Alt-Pop three piece Twist Helix have a lot to owe the valley of Ouseburn, and they intend to repay the area where they honed their craft with their appropriately named forthcoming euphoric track ‘Ouseburn’ which was released on the 9th February, at a sold out single launch gig at “The high place above the river” – the Cumberland Arms venue. With adopted Geordie and lead vocalist, Bea Garcia, reigning from Spain, radio play spanning more than 7 countries and having recently signed for Madrid based record company Paul Back Music, the band is an internationally acclaimed affair. Taking influences from the likes of White Lies, Depeche Mode and M83, the three piece present a synth-pop sound that demands you have a good time. With their 2017 shows spanning across Europe, from Glasgow, to Cumbria’s Solfest festival, and having the opportunity to be introduced by Radio3’s Julio Ruiz as finalists at the Madrid Bdcoder Festival, the three piece have achieved some great success since forming.
‘Ouseburn’ is a dynamic track that explodes with a bedazzlement of flashing electronics swirling between a snappy kinetic beat and powerful vocals. This track is pumped with adrenaline and vigorous energy as whirling soundscapes fill the song with a breezy spacey atmosphere while the catchy melody and power chorus lift the track to anthemic heights. It’s mighty frenzy inducing alternative power pop.
Named as one of the North Easts must see bands for 2018 by NE Volume, Spotlight Music and Spark FM Twist Helix have a list of upcoming live dates to look out for -see below
Alfie Indra has released his second track ‘Red Lights’ on Keep Me Young. Hailing from Suffolk (living in Manchester) the track comes after the success of Indra’s debut signed release ‘Hard To Cope’. The 21 year old has been releasing music unsigned for a number of years and his music has evolved from stripped back folk/acoustic to a more upbeat feel while still retaining the lyrical essence from his roots. ‘Red Lights’ has been released on all online platforms including Spotify and iTunes, along with a music video filmed in a night club in Manchester capturing those blurry nights, teamed with some bright red performance shots.
‘Red Lights’ fleshes out a sublime woozy example of Alfie Indra’s electronic pop with a mushy pliable beat giving a blissful sense of excitement and anticipation as it playfully slaps against hazy swirling electronic soundscapes. The melodies ooze heavenly ecstasy from every note while sonic flecks daydreamingly flash dazzling neon lights as if showing glimpses of a memory of a fun night out. This chilled laid-back track soothes with an unhurried sense of elation and wonder as Indra’s vocals whisper with sweet delicacy and passion. The guitars warmly glow through the hazy electronics giving a subtle glimpse of the thrilling solo to come for the magical joyous crescendo. It’s just a sublime subtle burst of heavenly mellowness that fills you with anticipation and youthful elation.
Canto Falls are an explosive alternative indie-rock three piece based in London. Their new single ‘Tapestry’ will be released this Friday 26th. Having formed in 2016, founding members Mark Howarth and Adam Gillian quickly discovered a mutual appreciation of dense lyrics and careful musical arrangement combined with high-energy pop sensibilities and with the addition of James Thackeray’s shared eye for detail, the band’s unique and exciting sound began to take shape. Over the course of a year, the band have carefully crafted songs with exciting, high-energy compositions that demand your attention and blur the line between ‘pop’ and ‘indie-rock’. With their first single ‘Clarity’ released on the 2nd of October 2017 and the follow-up release ‘Tapestry’ set for release tomorrow, the three-piece have their sights set on making a fresh and explosive sonic impact.
‘Tapestry’ is a richly embellished über-catchy indie pop track brimming with sweet melody and vibrant colour. A lavish rumbling rhythm adds a nice whack of rough and tumble through the luscious pop speckled track. Jangly guitars glitter and sparkle throughout with delicate twinkles on keys flickering between smooth vocals and a dreamy positive melody. Its honey glazed and spongy, wrapped in candy coated refreshing pop. The sonic flecks add a shimmering magical quality while the zesty guitars provide enough sting to keep it breezy and invigorating. This sun kissed sweet little ditty will put a smile on your face and brighten any cloudy day.
