New York City’s Public Access T.V. have released their smart, smooth and effortlessly cool debut album. ‘Never Enough’. The four piece swan in with their laid back sunny vibes exuding panache and present us with an album to get excited about. John Eatherly (lead vocals, guitar), Xan Aird (lead guitar, vocals), Max Peebles (bass, vocals) and Pete Star (drums, vocals) give us their brand of spine- tingling rock and roll that is a triumph from start to finish.
‘ Never Enough’ kicks things off with ‘In Our Blood’ a rapid snappy infectious track that hooks you in from the start. With smooth swagger filled vocals, brawny flexible drums and of course the incredible slick guitar. This track is infectious and tight. With attention paid to perfecting the small details you wont be able to stop yourself from dancing. ‘Evil Disco’ brings us Public Access T.V. ‘s groovy sensual sound. Its funky elastic rhythm and 70s vibe give a strut quality. The velvety deep almost sleazy vocals coax and lure for the verses. The ear worm melody and chord progression will ensure this song will stick in your head and leave you prancing down the street with this track as your soundtrack. Its so dangerously smooth and polished if it was a floor you would slip on it and break your neck. ‘Summertime’ is a fuzzed hazy catchy track with an impulsive clap along effect. The steamy sharp guitar and flexible beat lures your hips into a swing while Eatherly’s vocals pine and almost whine with emotion. With lingering notes on vocals the track is soaked in longing and craving. The sticky intensity of the track changes up a little in the middle adding energy and vibrancy and light peppy backing vocals. The jazzy piano feature brightens the track and lightens the gluey mood to a freeing peppy tone. ‘I Don’t Wanna Live in California‘ is a revamped version of ‘ Metropolis’ which I must admit I found was somehow lacking to the original. I feel it didn’t need the revamp. they have given the track a spacey vibe with a disco feel and changed it around a bit. Thankfully they kept the shredding guitar solo and the hazy sunny vibe and added more spice and oomph to the laid back sound. The malleable beat and springy guitar give the track a bite. Eatherly presents us with a gritty, more fiery vocals and rebellious attitude. ‘End Of An Era’ is old school rock and roll reminiscent of Thin Lizzy. Its a swagger infused track that exudes fiery confidence. The zesty biting guitar adds an old school feel with a blazing riff that is red hot giving the track a razor sharp edge. With spirited energetic perky bass and animated beat it is infectious and dance provoking. ‘Patti Peru’ divulges in their grittier sound. The open line ” I was Ready to Die” gives an image of a desperate man on the edge. Eatherly’s shouty/growl vocals adds urgency and anguish to the track. The sharp guitars and pounding drums give the pop punk bouncy vibe. With sweet backing vocals to sing the track out and another display of proficient nimble guitar, six songs into the album and we are addicted craving more. ‘Careful’ is the mood changer in the album. It takes the roll of the slow ballad Public Access T.V. style. With a sway waltz- like sorrowful tone this track displays suffering and agony in three- four time. The misery and torment is displayed perfectly through the wail like vocals you can almost imagine Eatherly with tears running down his cheeks as he expels his agonising martyrdom to his listeners. Contrary to the shrill of vocals, the instrumentation is delicate and elegant. Fluidly flowing piano and a soft beat creates the perfect sweep of graceful delight. The strident ‘In Love and Alone’ is a short burst of boisterous energy. Its brawling rowdy swagger and interchanging between backing vocals and main vocals slaps you with original innovative rock and roll. The band’s knack for ridiculously catchy melodies keep this track constantly replaying in your head. Its a ruckus causing piece of melodic genius. The bridge is dynamic and frenzy evoking unruly joy. ‘Remember’ is a charming sun soaked easy going track with striking sweet guitar and bright tones. Rumbling drums and gritty vocals add texture to the smooth creamy track. ‘Sudden Emotion’ swirls with intensity and confusion as the verses are subdued and cheery, the chorus brings the explosion of instrumentation conveying conflicting emotions. The content lively vocals keeps a bouncy feel and bop to the track. The repetitive bridge with distant vocals and the soft drum beat slows the track down and gives a fantastic link to the final burst into the energetic chorus. ‘On Location’ is a summer high energy middle finger to the world anthem. Where Eatherly tells us to ” do what you want to do” The whole song seems to build both in energy and tone with blustering guitars and pounding drums while still maintaining a sunny Californian vibe up to its crescendo as the vocals progress to a growly shouty “I don’t wanna hear it” end. The album concludes with ‘Sell You on a Lie’ confirming Public Access T.V. ‘s organic undisputed cool stroll swagger and flair for catchy melodies that are sure to give you stuck song syndrome.
