Category Archives: Indie Psychedelic

Mini Mansions ‘Hey Lover’

Mini Mansions have shared a video for their new song ‘Hey Lover’, starring The Kills’ Alison Mosshart. The song follows their recent single ‘Gummy Bear’, which was released earlier this year and both tracks will feature on the trio’ s upcoming third album ‘Guy Walks Into A Bar…’

‘Hey Lover’ is a bittersweet libation for indie and psych lovers alike. It is as beautiful and delicate as it is raw and sharp. This guzzle of pop shimmered delight is that breathtaking slow burner that glimmers with emotion and pristine melodies on a sizable instrumental backdrop. A 60’s pop melody floats and swoons over a buoyant beat and twinkling synths while Michael Shuman’s smoky whispers caress the lyrics with steamy seduction as he coos and blends perfectly with Alison Mosshart’s sultry tone. The elegant guitar weaves majestically through the rich rhythms while the jangly keys playfully bounce about the track creating a sugar sweet quality and wonderfully light texture to the song. The band meander from a graceful innocence to lustful messy arrangement with grace and refinement as the track progresses to a psych-blasted crescendo of distortion and intensity. The track flows with a twinkling fluidity that is masterful, each component part adds a new dimension to the track making each subsequent listen just as exhilarating as the first. With a sweet melodic bridge leading to the final chorus-explosion Mini Mansions tease their upcoming album with another mouth watering tune.

Mini Mansions are set to release ‘Guy Walks Into A Bar…’ on July 26 via Fiction Records. Ahead of its release, they will embark on a UK headline and festival tour. Shuman’s Queens Of The Stone Age bandmate Jon Theodore will be joining them on drums for the live dates.

You can catch Mini Mansions Live at :

May 2019

4 – Leeds, Live At Leeds Festival

5 – Newcastle, Hit The North Festival

6 – Glasgow, King Tuts

8 – Dublin, Whelans

9 – Birmingham, Hare & Hounds

11 – Brighton, The Great Escape Festival

12 – Southampton, Joiners

13 – Exeter, The Cavern

14 – Cardiff, Clwb Ifor Bach

16 – Bedford, Esquires

17 – Cambridge, Portland Arms

18 – Norwich, Waterfront Studio

20 – Sheffield, Picturehouse Social

21 – Tunbridge Wells, The Forum

22 – London, Islington Assembly Hall

23 – Liverpool, District

24 – Manchester, Dot To Dot Festival

25 – Bristol, Dot To Dot Festival

26 – Nottingham, Dot To Dot Festival

Watch the video for ‘Hey Lover’ below


Munky ‘Un, Deux, Trois, Cat’ EP

Dublin’s grunge disco band Munky have released their debut EP ‘Un, Deux, Trois, Cat’. This poignant precise collection of tracks displays Munky in their grunge drenched, attitude slapped habitat. The tracks flesh out the bands groove infested backbone however, the lyrical content sees our cheeky chappies take a social stance on real hard hitting topics such a victim blaming. These mature themes are devoured in blistering instrumentation and slick refined musicianship.

The razor sharp funky sting of ‘Zordon’ kicks off the EP with sweltering guitar whines and jagged riffs. Zachary Stephenson’s vocals prance and pine through the catchy melody with intriguing whoops and wails while the slick bass groove buoyantly hops and springs between the rich drums and intricate guitars. Thrilling psychedelia dissolves the gritty backdrop in a dizzying acid of fizz while this splintery dark number introduces the band with grandeur, exposing their debut EP in all its exhilarating glory. Just when you think Munky can’t surprise you any more than they already have,  Stephenson’s splintery tongue fluidly rolls out a rap lyric for the acute ’Cuck Rock’. With a funky elastic and somewhat elegant display on bass and guitar the track smoothly flurries behind his narration.The instrumentation is tight and pretty slick as the slinky guitar weaves superbly between the elastic rhythm before the track explodes into a bloodthirsty assault of aggro that is destined to be epic live. Bassist Niall Donnelly brings the track to an end as he takes his “moment to shine”.  ’Cuck Rock’ leads magnificently into the effervescent ‘You’ve Got Male’.