Bio: The Tates are a Welsh Indie Pop five piece consisting of Liam Fusco, Tom Ryan, Matt Kilgariff, Jac Robin and Shaun Gwizdak. This new track has been eagerly anticipated after the success of the band’s debut release ‘Electric Girl’. The song was supported by Huw Stephens, BBC Introducing, Radio 1 and gained Amazing radio playlisting as well as being A-listed on BBC Radio Wales. Energized by their summer tour in support of ‘Electric Girl’ a confident and inspired band returned to the studio in Cardiff to work with producer Steffan Pringle (Estrons, Himalayas, Future Of The Left) again.
Track: Water
Lyrically ‘Water’ asks a poetic question exploring themes of nature over nurture, as Tom the guitarist explains: “Are the flaws that we share with our parents who we are, or have we learnt from them? Are we free to be the people we want to be or are we trapped by our genetic makeup and our immediate environment and society?”
Why We Like It: It’s a refreshing glistening indie pop track. Infectious sun soaked and brimming with rich textures and melodies. Shimmering synths teamed with zesty stings on guitar and smooth vocals create a sublime hazy dazzling track so succulent and silky it’s mouth-wateringly good.
Bio: Half Jordanian, half Irish singer Keeva was discovered after ex-White Denim members Austin Jenkins and Josh Block found her demos online. Growing up between Ireland, Jordan and also London, young Keeva has taken inspiration from musical traditions from all three places while also obsessing over the cult 45s of Sun Studios/RCA’s Studio B, alongside the likes of Patsy Cline & Willie Nelson to deliver her debut single Whiskey.
Track: Whiskey.
Why We Like It: It’s a timeless track elegant and delicate in its approach with graceful piano accompaniment and soulful emotional vocals. It’s strong, sure and brave as a firm chord progression gives strength and courage. The melody has sweet tender moments while also filling and seeping with firm endurance. It’s a power ballad for sure but more one to inject power to the listener to get up and get on with it.
Follow Keeva on Facebook here https://www.facebook.com/keevamusic
Watch the video for Whiskey below
Polar States
Genre: Indie
Bio: Liverpool-based quartet Polar States début single won them the attention of Grammy Award winning producer Jon Withnall (Coldplay, Elbow) and since then its been none stop. The band have now released their debut four track EP ‘Lost’.
Track: ‘Lost’
Why We Like It: Title Track ‘Lost’ is the perfect example of Polar States infectious indie rock. Smattered in bubbly pop elements with a laid back smooth ear worm melody it’s a melodic flavoursome little ditty. Sharp guitar injections and dark undertones add a nice bite and gritty texture and teamed with punchy drums and lush vocals it’s the perfect blend. This track is radio ready and one which can be enjoyed by all. Make sure to check out the rest of the EP it’s a doozy.
Follow Polar States on Facebook here https://www.facebook.com/PolarStates/
Stream ‘Lost’ below
https://soundcloud.com/polarstates/lost
Joe Russell-Brown
Genre: Dream Pop
Bio: 19-year-old Joe Russell-Brown’s has released his debut EP it is a collection of songs created on a cheap microphone and laptop in his grandma’s bungalow. It captures his transition from acoustic songwriter to dream-pop band leader
Track: Post-Youth Depression
When asked about the track Joe said:“Post-Youth Depression is a retrospective euphoria of the days you can only appreciate when they’re gone. It’s about friends, living in a shit town and the acceptance of whatever’s to come.”
Why We Like It: It’s a chilled lo-fi track, so soothing laid back and sweetly nostalgic. With slurred vocals and hazy soundscapes it’s like walking into a dream. The subtle guitar adds a whimsical idealistic mist to the track. Smothered in a blurred illusion that gives the track transparency, giving the sense of a euphoric memory in the back of your mind – you can’t grasp it as it is almost vaporous just there to cherish in the moment but cannot be held on to. Another sublime EP which you should check out.