Public Access T.V. have big things ahead. They’re just getting started…
Stream ‘ Never Enough’ below
Our Worth A Listen Track This Week Comes From By Starlight
London alternative rock three-piece By Starlight have announced the release of their debut single ‘So Desperate’. The pounding new single is lifted from their upcoming debut EP and combines grunge riffs with ethereal pop hooks to mark the arrival of a uniquely talented new rock band. Led by charismatic singer-bassist Sara Murray with Ivo Sotirov on Drums and Martino Al on Guitars. ‘So Desperate’ brings us their hybrid of muscular grunge-punk and dream pop. The track is drenched in a dark shadowy atmosphere swirling in murky melodies and distortion. This track is a whirlwind of psychedelic intoxication, luring and enticing with a fuzzed grunge blast and winding weaving textures that pull and coax you into its eerie dangerous core. The brawny yet elastic beat maintains a strong rock foundation while the rest of the track consumes you with its bewitching churning and interviewing structure. Murray’s vocals are seducing, hypnotising and ensnaring with sweet lulling quality’s. This track can mesmerise and fascinate you until you are subdued, obeying every command enthralled and enraptured in its spell.
Stream ‘So Desperate’ below
I Drink Therefore There’s Darkness are a melodic, melancholy driven band from Blackpool formed in January 2015 by ex members of post-rock band Goonies Never Say Die. Band members Barry Parkinson, Dan Kerr, Warren Brown and Joel Winters have released their the first song ‘There’s Always Another Summer’ from their forthcoming album ‘élan vital’. The album is currently being mixed by James Routh of Sonic Boom Six and though there’s no release date yet, this first song is taken from a charity compilation CD album called ‘Streetlive’ for the Street Life charity, helping homeless youths in Blackpool. ‘There’s Always Another Summer’ is a refreshing track with a bright peppy guitar riff that seeps into your brain and rests in a chirpy bubble of fun. The track develops with moody raspy vocals and a melancholy tone. The interchanging between chirpy guitar and bubbly beat to sulky gloomy vocals adds a fresh and unique contrast that makes this track captivating. The guitar solo adds a twinkle of charm and charisma before the song rests finally on a heavier gritty rock almost mosh worthy crescendo. The drums become more hefty and the vocals more dynamic and rusty. A fantastic debut from I Drink Therefore There’s Darkness looking forward to hearing the album.
Stream ‘There’s Always Another Summer’
Leeds indie band Marsicans are James Newbigging (lead vocals and guitar), Oliver Jameson (guitar and vocals), Rob Brander (bass, keyboards and lead vocals) and Matthew ‘Cale’ McHale (drums and vocals). They have released their new EP ‘The Absence’ this month. The EP is the culmination of Marsicans’ 2016 releases and features the four tracks which have had national airplay in the UK via Radio 1 and Radio X over the course of the year. Three of the EP’s four featured tracks were given BBC Radio 1 support, including Huw Stephens’ premiere of the title track which also made Apple Music’s Best Of The Week playlist, whilst ‘Far Away’ a track we previously did a feature on was featured Spotify UK’s New Music Friday playlist. ‘The Absence’ presents us with Marsicans fantastic harmony-laden upbeat tropical sound that is raw and fresh yet polished in all the right places. Title track ‘Absence’ kicks off the EP and sprinkles with the four piece’s signature glowing infectious melody with lush harmonies and richly textured arrangements. Zealous guitar and vibrant synths keep this track uplifting while the soft spongy beat adds bounce and elasticity. The vocals are simple to start and become more dynamic as the track progresses. This track glows with bright vibes and is a gem glistening in the sun. ‘Arms of Another’ gives us a groovy springy sound. With an elevating high energy and catchy melody that will have you bopping and dancing from the first note. This track has an edgier sound with sharp distorted guitar that acts as the lime zest to your tropical cocktail. The rapid malleable beat maintains the tracks agile and spirited tempo. ‘Swimming’ is a blissful treasure with an ear worm melody and the perfect blend of luxurious harmonies and soaring vocals. The slick deluxe guitar riff is infectious and the glistening synths provide an elegant sweet quality throughout the track. With a slightly heavier sound towards the end, Marsicans confirms they can diversify their sound while still remaining bright and bubbly. ‘Far Away (Saudade)’ is the final track on the EP. This was the first track that caught our attention back in July. The track is ablaze with striking addictive hooks and quirky lyrics teamed with a honed melody and slashing guitar. This track is a fantastic listen. The lively animated rhythm gives the song an upbeat indie pop feel.
