Brighton alt/indie band Thrillhouse have released their new single ‘Take Care’. ‘Take Care’ races to glory as Thrillhouse continue their run of anthemic, ethereal indie rock through this majestic tune. With an electronic glitzy soundscape that is broken by shimmering guitars and desert-esque elements, the band create a sun-kissed nostalgic gem that pulses within a heart-pounding backdrop. Rumbling basslines ride along snapping beats and whirring synths to create an all-consuming sound that oozes suspense while showcasing the band’s deft musical prowess. Boasting sleek production and tight musical layering that is teamed with a deep brooding vocal delivery, ‘Take Care’ is a rush of heartfelt indie that leaves you craving to hear more. Thrillhouse are fast becoming known for creating infectious, musically lush bangers and ‘Take Care’ is a sublime example of this.
Cold Comforts have released the first single,’ Turn Back Time’, from their debut album. In their first two years together, they have already released three singles, gone on a nine-date tour of the UK and been longlisted for Glastonbury’s Emerging Talent Competition.
’Turn Back Time’ is a driving 90’s alternative rock anthem that boasts the blistering sound of Cold Comforts. The song rides on dynamic guitar riffs while punchy drums and blazing bass grooves saturate the backdrop in energy and angst. Cold Comforts thrilling wall of sound is instantly vibrant and energetic, evoking images of live crowds jumping and singing along as the band blast out the catchy chorus. Lyrically,’ Turn Back Time’ is an anthem of defiance and never again living in fear of the past or the future. Cold Comforts present this theme through relentless, mighty musicianship and hook-laden soundscapes. Well crafted and drenched in exhilarating instrumentation, Cold Comforts knock it out of the park with this new tune.
Irish avant-punk trio Nerves have returned with their new single ‘Leigue’. Having lit up their homeland with four well-received singles to date, the band began to earn a reputation as a must-see live act prior to lockdown with a series of sweaty DIY basement shows, sold-out headline dates and support slots with the likes of HMLTD, Turnstiles and more. Recorded over lockdown at Sonic Studios with Girl Band’s Daniel Fox, “Leigue” is a perfect snapshot of the band’s intense and borderless sound.
‘Leigue’ frizzles with the passionate and thrilling sound of Nerves. It’s a hard-hitting tune that displays Nerves at their most intense and emotional to date. The song has an asphyxiating and harrowing atmosphere that is greatly enhanced by a muggy panic-stricken soundscape filled with pounding drums, rampant bass wriggles and contorting wails on guitar. ‘Leigue’ is an immersive listening experience – the track broods and simmers with angst throughout as Nerves venture from light shoegaze moments to post-punk anarchy within a few brisk instrumental lacerations. The shoegaze, post-punk, krautrock blend of sounds is an exhilarating assault on the senses as Kyle Thornton’s reverb vocals speak about the dangers of trying to ignore grief and allowing unhealthy coping mechanisms to begin to rule one’s life. As the song reaches its crescendo, the guitars spiral and crash into the aggressive drums, creating an explosive and exhilarating moment for listeners to enjoy.
Nerves are meticulously crafting their powerful sound, and ‘Leigue’ is an exciting example of this band’s impressive musicianship.
Speaking about the single, Kyle Thornton says, “We feel as though Leigue was a bit of aturning point for us as a band, towards something more mature and cathartic. It’s paved theway for how our sound and attitude has changed over the course of the last year. It’s stillintense and still fun to play, but it means more to us now than I think it ever has.”