Follow Joe Russell-Brown on Facebook here https://www.facebook.com/joerussellbrownmusic/
Watch the video for Post-Youth Depression below
Follow Our Indie Quick Picks Playlist On Spotify Here
Brooklyn based electronic duo, Shanghai Restoration Project (SRP) have released their new album ‘R.U.R’ on Undercover Culture Music. The album was recorded and self – produced in New York over the last year and features thirteen brand new tracks including ‘Spooky Party’ and the forthcoming single release ‘Alpha Go’. Originally the solo project of Dave Liang, the Shanghai Restoration Project were initially inspired by the 1930s Shanghai jazz bands. Earlier work combined Chinese instrumentation with hip-hop as Liang had done some producing within P. Diddy’s Bad Boy Label. Shanghai Restoration Project first came to the public’s attention during the 2008 Olympics in Beijing when the BBC featured tracks from their debut album as theme music during their broadcast coverage. In 2011 Liang met Sun Yunfan, a multi-disciplinary artist who grew up in China. Last year the duo co-wrote and produced the album ‘Life Elsewhere’ with Chinese jazz singer Zhang Le, which was well received in China and nominated for several national awards and ‘R.U.R’ album is the first record the two have officially released together as Shanghai Restoration Project. The duo have now been streamed over 20 million times to date, been featured on the BBC, NPR, The New York Times, Last Call with Carson Daly and they’ve performed over 100 live shows around the world in places such as NYC, Amsterdam, Tokyo, Moscow, and The Great Wall of China.
‘R.U.R.’ takes you on a journey of discovery through sonic multi-layered soundscapes. They take us to a world where robots have replaced humans and are trying to figure out what led to our extinction. The entire album is an expansion of your senses with ‘Expedition Voronya’ adding flickering twinkling electronics flooding with images of green pastures and rushing water. This duo take you to rain forests with fresh breezy atmospheres while animal noises and rain falling flood the background setting a picturesque scene. The fluctuant percussion, earthy wind pipes and elegant piano flutters in tracks such as ‘Last Bachelor Oecanthuskeep’ create an engaging listen. It’s a little unusual at first but once the rich abundance of instrumentation begin painting beautiful delicate images for you it is really quite a magical experience. With melodies that are so animated and crisp and use of electronics so clever and precise it’s an impressive body of work. Each track evokes every one of your senses bringing you right into the depths of the journey and making the experience realistic and beautiful. This duo aptly display the good side of the human race and world around us with light fluttery tracks but they also display the more sinister side with tracks that take a darker tone. It’s robotic yet immensely fluctuant and wobbly with disco hints and infectious grooves. This duo have created a unique experience that’s not for everyone but worth the venture.
London based Ten Fé have released their new track ‘Single, No Return’. Now a five-piece, comprised of Ben Moorhouse (vocals, guitar), Leo Duncan (vocals, guitar), Rob Shipley (bass), Johnny Drain (keys), and Alex Hammond (drums). It’s the first new single since the release of their debut album ‘Hit The Light’ earlier this year. ‘Single, No Return’ is simply euphoric. The five piece have crafted a track that displays their sophisticated refined musicianship beautifully with subtle intricate layers so tightly bound yet spaced perfectly – it’s a treasure. Flickering electronics flood the track with an airy sedative that soothes and numbs the soul. Warm sharp guitar injections add a vibrant sun kissed glow while velvety smooth hazy vocals lull you into a calming sense of comfort. Deeply passionate and delicately numbing, each note takes its time leaving a hushed sense of reflection. The track builds becoming more dynamic and bouncy creating a rush of adrenaline for the crescendo. With a nostalgic sombre drizzled sublime melody weaving free and easy around the pulsating electronics and slow groove it’s the perfect mellowed return from Ten Fé.
Edits are a Girl/Boy Duo from Manchester that create “electronic other world-ness”. Sandwiched somewhere between synth pop and post-rock the band consists of members Liv Westhead (Vocals/Synths) and Chris Abbott (Guitars/Programming). Edits take pride in their D.I.Y. aesthetic; producing everything they make themselves, even their music videos. The pair recently self-recorded a video series live to tape called ‘The Tape Sessions’ showcasing their creativity and recording skills. The duo have released their new single ‘Don’t Speak’ which is a synth pop anthem reminiscent of Chvrches, The XX and Everything Everything.
‘Don’t Speak’ is an atmospheric synth pop dazzler oozing anthemic fist pump power teamed with darker indie soundscapes. Flickering synths create a fluctuating bedazzlement while swirling synths and Westhead’s vocals add passion and tension. The sharp guitar and punchy drums build the track up creating a gritty rock heaviness and rough texture to the otherwise sugary pop sound. The verses brood with a darkened undertone while the anthemic chorus bursts with mini instrumental explosions. Its charming and endearing and immensely catchy.
