Critically acclaimed American singer, songwriter, multi-instrumentalist and producer Ryan Egan has released his new single ‘Alone For the Last Time’.The song is the second single off Ryan Egan’s debut LP Soft Power which is due out April 8, 2022. The song was produced by Egan and Kevin Basko (Foxygen, Rubber Band Gun). This arrives shortly after the album’s debut single ‘Weeknights’ generated immense buzz, with features including Spotify’s New Music Friday.
‘Alone For the Last Time’ is a brooding slow-burner that boasts the silken, chic sound of Eagan. The song builds superbly, its laid back atmosphere and lush swooning soundscapes are filled with saxophone pines, washes of synths and sharp guitars while Eagan’s soft croons create a tender and soothing tone throughout. The track is a joy to listen to and is a fine example of Ryan Egan’s exquisite musicianship. Blending elements of psychedelia with lo-fi indie, dream pop and 70’s embellishments ‘Alone For the Last Time’ is a bittersweet anthem to immerse yourself in and enjoy.
Following his summer trance anthem ‘Save You’, Robert O’Connor returns with a brand new single ‘Been & Gone’.Produced by Gareth Shortland (Steps, Will Young), ‘Been & Gone’ is a break- up anthem that Robert wrote in “ten minutes flat” on his coffee break at work.
‘Been & Gone’ is a sweet electronic pop tune that highlights O’Connors emotional and refined musicianship. O’Connor balances elements of lounge disco with shimmering pop to create a lonely dance tune brimming with passion and chiming synths. Filled with icy keys and pulsing beats, ‘Been & Gone’ is a suspenseful sombre ditty saturated in bright electronics and ethereal sonic embellishments. The tune is pristinely crafted and exudes elegance, while the melody creates a melancholic undertone that emanates from every note.
California-based indie electro-pop act Margot Polo has released his new single, ‘it’s my birthday.’ This sweet tune is a quirky, witty and melodically lush display from Margot Polo. Blending slide guitar with a dreamy melody and buoyant beat, Margot Polo creates a glorious tune for listeners to enjoy. His smooth vocals croon through 50’s-esque doo-wop harmonies while warm acoustic guitar exudes a folk-like hue. There is something compelling and joyful about this tune as jangly percussion and carefree, fun lyrics maintain a sing-along charm throughout “Honey, I try so hard to make believe, I’m only 27, can’t you see?, I ain’t goin’ gray, But baby, my back aches”. It’s the perfect birthday song – true, honest and wonderfully nostalgic. Love it.
About the track, Margot Polo said: “Crazy story about this song: On the morning of my last birthday, October 14th, 2020, I woke up from a dream in which I was around a campfire with all my close friends and family–including my great-grandma, who had passed away just some years ago–and we were all singing the chorus melody of this song. Entirely from this dream, I had almost the whole song: melodies, production, arrangement, entirely laid out for me in my head. “
Noah Elliott has released his new single ‘Who Takes The Prize’. The Oregon native amassed 500k Spotify listens after releasing a string of self-produced singles created in his college dorm room. After graduating from the University of Miami and wandering around Asia for 6 months, Elliott moved to LA. There, he teamed up with Dylan Bauld (Halsey, Bea Miller, flor) to create his debut EP ‘Songs For The Optimist’. ‘Who Takes The Prize’ is the 5th single off the record.
‘Who Takes The Prize’ is a dark alternative pop tune lathered in rich electronics and infectious dance vibes. Elliott’s smooth vocals croon over intricate rhythms and push-pull electronic effects that venture into EDM and house elements at times. With lush synths weaving between bittersweet melodies, Elliott displays his engaging and catchy musicianship through this shadowy yet enticing gem. Elliott has a knack for creating infectious melodies and wrapping them in dense textures and tones to create eargasmic tunes that are sure to have you bopping and dancing in no time, and ‘Who Takes The Prize’ is the perfect example of this.
About the track, Elliott explains: “When I listen to this track, I can’t stop myself from dancing. I hope it has the same effect on you.”
