Dublin duo Midnight Chimes have created an EP of Halloween tracks packed with “Ghastly electro rock to haunt your dreams, Or for you to boogie to”. ‘Halloween Moon’ kicks off with ‘Witches Disco’ a funky track dripping in cheesy 80s “Time Warp” spook. With eerie organ effect on keyboards and a “dj funky clown” the image of that is enough to creep me out. Its catchy and definitely has a bouncy dance feel that will get those feet shuffling. You can even do a swift monster mash to it. The sweet backing vocals add a old time movie feel to the fun lively track. ‘Devil On The Loose’ follows with sinister keys that change the tone of the EP. It surprisingly blasts into a heavy rock sound with growl vocals for the “Devil On The Loose” lyrics. With shredding guitar and steady beat, its infectious and hypnotic. Its a mixture of gritty rock and pop with a sneaky nimble and slick guitar lick and riff thrown in that is so catchy its a head banger. ‘Boogie With The Boogieman’ is a swinging bluesy track with a sensual hip swaying groove. Its strut- like tempo and swagger teamed with a flexible beat keeps this track smooth and luring. I don’t know why but it gives me the image of a guy in a vampire costume trying to seduce you with his dancing and as he draws closer the music becomes intense as you panic to try and get away. ‘Werewolf Blues’ presents us with that heavier rock sound with effects-laden vocals and ghostly piano warning of danger. The pounding beat and vigorous guitar adds a mosh effect. The music fades as we hear a mysterious vampire speak which I will admit, alone in the dark is pretty frightening. ‘Dance Hall of the Dead’ begins with a trick or treat door bell followed by a fantastic riff and some otherworldly effects on keys. Its a light fun track with thrilling elements and gritty rock features that adds body and brawn. ‘Fortune Teller’ is a bewitching shimmy that tells the story of falling for a misleading temptress . This track oozes seduction and deceit with a smooth sensual beat, captivating guitar and the gently whisper of backing vocals. ‘Midnight, Vienna’ is the final track on the EP its a romantic track with a pop feel. Its light fluffy melody and sweet backing vocals give a boy band feel with bright glittering guitar while the keys keep things a little eerie. Its an unusual contrast but perfectly ends the EP on a good note. Its like the end of a horror movie and all is well, the morning has come and all the evil has vanished.
Stream ‘Halloween Moon’ below
The Chris Paterno Band are a seven -piece indie-pop-soul band from New York. They are releasing their self titled EP on 30th September and we were lucky enough to have a listen to it. The EP begins with ‘Unfaithful’ a peppy track with bouncy percussion and groovy beat that is sure to have you bopping along. The Chris Paterno Band waste no time in introducing their golden horn feature which lifts the track adding a refreshing and zesty texture. The raspy soulful vocals add warm tones to the track and a balmy feel. ‘Morning Light’ is a sweet delicate track with a creamy supple melody. Its an elegant ray of sunshine, fragile yet warm and soft. With tender vocals to start this track is relaxing with a sway-like catchy chorus, its perfect for sunny evenings. The horns are subtle and the beat has a tribal feel with the guitar taking strength and presenting us with a beautifully graceful accompaniment. The track builds becoming a little more intense vocally while still holding that dainty atmosphere. ‘Pressure’ follows with its groovy strut worthy sound. We reviewed this track earlier this year. Its swanky persona and swagger filled chorus makes this track a cool sassy example of the diversity of The Chris Paterno Band. ‘Lover, When You Gonna Come?’ presents itself with an air of country twang upon the honeyed lilt of harmonica from the start and throughout. The instrumentation paints a fantastic picture as they sound like a train chugging gently with the horns appearing as the toot toot. This track once again is aglow with bright tones and hopeful vibes. ‘Farther (…we grow)’ is a sensitive track with vocals filled with raw emotion and melancholy tones. The guitar features dramatic sombre strums with a light twinkle on piano. Its a tear- jerker that evokes feelings of sorrow and despair and self reflection. ‘Sweet Thing’ finishes this EP on a sweep of lavish percussion and rich textures with experimentation of auto tune on vocals and their signature luxurious horns. Its infectiously swayable and catchy, watch out for that deep bass vocal at the end.
