Category Archives: EP Review

EP Review, Indie, New Music, Singer/Songwriter

Laura Elizabeth Hughes ‘We, Myself, I’ EP

Laura Elizabeth Hughes has released her highly anticipated EP ‘We, Myself, I’. Hughes hones in on her poetic songwriting to create an EP that is simply divine and a triumph for Irish music. The previously featured on Indie Buddie ‘Days’ kick starts the EP. Warm guitar meanders through delicate poetic lyrics and beautiful melodies as Hughes discusses the nothingness and mundane moments when she was out of work. Emotion is expressed through bright glimmers on guitar and lush backing vocals that seem to coo and rotate through the track as if on a wheel of bittersweet monotony. The track is an absolute gem.

However, ‘Days’ is not the only stand out track on the EP. Evoking a sense of vulnerability throughout, ‘Two’, is hair-raising, captivating and utterly heartbreaking. A piano twinkles innocently within a bare and spacious soundscape while chilling loneliness is expressed through the lyrics as Hughes asks, “tell me how you keep it all together now”. This solitary number is stunningly expressive without being overpowering and showcases Hughes’ powerful songwriting ability.

Hughes’ knack with enchanting melodies shines wonderfully bright throughout this EP. Her melodic prowess is best displayed in the bewitching title track ‘We, Myself, I’. A dark guitar tone resounds between delicate plucked melodies as Hughes creates an atmosphere riddled and torn with conflicting emotions. Hughes ruminates “Saving all my hours for you, cramming them in boxes till they all turn black and blue”. Her timeless songwriting and deft lyrical delivery is deeply moving and powerfully emotive while embellished with an artistic flair and finesse well beyond her years “cheap wine chased by time cos I’ve got nothing else to loose”. She provides a perspective everyone has felt this past year, crystallised in mature earnest lyrics and cosy breathtaking arrangements.

Hughes’ music has always been rich in substance and deeply thought-provoking. However within ‘We, Myself, I’ EP Laura Elizabeth Hughes has shown strong musical growth – her sound exudes a cinematic undertone as she weaves evocative silence between ribbons of rapturous melody and warm delicate instrumentation. ‘We, Myself, I’ is a delight to listen to and a glorious display of musicianship from Laura Elizabeth Hughes.

Speaking about the EP Hughes explains; “We, Myself, I” was a little challenge I set myself. To try and navigate the thought paths that solitude was thrusting me down and make something of them. I wanted to try and replicate the advice I was being given in trying to get through a multitude of feelings and anxieties, I was told to keep it simple. To keep life simple. To not get hung up on details and bells and whistles and just focus on breathing through another day. The tracks are trying to navigate feelings of grief, of unjust theft of time and potential, of curiosity as to how other people were seemingly rowing through the sh!t that was 2020 with much more ease than I was. They’re rough around the edges, much like my mind, but they’re soft like I have tried to keep my heart. They’re cut from the same cloth, just like every day seemed to be, but each is coloured differently like I have tried to be mindful of and noticing.”

Stream ‘We, Myself, I’ below 


Author : Danu

EP Review, New Music

The Immaculate Crows ‘Different Birds’ EP

‘Different Birds’ is the long-awaited debut EP from Australian alternative rock band The Immaculate Crows. Founding member Bruce Neilsen has reunited with former member Mark Hocknell for this recording project, teaming up with a collective of local musicians.

‘Different Birds’ displays The Immaculate Crows’ slick and intriguing music as they spread shredding rock over their melodious wall of sound to create a satisfying collection of tracks. With psychedelic hues weaving between the band’s raw alternative rock in ‘She’s A Mystery’ and country folk elements glimmering through ‘Business Girl’, the band flesh out their energetic sound. ‘Different Birds’ shows just how a diverse the band is. They take on various themes throughout the EP, from a protest song to a female empowerment song, each track showcasing a unique side to The Immaculate Crows.

‘Different Birds’ is a creative and energetic EP displaying the enticing sound of The Immaculate Crows in all its glory.

