Brisbane indie-pop band LHD are back with their new single ‘Growing Up’. This shimmering indie-pop gem showcases LHD’s eargasmic, nostalgic sound in all its glory. The band injects intricate percussion and buoyant beats into a radiant synth backdrop to create a bubbling, ethereal atmosphere filled with lush harmonies and balmy guitar riffs. Intense brooding verses give way to dreamy melodies and humid soundscapes while velvety vocals frankly express the tracks motivational theme “raise the figurative middle finger to those people who judge you”. LHD have meticulously crafted this tune. Their skilful use of pacing, glorious melodies, and surging instrumentation makes LHD a band to keep an eye on. Boasting an uplifting chorus with passion bursting from every note, ‘Growing Up’ is a fresh guzzle of indie-pop that leaves you craving for more.
About the track the band said “Growing Up” raises the figurative middle finger to those people in your life that always seem to have an opinion about what you are or aren’t doing, and love to criticise others. Although this is the case, the song is ultimately motivational, and listeners will find it brings a message of hope and a confidence in staying true to yourself, despite what others think.”
Arthur Valentine has released his debut EP ‘Splitscreen’.Taking its cues from 90s arcade classics like Daytona USA, a Splitscreen video game was used to create the EP’s artwork, and is available for download to coincide with the EP’s release.
Doused in chilled R&B and speckles of soul, ‘Splitscreen’ is Arthur Valentine’s ambitious debut. The level of production on this EP is masterful and well thought out. From gentle guitar glimmering through lush washes of electronics in ‘Track 3’ to the sun-kissed tones, bubbling percussion and airy synths in ‘Dream About You’, the EP surges with lush arrangements and glorious mellow tones. With each subsequent listen, a new melodic embellishment, guitar flurry or percussive peppering is unveiled as Valentine takes his laid back sound to exciting new heights. Even the brooding ‘CHOKER’ unfolds into a treasure of doo-whop -esque melodies, heavy electronics, and biting voice samples as Valentine showcases his fusion of hip hop hued R&B.
Each track holds its own within the EP with Valentine’s immaculate and smooth vocal delivery tying everything together. His voice croons over velvety melodies in ‘Rainbow Road’ with a soft, soulful tone creating a relaxed evening atmosphere while using autotune backing vocals to add a bite and graceful shift in texture. The subtle contrasts and embellishments within the track are an absolute joy to experience again and again.
‘Splitcreen’ concludes with ‘Ministry Of Happiness’ – the most lush tune on the EP. Valentine infuses sensual jazz elements with R&B before a cinematic crescendo elevates the song enhanced by tropical hues and soft whistle moments of joy. This rosy-hued tune is an absolute delight and a fantastic finale to this special EP.
‘Splitscreen’ is an emotive and utterly compelling body of work. Arthur Valentine is a talented artist and one to keep an eye on.
Multi-instrumentalist and songwriter Neil Dexter has launched his solo career and released his debut single, ‘Loving You.’ A founding member of defunct indie-rock quintet Spies, and active contributor to Tandem Felix and Royal Yellow, Dexter’s experiences playing with these acts have broadened his sonic palette and informed his artistry today.
Dexter presents a richly textured prismatic wall of sound within ‘Loving You’ that builds to become one infectious groove-laden bop. The song pivots around an insatiable groove as a pounding beat and bass direct the song’s flow. Dexter layers shimmering synths, clapping rhythms and melodic electronics atop heavy grooves to create a kaleidoscopic 80’s synth-pop backdrop blended with elements of 90s techno-pop. This lush array of textures is a joy to the senses as Dexter’s mesmerising vocal anchors the listener within the song’s ever-growing and immersive soundscape. There is a dark undertone crawling through the track. This is reinforced by Dexter’s deep vocals and haunting wisps on electronics which contrasts the lustrous production and synths, while the lyrics explore the guilt that often comes from not being more present for your partner “I should have spent more time loving you.”
‘Loving You’ is an exciting glimpse into the vast tantalising sound of Neil Dexter, and I, for one, am looking forward to what the artist has in store for us next.
Irish electro-pop artist Slaney has released her new single, ‘Love Is Like A Drug’. The song follows the release of her previous single ‘Chameleon’, which dropped in February and picked up excellent radio and press support in Ireland and the UK.
‘Love Is Like A Drug’ is a refreshing guzzle of electronic pop that bubbles with the infectious musicianship of Slaney. She spreads ethereal electronics over a sticky beat creating a muggy and dance-infused backdrop for her sweet vocals to coo over. There is a beautiful contrast between Slaney’s hypnotic vocals, the honeyed melody and effervescent electronics that adds a bite and edge to the tune. Slaney pulls these different aspects together with the use of soft pop elements and catchy hooks allowing listeners to appreciate and immerse themselves in the tracks’ addictive and enticing soundscapes. ‘Love Is Like A Drug’ showcases Slaney’s musical prowess and sublime knack for melodies, marking her an artist to keep an eye on.
