Category Archives: Blues

Alt Rock, Blues, Blues Rock, Indie, Indie Blues, indie rock, New Music

Eoin ‘Chalk & Cheese’

Cork singer songwriter Eoin has released his new single ‘Chalk & Cheese’.The track is the first single off his upcoming album, ‘Reverie’.He has played headline slots in venues like DeBarra’s Folk Club and The Poor Relation as well as support slots in the Crane Lane and Roisin Dubh.

‘Chalk & Cheese’ is a smoky glide of blues rock that boasts the slick clean musicianship of Eoin. The verses smoulder with simmering twinkles on guitar and a foot tapping beat while Eoin’s raspy warm vocals exude passion and soul in every note. The track erupts into the fiery chorus which sees the guitars become more dominant and sharp as the drums pummel and pound. Eoin builds this track perfectly as he teases through the verses creating intensity with each section before the massive crescendo. It’s a refined, thrilling number that scalds and burns with exhilarating passion and charm.

Stream ‘Chalk & Cheese’ below


Blues, Blues Rock, Funk, Funk and Soul, Indie, Indie Blues, indie rock, New Music

Barefoot Magicians ‘I’m Hooked’ and ‘It’s All Take’

Barefoot Magicians have released two new juicy singles ‘I’m Hooked and ‘It’s All Take’ which were recorded in Hellfire studios. Forming in early 2017 after a recording session In Dublin’s prestigious Windmill Lane Studios Barefoot Magicians comprise of Dave Greene (Vox/ Harmonica), Graham Stewart (Guitar), Fergal Mulligan (Bass), Brian Steemers (Drums/Percussion) and Hugh Caren (Piano/keys. The band dedicates itself to writing and performing original material based around a high energy blues funk groove, or as producer Alwyn Walker formerly of Westland Studios called it, “A Post Blues Groove”.

‘I’m Hooked’ and ‘It’s All Take’ are a dynamic funk/blues slapped duo made for wiggling and dancing to. These guys are instrumental pros as they blend out their delicious sounds to create a rich wholly satisfying listening experience

‘I’m Hooked’ brings a 70’s disco flavour to the bands groovy sound as the elastic bass wiggles and weaves its way through a feet shuffling foundation while jazz sprinkled piano and suave guitars slide and playfully dance between the strutting beat and swanky soundscape.It’s an animated rich track that showcase’s the meticulous instrumental refinement that goes into this bands tunes. This infectious track cools for a sultry guitar solo that builds the tempo for the hyper crescendo. With glorious harmonica injections and raspy vocals it’s one panache soaked, sing along ready tune.

‘It’s All Take’ is another groove infested number that bounces along sweet guitar melodies, rooted bass lines and an energetic rhythm. Catchy with a vibrant instrumental backdrop – this track travels with an energetic tempo. With elegant piano, delightful blasts of harmonica and expressive vocals it’s another swagger soaked track that is sure to have you strutting around like a dizzy peacock.

There are sublime guitar moments that weave an enticing golden thread of sweet delight through these tracks and that is the bait that gets you hooked on Barefoot Magicians tasty home brewed sound.

The band are set to release their new singles in Sin É on March 8th make sure to check them out

Stream ‘I’m Hooked and ‘It’s All Take’ below


Album Review, Blues, Folk, Folk and Soul, Indie, New Music

Magpie Diaries ‘Sanctuary’ Album

Country/folk group Magpie Diaries have released their long-awaited 11-track debut album ‘Sanctuary’ via Dashville. Originating in Hunter Valley, Australia, singer-songwriter Matt “Magpie” Johnston unassumingly founded Magpie Diaries as a coping mechanism for the loss of a dear friend, channeling his grief into the band’s signature brand of smooth alternative country music, bolstered by a tinge of folk and psychedelic rock straight out of the 70s. Motivated to continue this musical journey, Johnston set to work on the songs, recording Sanctuary with producer Matt Sherrod (Crowded House, Beck, William Crighton), over the next 3 years. Alongside his own musical endeavours, Magpie hosts a festival in his family property once a year. The festival titled The Gum Ball started over 10 years ago and today brings in crowds from around the world.
‘Sanctuary’ is a laid back mellow collection of tracks that melt gloriously into the ears creating a rich easy listening experience. The tracks swoon and glide about melancholic tones and dreamy vibes. Opening track ‘Beat Myself Up’ creates the swaying calm atmosphere with warm raspy vocals, lush harmonies and bittersweet guitar twangs. The guitar melodies in the tracks creates a sweet euphoric tone throughout the album from pining laments to steamy whines in ‘Irresistable Pie’ – the guitars flood each track with rich and varied characters. The album ranges from the upbeat soulful folky tones of ‘When Love Comes, ’10 Honey’ and ‘Beetroot’ to the tender ‘Strawberries & Cream’ and ‘If You’re Hurting’.When Magpie Diaries wants to lull you into a dreamy melancholic country toned stupor they do it superbly with sweet lyrics, beautiful melodies and soft passionate instrumentation and when they want to add a dash of shimmying vibrancy the shift is seamless and joyous without ruining the easy going mood of the album. The foot tapping infectious ‘Mumma’s Right’ and the delicate emotional ‘This Spring’ show this perfectly. The shift in tone is refreshing yet subtle. ‘Wastin’ Time’ thuds in on a darker tone as a stomping beat backs a sultry bluesy guitar and luring mysterious atmosphere. The brass elements through the album are simply sublime and lace each track with a juicy sultry persona. The raw ‘Don’t Give Up’ closes the album on an emotional vibe as glistening keys twinkle softly between strong guitar chords and lush vocals. It’s a passionate bruised end to the album that hits you hard in the chest and pulls at those heart strings. It’s a comforting track that gives hope and motivation in difficult times.

