Christian Berghoff and Sebastian Haas are two lifelong friends from Saarbrucken, Germany who back in 2007 formed the band Pretty Lightning. The duo tick off a long list of influences from 60s psych and delta blues through to krautrock and drone and the end-product is a heavy dose of raw, twisted psychedelic-blues.The two-piece have two highly-praised LPs behind them and have now released their new album ‘The Rhythm Of Ooze on Fuzz Club Records. ‘This Machine Is Running’ is the perfect example of what this duo have to offer.This relentlessly dizzying track is a constant assault to the senses of bewildering hallucinogenic soundscapes that melt your mind in a blissful woozy staggeringly striking blast of psychedelia. An entrapping stomping rhythm pumps adrenaline through your veins while fuzzed out guitars add a disoriented daze and thrilling labyrinth to wander through, its lushly mesmerising yet darkly eerie. Reverb vocals echo throughout creating a hazy soothing effect to the rushing surge of instrumentation. The perplexing invasion of your mind only slows down in pace to submerge you in a swirling whirlpool of deranged meandering keys. It’s an enthralling stupefying heavy dose of psychedelic rock. A trip you won’t return from quite the same again.
Deep Sky Objects are a three-piece alternative-rock band originally from Kerry. The band members include brothers Kevin O’Brien (lead vocals, guitar), Thomas O’Brien (drums and backing vocals) and DD Foley (bass guitar and backing vocals). The trio have released their new self titled EP which has been featured on Today FM’s ‘Ed’s Songs of Praise’, Spin South West’s ‘Spin-Alt’ and many other stations throughout the country.
‘Deep Sky Objects’ is a five track EP of alternative anthemic whizzers. With biting guitars and fierce bass lines that penetrate through each track with a thrilling ground shaking bloodthirstiness these guys have whacked out a sublime EP where each track holds its own and is epic in its own right. Opener ‘This City’s At War’ explodes with fist pump fury and breezy ice braking might. The guitars are sharp, sublime and melodic while the laid-back vocals glide along the infectious melancholic melty melody. The soaring ‘Bones’ follows blustery guitars and elevated vocals give the track an aerial vibe and take the track to towering heights. Oozing passion with mini explosive bursts for the choruses this track is chilling with eerie tones lying beneath a blanket of breath-taking instrumentation. ‘Desire’ fleshes out the trio’s swagger soaked grittier side. A hair raising sensual dark bass line runs rampant all over this track and it’s awesome. A force to be reckoned with, dominant in all its glory. Punchy mosh worthy drums add fire and rage to this grimy ominous track while a shredding guitar solo scorches with such steamy slickness it burns all in its path. ‘See You When It’s Over’ returns to the peppy lighter indie rock sound. It is catchy with a bouncy rhythm that rebounds and slaps off the melody with playful animation hiding the sinister piercing guitar shrills and mysterious vocals. ’Crazy New Addiction’ brings us to the end of the EP the best way Deep Sky Objects can with a fantastic bass line that grabs your ears and seeps inside holding you captive to its infectious groove. Dark and luring this track crawls and creeps under your skin with chilling goosebump inducing instrumentation. The guitars simmer and scald with razor sharp stings while a body grooving rhythm obtains an uncontrollable danceable hold on the listener.
Deep Sky Objects are a band to watch out for. Each track is engaging, thrilling and well crafted. It’s a meaty well produced collection of tracks that is laser-focused on doing the simple things to perfection and boy do they excel. The choruses are catchy and the hooks will rattle around your head for days. These guys know what they are doing and it’s pretty impressive.
South West London three-piece rock band Dirty Orange have released their scorching new EP ‘X.X.X’. The band comprised of members George Wilkins (guitar/ lead vox), Scott Thompson (bass), and Connor O’Shea (drums & BV) have created a collection of tracks that are so fiery, raw and gritty it demolishes all in its path. The staggeringly swagger soaked ‘Time And Again’ kicks off the EP with its driving guitar strikes and gripping scuzzy attitude. Its rock and roll stained infectious melody is so catchy and slick it slithers its way into your brain refusing to leave. Featuring a steamy guitar solo this track steamrolls in in a true grimy rock and roll kick ass fashion. ‘Dancing With The Gypsy’ follows with an Arctic Monkeys ‘Teddy Picker’- esque riff and punchy drums belting throughout pounding your skull and forcing you to mosh. With gravelly vocals and a catchy chorus, it’s another infectious fierce assault of Dirty Orange’s strut worthy panache driven rock. ‘I Don’t Mind’ follows. Another slick killer that exudes effortlessly cool sweat and leather swagger. Final track ‘Council Estate’ is a neck snapping tune, rapid lyrics glide along instrumental jabbing and a razor sharp jaunty riff. Another attitude drenched track that ensures the EP goes out as rapid, boisterous and accelerated as possible.
