Easy Tide have released their new single ‘Bleu’. Easy Tide is a three piece garage band from Navan Co. Meath comprised of Aaron Dunphy (bass,vocals), Steven Rafferty (guitar,vocals) and Mark Carolan (Drums,vocals). The track is the band’s first release of 2019 and will also be on their upcoming album ‘Brief Bloody Moments’ later this year.
‘Bleu’ is a catchy blast of garage that glides freely upon a smooth melody and a fuzz filled backdrop. The band blend indie elements seamlessly through the distortion and razor sharp instrumentation. The dreamy melody lays upon an exhilarating backdrop of crashing acute guitar lines, punchy drums and rumbling bass while the mopey vocals coo and exasperate over the sublime instrumentation. The track is tight and well crafted. It builds from a sulky moan to a riotous expression that will have a mosh pit happily engaged. The track flirts with hues of psychedelia as the wobbly guitar weaves psych tones throughout before belting into one shrilling solo. Easy Tide showcase their dynamic thrilling musicianship with this infectious tune that buries itself deep under your skin until you are singing it uncontrollably.
Our Worth A Listen Track This Week Comes From The Black Keys
The Black Keys are back with their new single ‘Lo/Hi’. This bluesy garage rock number continues the duo’s infectious thumping sound in all its glory. Dripping in swagger and strut ready quality the track kicks off with a joyous wail from Dan Auerbach as he slices through with slick fuzz filled guitar lines while Patrick Carney sets that oh so groovy stomping foundation. The verses sizzle and bubble fermenting through the grit smacked guitar and shimmy ready beat while the chorus explodes with The Black Keys blistering anthemic might. Auerbach’s vocals coo and glide effortlessly over the infectious chilled melody while the soulful female backing vocals add a dash of spice and richness to the track. Pounding drums slap, whack and stride through the thrilling guitar whines and scorching solo. Brimming with glossy panache and sweltering musicianship and a trippy 60’s vibe, it’s a fantastic return. The drought is finally over.
Photo credit : Janson Bulpin, his instagram is beyondthenoise
Dublin’s grunge disco band Munky have released their new single ‘One in Five’ today. The track which was recorded and produced by Dan Doherty in Darklands Studios “is about victim blaming culture, and how ridiculous it is” and 100% of the proceeds of this song, songwriting royalties, sales, live performance royalties etc will be going to the DRCC (Dublin Rape Crisis Centre).
The new single is taken off the bands debut EP ‘Un, Deux, Trois, Cat’ which is being launched with a headline show in the Grand Social, Dublin on the 12th of April.
‘One in Five’ is a shrilling number. Acute and harsh with pain stricken vocals, punchy drums and stinging raw guitars – this dark track coils, ferments and spirals down into the depths of turmoil and distress. Zachary Stephenson’s vocals whirlwind from a disgusted factual tone to a heart wrenching exclaim of distress as he emotionally depicts the turmoil within the narration. The sweet guitars lament, pine and ache behind Stephenson’s agonizing vocals with a delicate air of innocence as the pounding aggressive rhythm bubbles and batters. It’s a heartbreaking, gripping track from Munky and one I highly applaud. The emotion displayed through refined, crisp and raw musicianship is compelling and deeply moving.
Rock duo Bite the Buffalo have released their 3rd studio album ‘Bad Habits’. A band of brothers hailing originally from Scotland Bite the Buffalo are a garage rock band with an edge that derives from their rich cultural background. In their career thus far, they have held the support slot for many major bands Fat White Family, Happy Mondays, The Growlers and Skindred to name a few. They have also graced the BBC Introducing stage at Glastonbury 2013 which in turn drew the attention from Led Zeppelin’s Robert Plant who invited the band to join him at a sold out Manchester Apollo gig.The BBC support has continued into 2019 with their latest release ‘Get Back Up’ receiving radio play. The band have also secured a number of media partnerships already, including the likes of Channel 4 Motorsports, Go Pro Highlight Reel, Formula 1 Highlights and Tattoo Fixers.