Dublin based dance/pop artist Butler has released the video for his new single ‘ME & YOU’ featuring White Wax. This vibrant tune oozes Butler’s signature sun kissed pop sound. I caught up with Luke Thomas aka Butler to talk about the new single, working with Wax White and the possibility of an EP.
“I love trying to discover different artists and I’m always on the lookout for different acts, particularly when the media will focus on maybe 10 of the best up and coming acts, there’s another 50 that are just outside the spotlight that you don’t see that are doing just as good. I like going down different paths and different rabbit holes to find different acts. I came across these guys and they had a couple of great songs out and I was like, I have to work with these guys. I never thought they would actually agree to do it. They’re two cool guys, two cool rappers and I reached out to them and thankfully they said yes. So we put the song together around Christmas and we felt the time was right now to get it out there”
“ With the lockdown you have to work within the parameters that you can and from the previous summer I had vocals and we had an idea on the guitar so we were able to put that together and send over that to the guys in December. They worked on it, got it back to us, we got it mastered. The process going back and forth can take time but it was worth it in the end. It was a few back and forths and I suppose, by the time we met up to do the video, it was actually the first time we’d ever met, physically, which is crazy.”
Remote recording and collaborating has created an opportunity for artists to work with other artists and producers that they perhaps wouldn’t have been able to work with before. I wondered if Luke thought remote recording is something that will be a lasting addition to recording music in the future after the pandemic is over
“I think it’s the way forward, certainly for electronic music anyway, because the digital stuff is so strong now, it’s so advanced. You have the opportunity to finely tune parts of songs and get them ready way before even going into a studio and that cuts down costs. People can produce albums from their house now. I know they’ve been able to do that for years but it’s really gotten a hell of a lot stronger. So I do think it’s the way forward. Absolutely.”
“Even the microphones people use now are so much better. The technology, the post production software, there’s presets…obviously you need to be able to sing to begin with, but to get to that studio level quality is not as hard to do anymore, which is great. It’s great for the underdogs. It’s great for people who are really struggling to get a record deal, or, they might have written some songs and they’re up and coming, it’s great to see that it is possible for those guys to get through and break through.”
Luke regularly collaborates with a variety of artists for his Butler project. For Luke each artist brings their own sound and style to the tunes. This blending of musical talent creates engaging and refreshing music for listeners to indulge in.
“I suppose that’s another reason why I wanted to work with so many different people because you grow yourself when you work with different people. You grow as an artist and you can learn so much. No matter what age, what genre those people that you’re working with are. It really, helps you and you’d be foolish to think that you know everything, in any field so it’s always good to absorb more knowledge, skills, information, all that sort of stuff. I love it“
Luke is a master at creating sweet earworm melodies that stick in your head for days and make you crave to hear them again. Within ‘ME & YOU’ the doo wop -esque melody is utterly irresistible. Teamed with the love saturated lyrical content, Luke once again proves his song writing prowess.
“I have been writing melody and stuff like that for years and, yeah, it’s just the way the track was. [The] strummed guitar part, we decided to cut it up a little bit, and cut down some of the strums and just make them a bit more staccato. I think that worked and that helped give more room between the chords to get a bit more melody in there, a bit more feeling in there and I think that came out in the song, it’s benefited hugely from that.”
“I was trying to put myself back as a teenager, maybe 15 years ago, when you’re that age and it’s us against everybody you know. It’s kind of naive hopeful love, that side of things where anything is possible in life and it’s just about what’s happening right there and then. Nothing else matters. That is what it was aiming for. I’m quite used to putting myself in certain situations where I can draw on experience or draw on past situations and things that might have happened, maybe not exactly but close enough”
Dublin’s charismatic duo Wax White and their fluid, edgy raps add a cheeky edge to the song. Their clever rhymes perfectly contrast the track’s sweet melody.
“That was one of the reasons why I wanted them on board. It’s like yin and yang at times. Where I’d have more of a sweeter pop delivery and vocal, and then the guys come in [with] a different kind of energy, which is great. It keeps the track interesting and lively. You always have to have one eye on that. That a song or a piece of work doesn’t plateau and make sure it’s interesting for the listener, which is key.”
Luke has also released a video for ‘ME & YOU’. It’s a fun and charming video featuring a random panda head, bikes and the guys dressed in sleek suits. Being able to make a video is a treasured experience in the middle of this pandemic.