Sion Hill has released his new single ‘No Way Back From Your Love’ with Norwegian DJ/Producer MYXE. ‘No Way Back From Your Love’ was originally written in London in 2020 by Sion Hill (Nate Johnston) & Louis Ryan for piano and voice and was intended for someone else to sing, but when MYXE heard Johnston’s vocal, he loved it so much that he decided to keep it in. Sion Hill has teamed up with acclaimed MYXE to build on the success of his recent singles ‘Fuel Kids’, ‘Last Minute’ and ‘Speak Up’ (which have a combined 4.5m streams on Spotify alone, not to mention his debut album, ‘Elephant’) that garnered significant success across radio and digital streaming platforms. MYXE has had several releases with well known labels in the industry, and has streamed to platinum on his release “Breaking All The Rules”.
‘No Way Back From Your Love’ blends Sion Hill’s bright and charming songwriting with the infectious house sound of MYXE. This catchy ditty drifts through a buoyant beat, crisp production and sun-kissed soundscapes to create a bright dance-infused banger for listeners to indulge in. Hill’s knack with earworm melodies and irresistible hooks forms the track’s backbone and highlights the songs masterful production – the tune sparks into life with a finger-clicking rhythm ready to coax you to the dance floor before ethereal synths open up to provide a lush backdrop to Hill’s unmistakable velvety vocal. With mellow guitar, whistle feature and sing-along chorus, this sun-soaked ditty is a delightful carefree tune sure to brighten your day.
Speaking of the single Sion Hill said: “He sent me back the mix and when I heard it I was like – wow, this is a banger. It works. Let’s roll with it. The song talks about getting too deep into a relationship with someone without realising it. The song’s lyrics were inspired by the Beatles’ – ‘All You Need Is Love,’ by playing on the idea of – if you can envision something, then it is not impossible: “There’s nothing you can do that can’t be done, Nothing you can sing that can’t be sung.”
Irish dance-pop artist Slaney has released her new single ‘All I Want’. Her track ‘Love Is Like A Drug’ was included on Spotify New Music Friday UK and received extensive radio and press support which led to her been snapped up by super live agent Sol Parker at Paradigm ( Billie Eilish / Take That etc ) for worldwide representation. Slaney is also a very talented actress and recently appeared in the BAFTA nominated hit TV show Normal People and a new Apple TV show Foundation.
‘All I Want’ is a shimmering dance-pop tune that continues Slaney’s run of irresistibly infectious tunes. A dreamy light melody is glazed with her smooth vocal coos and drifts sweetly into the ears while a bubbling dance-infused backdrop maintains a tantalising bounce and edge throughout. Slaney’s sweet melodies create a lulling effect on the listener’s senses as she ventures into a 90’s – esque dance soundscape that exudes soft swirling synths and luring electronic pulses. Blending a thumping bassline into the hazy backdrop, Slaney showcases a summer bop that is sure to be stuck in your head for days. Love it.
Singer-songwriter, spoken word artist Elina Filice has released a new single in celebration of Pride Month (June), ‘Let’s Get Lost’. The dance-pop anthem celebrates the coming out experience and getting lost to find yourself. Elina hopes the song can help those struggling to come to terms with who they are, as well as all of those on the lifelong journey away from shame and into love and pride. The single was recorded in Elina’s home studio and produced by Viscose.
Doused in sunkissed melodies and bright instrumentation, Elina Filice presents a shimmering pop anthem with ‘Let’s Get Lost’. The song continues Filice’s collection of irresistible earworms as the artist ventures into a more synth-pop sound for this new tune. This track is a fresh, and glittering gem with warm guitars creating a balmy hue over rich rhythms and disco grooves. Filice coos, “let’s get lost a little, cos I wanna be yours a little” over jaunty guitars and soaring synths as the compelling lyrics mirror the song’s energetic and liberating backdrop – perfectly enhanced by the bubbling verses bursting at the seams with vigor and adrenaline. ‘Let’s Get Lost’ is a sublime display of musicianship from Elina Filice. Press play and enjoy.
About the track, Filice says, “This song was written while reflecting on my own coming out experience. It’s such a unique and painful time, and those first feelings of queer love are so transformative. After dating the wrong gender you’re finally feeling something that feels right to you, things you’ve never felt for another person. At the exact same time you’re realizing who you are. It really is finding yourself through loving someone else, which is why for the queer identity, who we love and who we are are inextricably intertwined.”