‘Bad Habits’ is a swagger dripping, brawny yet slick collection of garage rock that frazzles through steam scorched riffs and pummeling rhythms. These guys slap on some bluesy soaked suaveness through the short intro ‘The Man’ as a dragged beat thuds through a vaporous guitar refrain. The tracks that follow this introduction are brimming with anthemic beefy rawness in a The Black Keys- esque style with a Bite the Buffalo’s stomp. ‘Get Back Up’, ‘Dee Zeez’ and ‘Game On’ keep the energy of the album at a maximum while they flesh out their abrasive garage rock sound. While ‘Deja Voodoo’ dissolves in a haze of dreamy psychedelic bliss, cooling the tone of the album as acoustic guitars strum through a steady beat while the warm vocals coo through the sweet melody. Here this duo prove not only can they whack out cracking heavy tunes they can chill and mellow things out, refining and cooling their sound into a dazed sway-able groove. The fuzz-filled gritty ‘Shoot Shoot’ has an air of Royal Blood wafting through the edgy guitar riff. The track sizzles with a funk hue, shuffling rhythm and catchy as hell chorus. Bite the Buffalo simmer things down with the slick ‘Reverend Revolver’ and its sensual groove, vaporous guitar lines and infectious backing vocals (which remind me of The Good The Bad and The Ugly theme tune). Their vigorous sharp edged musicianship continues with ‘I Wanna CU Again’ and ‘Recent Times’. However ‘All Them Guns’ brings a freeing 60/70’s hippie vibe to the album with twanging guitars, soft vocals and lush harmonies. It feels like this duo transport you back in time with their psychedelic tinged soundscapes and smooth instrumentation behind quite striking lyrics. Bonus tracks ‘Lucky Roller’ and ‘Fire Dance’ are contrasting pieces of finesse. The former, features shredding guitars crashing and weaving nimbly between punchy drums and Mark Bolan- esque vocals while the latter jingles along with a mysterious eerie tone, elegant piano feature and a graceful tempo that gives us a glimpse of the grander side to Bite the Buffalo.
Bite the Buffalo showcase some varied tunes throughout their ‘Bad Habits’ album. Garage, stoner rock, punk and some psychedelic flavours are drizzled throughout but all this hangs together beautifully with the sleek musculature and acrobatic riffs weaving a firm thread through the album – its impressively crafted.
Dublin based noisy introverts, Stupid Son have released the video for their new single ‘Bread’. Fresh out of college the band self-produced their video with a budget of €15.
‘Bread’ is a raw anguish stricken blast or organic home grown garage rock as a legion of distorted guitars pierce, shrill and crash through pummeling drums and distressed mournful vocals. This explosive track whines and blasts through a moody melody and mopey atmosphere while the rooted bass and shredding guitars add a dash of spice and razor sharp vigor. The guitars thrash and batter through the track rebounding and ricocheting off the brawny drums and infectious buoyant rhythm showing a refined quality to the mayhem of Stupid Son’s musicianship. It’s a thrilling, barbed debut.
Our Worth A Listen Track This Week Comes From The Rezner
New indie / alternative rock four piece The Rezner are set to release their debut single ‘Micky’ on March 29th through AWAL on JamX Recordings.Formed at Truro College in 2016, Sam Stone (vocals and guitar), Redley Flowerdew (guitar and vocals), Liam Palmer (bass) and Ze Barradas (drums) have rapidly garnered a sterling reputation for their high energy performances impressing the likes of Sarah Gosling at BBC Introducing Devon and Cornwall as well as Lee Trewhela from Cornwall Live.The Rezner have played the likes of Leopallooza, Looe Music Festival and were on the BBC Introducing Stage of Boardmasters in 2017, and also grabbed themselves main stage slots at Boardmasters and The Great Estate festival the following year.
‘Micky’ was produced by Ben Woods and Julian Able who produced The Velvet Hands debut album and mastered by John Cornfield.This abrasive track is a raw battering of indie garage rock flourishing in a rock n’roll swagger-filled persona. It’s vibrant, catchy and brimming with adrenaline fueled instrumentation to create a wholly satisfying listening experience. The sharp guitars shred, soar and scorch through the crashing assault that is the chorus while flurrying delightfully through the verses. Punchy drums and a fantastic bass groove lays down the irresistible hyper foundation to the track while the expressive vocals whack a touch of punk flavoured aggro into the mix.There are intense screamy vocal moments where the instrumental chaos is at its most thrilling however, this band blend and refine their melodies and instrumental refrains perfectly creating pockets of release through the ferocity. The Renzer melded together their garage-rock roots with pop smacked melodies and propulsive rhythms making this an exciting debut. Keep an eye on these guys.
The Rezner will be playing a gig at the monarch in Camden for The Zine and musicians against homelessness on the 26th of march so make sure to catch them there.
Gosport, Hampshire alternative rock/punk band The New Shoes have released their debut single ‘Little Racket’ on Mayfield Records.This track wrestles punk to the ground and mangles some 60s pop and garage rock into its structure to create a snappy animated and thoroughly satisfying number. With a choppy rhythm, pop sprinkled melody and a melodic guitar feature this punchy track is a boisterous animated no nonsense anthem. Designed for the sticky mosh pit, it’s brimming with short adrenaline bursts and a catchy chorus while a shredding guitar solo lacerates through the rigorous backdrop sizzling with swagger. With the messy rough and ready punk undertones, raw rugged garage and a luscious coating of buoyant 60’s melodies The New Shoes have provided a kinetic vigorous debut.