This EP is a unique venture as The Chris Paterno Band present us with a rich lacquer of satisfying melodies and textures in their own unique style.
You can pre-order the EP at http://chrispaternomusic.com/ and the iTunes Store. 20% of sales will be donated to Project HOME and The Episcopal Academy’s Kennith R Balsley Memorial Fund.
Stream ‘Morning Light’ below
Bad Grammar are rock grunge duo Ben Forrester and Lucy Brown from Manchester. Their EP ‘Forced Fun’ which was released in 2014 fell into the hands of party punk king Andrew WK, who selected the band to perform as part of 2014’s Y Not Festival. The duo have already picked up coverage from XFM, 6Music and Radio 1, along with recent new music features in NME, Clash and Artrocker. They released their EP ‘You’re Welcome’ last year. ‘You’re Welcome’ is a four track frenzy filled forcefully energetic EP, that is bursting with grunge and punk attitude. The EP begins with ‘Death Stare’ a rapid neck breaking mosh worthy track. With a massive riff, soul shaking drums and screaming vocals its not for the faint hearted. ‘Sandra’ follows in the same manner causing as much turmoil as physically possible. With a fantastic guitar feature that breaks up the track followed but rumbling drums that create anticipation for the hardcore head slamming instrumental, an epic circle of death track. ‘Killjoy’ again summons your inner tyrant as the instruments explode with turmoil. It begins with distorted guitar that sounds like a wasp buzzing around you head. The catchy riffs and thunderous drums keep you on your toes and in a manic frenzy. ‘Tropical Dance’ finishes the EP. It oozes swagger with a sensual body moving fuzzed bass. Bad Grammar keep the rapid tempo and attitude of the previous tracks while remaining cool and smooth with the riff. They of course give you the chance to headband and go wild but not too much, they hold the turmoil back a little to leave you wanting more.
Stream ‘You’re Welcome’ below
Hide&Seek are an Indie band from London. Niall, Sam, Bant Ant and James have been creating a name for themselves with their energetic live shows that come alive and will have you laughing and dancing. They have supported acts such as the Amazons, Declan McKenna and Lisbon. They have already started playing some of London’s best live venues and gigs including the Barfly, Sofar Sessions and the Bloomsbury Bowl as well as getting various bookings with Mama Group.
They have just released their debut EP ‘Ready Or Not Pt1’ which is full of warm indie pop rock tracks that are just blissful. The EP kicks things off with ‘Saturday Night’ its light rumbling drums and bright guitars to start sets the track off strong for the verses they then hit the chorus with a heavier sound with a rock and roll dance vibe. The sharp refreshing perky guitar feature and mosh like instrumental towards the end of the track adds a light sunny feel and also gives us that rock element to sink our teeth into. ‘Drugs’ begins with a zesty guitar riff that radiates sunny vibes and with soft bouncy beats this track is ablaze with sunshine. Its a beaming indie pop/rock track that is bursting with feel good vibes. ‘Darling’ closes the EP with a more sombre tone. This melodic track is sweet and catchy with gentle instrumentation accompaniment that runs smoothly with lush harmonies in backing vocals for the chorus which lifts the track and gives it a sing along effect.
‘Ready Or Not Pt1’ is a strong debut EP which shows Hide&Seek’s style and talent. Each track has its own identity while blending well with the other tracks and showcasing their musicianship. Look forward to hearing more from Hide&Seek.
Stream ‘Ready Or Not Pt1’ below.
Velvet Kills are an electro punk, electro rock, post wave duo with Susana Santos on vocals/bass and Harris Iveson on guitar/synths. The group came to life in 2015, beginning with a chance encounter on a trance dance floor where Susana and Harris discovered their mutual love for rock, synths and beige Steinberger guitars. Velvet Kills has since gained a steady following, leading to their debut EP, ‘Memory’, being released in March this year. They are now planning a Europe Tour, followed by an album release this Autumn.