Formed in late 2019 following the dissolution of The Strypes – Cavan, Ireland’s The Zen Arcade have adopted an independent approach that extends far beyond their musical output. Today Friday 4th June via their own Dental Records they release the new EP ‘High Fidelity’; including the brand new single ‘High Fidelity’ alongside last year’s debut single ‘Don’t Say A Word’, and an exclusive episode of their own podcast – ‘Higher Fidelity’. The band’s debut single ‘Don’t Say A Word’ released in October 2020 saw The Zen Arcade pick up extensive airplay in Ireland and the US, peaking at no.1 on the Irish iTunes singles chart and ranking at no.12 on the Irish National HomeGrown Chart by end of trading on release day. Having started life as the intro to their ‘Higher Fidelity’ podcast, the band’s second single, ‘High Fidelity’ will be released on 12″ bubblegum pink vinyl as part of ‘High Fidelity EP’
‘High Fidelity’ is a musically striking and cleverly thought out EP that provides a keyhole glimpse into the boundless talent The Zen Arcade have to offer. The jingle, single and title track ‘High Fidelity’ kick starts the EP. Bright and drenched in sweet, catchy melodies with tight harmonies and infectious clap along feature, the band pull out all the stops to ensure this tune stays in your head all day. Driven by a punchy drum progression and raw bass grooves, the song surges with adrenaline. The Zen Arcade’s deft musical prowess is on full display in this charming gem. However, it is the well-coined phrases within the lyrics that steal the show “My heart will always pound in 5.1 surround sound” – love it!
The band’s debut single ‘Don’t Say A Word’ swiftly follows. A favourite here at Indie Buddie, this brisk slice of musical mastery is sure to get even the most timid person up and dancing. Boasting sharp, resounding guitars and frantic bass lines, this tune is a thrilling burst of alternative rock with glorious pop sensibilities that will leave you craving for more.
The Zen Arcade also provide a unique experience, an exclusive episode of the band’s ‘Higher Fidelity’ podcast where they discuss the making of ‘High Fidelity’, the magic of vinyl, the lyrics, along with their Sonic Seconds segment. ‘High Fidelity’ is a real treat. The band put a lot into creating The Zen Arcade experience, and the result is insightful, intelligent and fun.
The Zen Arcade are honing their sound perfectly. Their artistic approach to music, clever lyrics and wonderful knack with melodies leaves much to be admired.
Speaking about ‘High Fidelity’, The Zen Arcade elaborate: “High Fidelity has gone from jingle to single and theme song to hit song. This piece of music originally heralded the start of an episode of Higher Fidelity but now heralds the start of an episode of success. The track was written indoors, recorded in vain and released in case. It details the relationship between a cinephile with a lot of boxsets and their partner with a lot to catch up on.”
Monaghan singer-songwriter Jim McHugh has released his third album ‘Pretending To Wake Up’. McHugh’s previous releases have been added to RTE 1’s Recommends list, been Album of The Week at KCLR, been All Out Local Song Choice at LMFM and had extensive regional, national and international airplay.
‘Pretending To Wake Up’ is a fascinating collection that showcases McHugh’s most compelling work to date. The gobsmacking singles ‘Dave’ and ‘Hey Jimbo’ only give a glimpse of the treasure that ‘Pretending To Wake Up’ has to offer. Gems like the emotive ‘Her Love’ is a joy to the ears and boasts the artist’s fine musical prowess –the track’s dark tribal beat exudes hypnotic qualities that brood and simmer beneath McHugh’s deep vocals. This mysterious tune glimmers with a sense of innocence as McHugh slips into his falsetto while a supple twinkle on guitar adorns the backdrop in a tender lament. It’s within the deep yearning and minimalist instrumentation that we see the true beauty of the song before it erupts into a cinematic and passionate crescendo. The track is simply divine and quite the emotive masterpiece.
McHugh’s artistic talent is on full display within ‘Pretending To Wake Up’ as he takes us from the lush ‘Her Love’ to the gritty, dark ‘Virtual Bomb Drop’,an alternative rock smasher. This riff-heavy banger drives along a foundation of pounding drums, slithering grooves on bass and angular guitars that ooze swagger and gusto throughout. The track is a wonderful contrast to ‘Her Love’ that pulls the listener further into McHugh’s vibrant musicianship.