‘Sanctuary’ blends, churns and glides through a multitude of emotions from sensual, melancholic to cheery effortlessly while creating the perfect relaxed atmosphere to submerge yourself in.

Magpie Diaries will support the release of Sanctuary with 4 shows at the prestigious Woodford Folk Festival over New Years, along with an Australian East Coast tour throughout January – March. More information can be found on their socials here https://www.facebook.com/magpiediaries/

 

Stream ‘Sanctuary’ below

 


Blues, Indie, Indie Blues, Indie Soul, New Music, Soul

Cavey ‘About To Start’

London’s alt/rock band Cavey have released their new single ‘About To Start’ produced by Blaenavon’s Frank Wright.The four-piece consists of Luke Cave (Guitar, Vocals), Alexander Chalstrey (Piano, Organ, Rhodes), Chun-Ting “Refa” Wang (Upright Bass, Bass guitar) and Adrian Ortman (Drums). The band combines classic sounds and inventive songwriting to create their own brand of soulful, contemporary rock’n’roll.

‘About To Start’ is a bluesy, soul ballad which focuses on the unfulfilling side of life as a musician. This passionate number swoons and pines over blues drenched guitar laments, jazz jangles on piano and a staggering drowsy rhythmic backbone. There is  a vintage classic posture in this track as it glides with finesse and elegance, oozing a maturity and richness that is to be admired. Cavey have crafted this track beautifully as twinkling piano elements gracefully hop and bounce between wistful pines on guitar while Luke Cave mourns and coos passionately over this rich, vibrant and captivating backdrop. Filled with warm tones and sensual textures from the elastic bass lines this steamy, weepy track is a whisky soaked sob of emotional perfection.

Stream ‘About To Start’ below  

https://soundcloud.com/caveyband/about-to-start

 

 


Alt Rock, Blues, Blues Rock, EP Review, indie rock, New Music, Rock, Rock and Roll

We Three Kings ‘Fire’ EP

We Three Kings are a three piece blues-rock band based in Manchester UK, made up of Rich on vocals and guitar, Paul on bass and Pete on drums. Describing their sound as an original blend of rock, blues, fuzz and noise, they have been compared to bands including Rival Sons, Royal Blood and The Black Keys, with a riff-driven guitar-heavy sound reminiscent of Deap Vally, Wolfmother and The White Stripes. An experienced and high-energy live act with a massive sound. The trio have recently released their second five-track EP of new and original work titled ‘FIRE’.

‘Fire’ is a blazing five track EP asphyxiated in gritty meaty riffs and pummelling drums. Each track is a shamelessly melodic rock monster locked and loaded with enough angst, fury and infectious grooves to have you moshing and dancing in no time. ‘Sound Of The Radio’ kicks off the rough and tumble EP as their slick heavy sound stampedes in with frenzy inducing mania.‘The Barrel’ and ‘Bright Lights Of The City’ blast out heavy riffs which are laced in sensual grooves which hit through like a nail gun to the eardrum while ruthless drums savagely batter you around the head at neck snapping speeds. It’s a bloodthirsty assault and an invigorating listen. Swagger soaked vocals exude attitude into the tracks while the infectious choruses make sure these tunes aren’t leaving your head anytime soon. This trio don’t give you time to rest they whack out adrenaline surging energy track after track. ‘Uncontrollable Squeal’ continues this frenzy – bluesy and steamy with kick ass riffs that are sure to have a live audience in a dizzying moshing mess. It’s slick and cool with a bass line that holds a brawny yet elastic foundation for the hefty guitar to rebound off. ‘Invisible Man’ brings us to the end of the EP leaving you thirsty for more. It’s pumped, powerful yet extremely buoyant. The snappy rhythm is guaranteed to raise your blood pressure while a shredding guitar solo will have you on your knees doing air guitar.

