it is this that wrestles your ears into submission. Brimming with attitude this track creeps in filled with dark mystery before pummeling right into its heavy mosh ready core. The verses create a steamy enticing sense of danger as twinkling guitars weave between a steady beat while the chorus wallops out the meaty raw side of this new band. It’s sophisticated and enthralling as Edited People have developed their sound into a no nonsense, full flavoured spectacle. Keep an eye on these guys.

You can catch Edited People live at

27th December supporting Hands off Gretel at the Old School House Venue in Barnsley

Friday 8th February – single launch #2 at Record Junkee in Sheffield with support from Desensitised and Hazel

Stream ‘Feel My Skin’ below