Toronto based producer Nightshifts has released his new single ‘Karma’. Having had past musical successes in other Toronto bands and produced an official remix of “Michicant” for Bon Iver, Nightshifts is gearing up to release his debut LP this November. ‘Karma’ is a soulful blast into Nightshifts sonic universe. Its smooth cool and ridiculously groovy. With a finger clicking beat and groovy swagger soaked guitar melodies it’s a silky little number. Velvety vocals coo and charm while sonic flecks dazzle and flicker between shimmering synths. This laid-back track is polished and creamy and effortlessly cool. With a relaxing sway like tempo and clap along feature it an infectious funky pop sprinkled ear worm.
When asked about the track Nightshifts said “Karma was written at a time when all my friends and I were very unsure about what we wanted to do with our lives. I wrote the song to try and calm my own nerves; to say it’s ok not to know, let’s just enjoy the ride. Matthew Vlahovich of Young Empires co-produced this track at his Trinity Bellwoods Studio”
With band members that hail from as far afield as Bulgaria and Finland, indie-pop four-piece Hayes & Y harbour a somewhat continental feel that immediately sets them apart from their quintessentially British contemporaries. Having moved to the UK just a couple of years ago, the four-piece have assimilated quickly, becoming a part of their new country’s scene and taking shows at some of Britain’s best-loved venues in their stride, including the likes of London’s Dublin Castle, and Manchester’s iconic Night & Day Cafe, as well as a notable slot on the Spirit of Burgas festival in Bulgaria supporting Kasabian. With three EPs already under their belt the band have now released their latest single ‘Always So Simple, Always So Cold’. This cruising 80’s electronica flavoured track glides with effortlessly cool swagger and slicked back groovy vibes. Rolling bass lines teamed with frenetic winding guitar licks add an elastic sensual chilled back allurement while also creating a brooding moody foundation for the electronic wavy soundscapes to bounce off. The 80’s infused synths add a shimmering sparkle, breezy freshness and infectious disco dance vibe. Oh, so smooth and creamy the melody fluidly coats the rippled soundscapes while a slapping sticky beat adds a steamy sultry quality. Hayes & Y present the track in a seemingly effortless way creating a laid back hazy tune thats irresistible from the start. The vocals are sweet and luscious and oozing passion and emotion. It’s a delicious can of sugary smooth pop with a dash of zest provided by the sting on guitars – its refreshing, lush and chilled.
The accompanying video sees Hayes & Y using grainy, black & white film clips in order to reinforce the sombre tone watch it below.
MYA Project is the alternative, electronic/acoustic pop creation from Dalila Mya. Originating from Europe, now based in Los Angeles, this musical creativity comes from a background of classical training combined with a Sound Engineering Degree. MYA Project is a fusion of electronic and acoustic music, where Trip-Hop meets World Music and Pop Rock. Dalila’s background has seen her work as a Live Sound Engineer, working with artists such as Tool, Depeche Mode, Alabama Three and Massive Attack. Besides her live work, she has worked as a Studio Sound Engineer for several studios in England and the U.S.A., including Abbey Road in London and The Village Studio in Los Angeles. She has now released her new track ‘Something That Good’. It is the second single from the album MK. Possibly the most captivating and intense song on the album it was written and recorded in only 3 days. With a sticky flickering beat glooping and slapping against flickering electronics it’s a smouldering dark entrapment of peril. Wobbling soundscapes add a chilling mirage of obscurity, cold and sticky it is almost suffocating. Mya’s luring vocals entice and enchant with a bewitching melody that swallows you up in a confusing delusion of smoke. The melody wisps around like vapours creeping in your ears – you are powerless to its catchy entanglement. A haunting thrilling second single from MYA Project.
The video for the single was shot and produced in Los Angeles by Dalila Mya, who produced and edited the video in her own studio in partnership with, videographer and visual artist J.F. Brown.
Watch the video for ‘Something That Good’ which was shot in one day in one of the historical venues in L.A. – the Hollywood Hotel below
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
