Category Archives: Electronic

Ten Fé ‘Twist Your Arm’

London-based duo Ten Fé have released their new single ‘Twist Your Arm’ which was produced by Ewan Pearson (Jagwar Ma, M83, The Rapture). It is a taste of whats to come from their upcoming debut album ‘Hit The Light’ which is due out February 3rd. Ben Moorhouse and Leo Duncan have already given us the acclaimed singles ‘Make Me Better’, ‘In The Air’, ‘Elodie’ and ‘Turn’ which accumulated over 6 million streams on Spotify. ‘Twist Your Arm’ is a relaxed bouncy pop track with trippy swirling electronics chilled with breezy natural tones and soaked in effortlessly cool funky swagger. Your heart skips a beat in time with the pulsating punchy beat as the melody sweeps you up into a fluffy cloud of psychedelic bliss. This deeply yearning track twirls with loose floaty ecstasy while pulling you into its depths with the propulsive strong beat and elastic bass. The funky guitar adds an infectious groove and energetic refreshing lift to the track while the velvety smooth vocals soothe and coo with hair raisingly creamy richness and lush falsetto in the chorus. The track builds to a massive Gospel like crescendo that compels you to sing along and sway back and forth clapping along.
Each track Ten Fé have released brings something new to the table displaying fine musicianship and diversity. Their debut album ‘Hit The Light’ is going to be one satisfying feast of juicy tunes that will brighten up 2017.
Stream ‘Twist Your Arm’ below

https://soundcloud.com/tenfemusic/twist-your-arm

RÉN ‘Give It All Up’

RÉN (pronounced rain) is an Indie Pop artist from Brooklyn, New York. RÉN is making waves with her thought provoking tracks which are fresh in perspective. She showed us her wisdom through groovy indie in her debut single ‘Time’, followed by her single ‘Into the Unknown’ which is about escape and a much-needed reminder to let go of those aspects of life you will never have control over. These tracks embodied the core concept of RÉN – live fully, ‘let go’ of everything holding you back, and go ‘Into the Unknown’. When performing live lead singer Renée Orshan is joined by her Von Trap like family with brother Reuben Orshan on lead Guitar and sister Eden Orshan on background vocals.
RÉN has released her new single ‘Give It All Up’ which is bursting with an exploding release of optimism and acceptance. Saturated in infectious dance beats and shimmering synths this track exudes sunny radiant vibes from its very essence. With tropical juicy elements its a fruity cocktail of realisation that gently coaxes you into recognising your feelings and emotions. The sun soaked atmosphere fills you with elation and exhilaration. Its a rush of positivity with Renée’s vocals softly cooing and lulling you with soothing warm tones. The track is surrounded with cool airy fresh vibes that swish and swirl like a gentle breeze blowing away all the tension leaving you relaxed and ready to dance, while the synths rain down on you sprinkling joy and uplifting tones. Richly layered with zest and luscious textures dripping from every note its a shimmery delight to relish and savour. This pulsing pop track will have you up and dancing around the room looking forward to summer in no time. RÉN is one to watch.
Stream ‘Give It All Up’ below

