After the success of their last single ‘Leave This City’, and a busy summer of festival appearances ahead. Dublin’s Sun Mahshene have released their powerful and poignant new single ‘This Girl I Know’. This is the band’s third single to be taken from their forthcoming debut album ‘Contradictions and Tales of Fiction’. It was recorded at Darklands Audio, Dublin and co-produced with Daniel Doherty.
‘This Girl I Know’ wraps your ears in Sun Mahshene’s melodically rich musicianship. A psych hued shoegaze wall of sound delicately caresses the soft verses while Nathan Henderson’s vocals melt upon the sweet nostalgic melody. This track seeps deep into the brain with a fuzzy dreamy atmosphere as ethereal guitar distortion and soft rhythms whirl with heart stopping vigor while creating a marshmallow comforting effect. The melancholic tone sweetly wisps about the track as Sun Mahshene display their musical finesse effortlessly. These guys have some serious talent. Their ability to create a wholly invigorating track while showcasing tender emotion as well as building and layering their music in intricate instrumentation is mesmerising and oh so lush on the ears. The shrills and pines on guitar are majestic as graceful keys, warm bass and subtle percussion jingles all create the intricate and utterly profound sound that is the glorious delight of Sun Mahshene’s tunes.
Our Worth A Listen Track This Week Comes From Bayonets
Bayonets has released his new single ‘Farewell To Me’. Bayonets is a solo project created by Kerry musician and songwriter Vinnie Flynn. His distinctive style is a mix of alternative rock, indie, blues and folk.In addition to writing and performing live, Flynn also works with several publishing companies based in the US who pitch his compositions to prime time TV shows and movies. Flynn has a string of gigs and festivals in the pipeline for 2019, including Vantastival and some overseas appearances.His singles have received regular radio play on RTE’s 2fm and have even hit airwaves as far as Brooklyn, United States.
Another deeply haunting number ‘Farewell To Me’ creeps and stealthily slinks into your mind with its thrilling inky stain of delight. Devilishly tempting the track lures with a hypnotic guitar refrain that lingers in your mind for days. With an air of chilling mystery wrapped in an opaque shroud of ominous soundscapes this track is sublimely crafted to fill you with enchanting horror. Flynn’s vocals take a Marilyn Mansion quality as he whispers and deeply entices beneath the steady beat and guitar strums as if slowly luring you to your demise with a deceiving sense of security. The verses prowl with a charming intrigue while the chorus entraps you in Flynn’s sound and dark eerie tale. The cinematic aspect of this track will give you goosebumps as ‘Farewell To Me’ takes you to the point of no return.
Dublin experimental, alternative rock band Runway Lights have released their new single ‘Broad Strokes’. In their short time together they have already graced the stages of a number of prestigious Dublin venues including The Workman’s Club, Whelan’s and The Button Factory, earning a reputation for their ferocious live sound. The band’s debut single ‘Crash’ was released in July and was marked by an appearance at the Whelan’s ‘Summer Watch’ festival.Their new single ‘Broad Strokes’ tells a dark tale of an unwanted encounter. It’s release was followed by an appearance at Whelan’s Ones To Watch festival and is the first track to be taken from their debut EP, due for release in early 2019.
With it’s soothing purr of delicacy and ominous mystery ‘Broad Strokes’ is a sweet daydream that has a chilling undertone. Twinkling guitars gently pepper the lulling verses while swirling soundscapes wisp about, luring behind the cooing vocals. The track builds becoming more sinister and compelling as sharp guitars whine and distort over the hypnotic rhythm and icy soundscape. The melody flutters and innocently dances between the biting entrapment of the instruments. With beautiful and compelling guitar lines meandering through the biting soundscapes Runway Lights create a unique and compelling track that immerses you in their mesmerising sound.
Nestled in the heart of a rainy Dublin city The Grand Social Dublin host psychedelic band Sun Mahshene’s ‘Come Alive (Leave This City)’ single launch. A projected mirage of kaleidoscopic colours, swirls and patterns decorated the stage wall creating a prismatic dreamy atmosphere as we eagerly waited for the nights music to begin.
Rock n’ roll duo The Thrash Blues cooly take to the stage to ignite the night with their burly grooves and slick riffs. Not one’s for banter they whack into each track with surety and vigor loosening up the crowd’s hips with their swagger steeped richly developed tunes. Liz and Ro have finely chiseled their sound for maximum impact. The beefy riffs, slick guitar licks and melodic purrs weave their way suavely through the punchy drums superbly to create a thrilling contrast. Their raw yet refined sound is perfect to dance to. The Black Keys – esque ‘Wicked Man’ blasts out the energised and playful loose musicianship of this band with an edgy punk whack that hits you in the mouth half way through. There are lush guitar twangs, riveting drum rumbles and warm smooth vocals throughout the set filling each track with its own unique and vibrant character. For bluesy tinged, punk slapped rock n’ roll The Thrash Blues are the ones to call.