Their debut EP, ‘Memory’, is a striking, rhythmic , seductive EP that exudes a fantastic mix of sounds and textures that explodes the mind with a euphoric atmosphere of full rich sensual music. The EP begins with the track ‘Rain’ which is an electro rock track full of attitude and oozing cool lustful swagger. With trance dance beats and slick guitars this song lures you into a world of dark alluring psychedelia while Susanna’s deep seductive vocal is captivating and inviting. ‘Clog’ follows again with a confused psychedelic atmosphere. The sound is complex and abstract with the instrumentation taking the attention almost as if the vocals are accompanying the music. It gives the feeling that the room is spinning and you are in a haze surrounded by churning electronic sounds or hallucinating in a dessert with no water. ‘Red Shoes’ calms the tone slightly from the intensity of its predecessor. The track appears more cinematic and dramatic with strings playing a main feature. It has a dark “dooms day” feel with the strings and guitar playing in a call and response manner adding deep undertones to the song. ‘Memory’ finishes the EP in a shadowy tone with soft beats and dynamic synths. The vocals are again deep and luring grabbing the listeners attention. This track has a dark dance quality with light synths at times and lustrous guitar to add a refreshing contrast.
Velvet Kills ‘Memory’ EP is full of driving beats and bewitching textures that are tempting and enticing, with striking seductive vocals, gritty guitars and abstract sounds this EP is an experience and a really solid debut.
Look forward to hearing more from Velvet Kills
The Fontaines are brother-sister duo, Charlotte and Hank Fontaine, from Los Angeles. They have just released their new EP ‘ ii ‘ which is a blend of their “New-Wop” sounds, jazz tones, smooth sweet vocals and some really cleverly and competent guitar features which give this EP a bite and an indie feel. The Fontaines are making their sound their own, they are fresh, original and know exactly what they are doing. Their ‘ii’ EP confirms this with four strong tracks that follow each other fluidly while remaining different and showcasing the many styles and talents of The Fontaines.
The EP begins with the electric and energetic ‘Cold’ which was released earlier this year and we previously wrote a feature on. Its a strong start to the EP as it brings energy and a mass of sounds that are refreshing and innovative. We see their sugar coated doo- wop style only this time they have added a refreshing bit of rock in the mix. Charlotte’s vocals begin soft, soothing and sweet for the verses with light beats behind and then they blast us into a heavy chorus instrumentally with more dynamic vocals. This track is toe tappingly good and infectious with an edgy guitar that gives a rock, almost psychedelic feel that just raises this track up. ‘Handstand’ follows in a swaying bop manner. Charlotte shows us her vocal skills as she begins in a lamenting tone and builds to her raspy high range with an almost growl at times. Hank displays some really slick sharp guitar playing as he takes command for the shredding bridge. The soft luscious backing vocals, which is a feature of The Fontaines music appears in this track and adds a longing tone. This track is infectiously catchy and deals with the theme of a love that has ultimately soured in a refreshing edgy way while remaining boppingly good. ‘Please, Say Something’ is the third track on the EP and it slows down the tone. It is stripped back and simple with a 1940’s feel. Charlotte’s beautiful gentle vocals take the limelight with only light delicate piano accompaniment. Her vocals are emotional and clear as she pleads with her lover. This track shows just how amazing The Fontaines are as they strip everything back and reveal true raw emotion which pulls on your heart strings. ‘I Love You,’ is the final track on the EP and it follows is predecessor smoothly keeping with the melancholy broken heart them but they oomph it up a bit with this track. This track tells us the character is leaving her lover but its full of positive tones as she appears to be fed up of her previous situation but is hopeful for the future “I hope I’ll come back to you.“ Again The Fontaines give us a 50’s 60’s bopping style but with a modern twist, with fuzzed guitar added in all the right places like a slice of lemon in a sweet drink giving us a refreshing edge. The smooth vocals and lush harmony in backing vocals make this track really attractive with catchy lyrics you wont be able to stop yourself from singing along. ‘ii’ as a whole has proved that The Fontaines are not afraid to take risks and shake things up. They have found their sound but that doesn’t tie them down. ‘ii’ is a collection of tracks that showcase both Charlotte and Hank’s skilled musicianship as they convey a story of love, heartbreak and everything between in just four tracks, in a modern fresh way while pulling in the much loved doo-wop style and making it their own.