Stream ‘Different Birds’ below 


Author : Danu

EP Review, Indie, Indie Pop, indie rock, New Music

Lost Boys ‘Honey Mustard’ EP

Limerick indie-Pop band Lost Boys have released their debut EP ‘Honey Mustard.’ Starting initially as an indie band back in 2018 – Lost Boys have consistently looked at new ways to create more meaningful and modern music, most recently with the introduction of Hip-Hop/New Wave instrumentation into their songs.

‘Honey Mustard’ is a beautiful EP. Lost Boys display their exquisite musicianship by putting together a satisfying and cohesive collection of tracks that are sensitive and carefree while richly displaying the band’s musical prowess. They showcase their ability to find the sweet spot between genres to create luscious tunes for the listener to indulge in. Each track is saturated in lovable heartfelt melodies and peppered in reggae rhythms, 90’s rock embellishments, and sweet indie-pop with hip hop and new wave blending everything together. Even though the band move through different genres, it’s a seamless transition each time.

Slick R&B and hip hop elements create a smooth glossy soundscape in ‘Hindsight’ and the groove-infested ‘Best Friend’ which keeps the EP’s atmosphere light to begin with. However ‘Karma Girl’ kicks things up a notch. Thick electronics flurry around a hypnotic guitar refrain throughout the song while sticky pulsing beats create a suspenseful and intense backdrop. With reverb vocals, a cinematic chorus, and gripping instrumental builds, ‘Karma Girl’ is a magnificent track and a pinnacle moment in the EP. 

The beautiful ballad-esque ‘Sadie’ brings the EP to a wonderful finale. A warm acoustic guitar strums atop elegant strings and delicate picks on electric guitar. The mellow soundscape is tender, evocative, and simply divine. Oozing lush harmonies and a subtle country tone, it’s an emotive end to a magnificent EP.

Lost Boys have outdone themselves with ‘Honey Mustard.’ Boasting rich soundscapes, skillful use of instrumentation, and lush harmonies, teamed with earnest lyrics, ‘Honey Mustard’ marks Lost Boys as a band to keep an eye on. 

Stream ‘Honey Mustard’ Below 


Author : Danu

EP Review, Indie, New Music, Singer/Songwriter

Sam Wickens ‘Watson’ EP

Photo Credit : Nathan Magee

NI Music Prize Nominee Sam Wickens has released his new single ‘Murky Waters’ along with his new EP ‘Watson.’ The first single from the EP, ‘Strange.24’ was released on 24th November 2020 to much critical acclaim. The five-track ‘Watson EP’ is the second major release since his critically acclaimed debut album ‘All I’ve Seen’ in 2019.  

There is no denying the depth of earnestness in Wickens’ songs. Within ‘Watson’, the listener is invited to delve deep and explore the crevices of his artistic mind through masterful songwriting and compelling musicianship.

The auto-tuned synth drone of opener ‘Sunday Smile, Pt 1’ introduces the EP. Wickens’ rich vocals flow over a jaunty guitar and buoyant rhythmic bounce, while subtle country warmth mangled within R&B hues and icy electronic soundscapes display the EP’s tight, dark, and intriguing production. ‘Watson, Pt 2’ elegantly chimes with lamenting picked guitar as thumping drums pulse in the background, creating the track’s increasing heartbeat through a skilful use of synths and static noises. 

Deft use of production sees Wickens increase the EP’s intensity as each song progresses, as if building to a massive pinnacle point…. ‘Murky Waters.’ This raw, rumbling maelstrom of mental torment is a fantastic display of Wickens’ first-rate musicianship. Shadowy drum rumbles, and bubbling electronics haunt in the background while a distorted guitar wail and chilling backing vocals express a harrowing sense of struggle within the music. A suffocating, muggy soundscape constricts and smothers an innocent twinkling on keys which at times rises to break free only to be pulled under and smothered again. The light, gentle keys provide a wonderful contrast to Wicken’s beautiful deep vocals which exude a soulless sense of sorrow. ‘Murky Waters’ is pain, struggle and release personified through music. It is utterly sublime and an enthralling piece of music.