Multi-instrumentalist and songwriter Neil Dexter has launched his solo career and released his debut single, ‘Loving You.’ A founding member of defunct indie-rock quintet Spies, and active contributor to Tandem Felix and Royal Yellow, Dexter’s experiences playing with these acts have broadened his sonic palette and informed his artistry today.
Dexter presents a richly textured prismatic wall of sound within ‘Loving You’ that builds to become one infectious groove-laden bop. The song pivots around an insatiable groove as a pounding beat and bass direct the song’s flow. Dexter layers shimmering synths, clapping rhythms and melodic electronics atop heavy grooves to create a kaleidoscopic 80’s synth-pop backdrop blended with elements of 90s techno-pop. This lush array of textures is a joy to the senses as Dexter’s mesmerising vocal anchors the listener within the song’s ever-growing and immersive soundscape. There is a dark undertone crawling through the track. This is reinforced by Dexter’s deep vocals and haunting wisps on electronics which contrasts the lustrous production and synths, while the lyrics explore the guilt that often comes from not being more present for your partner “I should have spent more time loving you.”
‘Loving You’ is an exciting glimpse into the vast tantalising sound of Neil Dexter, and I, for one, am looking forward to what the artist has in store for us next.
KinetiX have released their new single ‘White Oil…’. The track is the third single released by the Offaly trio (consisting of brothers Arthur, Theodore, and Ademar Stones), ‘White Oil…’ is a drum and bass rallying call by KinetiX for listeners to retake the initiative within their lives.Before KinetiX formed in 2017, the trio started out as traditional musicians to great success, winning 23 All-Ireland at various Fleadh Cheoil na nÉireann competitions, as well as appearing on The Late Late Toy Show in 2010. Prior to KinetiX Arthur would go on to form Ruaile Buaile, which would release two studio albums, extensively tour North America, Europe, the UAE, and New Zealand. As KinetiX, the trio work out of their studio in Offaly, having previously worked in Diffusion Lab Studios alongside producers Chris Bubenzer and Marcin Ciszczon. The trio plan to release up to a dozen singles before the end of 2021, while continuing to perform gigs via live stream, with the aim of returning to physical gigs at the first opportunity ahead of the 2022 festival season.
‘White Oil…’ is a luscious pop anthem doused in the intricate production and sparkling electronic pop of KinetiX. The trio spread a dreamy melody over a driving drum and bass backdrop to create an energetic and irresistible bop for listeners to enjoy. The track oozes feel-good vibes as KinetiX swirl ethereal electronics through the bubbling backdrop to create light and airy elements throughout. With muggy verses that dissolve into the explosive and radiant chorus, ‘White Oil..’ is a well crafted and bright gem, ready for repeat summer plays.
A by-product of the ongoing pandemic, ‘White Oil…’ lyrically tries to look beyond this unprecedented period and encourages listeners not only to maintain connections with people but to use the easing of lockdown restrictions as a launchpad to start living in a way that makes life worthwhile: “We are trying to convey a simple message in this song…it’s time to open up your arms again and let people in. If you have had any negative thoughts or were being hard on yourself for the last few months, it is time to let that all go and start living your life again…get out there and start living your life for you.”
‘Queen’ is the brand-new single from Dublin bedroom-pop act Jacqueline Kennedy. The track is written, performed and produced by Kennedy and features vocals from Cork rapper Darce.
Jacqueline Kennedy made waves when she was the winner of the 2020 TilT Development deal with Sound Training Productions and 98fm’s Totally Irish. Now the Dublin producer and artist is ready to add her name to growing ranks of Female Irish pop acts, forging their own way.
Filled with R&B tones and a hypnotic soundscapes, ‘Queen’ is a confident, laid back tune from Jacqueline Kennedy. The song deals with the idea that anyone can be royalty against the backdrop of a changing society and this theme is expressed through Kennedy’s crisp production, knack for earworm melodies and sleek lofi musicianship. The artist sprinkles twinkling synths into a pool of ethereal electronics to create a chilled luring atmosphere while her soulful soothing vocals caress the smooth melody. As the track progresses the soundscape becomes lush with supple layers and samples, greatly enhanced by Darce’s punchy rhymes which pierce the hypnotic backdrop with a verse of intense potent lyrics. ‘Queen’ is a fine example of Kennedy’s blossoming and enticing sound. Looking forward to hearing more from this artist.
Stream ‘Queen’ below
Author : Danu
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