Track after track these guys create one hell raising EP filled with sizzling grooves, biting guitars, psych, raw grunge and battering rock with just the right dosage of flamboyance and panache drizzled on top. However it’s that sweet hair raising intro to ‘Ms. Communication’ that shows just how far these guys have come. I’ve heard this track live before and in a more raw format but the meticulous attention to detail and subtle changes the band have made to polish this gem up has to be a pinnacle moment within the EP. The soft female backing vocals blending and beautifully harmonising with Stephenson’s emotional, suffering vocals is immaculate. His vocals have improved and this track shows this perfectly. The passionate turmoil is bubbled and boiled in a fiery brew of funk with a bluesy aftertaste. This concoction creates a bracing sense of urgency and agony. The dark verse kicks off the track swallowed up in a funky slick bass line and eerie guitar twinkles which builds the cold icy tension. The track becomes more dynamic and mosh ready before an epic catchy chorus and crescendo-blast which screams attitude and rebellion. The sweet lamenting and lonely guitar melodies are perfectly placed throughout the song and that shredding solo is the final dramatic kick in the ass. This gripping track exudes class, finesse and the true skill of Munky. Finally the striking well placed ‘One in Five’ brings the EP to a powerful end. This barbed fiery track is about victim blaming culture and Munky provide a passionate heartbreaking narrative over a swirling backdrop of rumbling, agitated rhythms and sharp guitar pines. The guitar weeps, stings and shrills through Stephenson’s distressed vocals while the drums bubble and boil over to the mighty expressive crescendo. It’s a track that grabs your attention and is superbly written.

Munky pulled out all the stops with ‘Un, Deux, Trois, Cat’. It’s an impressive EP, containing cheeky funk, smothered in an honest and mature shell that showcases the majestic and proficient side to Munky’s musicianship.

You can catch Munky live at :

The Grand Social Dublin on April 12th

Stream ‘Un, Deux, Trois, Cat’ below

https://soundcloud.com/user-34644906/sets/un-deux-trois-cat-2/s-H07VY


Badhands ‘Voices’

Badhands have released their new single ‘Voices’. Badhands is the musical project of Dublin songwriter and musician Dan Fitzpatrick. Having played for years with artists such as The Mighty Stef, The Last Tycoons, Paddy Hanna and Maud in Cahoots, he recently released his critically acclaimed debut album ‘Predictable Boy’. The record features musicians Tom Cosgrave, Aoife Ruth, Chris Barry and Ken Mooney, and upon release received much praise from critics.The band’s first two singles, ‘Waves’ and ‘Monday Morning’, have both received considerable airplay on national radio and have been performed live in session on shows such as Arena on RTE Radio 1.

‘Voices’ is a dark contorted number that chills with eerie instrumentation as Fitzpatrick’s vocals haunt through the psychedelic backdrop. With its heat stricken, western, lone ranger vibe and sliding guitar whines this track is compelling and extremely absorbing. The song travels on a dream-like delusional vibe with pulsating drums and strong piano chords strengthening the ominous foundation for the curdling bass lines to twist around. Filled with plenty of passion and rich emotional tones- this track is a spine chilling beauty with country hues and tumbleweed lonesome vibes peering through the hallucinogenic atmosphere and sweltering instrumental stings.

After a busy year of gigs in 2018, including two packed headline shows at The Workman’s Club Dublin, and supports slots with acts such as Michael McDonald, the band began work on album number two at the start of 2019 and is set for a headline show on April 13th in Whelan’s along with several dates around the country to be announced soon. These shows will feature songs from Predictable Boy, and also new material from the recently begun second album.

Watch the video for ‘Voices’ below


Jooce ‘Lazarus/Disarray’

Dublin based psychedelic rock band Jooce have released their new double A side release ‘Lazarus/Disarray’. ‘Lazarus’ and ‘Disarray’ take Jooce’s blissful psychedelic rock down two different trippy avenues.

‘Lazarus’ cruises along with vibrant swirling soundscapes while hazy guitars weave a warm toned golden thread through this ethereal track.It’s prismatic layers create an enthralling lustrous listening experience as the track wanders off into a glorious and hypnotic instrumental piece. The raspy vocals coo and dynamically call out the anthemic chorus and punchy verse as a buoyant rhythm bounces through the swirling lush soundscapes.

‘Disarray’ mellows the tone as it ventures down a delicate ballad side to Jooce. Soft guitar strums between emotional and fairy-like light soundscapes. It’s a sweet reverb laced dreamy number that builds as it progresses. The guitars jangle with a zesty biting sting through the chilling atmosphere and sway-like melody. They weave the psychedelic tones through this track sublimely while sprinkling a dash of pop over the melody.

Moving and deeply enthralling Jooce showcase their fine musicianship and exquisite melodies through both these mesmerising tracks.They are instantly addictive.

Stream ‘Lazarus’ and ‘Disarray’ below


Some Bodies ‘Escape’

Bristol-based newcomers Some Bodies have released their debut single ‘Escape’. The band who recently made their live debut in their hometown of Bristol, supporting Champagne Superchillin’ submerge your ears in a luscious swirling lagoon of melodic bliss. A dreamy melody floats delicately through the gentle swoosh of sparkling synths while twinkling guitars chime and strike throughout the steady beat and sublime bass rumble. It’s swoony and delicious with a cinematic tint adding a rose coloured glare to this lush daydream.The track builds to a dramatic crescendo brimming with emotion as the warm soothing vocals become more expressive and passionate, leading the way to a breathtaking instrumental frenzy. Fuzzed guitars blast through the punchy drums distorting every sweet flutter before leaving only a mind frazzling wall of sound echoing through your head. Well crafted and polished like a lustrous pearl Some Bodies have created one glorious sentimental  treasure with ‘Escape’.