‘Fire’ is a bold intensely sharp and rowdy EP from We Three Kings. It’s a speed shot of riff driven rock that is sure to be epic live.

Stream ‘Fire’ below


Album Review, Blues, Indie Blues, Indie Folk, New Music

The Small Change Diaries ‘Lullabies for Cynics’ Album

After forming back in 2014 and since releasing both a debut album and EP, The Small Change Diaries are all set to release their second album ‘Lullabies for Cynics’, which will be available from 3rd November. The release will be celebrated with a launch gig set to take place at Sunny Bank Mills on its release date. Their debut album ‘Adam Blames Eve’ received critical acclaim from the likes of BBC Introducing and thus far, the tracks ‘Huggie Crying Thing’ and ‘I Know What You’re Saying’ from the new album have been played on BBC Introducing Leeds, giving them a promising start. With a rich variation of instruments, The Small Change Diaries create poetic, acoustic songs with thought provoking lyrics and a heartfelt delivery. Similar to their previous EP ‘Protest Songs’, their latest album ‘Lullabies for Cynics’ was inspired by world events in the past 18 months. Described by the collective themselves as ‘music for the head and heart’, various tracks touch on specific affairs such as the Paris attack and changes in US politics, leaving the listener with a lot to think about. The album also features some stellar international musicians, including Laurent Zeller from France, and Phil Doleman, both who have decades of musical experience. It was recorded over a 12 month period and has been a labour of love for the 4-piece.

At first glance ‘Lullabies for Cynics’ has a warm fuzzy glow that maybe we all need sometimes. From the title track ‘Hold On’ this four piece sweep us with a deluge of lush rich instrumentation emitting bright radiant vibes and warm tones. Opulent sweet melodies teamed with beautiful harmonies and bouncy light rhythms create a boppy sound that wraps you up in a cosy blanket shielding you from the harshness of the world. I don’t think you can get a more glowing peppy track than ‘Huggy Cryin’ Thing’. It’s light, catchy, warm and soothing. Oozing oodles of cheery vibes. I’m usually the cynical person and for sure not a morning person but I think if I was a morning person i’d wake up singing this song while the sun shone on me and the birds tweeted. It sets the scene for cheery perfect idealism. It has a sweet quality to cheer anyone up. ‘I Know What Your’re Saying’ with its foot tapping tone and  ‘Kicking Down Doors’ with its guitar twangs, jagged tempo and waltz injections take a slower melancholic tone. They are a little more sombre and honest. With tracks like the sparkling  ‘Not One Of Us’ and the darker swing of ‘Voodood Doll (feat.Phil Doleman)’ it’s like this four piece create their own little world which has a soft positive first impression but dig a little deeper and it’s a little more dark. Gently shaking percussion and snug strings create a cosy atmosphere though the lyrics are a lot more striking and harsh than the dreamy instrumental illusion. The four piece take their hand to blues with ‘Slow News Day’. Drenched in lazy hazy vibes with sublime bluesy drizzled horns and stroke tap beat it has a classy curvy easy going tempo with a murky story behind it. ‘Lullaby’ closes the album on a soothing note. Basically they sing us a lullaby before adding a bright refreshing little wake up burst about 1 minute and 30 seconds in. It sparkles and glows with pacifying gentleness and hopefulness.

‘Lullabies for Cynics’ is pretty much exactly what it says on the tin. The Small Change Diaries create a peppy fantasy world with folk, blues, gospel-style arrangements all while conveying the candied truth through their politically challenging lyrics. At a first listen it’s just camp fire sway ready lollipops and rainbows tunes but at the root there is depth there. Perhaps candy coating the harshness for us a little.