Poised on stage amidst the purple hued smoke of dry ice, Sun Mahshene stand ready to melt our mind with their glorious psychedelic drenched tunes. The dim lighting causes their silhouettes to haunt through the smoke providing a spooky, eerie atmosphere.Their set is brimming with malleable elastic soundscapes weaving their way through sharp slinky guitars, elastic bass grooves and chiming keys as Nathan Henderson coos and warmly caresses the euphoric melodies with his velvety vocals. The distorted whines introduce opening track ‘Making The Call’ as the band peer through the shadowing mist. These guys bend their shredding raw rock and delightful sweet psychedelia seamlessly making for a gritty and diverse listening experience. Sun Mahshene are musical guru’s who leave a trail of sugary sprinkles throughout their tracks which lead you down a delicious rabbit hole craving for more. ‘The World Will Grind You Down’ and ‘This Girl I Know’ are mesmerising live as the band entwine each track in glorious layers adding rich depth to each component. There are three guitarist on stage Ryan Daffy, Ian McGinn and vocalist Henderson – this brings a new dimension and thrilling intensity to each track. These guys are also fun to watch on stage bassist Darren Hughes dances, executes all the suave guitar poses and hair flicks known to man while hopping, bopping and wiggling along to the tunes – he only stops to place a can to his brow to cool himself down while Dave Murray’s proficient drumming is a joy to watch and listen to. Backing vocals and percussion were provided by Ray Burke while Rob Crosbie took to the keys to help flesh out and adequately translate Sun Mahshene’s stunning sound.
‘The Righteous One’ is one beautiful 60’s – esque gem. Distortion on guitars fizz and bubble over a dreamy vocal and euphoric melody while punchy drums and enchanting soundscape create a dizzying sweet wall of sound to encapsulate your mind, soothing, sedating and enlightening you all at once. It’s pretty magnificent. I forgot where I was for a brief moment – the tracks are so luscious and consuming. The new single ‘Come Alive (Leave This City)’ was equally as gripping. Its anthemic chorus had members of the crowd jumping and throwing their arms in the air while that defiant beat thumped through our chests invading and controlling every bounce and bop. There was no lag or cavity in their set. Every track was engaging and blissful on the ears. These guys are growing and flourishing beautifully and with a sound that leaves you thirsty to hear more their live show is the perfect medium to guzzle up their dazzling sound and refreshing tunes.
The band closed their set with the effervescent ‘When The Bomb Drops’. However the crowd refused to allow that be the end, they demanded the band return for an encore. As they shouted for “No Control” Henderson shrugs and timidly obliges “Right we’ll do it”. ‘No Control’ takes the roll of the final track in its stride. Sulky and brooding it swarms in with dark tones, shrilling guitars, reverb vocals and a magnificent wall of sound that rushes adrenaline and fiery intensity into your veins. This exhilarating track was the perfect closing tune.
‘Come Alive (Leave This City)’ is released on 15/02/19 make sure to check it out. These guys have something special.
Waterford band Crome Yellow have released their new single ‘Tastes Much Better With You’ the fourth single from their upcoming debut album ‘See Why’. This slinky, smooth number drifts blissfully into your ears stopping time in a sugar coated dreamy dimension created entirely by Crome Yellow’s prowess. There is immense depth in this track as the band allows every pulse, flicker and swoosh take its place elegantly. The pop melody melts upon soft pearly electronics, warm guitar jingles and a soothing vocal delivery to create the perfect chilled number. It’s one tranquilizing time capsule as the band present a track with sweet hallucinatory swirls, zesty guitar solo’ s and a clean production.With gentle whines hitting the lush backdrop with an alien – esque tonality this wobbly and floaty dream has everything to transport you to a sedating state of bliss. The edged guitars fill the track with a classic rock anthemic vibe showcasing Crome Yellow’s brilliantly refined musicianship.
Our Worth A Listen Track This Week Comes From Sun Mahshene
Dublin’s “Psychgazers”, Sun Mahshene, are set to release their fizzing new single ‘Come Alive (Leave This City)’ tomorrow the 11th January. This is the second single to be taken from their forthcoming debut album ‘Contradictions and Tales of Fiction’. It was recorded at Darklands Audio, Dublin and co-produced with Daniel Doherty.