Keep and eye out for Dirty Orange these guys ooze swagger and attitude with tunes that seep slick fierce vapour so hot it will scald you.
Delphina Kings will release their new single ‘Electric’ tomorrow December 1st. Recorded in and around Manchester and produced by the band themselves, the track is a cocktail of everything they have learned whilst working with producers Sugar House (Pale Waves, Viola Beach) on previous releases. Delphina Kings play an angular brand of indie rock, combining the fuzzy energy of Blur and the singalong hooks of The Hunna. Formed in 2017, the combination of a barista, a baker and a university dropout landed a feature on E4’s Made in Chelsea with their first single. They have also shared the stage with Razorlight and Starsailor.
‘Electric’ is a kinetic blistering indie rock track that instantly pumps dynamic energy into your bloodstream. Stinging guitars pierce with a thrilling sharpness through peppy punchy drums and infectious melody. The swirling soundscapes create a dizzying blast of euphoria as each distorted note surges with electricity. It’s an adrenaline inducing, sizzling indie rock anthem that is radio ready sing along friendly and invigorating to listen to.
Toxic Radios are an indie/garage rock outfit based in part in Glasgow and North Lanarkshire. The four piece have played at venues such as O2 ABC, Broadcast and The Record Factory to name a few and have now released their debut EP ‘Face The Tide’. This three track EP is an infectious whack of garage rock meets indie pop. First track ‘I Can’t Turn It Around Tonight’ is a catchy snappy indie flavoured number. With sharp crashing guitars and punchy drums, they display their fierce no nonsense garage instrumentation. The smooth indie pop melody contrasts the smashing instrumentation creating a likable easy to listen to track. ’Lone Wolf’ once again blasts with razor sharp aggressive guitars backed by a breakneck pounding rhythm. The elastic rumble on bass gives a rich depth and rooted back bone that holds the track together. Its energetic and mosh pit ready. ‘These Wires’ is the last track on the EP. Melodic stings on guitar create a breezy vibe and a vibrant illumination. An impressive debut EP. These guys have talent with all the right components to make a solid EP. They have a bit more polishing off and refining to do but once they do they will be unstoppable. I reckon to really appreciate this quartet and to experience all the luscious melodies backed by pounding instrumentation you need to see them live.
The Franklys have released their new single ‘Keeper’. Comprised of two members from Sweden and two from England, The Franklys have created something unique, commonly described by themselves as “frenetic garage rock with heavy and psychedelic overtones”. The band have built a reputation for themselves as one of the most exciting live bands on the London circuit and beyond with relentless touring across the UK, Europe and America the past couple of years. They are best known for being a band that can’t be pigeonholed, and have proved that by making festival appearances at both Isle of Wight 2015, Download Festival 2016 and Rebellion Festival 2017.The latest single to be released off their debut album ‘Are You Listening?’ is the fourth track ‘Keeper’. It’s a dark gritty number consumed in a dominating drum and bass combo that is chilling, haunting and enticing. This lures you ominously into the mysterious shadowed verse. Jennifer Ahlkvist’s vocals begin with an eerie whisper and build to spine chilling howls. The track progresses slowly creeping from crawly darkened rock to an upbeat indie chorus. Brawny guitar riffs hook you in while the crashing cymbals teamed with the psychedelic swirling melody traps you in the mesmerising chorus – mind boggled and entranced. It’s a sinister hair raising thick concoction of dire seduction and a thrilling listen.
Carnivals are a home-grown talent from South East London, Cal Green (Lead Vocals/Guitar), Joe Hannen (Guitar/Synth), George Brimble (Bass/Vox) and Harry Wood (Drums/Vox) came together in 2015 after musical party antics turned into dynamic jamming sessions and inspired song writing. The band have recently released their debut single ‘Leave It All Behind’. Immersed in hallucinogenic 60’s and 70’s retro-psych this track is a slick blistering blast of euphoria. With stinging strides on guitar and punchy drums creating a thrilling piercing wall of sound for the dizzying synths to rebound off it’s a wobbly mirage of bliss. The liquefying almost misty melody evaporates off the scorching humid instrumentation while Green’s vocals effortlessly coo with a laid back hazy tone. This track is both cool, dewy and sizzling hot all at once. It’s a smashing debut from the four piece. Keep an eye out for Carnivals.