A fantastic EP from the talented and gifted duo.
Stream ‘ii’ below
Kinky Rhino are a Garage Rock/Grunge Rock/Desert Rock band that was founded by members of The Blue Man Group band while touring Central and South America. Multi instrumentalist Jeff Wright contacted Orlando-based producer Justin Beckler to help demo a few of his original songs on which Wright wrote, sang and played every instrument. These songs were Kinky Rhino’s self-titled 5 track début EP. For the live shows Wright brings in fellow Blue Man Group touring musicians Jordan Wesolek (guitar), Chris Reiss (guitar), Terry Tungjungyatham (bass) and Anthony Riscica (drums) while Wright himself sings lead vocals and plays guitar.
The EP begins with the powerful riff based ‘Garage Roque’. This track is full of strident guitars with heavy rowdy bass lines and pounding drums. The strong bass line pulses throughout the track combining with the steady drums giving a rock solid foundation for a grunge rock sound. Wrights vocals are strong and honest with the added scream vocal for the chorus that adds a rawness to the track. The repetitive bridge with suspended screeching guitars adds tension before the huge vigorous mosh to end the track. This is a great song to begin the EP as it shows us the monstrous sound these guys can produce. I can imagine its epic live! ‘Nom Nom Nom’ follows with a cooler slower tone to give us a break from the high energy. The track begins with soft sleek guitar and groovy beat and smooth vocal for the verse. Its has a sensual tone and sway-like feel with seductive guitar licks and steady beats. The chorus kicks into a heavier grunge sound that you can’t help but head bang to as it fades to another alluring verse, followed by an almost psychedelic bridge that breaks into an anthem like vocal. A lot happens in this song as it takes you on a journey of slipping in and out of styles with such ease showing the fantastic musicianship here. ‘Eclipse’ lightens the mood with a bouncy beat and almost pop feel with “do do do” backing vocals. This song gives a bright vibrant atmosphere. With running bass line and light guitars to start. The lush harmonies in the backing vocals adds an angelic feel to this track which is a huge contrast to the other tracks we have heard so far. The song builds as the guitars become more prominent and a heavier sound begins to seep in. The vocals intensify a little as we hear a heavier sound instrumentality and wicked sharp guitar solo. The vocals become more gritty here also and give a frustrated tone, before it breaks again to the lighter pop sound we heard earlier however the instruments stay with their rock sound ending on a high both instrumentally and vocally. ‘Desiree’ gives a melancholy tone full of frustration and despair. It begins soft with a strong bass line and thumping drums. The soft vocals give us a sense of hopelessness but the pounding pulse of the bass conveys a feeling of emotions turning and bubbling ready to burst. We see this explosion of emotions as they break into an anthem chorus. The Pounding drums and slick guitars add a mosh effect to the song as it ends on a heavy rock vibe.
The EP finishes with ‘All-American Slam’ an energetic robust rock track with thunderous drums, strident guitars and a weighty bass line. This track is full of energy and headbangingly good.This is an excellent track to finish the album as its got all the best parts of all the other songs put into one gigantic heavy rock track.