Although ‘Murky Waters’ is a powerful and stand-out gem on the EP, within each track there is something special that allows them to shine just as brightly. My favourite track on the EP is arguably ‘This War of Mine‘. The raw emotion, hope, and pain expressed through Wicken’s lyrics is heartbreaking. “In time ill find some peace of mind.  In time, I’ll lose this war of mine”. Suspenseful ethereal synths maintain an uplifting, hopeful tone while the pulsing beat covers the backdrop in an ominous shadow that is difficult to shake as Wickens coos a heartbreaking lyric “buried in the earth the last line of belief”.

Brooding electronics merge with country tones and oodles of soul in ‘Strange.24’ to bring ‘Watson’ to a perfect and epic finale. This song comforts, soothes, and caresses the visceral wounds of the tracks that went before. Maintaining its innocence and sweet tones an uplifting hopeful piano, which was smothered in other tracks such as ‘ Murky Waters’, comes to the forefront. Wispy synths and ethereal soundscapes raise the song’s atmosphere as Wickens’ warm rasped vocals discuss the acceptance of recovering from a battle with mental illness. “Feeling strange, it all just went away.” As the track drifts into its cinematic crescendo Wickens leaves us with hope and more tears, but these tears are of relief and joy this time. 

‘Watson’ is an EP that reveals more and more with each listen allowing the listener to experience emotion, hope, pain, and mental anguish through the artist’s eyes. Wickens delivers this through heartfelt, honest, and passionate musicianship. His ability to stir the soul on such a deep level with his lyrics and music is exquisite. Sam Wickens is a rare talent. He has come a long way since his critically acclaimed debut album ‘All I’ve Seen’ in 2019 and has shown strong musical growth. Wickens has created an EP of solid, sincere, and equally compelling songs that carry the hallmarks of poetic, lyrical, and musical genius.

About his new single Sam Wickens says: “Murky Waters is the realisation that I was raised and put through terrible circumstances. Constantly feeling alone through every obstacle that was placed in front of me. Traumatic events seemed to follow me no matter where I ran, I started to believe that I was some sort of gatekeeper, that my purpose was to absorb the terrible things so others didn’t need too.”

Watch the video for ‘Murky Waters’ below

Stream ‘Watson’ EP below 


Author : Danu

EP Review, Indie, indie rock, New Music

Kynsy ‘Things That Don’t Exist’ EP

Photo Credit : Paula Trojner

Kynsy has released her debut EP ‘Things That Don’t Exist’ alongside a video for her latest single, “Elephant In The Room”. Kynsy is the solo project of rising 23-year-old multi-instrumentalist, songwriter and producer, Ciara Lindsey. Written and co-produced by the artist, the tracks were mixed by Claudius Mittendorfer (Interpol / Sorry / Parquet Courts) and Barny Barnicott (Arctic Monkeys / MIA / Bombay Bicycle Club). Having previously performed on the Other Voices Music Trail and at Ireland Music Week, the Dublin artist kicked off this year with a whole host of 2020 Hot List features. 

‘Things That Don’t Exist’ is a confident and expertly crafted collection of tracks. Kynsy laces the EP in guitar-based thrills, electronic embellishments and agile lyrics which evoke emotion within the listener. This first-rate EP is overflowing with superb elements and details from exquisite guitar refrains and splintery bass manoeuvres to poignant narrations and soothing vocals.

An organ -esque intro leads us into EP opener ‘Elephant in the Room’ a darkly glamorous and brooding number smothered in razor-sharp guitar work and building rhythms. Kynsy balances raw indie rock with dazed electronics to create a sweet sting within the track. As swirling flutters on synths wisp about a pulsing beat and subtle elements of distortion the song simmers before the chorus explosion hits. Kynsy’s vocals coo and drag through the nostalgic woozy number with sweet tones ( which at times becomes aggressive ) offsetting the pop melody.