Wicklow’s, Look to the Lady will be releasing their new EP ‘Delirium’ this Wednesday 22nd of November along with a launch show in The Workman’s Club, Dublin. Look to the Lady are a hard-hitting Alternative Rock/Indie band with powerful female vocals at the forefront of their guitar driven sound. Formed in 2012, they have graced many stages including the Button Factory, the Workmans Club and most recently Whelans for Whelans’ Ones to Watch Festival. The band have achieved success with their 2014 EP ‘Mechanical Lights’ as well as with their two most recent singles ‘My Name’ and ‘Distant Waves’. The EP was recorded on a week long escape to Portlaoise in 2016.
‘Delirium’ is an ambitious smashing blast of moody alternative rock complete with powerful vocals and crashing instrumentation. ‘Sixteen’ kicks off the EP with gritty guitars slamming against punchy drums while Kelly Bolger’s hearty vocals exude potency and might. It’s catchy and powerful with a shredding guitar solo and rock and roll swagger. ‘My Name’ which we previously featured on Indie Buddie follows. This track is highly passionate and emotive as Bolger’s vocals soar with an angelic tone through the darkly hued instrumentation. Crunching guitars stride through the track with a heavy thick rhythm and dynamic bass slaps. This haunting song is both chilling and exciting as it propels into the powerful chorus. It’s tightly crafted and impressively arranged. ‘Halo Halo’ follows taking on the role of the tender ballad. A lighter blend of twinkling guitars and a soft beat accompanies the verses while the chorus takes on a heavier anguish fueled instrumentation. ‘Fantasy’ shows off some slick sharp guitar work flickering between pummeling soundscapes while harsher vocals scream and wail between dizzying guitars. Though not as catchy as the other tracks on the EP it’s feisty and fierce and a force to be reckoned with. At times these guys have a Linkin Park- esque vibe to them as they play around with a similar style of anguish pop. ‘Take Me Somewhere’ brings us to the end of the EP, with its sway like tempo and jangly guitar the track flurries and swooshes beneath a dark mysterious atmosphere. This is the lightest track on the EP. It showcases a more mature elegant and graceful display from the band. With an Evanescence feel and slick musicianship the track builds a little to a melodic guitar solo which has an anthemic fist pump ready vibe. Once again Bolger’s vocals are sublime as she delivers a knock out performance full of emotion and depth.
‘Delirium’ is a sophisticated collection of tracks scrupulously crafted and tightly bound creating the perfect blend of elegance almost theatrical indie meets ominously dark rock. The instrumental drama is high key and the melodies are catchy, its heavy and energetic all the way through creating the perfect headbanging moments. Another mighty step in the bands progression.
Say The Word are an Alt Rock band from Nottingham, England. Formed in late 2014 the band are currently working with independent label Sound-Hub records. Having gigged all over Nottingham in venues such as Rescue Rooms, The Bodega and Rock city, they are looking to make their mark on the music scene. They begin this adventure with new single ‘Toe The Line’ which is released today. It’s a feisty punk pop track and a crisp clean display from the four piece. Elastic slapping on bass teamed with punchy rumble on drums and slick guitar licks create the mighty blow to the head sound of Say The Word. Emotive vocals and a catchy riff to start, it does exactly what pop punk should – gets your foot tapping, pumps energy through you and echoes in your head for days. The brief chant in backing vocals tastefully placed in the chorus adds a multi texture and energy to the track. The sing along chorus is arena worthy and the production is radio ready. It’s a weighty track from Say The Word.
Flatlands are an indie pop four piece from Oxford. They combine the melodic world of modern British indie with the dance punk vibes of West Coast USA. The bands first foray onto the UK music scene in 2016 saw the band achieve support slots for Yonaka, Redfaces, Rhys Lewis, Rews and Neon Waltz. Early 2017 saw the release of their debut E.P, with support from BBC Introducing followed by a sold-out headline show. Having signed to New Level Management, Flatlands have been invited to play for Sofar Sounds Winchester and Oxford, played festival slots at, amongst others, Cornbury and Riverside. The band have now released their new single ‘Friday Night’ today. This indie pop banger is catchy, vibrant and bursting with good vibes. Bright sharp guitars playfully entwines with the infectious melody and snappy punchy drums. Featuring thrilling guitar wails and smooth sometimes screaming vocals, it’s a scorching blistering indie track. This song exudes oodles of fiery energy and charisma with rapid lyrics it’s a buzzing rush of adrenaline. It’s one for the lively mania of the mosh pit while the crowd bellow out the infectious lyrics joyously. Well crafted it’s crisp, edgy and meticulously layered creating a wholly satisfying listen. Perfect for Friday night antics.
Watch the video for ‘Friday Night’ below
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