All over the album, we see McHugh blending musical genres – something the artist does with deft skill and enviable ease. From the panache dipped rock n’ roll of ‘Dave’ and ‘ Hey Jimbo’ to the jazz hues within ‘Shut Your Mouth’ and reggae rhythmic elements in ‘Mo Stór ’, McHugh invites listeners to indulge in the myriad of unique sounds within each satisfying and richly textured track. McHugh knows when to blast his tunes with ballsy rock and heavy instrumentation and when to tease, lure and create brooding tension within his music. This skill provides refreshing jolts throughout the album, with raw crescendo’s erupting from seemingly tender and pining tunes. This is aptly shown in ‘Mo Stór ’ which sees McHugh movingly lay his heart on his sleeve “I was born to be alive, with you” over a buoyant guitar, and soft instrumentation that becomes more expressive with indie rock elements for the crescendo.
Lyrical honesty and storytelling is something McHugh has become known for. Most notably in ‘Such A Cow’. McHugh exclaims “you’re such a cow” over jagged guitar and punchy drums. He’s not one to mince his word. However, there is plenty of witty insights and thought-provoking idioms within his lyrics that leaves much to be admired about the artist’s talent as a songwriter.
‘Pretending To Wake Up’ is a fantastic and cohesive collection of tracks that marks McHugh as an artist to keep an eye on. The diverse blend of instrumentation teamed with catchy sweeping melodies and lyrical content makes ‘Pretending To Wake Up’ an exciting record ready for repeat plays.
The Academic have announced details of a new EP. ‘The Community Spirit’ EP will be released on the 9th of July through Capitol Records. To coincide with its announcement, the band have released the first taste of the EP with their new single, ‘Kids (Don’t End Up Like Me)’.’ The Community Spirit’ EP was written, recorded and produced by the band through lockdown.
Exuding a youthful persona, ‘Kids (Don’t End Up Like Me)’ is an irresistible earworm that surges with The Academic’s thrilling indie sound. The rugged driving bass lines and punchy drum progressions create a gripping foundation while shimmers of guitar lift the track to majestic and ethereal heights. It’s a gripping and powerful number as the band flesh out their exhilarating musicianship with weighty instrumentation and honest lyricism. Craig Fitzgerald croons, “when I say I shine, I barely glow “ over a sweet melody while the indie backdrop builds for the anthemic chorus. The track is a joy to listen to and ready for repeat plays.
Showcasing crisp production and energetic instrumentation, The Academic are building their sound superbly and fast becoming one of Ireland’s finest indie gems.
About the song, vocalist Craig Fitzgerald explains: “Kids (Don’t End Up Like Me) is one of the first songs I remember writing back when I was a teenager. It was the first time that lyrics had come very easy to me. It’s written about the fear of not getting out of your hometown and amounting to anything. Thanks to the lockdown, I had plenty of time on my hands, but nothing to write about, so I started looking through all my old notebooks and found this song fully written. I had a gut feeling that it might come to life now with a few more years of living behind me since it was originally written.”
Emily 7 have announced their new single ‘Somebody’ will be released on all digital streaming platforms on Friday, June 4th. Hot off the heels of a feature in RTE One’s My Tribe, the Dublin Four-piece are delighted to release a fan favourite from live sets as a single.
‘Somebody’ announces itself in a swarm of indie rock glory as Emily 7 drench their hook-laden sound in gritty instrumentation and oodles of swagger. This stomping anthem swirls into a backdrop of scorching guitars and rampant bass grooves while a pounding bloodthirsty drum foundation creates an infectious beat throughout. Warm rasped vocals anchor the listener within the song’s thrilling soundscape while expressing feelings of angst and longing “everybody’s got somebody I need someone… someone like you gonna take my blues away”. The song drifts between punk, blues flirtations and confident rock embellishments with ease as the band display their deft musical prowess and immersive musicianship. Boasting catchy lyrics, riveting instrumentation and Emily 7’s sharp lyrical content, ‘Somebody’ is a blistering new single sure to be stuck in your head for days.
Dürtbürd have just released a brand new live single/video called ‘gRimjob’. Dürtbürd are a four piece ‘dürtrock’ band based in Leixlip. The band have released six live singles to date along with live videos for each which have together amassed over 200k views on facebook.