https://soundcloud.com/renmusicpage/give-it-all-up

Arro Jones ‘Middle of the Night’ EP

Originally from Huddersfield, now based in Manchester Arro Jones has released his debut EP ‘Middle of the Night’. After playing countless gigs in a duo for a couple of years Arro decided to write and produce some solo stuff at the start of 2016 and this EP is the start, with a lot more promised to come at the start of next year.
‘Middle of the Night’ is a mellow EP that captures the darkened shadowy atmosphere eerie tones and sensual quality that night time can inflict. Lit with flickering candle light this EP can be romantic and passionate however lying underneath are glimpses or flickers with darker haunting undertones. The sensually smooth ‘Fever’ kicks things off with a luring sway and steamy groove. Arro’s velvety vocals glide through the track with a boneless elegance that screams charm and be-witchery. Cushion bounce on percussion keeps the track light and fluffy while the zesty sting of guitar adds a refreshing breeze to the sticky clammy wispy track. Careful this track will swallow you up in its dark mesmerising spell of allurement. Title track ‘Middle Of The Night’ presents itself with an R&B feel, spoken vocals add attitude while the instrumentation swirls around with a misty opaque vibe keeping the vocals as the main attention and highlighting the lyrics. The whack beat gives a solid to focus on while the track sweeps and swirls in a hypnotic mind easing manner leaving you feeling relaxed and nonchalant. ‘Great Northern Street’ brightens the atmosphere a little. Its like cruising down a street with the soft illumination of the street lights flickering into the car as you pass each one. Soft backing vocals lull and sooth while Arro’s main vocals are whispery- smooth for the chorus and rap-like for the verse. The addition of warm sweet toned guitar gives the track a cosy feel which takes the chill out of the night time vibe. ‘One’ is a tender romantic dewy track. Soft whisper on dreamy vocals caress and sigh with a sombre yet hopeful hushed tone. Delicate instrumentation compliments and highlights the dainty track. Building into an echo-like uplifting atmosphere its delivery is more redolent of midnight-hour longing and emotional pain and wistfulness. ‘Give’ closes the EP with a positive vibe smothered in a dark sticky atmosphere. Thick gluey beat drips and drizzles with airy breezy instrumentation teamed with breathy haunting reverb vocals and catchy melody. Each track runs fluidly into one another while still maintaining their own identity and summing up the middle of the night perfectly.
Arrow Jones plans on a follow up called ‘Twilight’ which is currently in the making, and promises to be a slightly different vibe. So look out for that.
Stream ‘Middle of the Night’ below

https://soundcloud.com/arrojones/sets/middle-of-the-night-ep

Temples of Youth ‘Divide’

Temples of Youth are an upcoming electronic duo from Winchester, UK. Paul Gumma and Jo Carson began working on their live set in December 2015, with the desire to bring their music to the stage with a limited number of hands, Jo on percussion and Paul on guitar, utilising samplers and effects to recreate their sound. Their ever growing emotive body of work has attracted the attention of BBC Introducing, and the pair were invited in for live sessions for BBC Introducing South and BBC Introducing Solent. Their first track ‘Enso’, was selected by Steve Lamacq for airplay on his BBC6 Radio Show and their third track, ‘Dunes’, was played by Huw Stephens on BBC Radio 1. The duo were named ‘Ones to Watch in 2016’ by the Selector Radio Show – part of the British Music Council and were also nominated for a Best of British Unsigned award.
Temples of Youth have just released their new single ‘Divide’ which displays some truly compelling stuff. Its majestic and beautifully magical with a twinkling of ambient synth and sparkling shimmering guitar this track sets a wonderfully mysterious and enchanting scene with glittering instrumentation like morning due. Delicately presented Temples of Youth effortlessly ease you into their elegant soundscape. Dark undertones give depth and mystery to the track like ‘Divide’ appears to hold a treasure within its core, unveiling secrets as the track progresses into glimmering perfection. The warm powerful vocals take the limelight with soothing depth and strength as the melody flows with grace and fluidity highlighting and enhancing the vocals.
Stream ‘Divide’ below

https://soundcloud.com/templesofyouth/divide

Rayne ‘Subject A’

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Sunderland based indie, electro ,alt rock outfit Rayne have released their latest single ‘Subject A’ which is taken from their highly anticipated ‘Complex By Design’ album. With well over one year hidden away in the recording studio, Rayne members Ben Potts (Vox/Bass), Adam Dagg (Guitar/Synths) and Steve Naisbet (Drums) are committed to unearthing their very best material to date.
‘Subject A’ is an elevated guitar driven anthem with an epic fist pumping arrangement and soaring vocals that can make you feel like you can do anything. Intensifying synth grooves and dynamic guitars create a massive , galvanic experience that will knock you for six. Blood pumping drums rushes like an elastic speed ball and teamed with the emotional compelling vocals leaves you breathless in a whirlwind rush of swirling soaring musicianship. Its a cool, airy, energetic rapture rock anthem drizzled with dark undertones and mighty walloping hooks.
Rayne will be announcing the full album release details and UK live dates in coming weeks so look out for that. In the meantime stream ‘Subject A’ below