Marsicans ‘The Absence’ is a collection of upbeat infectious indie pop perfectly blended with sugar coated luxurious melodies, soaring vocals with bursts of zealous guitar and flexible spirited rhythm. Marsicans take their tropical mouth watering hard edged sound to another infectiously delicious level keeping you wanting more.
Marsicans have embarked on a 17-date UK tour starting earlier this month.You can still catch them live at
01 Oct – Manchester, Aatma
04 Oct – Hull, The Polar Bear
08 Oct – Middlesbrough, Twisterella Festival
10 Oct – Sunderland, 7even
14 Oct – Banbury, Also Known As
19 Oct – Basingstoke, The Sanctuary Live
20 Oct – Brighton, Bleach
21 Oct – London, Hoxton Square Bar & Kitchen
23 Oct – Matlock, Twenty Ten
28 Oct – Liverpool, The Magnet
04 Nov – Chester, Telford’s Warehouse
10 Nov – Leeds, Brudenell Social Club
11 Nov – Glasgow, Old Hairdresser’s
12 Nov – Edinburgh, La Belle Angele
Stream ‘The Absence’ below
Black honey have just released their new single ‘Hello Today’. Izzy Baxter, (vocals, guitar) Chris Ostler (guitar), Tommy Taylor (bass) and Tom Dewhurst (drums) continue their efforts for world domination with this staggering indie pop ear worm. They shake things up shifting from their previous brooding melancholic vibes smothered in intoxicating psychedelia to a peppy “screw you” middle finger attitude. Izzy exudes swagger and sass as she expresses her feelings exquisitely with aptly placed French phrases. This empowering track with its hyper sugar coated pop exterior and subtle bitter sting of the lyrics is a ball of bouncy fun with a slapping ricochet effect. It is glazed with a fuzzed guitar sound that still maintains the sunny hazy vibes we are used to from Black Honey. With rich percussion and a flexible groovy rhythm the four piece bring something new and fresh to the table. The slick guitar adds a razor sharp edge and rawness to the track which otherwise appears sleek, polished and refined.
Another fantastic track from Black Honey these guys just keep getting better and better.
Stream ‘Hello Today’ below
Indie rock ‘n roll group, The Majorleans, have dropped their new video for ‘Sunrise Mary’ from their upcoming sophomore album, ‘Carouser’s End’. They produced it themselves and mixed it with Michael Tudor (The Stokes, Duncan Sheik) in Woodstock, NY. Already receiving critical acclaim from Interview Magazine, The Majorleans are continuing to make waves with their new material. ‘Sunrise Mary’ is a warm Utopian treasure with glowing guitar and a soothing melody. The velvety vocals and soft beat acts like a soft blanket it is comforting and easing to the mind. Its a bright relaxing summer jam coated in sentimental nostalgic tones. The syrupy dreamy texture swallows you up in a world of hazy sunshine and wistfulness. The guitar plays almost freely throughout the track like a ray of sunshine brightening up the tone and adding a zest and charm.
Check out the video for ‘Sunrise Mary’ below
Our Worth A Listen Track This Week Comes From The Jacques
Bristol four piece Finn (lead vocals), Elliot (drums), Oliver (vocals/bass) and Jake (guitar) comprise The Jacques. They released their new single ‘Eleanor Ring Me’ earlier this year. Its a witty guitar driven track that is performed like an ode or a story telling limerick. Smoothly spoken verses tell us the tale in a cool indifferent tone with a Blur “Parklife” feel to the track. With raspy vocals for the chorus this track oozes infectious effortless moody swagger and magnetism. The bright zealous guitar flurries and glides with slick whirling agility. The steady beat and elastic bass gives the track a gooey rebound bounce.