Watch the video for  ‘Escape’ below


Sun Mahshene’s ‘Come Alive (Leave This City)’ single launch at The Grand Social Dublin with support from The Thrash Blues

Nestled in the heart of a rainy Dublin city The Grand Social Dublin host psychedelic band Sun Mahshene’s ‘Come Alive (Leave This City)’ single launch. A projected mirage of kaleidoscopic colours, swirls and patterns decorated the stage wall creating a prismatic dreamy atmosphere as we eagerly waited for the nights music to begin.

Rock n’ roll duo The Thrash Blues cooly take to the stage to ignite the night with their burly grooves and slick riffs. Not one’s for banter they whack into each track with surety and vigor loosening up the crowd’s hips with their swagger steeped richly developed tunes. Liz and Ro have finely chiseled their sound for maximum impact. The beefy riffs, slick guitar licks and melodic purrs weave their way suavely through the punchy drums superbly to create a thrilling contrast. Their raw yet refined sound is perfect to dance to. The Black Keys – esque ‘Wicked Man’ blasts out the energised and playful loose musicianship of this band with an edgy punk whack that hits you in the mouth half way through. There are lush guitar twangs, riveting drum rumbles and warm smooth vocals throughout the set filling each track with its own unique and vibrant character. For bluesy tinged, punk slapped rock n’ roll The Thrash Blues are the ones to call.

Poised on stage amidst the purple hued smoke of dry ice, Sun Mahshene stand ready to melt our mind with their glorious psychedelic drenched tunes. The dim lighting causes their silhouettes to haunt through the smoke providing a spooky, eerie atmosphere.Their set is brimming with malleable elastic soundscapes weaving their way through sharp slinky guitars, elastic bass grooves and chiming keys as Nathan Henderson coos and warmly caresses the euphoric melodies with his velvety vocals. The distorted whines introduce opening track  ‘Making The Call’ as the band peer through the shadowing mist. These guys bend their shredding raw rock and delightful sweet psychedelia seamlessly making for a gritty and diverse listening experience. Sun Mahshene are musical guru’s who leave a trail of sugary sprinkles throughout their tracks which lead you down a delicious rabbit hole craving for more. ‘The World Will Grind You Down’ and ‘This Girl I Know’ are mesmerising live as the band entwine each track in glorious layers adding rich depth to each component. There are three guitarist on stage Ryan Daffy, Ian McGinn and vocalist Henderson – this brings a new dimension and thrilling intensity to each track. These guys are also fun to watch on stage bassist Darren Hughes dances, executes all the suave guitar poses and hair flicks known to man while hopping, bopping and wiggling along to the tunes – he only stops to place a can to his brow to cool himself down while Dave Murray’s proficient drumming is a joy to watch and listen to. Backing vocals and percussion were provided by Ray Burke while Rob Crosbie took to the keys to help flesh out and adequately translate Sun Mahshene’s stunning sound.

‘The Righteous One’ is one beautiful 60’s – esque gem. Distortion on guitars fizz and bubble over a dreamy vocal and euphoric melody while punchy drums and enchanting soundscape create a dizzying sweet wall of sound to encapsulate your mind, soothing, sedating and enlightening you all at once. It’s pretty magnificent. I forgot where I was for a brief moment – the tracks are so luscious and consuming. The new single ‘Come Alive (Leave This City)’ was equally as gripping. Its anthemic chorus had members of the crowd jumping and throwing their arms in the air while that defiant beat thumped through our chests invading and controlling every bounce and bop. There was no lag or cavity in their set. Every track was engaging and blissful on the ears. These guys are growing and flourishing beautifully and with a sound that leaves you thirsty to hear more their live show is the perfect medium to guzzle up their dazzling sound and refreshing tunes.

The band closed their set with the effervescent ‘When The Bomb Drops’. However the crowd refused to allow that be the end, they demanded the band return for an encore. As they shouted for “No Control”  Henderson shrugs and timidly obliges “Right we’ll do it”. ‘No Control’ takes the roll of the final track in its stride. Sulky and brooding it swarms in with dark tones, shrilling guitars, reverb vocals and a magnificent wall of sound that rushes adrenaline and fiery intensity into your veins. This exhilarating track was the perfect closing tune.

‘Come Alive (Leave This City)’ is released on 15/02/19 make sure to check it out. These guys have something special.