The Fin.’Through The Deep’ Remix EP

Japanese masters of shimmering ethereal pop, The Fin. have announced an exclusive remix EP, featuring versions remixed by The Field, Ten Fé and All We Are. The ‘Through The Deep’ remix EP features four adventurous reworkings of tracks from their ocean-inspired dream-pop nugget ‘Through The Deep’ which was released in the summer. The remix EP will also serve as a key component of the launch of Spotify in Japan. Hailing from the vibrant Japanese port city of Kobe, The Fin. elected to temporarily relocate to England’s equally bustling capital in autumn 2016 to explore the impact that life in London might bring to bear on their new material. Having signed to Lost In The Manor Records the previous year, the band’s growing renown on these shores has led to a surge of media interest and prime headline slots such as this year’s Great Escape Festival. The Fin. have performed before thousands of rapturous fans at major Japanese festivals including Fuji Rock, Rising Sun and Viva La Rock. Not content with such acclaim in one country alone, Yuto Uchino (vocals and synths), Ryosuke Odagaki (guitar), Takayasu Taguchi (bass) and Kaoru Nakazawa (drums) set their sights worldwide and in 2015 embarked on a major tour of the US, which included a performance at SXSW, before signing to Lost In The Manor and releasing their debut UK EP, ‘Night Time’.
All We Are step up to the plate first with their exceptional rework of ‘Anchorless Ship’. Guro and Luis convert the sparse funk of the original into a haunting cut of anthemic techno, upping the tempo, bottoming out the bass end and decorating the track with dissonant acid stabs. True to All We Are’s psych-disco leanings, their ‘Anchorless Ship’ evolves into a second act with a ferocious tribal edge, and psychedelic stinging acid trip that livens up the original dream pop and introduces an invitation to dance that can’t be refused.
London’s blissful electro-indie pairing Ten Fé follow next artfully crafting their mix around the melodic synth washes of The Fin.’s 60-second ‘Heat’, originally the track shimmers with a chillwave and beautiful ocean lit glittering synths. Ten Fé expand the groove via a punchy bassline set to a motorik pulse, adding a kick and edge to the track. Phasing the original sine-wave oscillations and warping frontman Yuto’s vocal into an alien drawl. This singular piece of extra-terrestrial kraut-funk builds to a euphoric climax, as horn stabs and sustained harmonics add colour to an irresistible clubland vibe.
Stockholm-born, Berlin-based ambient techno producer Axel Willner, aka The Field, transcends the rapturous dream-pop of the EP’s title track ‘Through The Deep ‘ with an extraordinary 12-minute canvas of electro-minimalism. A hypnotic raga for our time, ‘Through The Deep’ here becomes an unusual jewel of rich, breathy experimentalism, almost imperceptibly peaking and trudging along luring and drawing you onto its mesmerising sonic path.
Finally ‘White Breath’ a remix by The Fin.’s vocalist Yuto Uchino takes us to the end of our psychedelic trance with soft electronic waves weaving and swirling in a blissful mind-bending kaleidoscope. Removing the delicate vocals of the original and becoming completely consumed in thick electronic experimental psychedelia. Beautiful warm tones on guitar give us a strong melody to hold onto keeping us afloat from the pulling and swirling abyss of the track.
The ‘Through The Deep’ remix EP is a Pandora box delight, full of mesmerising waves of synths interweaving and washing with acid elements and sonic depths with reverb weighty guitars on top of blissful melodies. The guys did a fantastic job with the remixes however I will say check out the originals first, you will fall in love with them and will only then appreciate the true talent of The Fin. and the effort and craft that went into creating the remixes.

Stream both the original and the ‘Through The Deep’ remix EP below

Fauna Twin ‘Edge Of The Coin’

Fauna Twin are Parisian singer-songwriter Claire Jacquemard Ginsberg (leader of Hippies Vs Ghosts) and North Wales’ Owain Ginsberg (We Are Animal). They have released their single ‘Edge Of The Coin’ which is taken from their debut ‘The Hydra’ EP. Beginning with a dramatic chilling and eerie hair raisingly thrilling vibe, the track grabs your attention. It develops into a lightening strike of groovy beats and bouncy spirited synths. Swirling sonic waves interweave between playful melodies and rapid weighty textures on percussion creating a twirling euphoric surge of energy and blissful psychedelia. Jacquemard’s smooth soothing vocals lull you into a hypnotic stupor. The track coils and curls building to a dynamic crescendo with soaring vocals and bursting with energy. ‘Edge Of The Coin’ is infectiously catchy you will want to put it on repeat, dance and sway to its luring seductively rich sound and dynamic bounce and energy.
Steam ‘Edge Of The Coin’ below