London based three piece Pin Ups have released their new single ‘Do You Hate Yourself Yet?.’After a chance phone call with a friend of a friend, drummer Jesse (hailing from Norwich) and singer/guitarist Josh (from East London) came together in another project Pastel Colours. After stripping down from a 5-piece to a 3-piece and recruiting Jesse’s brother Louis on bass, Pin Ups was born. Their latest release ‘Do You Hate Yourself Yet?’ was recorded in the wee hours of a Sunday morning with producer/engineer Scott Docherty. The song deals with the feelings after waking up from a particularly heavy night out, those of confusion, doubt and self-loathing, as you question why you do it to yourself, and who’s that person over there?
‘Do You Hate Yourself Yet?’ is a combustible track brooding and smouldering in a gloomy grunge atmosphere as stinging guitars jingle their way playfully between punchy drums and a pop drizzled melody. Raspy hushed vocals whisper the verses as the track slowly brews and bubbles. Its moody and vibrant all at once as the song builds into a dynamic chorus sprinkled with 70’s /80’s post punk attitude. It’s catchy with a darker undercurrent that takes over as the track progresses into a blistering instrumental with shrilling guitars whining and screeching over pulverising rhythms, mighty drum whacks and aggressive vocals. This summer soaked scorcher burns its groovy infectious way into your ears with dizzying psychedelic hues among its grunge hostility. ‘Do You Hate Yourself Yet?’ is a tight well crafted Pixies -esque track that makes this trio one to keep and eye on.
Watch the video for ‘Do You Hate Yourself Yet?’ below
London alternative rock band BERRIES have released their latest single ‘Discreetly’. BERRIES are a three piece rock band who blend big breakdowns with instrumental hooks and catchy choruses to create their own twist on riff-driven rock. Following regular regional dates and notable festival slots including Liverpool Sound City, Dot to Dot and Alt Great Escape they recently sold out their biggest headline show to date at The Camden Assembly in London. They have attracted the attention of major radios and taste makers such as Record Collector, Time Out, Louder Than War, BBC 6 Music & Radio X and their previous single ‘Faults’ was featured for seven consecutive weeks on Jim Gellatly’s Amazing Radio Show. At the beginning of the year they were invited to perform at a Radio X live showcase by John Kennedy and are championed by Fred Perry Subculture and Fender (including being listed as one of their top ten favourite new bands for a feature in Richer Unsigned).
‘Discreetly’ is a weighty alternative rock track brimming with gritty riffs slicing through distorted abrasive bass lines and punchy drums. These guys build the track meticulously as the verses feature eerie tones and light twinkling guitar injections through attitude soaked vocals and a buoyant rhythmic section as the song creeps and progresses into a more harsh and heavy chorus with crashing guitars and boisterous instrumentation. Blending a healthy dose of garage rock into the mix BERRIES’ biting sound creates a gripping mosh ready track filled with the perfect brew of subtle haunting moments and epic robust outbursts.
Dream garage band Super Paradise have released their new single ‘Sweat’. Born in Milan, now based in London, Super Paradise released their debut albumQuencebo in 2016. They have since been gigging constantly, played headline shows around London, toured festivals of Italy, supported Warbly Jets and Black Honey, recorded a new single in the Italian mountains and their music has been featured on the latest Ray Ban advert. Their self-defined genre of ‘dream garage’ builds on the edgy energy of the San Francisco psych scene and the soundscapes of New Order.
‘Sweat’ is a delirious skull bashing thrill ride that steam-rolls in at a frantic pace. The dreamy verses wallow in hazy psychedelic hued vibes as smooth reverb laden vocals coo over jogging guitars which waver between steady strides and punchy short blasts. With crashing frantic choruses bringing screaming vocals and a barbaric superb wall of sound Super Paradise dish out one heck of a manic tune. Filled with unadulterated energy in the form of shrilling distorted guitars pummeling off pulverising drum whacks and rooted bass rumbles mangled between a western – esque guitar jog this mesmerising mind invasion is well crafted for a wholly satisfying listen. It’s fierce and vicious with raw garage aggression smeared over luscious dreamy pop elements which resurface for the chilled verses before becoming suffocated and buried under the sublime garage turmoil for the choruses. This intense raging number is one to turn up loud and go crazy to.
Stream ‘Sweat’ below
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