‘gRimjob’ is a stirring display of alternative rock. The track has a sleek sound that fluidly flows upon a driving bass and scorching guitar lines that venture between rampant strides and gritty riffs while allowing the punchy drums form the brawny foundation. In true Dürtbürd manner, the song ebbs and flows with genre-bending progressions. From raw metal assaults to moody grunge verses and ballsy rock crescendos ‘gRimjob’ is a thrilling roller coaster ride. These guys present a sound that holds an air of musical majesty while providing that lean mean soundscape that evokes manic moshing. Dürtbürd show their growing talent through this infectious raw new single.
Following the release of their latest single ‘I Don’t Love You All The Time’, critically acclaimed and supported by Steve Lamacq on BBC 6 Music, London desert-rockers The Howlers have announced their debut EP ‘The Sum of Our Fears’, due for release on August 26th with the release of their new single ‘Lost Without You’. Produced and mixed by Theo Verney (Lazarus Kane, FEET, FUR) and Tarek Musa. Doused in greased back swagger (Circa Waves, Kagoule) at Echo Zoo Studios, and mastered at Third Man Records, the EP tackles navigating through struggles in life by remembering to find light in darkness, searching for beauty in despair. The Howlers are Adam Young (vocals, guitar), Cameron Black (drums) and Guus ter Braak (bass).the East London trio have undertaken three UK-wide tours since their formation over a year ago. The band quickly established themselves as one of the UK’s must-see live acts, gaining much deserved praise from radio royalty including BBC 6 Music, KEXP and BBC Radio 1 as well as major programming on BT Sport, SkySports and SoccerAm.
The Howlers drizzle a scorching desert guitar riff over bubbling beats and groovy bass line to create a sleek tune exuding confidence and sass. The shimmying rhythm oozes 60’s swag and an infectious hip coaxing groove while Young’s smooth vocals croon “did you ever know what it’s like to be alone, now your friends are far from home and left you on your own where do you suppose you go?”. His vocals tie the scorching instrumentation together with a cool nonchalant tone while the bright guitars ricochet off the rich rhythmic backdrop. Boasting oodles of charm and blazing instrumentation ‘Lost Without You‘ is well crafted, insanely catchy and feverishly thrilling.
Speaking about the track, Adam Young says “‘Lost Without You’ represents understanding what you really want out of life, and realising what you may want might not be all it’s cracked up to be. Just because something is right for one person does not mean it’s necessarily right for you and that no matter how many times you may get knocked down you get back up, that you shouldnt be scared to fail and find the strength to face up to your fears and carve your own path through life.”
He adds “All of us have been picked on at some stage for whatever reason, we as a band know that better than most, the petty playground rubbish you should only have to put up with as kids, but in all that hate is where you find the confidence to form your own identity and believe in yourself.”
After playing main stage of BARE In the Woods in 2018, supporting Fangclub, and performing sell-out shows in venues such as The Loft & Roisin Dubh in Galway, Waterford based alternative rock group Under Starling have release the first single ‘Icarus’ from their upcoming self-titled album on May 7th, 2021. Under Starling, originating from Dungarvan (Waterford), consists of brothers Danny and Tommy Dunford as well as Colin Drummey and Alex Pollock.
‘Icarus’ is a fine example of the dynamic and passionate musicianship of Under Starling. The band take a heartfelt melody and drizzle it over a bubbling alternative backdrop to create a heart skipping, intense soundscape filled with potent lyrics and immersive musicianship. As the song veers from it’s brooding verses into the anthemic chorus the band flesh out their expressive instrumentation – twinkling guitars expand into the songs ethereal atmosphere becoming more raw while the tight rhythmic foundation raises in magnitude allowing the drums pound through the soundscape with a harsh and vehement force. Under Starling deliver tunes that speak from the heart while exuding cinematic undertones and ‘ICARUS’ follows this trend superbly. The track is masterfully crafted and an exhilarating ear worm to indulge in.
About the track Danny Dunford explains : “The narrative of the song goes back and forth between 2 characters, an optimist wading through life’s oncoming choices, and a pessimist attempting to “clip their wings”, however in the end the optimist would rather crash and burn trying, than to never try at all.”
Stream ‘Icarus below
Author : Danu
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