Baum Jr. ‘When I Grow Up’

Hailing from Manchester, Baum Jr. is a newly emerging musician with an aptitude for creating catchy electro songs with edgier vocals. He has a background in rock and describes his newly-invented genre as ‘Next-Gen 8-bit’, calling upon influence from film scores and game soundtracks of the 1980’s. His debut single ‘When I Grow Up’ was released in October and is a re-imagination of a Garbage song, the popular American-Scottish alternative rock outfit founded in the mid 90’s. Baum Jr.’s rendition of the track boasts some restructuring and sonic shifts. In lieu of Garbage’s alternative rock stylings from 1998, Baum Jr. has opted for an electronic pop landscape that’s infused with his signature ‘8-bit’ sound. It is elegantly contemporary while wholly retro.
‘When I Grow Up’ is an electronic composition bursting with thick gooey synths that bleep and bloop with bombastic acoustic drums that create a dramatic backdrop for the anthem-like chorus. With an eerie spacey electronic vibe created by the darkened shimmering synths and elastic bounce and rumble beat Baum Jr. gives us a dramatic swirling electronically bubbling punchy track that seems a little subdued by the tactful, edgy vocals. Baum Jr. has rebuilt Garbage’s song from the ground up utilising a new key and style while effortlessly showcasing his complicated, structured music.

Stream ‘When I Grow Up’ below

Heez ‘Codependent’ EP

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Heez has released his EP ‘Codependent’ its a five track meandering labyrinth of intricate electronics churning with dark tones and poetic lyrics. Previously featured on Indie Buddie ‘Dancing’ kicks off the EP with its snappy beat, interweaving electronics and shadowy atmospheres. The heavy hearted vocals add emotion to the track while the rap adds rhythm and gives an edge. The quick synth-stabs which are a recurring feature in Heez’s EP give the track an elastic bendable quality while providing a strong sharp whack beat that has a trance effect. ‘The XX Makes Me Sad’ which we also featured this year is a deep rooted flex wave track that is sticky and muggy in thick slap beats and punchy electronics. The haunting lull of backing vocals give a subtle ghostly wailing effect to the track as if they groan and moan with anguish conveying the depression and sorrow of the track. ‘Cold Soul’ follows with distorted spoken vocals and simple accompaniment drawing the listeners attention to the lyrics. The slight echo and “wah wah” vibration to start has a psychedelic vibe. A strong beat enters giving something solid to hold onto before you slip into a trance. ‘Must Be Love’ brightens the tone of the EP with a catchy pop melody for the chorus. Rap vocals brings an R&B feel while the soft instrumentation has a feathery feel and cheery vibe which contrasts the entire EP up to now and showcases Heez can do happy but his way. ‘Sunday’ is a slick sensual light at the end of the dark swirling psychedelic black vortex tunnel that was the first half of the ‘Codependent’ EP. Filling us with hope for the future and optimism. Its a daydream of hazy sunshine with a hint of reggae thrown in and a brighter glimpse of that whack beat teamed with razor shape edgy guitar and strums from a  warm mellow acoustic guitar.
Stream the ‘Codependent’ EP below

https://soundcloud.com/heezdepaula/sets/codependent

Robert Loud ‘Intentional’

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Robert Loud is the electro solo-project from Robert Connolly (lead guitar/vocalist of Fictionist). He has released his first track ‘Intentional’ from his forthcoming EP set for release early 2017. The track features guest vocals by Janessa Smith (Goldmyth). ‘Intentional’ creates a room-shaking body grooving dance-music moment with a heavy electronic beat, driving and orbiting swirling synths with sweet vocal melodies. Having distorted vocals and tropical undertones this track will get you on your feet and dancing like a Daft Punk robot. Easing us into the sound to start, Robert Loud lures us with infectious beats and honeyed melodies. Once you are drawn in queue the swirling hypnotic elements contrasting heavy fuzzed psychedelia and your trapped in a hazy concoction of electronic pop and edgy indie that commands you to dance.
Stream ‘Intentional’ below