Kynsy is a master of melodies warping them into the moods and atmospheres she creates. Providing dramatic soundscapes, the EP elegantly shifts between the ethereal backdrop of ‘Elephant in the Room’ to the fizzy indie rock bravado of ‘Happiness Isn’t a Fixed State’.Blending cinematic soundscapes throughout, the song has a Tarantino residue while the smooth yearning melody cools the blazing instrumental backdrop. However, ‘Dog Videos’ is where Kynsy slaps us in the face with a sound unlike its predecessors. Brighter and with a sun-kissed radiance, this foot-tapping track is a refreshing gem. With triumphant horn elements, slinky bass lines and a breezy melody the track injects a dash of cheer into the EP. This liveliness is undercut by the sharp lyrics which describes the doom of time wasted and living within the Youtube/social media world. 

Throughout ‘Things That Don’t Exist’ Kynsy excels at constructing settings and engulfing them in a dramatic, catchy melody. While exploring themes of struggling through modern life, the songs maintain an upbeat and engaging tone and exude an air of finesse and rawness that showcases the deft songwriting and musical ability of Kynsy. There is no lag within the EP just smasher after smasher until ‘Cold Blue Light’ ignites the EP in a fiery finale. A siren on guitar announces the track while the slap on drums drags through the swaggered soundscapes. The sultry, dark atmosphere unfolds into a blazing indie rock track as Kynsy coos over a smooth melody. Kynsy’s delivery is cool and nonchalant, allowing the rich instrumental backdrop build and slither into psychedelic territory toward the thrilling crescendo – a triumphant close to the EP. 

Within ‘Things That Don’t Exist’ there are elements of The Strokes with flavours of The Kills and St. Vincent peppered on top, but they are subtle. It is more like Kynsy is tipping a musical hat to their sound, then swiftly moving on to do things the Kynsy way – personally I’m glad the artist does not linger in any style for very long and because of this the EP is heavily brushed in the musicians raw creative thought process. It is a rare glimpse into a talented creative mind. Kynsy’s sound is brilliant and mesmerising in every way. ‘Things That Don’t Exist’ is a wholly consuming collection of tracks which sets the bar high for 2021. 

Talking about the EP Kynsy said: “A lot of the songs are based around the idea of how we as people are either being followed or chasing after things that don’t exist. We are followed by the things we see through technology, television, the news – things that derail and confuse our sense of reality.  We also chase things that don’t exist.  We ignore the fact that things could change in a blink, or chase idealistic dreams of the future based on things we’ve seen on TV or on phone screens. I found there to be a juxtaposition in the positive and negative aspects of things that don’t exist; how having hope can change peoples lives for the better, how art is made from things that were previously non-existent and how these life fulfilling aspects as well as the things that can derail us are constantly fighting each other in our thought processes.This EP is a dialogue between those positive and negative thoughts and emotions.  I wanted the music to create a world of freedom, hope and playfulness while the lyrics focus on the struggle of fighting, running and coming to terms with all of the good and bad we find in things that don’t exist.”

Stream ‘Things That Don’t Exist’ below 


Author : Danu

EP Review, Indie, indie rock, New Music, psychedelic

doops ‘deflections’ EP

Reading-based alternative three-piece doops have released their new EP ‘deflections.’ In true doops manner, the band weaves their refined alternative indie into a first-rate tapestry of musical mastery. 

Simmering in dark, ominous soundscapes, ‘The Things We Are,’ and ‘Shangri-La’ set the EP’s tone. Psychedelic, sweet, and shrouded in mystery, the band blend 60’s dreamy melodies with ethereal guitar and reverb vocals to create a whimsical intro before the tracks unfold into a punchy punk rock display.  Almost rap-like vocals rapidly spit over rolling, fuzzed bass lines and snappy drums. There is a sense of innocence in ‘The Things We Are,’ which is enhanced by the vibrant instrumentation, whereas ‘Shangri-La’ takes on a more sultry tone. These two wonderfully dark tracks are meticulously layered and announce doops new EP with triumphant vigor. 