“That was the first time, physically together. It was crazy we were on the phone a lot and zoom and various different avenues getting back and forth to each other, but it was great to actually be there face to face, and have a laugh and the director just kept the camera rolling at times when we had the football there and so forth. Just to have fun with the whole thing and not take it too seriously, I think that’s the key. That’s the key with this stuff, so it naturally came out that we were enjoying ourselves. You can overthink stuff and it just causes more issues and there’s more opportunities for it to go sideways if you overthink it, as opposed to doing a simple idea very well.“
Last time I spoke to Luke he told me he was building up his tunes for a potential EP. I wondered how the EP was progressing.
“Yeah I have enough tunes for the Butler EP, I’m going to put it on ice till closer to Christmas because I might have another single, maybe in September as well just to build with the EP, and there’s no massive rush, I would like to coincide the EP with a live performance. So, I’m holding out to maybe closer to Christmas if I can get a venue, you know, just a small intimate venue maybe 100 people, and see if I can do it that way to get across what Butler is properly and see what people think of it live. That would be the idea. Everything, obviously has been pushed back a little bit with the times we are in which is fine. I’ll just be ready and waiting in the background locked and loaded, ready to go.”
Butler is an electronic pop project and the prospect of live shows soon had Luke and I discussing what a Butler show would look like
“Yeah, it’s heavily based with acoustic guitar, sample bass and drum machines, that’s the way we’d start off anyway and probably keyboards at the start. There’d be no point having a huge band, initially, until we see what sort of reaction we get and what sort of venues we’re playing. It would be like what you see electronic artists do on the likes of Jools Holland and stuff like that. They would set up for two or three musicians and they would cover the spectrum of instruments, between them. Initially, that’s what we are looking at”
So what can eager fans look forward to from Butler in the coming months?
“The plans are to promote this [‘ME & YOU’] as much as possible, look at maybe another single in September, with an EP around Christmas and hopefully a live gig to go with that. That’s the big plan and hopefully looking at collaborating with some other people as well. I have a few in mind, but I won’t say anything yet until they say yes or no to me, and just to create music to keep building on the brand.“
Luke Thomas is an ambitious and talented artist. His catchy pop songs and melody wizardry is mesmerizing. ‘ME & YOU’ is a fantastic example of his earworm magic. This upbeat radiant tune is the perfect pick me up we all need. I’m looking forward to hearing the tunes Butler releases next.
Irish glam-pop artist Jack Rua and American hyper-pop artist Saint Taint have teamed up on a scintillating EP called ‘I Don’t Party Enough Anymore’.
‘I Don’t Party Enough Anymore’ is a tantalizing body of work that melds heavy electronics with intricate instrumentation and dazzling production. The artists knock it out of the park with their sugar rush of sounds while allowing each track to evoke the wide range of emotions everyone has been feeling since the pandemic began. ‘Contact’ kicks the EP into motion. With smooth vocals gliding sweetly over a bubbling backdrop of ethereal synths, infectious rhythms and swirling soundscapes, Jack Rua and Saint Taint provide a punchy assault to the senses. Title track ‘I Don’t Party Enough Anymore’, continues the lush textural blitz of its predecessor as it spirals into a chaotic dizzying explosion of electronics between staccato synth and dance immersed beats that create surges of adrenaline between the chilled verses.
As the EP progresses the quality of earworm melodies and glitter pop backdrops intensify, completely absorbing the listener in vibrant electronics, EDM elements and tropical tones. A fine example of this is ‘Lovemelikeiloveyou’ – a glorious moment within the EP. This bright tune radiates sun kissed tones, shimmering synths and deft beats. Within ‘Lovemelikeiloveyou’ Jack Rua and Saint Taint lyrically capture 2020’s feelings of frustration, loneliness and anxiety “my paranoia’s been keeping me company”. The high energy and infectious melodies continue throughout until the grand finale, ‘Bike Ride’.A piano reverb laced tune layered with sticky beats and quirky samples that provides a biting backdrop for Saint Taint’s poignant depiction of life in America amidst the pandemic and the Black Lives Matter protests.
Over four tracks Jack Rua and Saint Taint succinctly explore the impact of 2020 and covid 19. It’s a remarkably confident EP boasting exquisite melodies and bewitching electronic pop sounds creating a contemporary and unique listening experience. Within ‘I Don’t Party Enough Anymore’, the listener witnesses two dynamic, talented artists showcase their musical prowess and hone their craft to create an EP that is as passionate and emotive as it is engaging and enjoyable.
‘Queen’ is the brand-new single from Dublin bedroom-pop act Jacqueline Kennedy. The track is written, performed and produced by Kennedy and features vocals from Cork rapper Darce.
Jacqueline Kennedy made waves when she was the winner of the 2020 TilT Development deal with Sound Training Productions and 98fm’s Totally Irish. Now the Dublin producer and artist is ready to add her name to growing ranks of Female Irish pop acts, forging their own way.