Constant Supply ‘The Misanthropic Phase’

Donegal, alternative rock/pop band Constant Supply have released their new single ‘The Misanthropic Phase’. The band consisting of James Gillen(Vocals, Guitar), Conal Sweeney(Bass, Piano),  Eoin Gildea(Guitar, Synths) and Justin McDaid(Drums) are set to release their third album ‘Isn’t Life Great’ in June. The album was recorded and co-produced by Tommy McLaughlin (Soak, Villagers). The first single from the album, ‘Sanguine Lane’, was played by Steve Lamacq on his BBC 6 Music Recommends show.

‘The Misanthropic Phase’ is a groovy slice of psychedelic alternative rock. Constant Supply unfold this track perfectly, brooding through the verses with rich rhythms flickering and slapping through chiming twangy guitars while the synths flurry and wisp around creating a dreamy narcotic atmosphere. The vocals croon over a 60’s – esque melody while the bass creates a meaty foundation. The track wanders off a bit with a brass solo shredding and pining through a simple “do do do” backing vocal line. It’s shimmy chic as confident vocals lure over the darkly smothered instrumentation. Well crafted and perfectly blended, Constant Supply hold your attention throughout the gripping enticing track. It’s extremely catchy and hypnotic with an air of mystery throughout making this track quite compelling and fun.

Stream ‘The Misanthropic Phase’ below


Crome Yellow ‘Tastes Much Better With You’

Waterford band Crome Yellow have released their new single ‘Tastes Much Better With You’ the fourth single from their upcoming debut album ‘See Why’. This slinky, smooth number drifts blissfully into your ears stopping time in a sugar coated dreamy dimension created entirely by Crome Yellow’s prowess. There is immense depth in this track as the band allows every pulse, flicker and swoosh take its place elegantly. The pop melody melts upon soft pearly electronics, warm guitar jingles and a soothing vocal delivery to create the perfect chilled number. It’s one tranquilizing time capsule as the band present a track with sweet hallucinatory swirls, zesty guitar solo’ s and a clean production.With gentle whines hitting the lush backdrop with an alien – esque tonality this wobbly and floaty dream has everything to transport you to a sedating state of bliss. The edged guitars fill the track with a classic rock anthemic vibe showcasing Crome Yellow’s brilliantly refined musicianship.

Stream ‘Tastes Much Better With You’ below


Munky ‘You’ve Got Male’

Dublin’s Munky have returned with their new single ‘You’ve Got Male’. The band who spent 2018 touring Ireland and the UK present another effervescent psych-punk track that is sure to have you frothing from the mouth as you dance along while convulsions take over your body. On this latest effort the band lacerate the track with fizzing acid saturated guitar-lines dipped in wobbly dizzying psych while an infectious bass weaves an elastic foundation for the pulverising drums to batter off. It’s groovy, manic and bitterly harsh all while a catchy melody glissades through Zac Stephenson’s reverb laced, expressive vocals sweetening the biting delivery. With slinky guitar lines dripping swagger into each lick, stroke and solo this savage thrilling number is saturated in Munky’s kinetic boisterous and cheeky brand of dance-tinged, razor sharp delight with all the energy and raucous adrenaline their live shows explode with. These guys write catchy tracks that display their fine musicianship and proficient instrumental display. Munky sear their sound deep into your head leaving you branded… theirs.

Stream ‘You’ve Got Male’ below

https://soundcloud.com/user-34644906/youve-got-male/s-iEWQd?fbclid=IwAR1moAlZzeSfkMrSL8EdpidCsiNzC3RIQBEbeh3O09_WCy9uga4ixRHAlkc


Worth A Listen

Our Worth A Listen Track This Week Comes From Sun Mahshene

Dublin’s “Psychgazers”, Sun Mahshene, are set to release their fizzing new single  ‘Come Alive (Leave This City)’ tomorrow the 11th January. This is the second single to be taken from their forthcoming debut album ‘Contradictions and Tales of Fiction’. It was recorded at Darklands Audio, Dublin and co-produced with Daniel Doherty.

‘Come Alive (Leave This City)’ coolly whacks out that shivering dark and wild side to Sun Mahshene’s psychedelic shoegaze. These guys have never been shy at throwing everything they have into their tracks and this new single is no different. Brimming from the start with shrilling guitars blistering through a hyper drum pound, charging bass and scalding raw electronics, this lean mean psych spun number is saturated in mind frazzling soundscapes and adrenaline inducing energy. The catchy melody drips nectar coated bliss onto the effervescent backdrop as Nathan Henderson’s deep vocals rumble the verses through the snappy drum whack and flexible bass blitz. Filled with ominous spine chilling distortion, pristine production and breathtaking musicianship- this is another killer track from Sun Mahshene.

Stream ‘Come Alive (Leave This City)’ below

https://soundcloud.com/sun-mahshene/come-alive-leave-this-city-1