Perhaps my favourite track on the album is ‘Loopholes’; deep brooding vocals croon over a building disoriented instrumental while a tearful guitar laments in the background. The guitar mirrors the lyrics’ theme of entrapment as it wriggles in panic through the chorus while the sweet melody and steady beat succumb to the hazy musical bewilderment. 

Just as the ghostly waft of ‘Loopholes’ reaches a cinematic end, the brash drone of ‘Rehash’ enters like a fire-spewing demon of alternative rock. The buzzing on guitar builds, becoming more distorted and harsh as the bass stomps with destructive tendencies in the backdrop. The vocals are urgent and race with an echo of drama and mania as the track spirals to its explosive crescendo. The song is a mesmerising display of deft musicianship.

Filled with cinematic soundscapes and impressive guitar hooks, doop’s ferocious alternative sound is well crafted. They allow it to blossom and venture down a path of sweet psychedelia in ‘Pull Back The Shades’ before firmly wrenching it back into a shredding maelstrom of emotional chaos.

There is a residue of electronic dance within the haunting ‘F.W.W.M’ before the harrowing strides on guitar billow out into a more funk impulse. This lighter tone contrasts the haunting vocals and lyrics, “It’s killing me. Is it killing you. So who’s killing who”. Building to a compelling guitar solo, the track is a fantastic and prodigious finale to the EP.

doops have knocked it out of the park with ‘deflections’. The EP is a breathtaking display of proficient musicianship. The pacing, attention to detail, and sheer beauty within this EP is captivating. The songs are confident, slick, and riddled with tangled emotion. ‘deflections’ is a magnificent glimpse into the artistic mind of doops. 

Stream ‘deflections’ below


Author : Danu

EP Review, New Music

indistinct voices over PA ‘Unrest’ EP

Leaving their identity aside to let the compositions’ introspective nature take the lead, ‘Unrest’ is the first installment of a series of EPs from the mysterious new ambient project known as indistinct voices over PA.

‘Unrest’ is a hypnotic and unique collection of experimental instrumental songs that display indistinct voices over PA’s profoundly evolving and ambient sound. The EP combines lush mystical soundscapes with ethereal synths, sustained tranquilizing notes, and reverb to create a lulling sense of calm through the title track ‘Unrest’ and a sinister sense of childlike innocence in ‘A beam of shadow.’ Underneath this calming yet uneasy atmosphere the EP exudes a dark horror movie undertone, ‘Wrecked Ship’ displays this perfectly as the track ripples in ominous synth vibrations and deep eerie rumbles.

The EP is a vast and cinematic listening experience. Each track lures you deeper into the dark and expansive world of ‘Unrest’. The layering and textures within are so precise it’s harrowing at times while revealing hidden tones, musical themes and sonics to entice the listener.

‘Unrest’ is an intriguing EP. indistinct voices over PA’ explore a unique world through this timeless creation which is seeped in ominous tones and mystery.

Stream ‘Unrest’ below


Author : Danu

Alt- Pop, EP Review, New Music, Singer/Songwriter

Moncrieff ‘The Class of 2020’ EP

Moncrieff has recently released his second EP ‘The Class of 2020’. Having spent most of early 2020 in the solitude of his friend and co-producer Toby Scott’s home studio in Brighton, Moncrieff has created a collection of songs free and unconfined by genre that capture the zeitgeist of an ever changing musical and cultural landscape. Moncrieff’s debut body of work ‘The Early Hurts’ EP featured lead track ‘Like I Do’, this debut radio single (released in Sept 2019) received extensive airplay across national radio racking up nearly 12 million audience impressions and 5 million streams. The success of the single and EP led to Moncrieff selling out his first headline show in Dublin in less than 3 hours. His growing reputation also landed support slots touring with headline Irish acts Picture This and Walking on Cars.