After performing at both UK and overseas festivals over the duration of the summer, The Small Change Diaries are now ready to settle back in the UK to promote their album, starting with their album launch gig on 3rd November 2017 at Sunny Bank Mills. Information about further upcoming live dates can be found on their social media pages here

Watch the video for the track  ‘Birdman’ below


Blues, Indie, New Music

Miles Horn ‘Slow Motion’

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Miles Horn is a talented and multifaceted composer and singer from London. His musical expression covers a wide spectrum of styles from stripped back acoustic ballads to full on anthemic belters. Horn has released his debut EP ‘Slow Motion’ this month on which he has played lead guitar, piano and vocals on all of his recordings. The EP was predominantly self-recorded in various front rooms and bedrooms across London with the finishing touches and mixing carried out at Resident Studios. The final mastering was done at Abbey Road Studios by Frank Arkwright who has worked with Blur and The Smiths. ‘Slow Motion’ shows us Horn’s blend of soul-rock and blues, the five tracks venture through themes of lost love and the frustration of youth, all coloured by haunting vocal harmonies and heartfelt guitar riffs.
The opening track ‘Walking in The Park’ stirs us with the bluntness of lyrics like “I just want to be loved, is that such a crime?”, all wrapped in the warmth of Miles’ Grandfather’s Hammond Organ. Though the lyrics are melancholy and full of wistfulness the bright guitar glows and adds vibrancy to the track that gives it a chirpy feel. This contrast teamed with Horns smooth deep vocals adds a rich warm texture and acts as a comforting blanket soothing you from the emotional sombre lyrics. The title track ‘Slow Motion’ gives us a sway – like tender sound sprinkled with some sensual bluesy seasoning. With velvety vocals and the haunting ethereal echoes of the backing vocals to start, portraying a delicate moment. The track builds to a restrained yet unleashed sultry guitar solo. This track showcases Horns steamy bluesy style and fantastic guitar skills. ‘All Gone Quiet On The Western Front’ explores the vacuous pain of a lost love, this theme is portrayed perfectly and tenderly with vibrato on cello and sweet lull on backing vocals. The hard hitting instrumental with sharp shredding guitar and punchy steady drums adds dramatic emotion. The guitar seems to pine the loss as it wails and almost evokes the pain of the heartache. This track is Horn wearing his heart on his sleeve and presenting us with raw emotion. The fourth track, ‘Something Beautiful’, opens with Horn’s vocals accompanied by a beautiful Ben Howard-esque finger picking, very gentle and delicate with faint subtle and dainty backing vocals. We are lead into a catchy singalong chorus that exudes class and panache and radiates sunshine and a heavenly glow. Finally, the EP closes with ‘Lately’ a beautifully arranged piano led ballad gently brushed by the tasteful tone of bluesy licks. Horns vocals are emotion filled and passionate. The luscious melody is blissful and beautiful with tear jerking sombre tones. Its a simple track with warm tones and sweet piano that eases you to the end of the “Slow Motion’ journey.
Miles Horn will be performing at various London venues this Autumn. His next showcase will be at the iconic venue The Bedford in Balham (which has nurtured the likes of Paolo Nutini and Ed Sheeran) on Monday 7th November 2016.
Stream ‘Slow Motion’ below

https://soundcloud.com/mileshorn/sets/slow-motion-ep

Alt Rock, Blues, Blues Rock, Classic Rock, Indie, indie rock, New Music

BaDow ‘Hot Headed Machine’

BaDow are a Blues/Rock band from the South Coast of England. Fronted by Jodie Amos (Drums & Vocals) with Sam Morris on Guitar & Vocals and Bradley McGinty on Bass & Vocals. BaDow bring us the release of their second EP ‘Hot Headed Machine’. Title track ‘Hot Headed Machine’ kicks the EP off with a sizzling slick bluesy swagger. The fuzzed scuzzy bass and blazing guitar add a sensual elastic quality to the track while Amos’ vocal are clear cut with attitude and sass. This track is smooth and saucy with grit and brawn brought in by the punchy drums and vigorous guitars. ‘Poor Young Man ‘ gives us a heavier rock mosh worthy sound to start. It becomes more sensual and groovy for the elastic verse with a hip swaying dirty bass. The track becomes more energetic for the explosive chorus. The melody is infectious as the repetitive bridge holds tension until the dynamic crescendo. This track exudes steamy swagger and strut quality. ‘Wasted On Me’ pounds a steady beat to start, with a light guitar feature and lush backing vocals. Amos’ vocals for this track take a gentle emotional approach. The chorus once again builds up BaDow’s rock sound as they give us a burst of robust instrumentation which subsides for the verses. This track features a fantastic shredding guitar solo and really gives the guitar time to shine as it smashes it in an insane lengthy display of polished slick lustrous licks. The sleek ‘Freedom Of The Night’ finishes the EP with smooth sensual bluesy rock. The zesty guitar riff and flexible sultry bass teamed with powerful drums and a catchy melody makes this track a strong ending for the EP.
BaDow ‘Hot Headed Machine’ gives us their rendition of smooth, steamy, gritty classic blues rock and sizzling melodies.
Stream ‘Hot Headed Machine’ below