Filled with R&B tones and a hypnotic soundscapes, ‘Queen’ is a confident, laid back tune from Jacqueline Kennedy. The song deals with the idea that anyone can be royalty against the backdrop of a changing society and this theme is expressed through Kennedy’s crisp production, knack for earworm melodies and sleek lofi musicianship. The artist sprinkles twinkling synths into a pool of ethereal electronics to create a chilled luring atmosphere while her soulful soothing vocals caress the smooth melody. As the track progresses the soundscape becomes lush with supple layers and samples, greatly enhanced by Darce’s punchy rhymes which pierce the hypnotic backdrop with a verse of intense potent lyrics. ‘Queen’ is a fine example of Kennedy’s blossoming and enticing sound. Looking forward to hearing more from this artist.
German native Twonique has released his latest album ‘Factory Seconds’ which was written, recorded and produced entirely in his bedroom.Twonique has the listener at heart; his instrumentals are created entirely for his audience, with the intention of provoking emotion so that listeners can relate their own story to his soundscapes.
‘Factory Seconds’ is an electronic driven collection of tunes filled with 80’s fusions that showcase the growing musicianship of Twonique. Oozing indie pop melodies and buoyant rhythmic pulses in ‘Too Late’ and ‘Moving On’ while ‘Climb’ broods in intricate guitar lines, layered vocals and trotting beats this album displays the versatility within Twonique’s sound. Throughout ‘Factory Seconds’ the artist blends lofi bedroom pop tones with electronic flourishes and synth embellishments to create an engaging listening experience. The album is brimming with vibrant tracks however it is the emotional ‘Lost My Face’ that is the pinnacle moment within the album. Twonique coos over soft guitar strums and an echoed whistle refrain while allowing the bittersweet melody become the highlight of the track. ‘Factory Seconds’ unveils Twonique’s strong musical growth since his previous releases such as ‘Amity’ while also displaying the artists’ intriguing, immersive sound.
Irish artist and multi-instrumentalist rvstless has released his new single ‘Wanna Be Free’. rvstless is the new moniker of Steven McCann, an R&B/Soul project which found its feet throughout lockdown 2020. No stranger to the live music scene, McCann has played Electric Picnic, Body&Soul, Latitude in the UK and a whole host of festivals and tours, with his previous artist project TooFools and as an in-demand session musician. After touring extensively over the past few years as a session musician, previously working alongside the likes of JyellowL, Melina Malone, Phil Coulter, Booka Brass, Ralph Rolle (Nile Rodgers & CHIC), and Lisa Hannigan to name a few, rvstless will release a debut EP later this year.
Within ‘Wanna Be Free’, rvstless spreads infectious laid back electronics over a mellow R&B backdrop to make an ambitious and incredibly catchy new single. The song has a sleek coating with an energetic underbelly as a skipping rhythm and rippling bassline pairs well with McCann’s smooth vocal performance. Featuring a dreamy melody and carefree sun-kissed atmosphere, the song is masterfully poised and crafted to balance chic cool and emotional sincerity in one buoyant, infectious gem. Exuding jaunty guitar, echoed soundscapes, and tight grooves weaved between lush pop melodies ‘Wanna Be Free’ is the perfect summer chilled bop.
Dublin-based The Crayon Set have released their second single ‘Don’t Step Back Too Far’ taken from their forthcoming album ‘Downer Disco’ which is set for release in September 2021, supported by the Department of Tourism, Culture, Arts, Gaeltacht, Sports and Media.The first line-up of The Crayon Set released their eponymous debut album in 2013 – it was recorded with Nick Brine (Teenage Fanclub, Super Furry Animals). It’s follow-up ‘Lost Languages’ was recorded with Gavin Glass (Lisa Hannigan, Villagers) and released in 2017 and featured Kate Dineen on guest vocals who later became a permanent member of the band.
Driving on a pulsing bassline and rippling electronics, ‘Don’t Step Back Too Far’ is a shimmering disco ball of alternative pop. The song fleshes out The Crayon Set’s lush sound with layers of palpitating synths, propulsive rhythms and a dash of Americana glimmering through on guitars. As the song progresses, it slips into psychedelic hues, creating a laid-back, carefree vibe that ebbs and flows throughout. The Crayon Set have become known for their hook-laden sound, and ‘Don’t Step Back Too Far’ follows this trend wonderfully. Press play and enjoy.
Speaking about their new single, Robert explains “I was pleased when this song came along – I think it helped signal a new direction for the band. It had more of a groove to it – and it had a melancholic atmosphere that drew you in. Lyrically it is about feeling down and losing a sense of yourself and your role in the world. It probably inspired the ‘Downer Disco’ album theme – a bit depressing, but you could dance to it…”.
Stream ‘Don’t Step Back Too Far’ below
Author : Danu
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