As far as sophomore EP’s go ‘The Class of 2020’ is a musical triumph which boasts the unique genius of Moncrieff. Within this catchy, upbeat and candidly honest EP Moncrieff pushes boundaries and expectations while being extremely forthright with his emotions. The rich and utterly lush production on the tracks is masterful and something to be admired. If his debut ‘The Early Hurts’ EP had you thinking Moncrieff is an exceptional artist – ‘The Class of 2020’ will not only confirm your hypothesis but tell you the artist has more talent up his sleeve than he is letting on. 

‘PLAYLOUD’ jump starts the EP – lathered in electronic production, R&B and infectious pop Moncrieff’s fun, euphoric expression of youth surges through playful soundscapes and witty lyrics “I’m a f*cking unicorn if I say so”.  Oodles of attitude spills all over the EP. From quirky censored F word’s to catchy shout along choruses – it’s an energetic start to the EP. Moncrieff utilizes his unique and soulful vocals to inject rich depths through the rapid lyrics in ‘PLAYLOUD’ and surge emotion and velvety tones into the upbeat, urban pop ‘AMERICA’. A track that is vibrant, rich and laced in satirical commentary ‘AMERICA’ displays Moncrieff’s versatility as an artist through tropical rhythms, jangly soundscapes and a catchy chorus subtly scented with the aroma of Fun Boy Three’s ‘It Ain’t What You Do (It’s The Way That You Do It)’. The track is an impressive earworm which will chime in your head for days, its infectious rhythm unabated by any other tune you play after it.

Moncrieff doesn’t pull punches lyrically in this EP. He delivers an exhilarating middle finger to those in power failing to support society; “We chase our dreams while you spread your lies, Build castles in the sky, Heaven knows we’re all gonna die” in ‘AMERICA’ and rips shreds out of himself in ‘Sad and Horny’  “I’m a looser yeah i’m just a creep, who would wanna f*ck me”, it’s an honest account of his journey and thoughts on this year expressed through slick, first rate musicianship. The lush falsetto on the latter is simply flawless and gives listeners a teasing reminder of Moncrieff’s debut work – a clever addition and one that works so well. The chorus of ‘Sad and Horny’ erupts with subtle bursts of luscious pop followed by bubbling beats and simmering synths which blossom into a catchy release of tension as Moncrieff gravitates from glistening pop into a more melancholic undertone.

Similarly the dancefloor bop ‘DANCE’ follows the glum lyrical theme ‘we’re born, make money then we die’, however once again Moncrieff packages the ominous message within an upbeat infectious gem. ‘Dance’ is arguably my favourite track on the EP. This tightly produced glitter ball is drenched in bitter-sweet dreamy melodies, warm vocals and a catchy whistle along feature. Destined for the kinetic energy of a live show, the body moving beat, sweet electronics and jaunty guitar make this track a delight on the ears.

Moncrieff brings the EP to a close with the first demo he released this year during lockdown, the tender and earnest ‘in my room’. This beautiful track is again, a throwback to ‘The Early Hurts’ EP and the ruminating, depressive side of Moncrieff. Brooding, sombre and soulful Moncrieff coos a bittersweet melody atop ethereal soundscapes and lamenting piano creating an expansive, lonely and almost celestial backdrop. His wonderfully expressive vocal delivery hits hard and is raw and honest. Riddled with pain and expressing heartfelt emotion the track winds down the EP to a perfect end. ‘in my room’ is a poignant representation of how many people felt this year. However the track can be interpreted in many ways, for example it is a wonderful contrast to the upbeat, energetic bravado of opening track ‘PLAYLOUD’ where youthful angst has the potential to take on and change the world whereas ‘in my room’ is vulnerable, afraid and filled with doubt. Looking at the EP as a whole one can see Moncrieff is allowing the listener to glimpse different opposing facets of his personality and emotional state, which in truth on introspect is within each and every one of us. Moncrieff is vividly painting through the medium of music how we all feel at times. We may put on a brave face but within we are vulnerable and filled with doubt. Subtle messages, themes and nuances such as these lurk throughout the EP, within the lyrics, soundscapes and musical embellishments, deftly left obscure by the artist for the listener to make their own assumptions on the topic at hand.