A really strong first EP look forward to hearing more from these guys
Stream ‘Kinky Rhino’ EP below
Black Honey have just dropped their EP ‘Headspin’ and it is everything we expected and more. Izzy Baxter, (vocals, guitar) Chris Ostler (guitar), Tommy Taylor (bass) and Tom Dewhurst (drums)have created a solid polished collection of songs while still maintaining that raw appeal. ‘All My Pride’ kicks the EP off with slick, blazing guitar as Izzy performs her vocals with such intensity and vulnerability that sucks you in and makes you listen to every word of her story. It is full of vigorous energy and a great lead single for the EP. We loved this song so much we made it our Worth A Listen track earlier this month. ‘Headspin’ follows next with a slower tone. It begins with light accompaniment as the vocals are the main focus. The hazy west coast vibe paired with Izzy’s almost seductive soft vocals which gives a melancholy atmosphere to the track. The backing vocals add a haunting quality to the track with a subtle drum beat like the secret ingredient to a sweet dish . The song builds towards the end instrumentally with psychedelic ‘wah wah’ guitar and a stronger beat. This song takes you on a journey with every note, It has a very Lana Del Rey feel with an almost cinematic trip to lose yourself in. ‘On Your Side’ brings us back to a sunny bright side of Black Honey. This track begins with a light drum beat to start. It then kicks into a swinging feel with a rock element. Its a catchy up beat vibrant song. Although its a bouncy track it still holds that melancholy, nostalgic tone which is conveyed through the vocals that gives the track a mysterious quality. The sweet matching harmonies gives the track an uplifting feel to the main vocals and adds a subtle contrast.This song makes you want to sit back in the sun and reminisce as you hear the lustrous, bright guitar solo. ‘Mocking Song’ Is the final track on the EP it slows down the tone again and brings back that west coast style.It has a sombre and almost angry tone on vocals with light guitar and waltz accompaniment for the verses. Again its a picturesque track as you can almost imagine Izzy standing swaying with a drink in her hand and tears down her face. Its a raw emotion filled track that shows a vulnerability which we haven’t seen before from Black Honey. The psychedelic guitar for the instrumental break is really effective and makes you fall into despair with Izzy.
This is a strong EP that shows us the variety in Black Honeys style and it shows us where they want to take their music. Its a multi dimensional EP from an extremely talented band. These guys will be sticking around and if this is only their EP imagine what an album would be like!
Stream ‘Headspin’ below
Anna Liese have released the final two tracks from their début EP ‘Chasing and Fading’.’Chasing and Fading’ the title track is a riff base rock track heavier than the other songs we have heard so far.With an intense Radiohead vibe. The vocals have a mysterious tone to them which really adds to the atmosphere of this track. There is a call and response between the guitar and the vocals which is really effective. The song builds to a heavy end with a strong final note.
‘Green’ is my favourite track on the EP it again starts slow with melancholy vocals and then kicks straight into a rock song with full sound and a proper mosh pit tune, with slick guitars and pounding drums and even a scream in vocals. The vigorous guitars are amazing and really show the skill of theses guys. This is a zealous, blazing track and I can imagine it is magnificent live.
Looking forward to the live gigs!
You can catch Anna Liese at the Thirsty scholar, Waterford on the 27th April and in The Brewery Corner, Kilkenny on the 21st May.
Stream ‘Chasing and Fading’ and ‘Green’ below
Anna Liese are a four-piece alternative Rock, Irish band based in Waterford. Mark Walsh (Vocals, Guitars) Emmet Conefery (guitarist), Sean Carey (Bass) and Eddy Blake (Drums) have just released their début EP ‘Chasing and Fading’.These guys give us a variety with their slow tempos, melodic guitar passages, beautiful vocal harmonies in ” Storm” which has a smooth airy drive time vibe, compared with the fast tempo and heavy riffs in ” Psycho Mask” and “Break The Chain”.
” Psycho Mask” is an upbeat funky tune with some distortion which adds a hint of psychedelic rock as they lead into a instrumental break. “Break The Chain” is a rock and roll style track and my favourite of the three with it slick guitar and punchy drums its an animated track that’s bound to sound good live and get everyone up dancing. This particular tunes heavy riff and use of guitar licks is very effective.
‘Chasing and Fading’ is a strong début EP that shows promise and with a number of gigs under their belts and preparations for their EP launch gigs which will be taking place over the next few months we can look forward to some high energy shows.
Stream “Storm’ and ‘Break The Chain’ below
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