Blues, Blues Rock, Garage Blues, Garage Rock, Hypnotic, Indie, Indie Blues, indie rock, New Music, psychedelic, Rock, Trance

Val Cale ‘Two People In The Dark’

val cale

Val Cale are a Garage Blues band from Leeds. The band consists of members Tom Lister (Lead Vocals / Lead Guitar), Henry Smith (Rhythm Guitar / Backing Vocals), Shafiq Dufrene (Bass Guitar / Keys / Backing Vocals) and Sam Hamer (Drums / Backing Vocals). The band has quickly made progress through the Leeds city gig scene, and is gaining a reputation for enthralling, atmospheric and groovy live performances. They claim their music is “capable of reducing the listeners mind to the creamy texture of a head of stout” and they are absolutely right.
‘Two People In The Dark’ gives us a taste of what we can expect from their upcoming debut EP ‘Blackstuff’ which is set for release this September. Its a deep dark swirling concoction of gritty blues and rock with a dash of psychedelia. ‘Two People In The Dark’ introduces itself with a massive attention grabbing dirty blues riff. The track becomes more sensual and luring with an elastic bass that adds an enticing lustful quality and burning desire feel to the track. While Lister’s vocals are raspy and emotion filled adding to the longing tone. The drums keep a flexible tempting beat that teases the listener as we wait for the massive crescendo. The shredding guitar solo adds that touch of psychedelia as it screeches with powerful distortion and is performed with slick proficient and nimble skill.
‘Two People In The Dark’ shows Val Cale’s skillful musicianship, looking forward to their EP.
These guys are ones to watch.
Stream ‘Two People In The Dark’ below

Alt Rock, Blues, Blues Rock, Hypnotic, Indie, indie rock, New Music, psychedelic, Rock

Fighting Caravans ‘Blue Heart Motel’

 

Fighting Caravans are an alternative rock band from Leeds. Band members Daniel Clark (Lead Vocals), Roff James (Guitar), Cinnamon Lees (Bass), Ali Fletcher (Guitar) and Joshua Hagzenberg (Drums) released their debut EP ‘Beasts Of England’ in 2015, which was promoted alongside a UK and EU tour, earning strong local and international acclaim. The quintet have already played at Live At Leeds, Liverpool Sound City and Tramlines and they will start work on their second EP in the autumn, alongside additional tours of the UK and Europe in association with Sofar Sounds.
Fighting Caravans released a new single ‘Blue Heart Motel’ earlier this year. Its is a dark mysterious track to start with deep eerie vocals and ghostly backing vocals. The drums are steady and give a “marching of the dead” feel. The track becomes more funky with elastic bluesy bass and smooth sensual guitars. The song builds into a psychedelic trip with screeching guitars and dynamic haunting vocals that create an aching longing atmosphere. The spiralling narcotic effect builds for the crescendo creating an intoxicated confused atmosphere with a shredding guitar solo. The intense vocals teamed with the ghostly backing vocals that echo and wail will give you goosebumps. ‘Blue Heart Motel’ is an eerie haunting psychedelic trip hybridised with gritty rock and embroidered with funky bluesy elements.
You can catch Fighting Caravans live at:
Aug 26 Leeds Festival Leeds, United Kingdom
Aug 28 Reading Festival,Reading, United Kingdom
Sep 06 Bar Bloc, Glasgow, United Kingdom
Sep 07 Secret Show, Liverpool, United Kingdom
Sep 09 Rising Sun Arts Centre, Reading, United Kingdom
Sep 10 Brudenell Social Club (Games Room),Headingley, United Kingdom
Sep 11 Blues Bar, Harrogate, United Kingdom
Sep 23 The Magnet, Liverpool, United Kingdom
Sep 24 The Underground, Bradford, United Kingdom
Sep 28 Dog & Parrot, Newcastle Upon Tyne, United Kingdom
Sep 30 FAC251 Manchester, United Kingdom
Oct 01 The Rocking Chair, Sheffield, Uk
Oct 14 Cafe De Speeltuin,Breda, Netherlands
Oct 15 Huize Spoorloos, Emmen, Netherlands
Oct 16 Secret Show, Frankfurt Am Main, Germany
Oct 17 The Waterhole Amsterdam, Netherlands
Oct 18 Dorett Bar,Mainz, Germany
Oct 20 Secret Show, Frankfurt Am Main, Germany
Oct 21 Subway to Peter, Chemnitz, Germany
Oct 24 Roxy, Prague, Czech Republic
Stream ‘Blue Heart Motel’ below