Another point of interest is Moncrieff is ending the year as it began for the artist. His first release of 2020 is his curtain call as well – the finale of a chapter, the end of a crazy year and ‘in my room’ aptly closes the chapter or does it ? .. the haunting nature and sorrow of the track feels as if it’s a small break before everything kicks off again… Intriguing to say the least.

‘The Class of 2020’ displays a different facet to Moncrieff as an artist. His sublime ability to make you feel the pang of his isolation and emotional state through tonally tight, crisp and full flavoured production is awe-inspiring. The dynamic energy within each track is infectious and each song warrants its place on the EP creating a compelling and thoroughly enjoyable collection of tracks. Moncrieff is a musical force of nature who possesses depth and artistic understanding that is both mesmerising and enviable. ‘The Class of 2020’ is only a keyhole glimpse of the boundless talent this artist has to offer. Keep an eye on this guy.

Stream ‘The Class Of 2020’ Below 


Author : Danu

EP Review, Indie Pop, New Music, Singer/Songwriter

Robert O’Connor ‘Transcendence’ EP

Dublin born artist Robert O’Connor has recently released his new EP ‘Transcendence’. Laced in danceable electronics, emotive vocals and infectious melodies the EP fluidly drifts into the ears delivering a satisfying listening experience. O’ Connor creates a cohesive and uplifting collection of tracks complete with sweet short musical instrumentals; ‘Intro’, ‘Interlude’ and ‘Outro’ provide supple breaths of fresh air between the infectious pop drizzled dance gems. O’ Conner utilizes delicate warm guitar melodies between his sun soaked synths to create summer saturated tunes ‘Over (Before It’s Begun)’ is a perfect example of this.

Each song drifts into the next providing a glimpse into O’Connor as an artist. His vocals exude a velvety tone as he uses sticky beats and flashing disco- esque soundscapes to illuminate bittersweet tracks such as ‘Older ‘20’. Throughout the EP soft melodies radiate a lovable earworm charm as the crisp production highlights the tenderness within each song. Oozing rich, pop sensibilities and sun kissed, laid-back soundscapes O’ Conner has crafted a wonderfully lush EP to indulge in.

‘Transcendence’ is an EP brimming with Robert O’ Connor’s emotive, uplifting and heartwarming musicianship. There is no shortage of sweet melodies, elegant electronics and wonderful production within, making each track a delight on the ears. 

Stream ‘Transcendence’ below


Author : Danu

Alt Rock, EP Review, New Music

FIRES. ‘Close Eyes, Deep Breathe, Run’ EP

Dublin-based band FIRES. have released their highly anticipated debut EP ‘Close Eyes, Deep Breathe, Run’. The EP is a six song collection, and the culmination of three years of writing, demoing and recording. The project contains previous singles ‘Forgotten Sons’, ‘All For This’, and ‘Dream’ along with three brand new tracks.FIRES. were formed in 2017 by Michael and Alecksyy. Previously in a band together, the pair have spent three years relentlessly writing songs to hone in on their sound.

Dripping in raw alternative rock ‘Close Eyes, Deep Breathe, Run’ is an instant shot of adrenaline as FIRES. pack the EP with heavy instrumentation and acute songwriting. Coarse guitar riffs slice through each track while the battering drums lay down a thunderous foundation. The ground shaking wall of sound in ‘Change Your Mind’ and ‘A Life Worth Living’ could summon the dead as the band flesh out their passionate and powerful musicianship. Utilizing jabbing riffs, frantic synths and a tight rhythm the EP is a satisfying listening experience. Though the songs pack a punch the band’s lyrical content contains emotive and tender nuances as they deal with themes such as loss, grief, and self-esteem while curdling crescendos convey the conflicting despair and emotion through frantic spirals on guitars; ‘Dream’ is a prime example of this.

‘Close Eyes, Deep Breathe, Run’ is a cohesive collection of tracks brimming with blistering instrumentation ready for the bloodthirsty mosh pits. 

Stream ‘Close Eyes, Deep Breathe, Run’ EP below


Author : Danu