‘Come Alive (Leave This City)’ coolly whacks out that shivering dark and wild side to Sun Mahshene’s psychedelic shoegaze. These guys have never been shy at throwing everything they have into their tracks and this new single is no different. Brimming from the start with shrilling guitars blistering through a hyper drum pound, charging bass and scalding raw electronics, this lean mean psych spun number is saturated in mind frazzling soundscapes and adrenaline inducing energy. The catchy melody drips nectar coated bliss onto the effervescent backdrop as Nathan Henderson’s deep vocals rumble the verses through the snappy drum whack and flexible bass blitz. Filled with ominous spine chilling distortion, pristine production and breathtaking musicianship- this is another killer track from Sun Mahshene.
Dublin-based experimental/post-punk band Tribal Dance are set to release their video for ‘And Then All That Was Left Was A Physician And A Silhouette’ tomorrow December 5th. Tribal Dance consists of bassist and vocalist Adam Smyth, guitarist Stephen Dowling and percussionist Leo Clarke. Their debut single “Flongo” released in August 2017, sent out waves of excitement and received extremely positive reviews from music blogs and nationwide newspapers as well as national and international radio play, which contributed to a sold out single release show. The band have been showcased in Whelan’s Ones to Watch along with headlining a special Nialler9 showcase The Button Factory as well an unforgettable performance to a packed tent at KnockanStockan 2018.The band’s sophomore release ‘And Then All That Was Left Was A Physician And A Silhouette’ is set to be the first release on Bad Soup Records in December 2018, accompanied with an intense and dramatic music video, a limited edition physical release.
‘And Then All That Was Left Was A Physician And A Silhouette’ is Tribal Dance’s fierce way of dissolving your mind in their thick murky concoction of math punk with sweet little bubbles of psychedelic rock gasping beneath this suffocating brew. The tense atmosphere builds right from the start as these guys unfold each segment gently with eerie soundscapes twinkling through distorted guitars and punchy drum attacks. This acid saturated gem lures and entices with soft lulling vocals, sweet little guitar injections and a meaty rhythmic foundation. Just as the track seeps into its dreamiest delusional state Tribal Dance electrocute you back to life with a pulverising heavy finale. The fluctuation between Math mania and soothing psychedelia is masterful as Adam Smyth switches from animated screams to soft coos seamlessly while wobbly desert guitar whines between a deep groove and laid back melody. Well crafted this track consumes you entirely in the dizzying world of Tribal Dance and with musicianship this refined and messy all at once – these guys are definitely ones to keep an eye on.
Watch the video for ‘And Then All That Was Left Was A Physician And A Silhouette’ below
In collaboration with Voice of Aiko, Arts Council England, and charities REST, MIND & APRIL, Enya Belak Gupta unveils a powerful new film to help tackle the global prescription drug crisis. ‘Prescription Dream’ is a slick and stylish documentary that illustrates with chilling insight the terrible impact prescription drugs can have. The tense, unnerving tone employed throughout represents the helplessness and confusion of dependency sufferers. The film was released with the aim of generating cultural discourse around this pressing issue.Voice of Aiko is a creative collective of musicians, filmmakers and artists joining forces to campaign for real societal change. Aiko’s first project Prescription Dream sees founder Calista Kazuko collaborate with fellow musicians Samim, Miguel Toro and Jack Brown and filmmaker Enya Belak Gupta to spotlight an ongoing global prescription drug epidemic.
‘Prescription Dream’ is a luring seductive number saturated in dark tones and eerie instrumentation. With sultry cooing vocals melting upon the sweet buoyant melody, this track charms its way into your mind effortlessly. The weaving mysterious instrumentation unfolds upon the rich bouncy rhythm as this track entices and sedates you with its chic suaveness, glossy exterior, and jazzy elements. Muted brass features and shimmy ready flirtations create an infectious number that superbly expresses its theme. It’s crisp production and enchanting qualities mixed with a 60’s- esque mystery movie vibe make for one mesmerising listen.