Look forward to hearing more from The Jacques.
Stream ‘Eleanor Ring Me’ below
Cape Town alt-rockers Caelo have released their debut single ‘All You Need’. The rock trio have been busy making a name for themselves on the fertile Cape Town music scene since they formed in 2014. The band was initially an experimental two-piece consisting of frontman Joel Bronner and drummer Michael Dickens they soon expanded their ranks to include guitarist-turned-bassist Mat Winfield. Caelo have a knack for dexterous guitar work and an ear for singalong melodies and their debut single doesn’t disappoint. ‘All You Need’ is a headlong rapid whirlwind of fuzzed riffs and grunge pop hooks. Its breakneck style is a slap in the face of pummelling rock with robust pounding drums and razor sharp guitars. Its mosh worthy, frenzy causing hefty rock which lightens for the verses revealing their flair for ear-worm sugar coated pop melodies. This track gives you your cake and lets you eat it, well probably smudges it in your face. Exuding a grunge turbulent attitude with dynamic vocals this track packs a punch.
Stream ‘All You Need’ below
Divine Youth comprise of members Dan Sheldon (Guitar/Vocals), Michael Sheldon (Bass/Vocals) and Liam Kaye (Drums) from Stoke-on-Trent. They released their track ‘Please Pour Away Those Petrol Eyes’ a few months ago. The indie trio caught our eye as they produce a unique sound with vibes reminiscent of Pulp and the early noughties guitar bands. ‘Please Pour Away Those Petrol Eyes’ is an energetic spirited track that is muted or somewhat subdued while still remaining lively. The track is coated in nostalgic tones with Sheldon’s raspy whispered vocals adding a haunting inviting quality. The vocals manage to be soft yet ooze passion with a sort of scream- like dampened yell or howl. Divine Youth draw the listener in with a mysterious alluring quality and captivating magnetism. With driving enchanting euphoric guitars and elastic springy rhythm that add a dreamy calming effect that is soothing yet sorrowful.
Divine Youth are an innovate unique band that have a bright future ahead.
Stream ‘Please Pour Away Those Petrol Eyes’ below
BaDow are a Blues/Rock band from the South Coast of England. Fronted by Jodie Amos (Drums & Vocals) with Sam Morris on Guitar & Vocals and Bradley McGinty on Bass & Vocals. BaDow bring us the release of their second EP ‘Hot Headed Machine’. Title track ‘Hot Headed Machine’ kicks the EP off with a sizzling slick bluesy swagger. The fuzzed scuzzy bass and blazing guitar add a sensual elastic quality to the track while Amos’ vocal are clear cut with attitude and sass. This track is smooth and saucy with grit and brawn brought in by the punchy drums and vigorous guitars. ‘Poor Young Man ‘ gives us a heavier rock mosh worthy sound to start. It becomes more sensual and groovy for the elastic verse with a hip swaying dirty bass. The track becomes more energetic for the explosive chorus. The melody is infectious as the repetitive bridge holds tension until the dynamic crescendo. This track exudes steamy swagger and strut quality. ‘Wasted On Me’ pounds a steady beat to start, with a light guitar feature and lush backing vocals. Amos’ vocals for this track take a gentle emotional approach. The chorus once again builds up BaDow’s rock sound as they give us a burst of robust instrumentation which subsides for the verses. This track features a fantastic shredding guitar solo and really gives the guitar time to shine as it smashes it in an insane lengthy display of polished slick lustrous licks. The sleek ‘Freedom Of The Night’ finishes the EP with smooth sensual bluesy rock. The zesty guitar riff and flexible sultry bass teamed with powerful drums and a catchy melody makes this track a strong ending for the EP.
BaDow ‘Hot Headed Machine’ gives us their rendition of smooth, steamy, gritty classic blues rock and sizzling melodies.
Stream ‘Hot Headed Machine’ below
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