BRONCHO have released their new album ‘Bad Behavior’ an infectious swirl of luscious, teasing and exhilaration tracks to keep you drooling for more. It’s a tasty collection of tracks filled with psychedelic indie pop, laid back tones and insanely catchy grooves to ensure a satisfying listen. ‘All Choked Up’ sets the EP in motion with its churning rhythm creating a danceable foundation for the buoyant guitars and smoky melody. The stop start beat establishes an atmosphere of suspense which is only subdued by the shredding slick guitar solo. This track is so sleek and glossy with dark undertones twirling beneath the hypnotic rhythm. The tracks on the album flow into each other with a smooth fluidity,‘Weekend’ continues the heavenly subtly psychedelic trip with ethereal guitars twinkling between a steady backdrop. Ryan Lindsey’s sweet falsetto vocals provide each song with a heavenly quality. The instrumentation is tight throughout- crafted to perfection with glorious guitar twinkles daintly accompanying Lindsey’s vocals and honeyed melody while the strong beat and elastic bass grooves between. ‘Boys Got To Go’ displays this perfectly, the melodic flow guarantees a soothing listening experience as soft guitars glisten playfully throughout before whining elegantly every so often. BRONCHO provide the most glorious comforting blanket with ‘Keep It In Line’. This track enfolds your ears in a candied soothing melody, beautifully weaved instrumentation and sedating vocals. It’s bouncy, bright but incredibly tranquilizing. These guys delicately unwrap their sound revealing lush textures with each track. Together they gel immaculately- each instrument has its part and yet the tunes they produce feel airy and freeing. The album continues to blossom with ‘Sandman’, bringing a slightly ominous tone into this dreamy mix. The guitar and bass in this track is riveting. The song bubbles and boils around the playful guitar as Lindsey creates a haunting atmosphere. It’s a little more gritty with a creepy almost sleazy vibe but an absolutely thrilling listen.’Undercover’ follows the darker tone of its predecessor lightening it with buoyant grooves stomping between a sliding swagger soaked melody and strutting guitars. This is one well crafted track.The subtle guitar changes from twinkling and gliding to prancing as they flood the track with panache and an infectious funk flavoured danceable quality. ‘Family Values’ is another infectious gem that is sure to put a smile on your face. If you can prise your ears away from the bouncy weaving instrumentation and focus on the lyrics BRONCHO showcase their humorous cheeky side,“I got a thing for your mother / I got a thing to teach your father”. One thing I have come to love about the Tulsa, Oklahoma-based band is their sublime ability to create dreamy woozy tunes like ‘Big City Boys’. Though the track is hazy and dreamy the instrumental backing is strong, pushing forward with a relentless goal of fun loving with a slick proficient style that is one to be admired. The summertime cruising ‘Get In My Car’ follows. The album version sounds a little tweaked and more crisp to the single version released last year. This summer time gem bops and wiggles over a smooth melody and gleaming guitars. Glissading over to a glam rock flavour, BRONCHO provide us with a tantalizing variety of genres to taste throughout this album. They close the album in the best possible way, leaving us hungry for more. The swagger steeped foot stomping danceable and infectious ‘Easy Way Out’ accomplishes this task without fail. It’s slick, pristine, panache driven indie rock drizzled in rock n’ roll flamboyance with nimble steamy guitar licks and a catchy melodic flow to keep us wanting to dance all night long.
BRONCHO is that band that are cool, fun and make you want to scream and tell everyone about. Their sound is appealing to everyone from the lazy daydreamer to the adrenaline punk-rocker and indie-head in between. The provocative lyrics, incredible musicianship and all out swaggering groovy persona within each track is what makes BRONCHO one heck of a band. The sound is distinctive, Lindsey’s vocals are distinctive and their tunes undeniably infectious. It’s music to make you feel, music to make you dance and bop or tap your foot and do air drums to while you relax on a lazy summer’s day, but either way you feel every delightful note.
Our Worth A Listen Track This Week Comes From LOVE SICK
Julie and Shaun first met working for the same life insurance call center at an office Christmas party where Julie divulged her passion for singing. A few weeks later, the pair bumped into each other at a Glasgow train station and the rest, as they say, is history. LOVE SICK first introduced themselves in 2017 with their debut single ‘Bullet’, which quickly captivated a global audience of almost 1 million listeners and support from the likes of BBC, KCRW, and even Sir Elton John himself.LOVE SICK announces their forthcoming “No Sleep” EP by sharing the first single ‘Fever’.
This dark pop delight swirls and ferments beneath a hypnotic groove, driven by trip hop beats. Dizzying electronics lure you into the delusions of bliss prowling in the deep enticing abyss of‘Fever’. The infectious melody seeps into your ears whispering a sweet bewitching curse to your soul as Julie’s sweet vocals entice and seduce over this mesmerising hypnotic track. Warping their blend of pop into a trance inducing menacing number LOVE SICK are a duo to keep an eye on. Their cool, chilled, musically rich musicianship and slick crisp production will have you dancing in a darkly hued, mind dazed trance of bliss.
Stream ‘Fever’ below
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
