Crosslight have released their new single ‘Influenzers’. Dropping a new EP and coming off a UK tour, Crosslight will be lighting up multiple festivals this summer such as the Mangata Festival. After releasing their debut album, EP and supporting bands such as Scarlett Riot and The City Is Ours, Crosslight have prepared to take 2022 by storm with multiple releases ready to go.
‘Influenzers’ is a mighty alternative rock banger from Crosslight. The band create a catchy fierce tune that boasts gritty riffs, pounding drums and dark soundscapes. Heavy alternative rock elements blend with metal moments and electronic embellishments as the band create a thrilling wall of sound filled with angst. Crosslight display their refined and expressive musicianship throughout as mammoth outbursts and growl-filled screamer vocals inject ferocity between the smoother vocal elements and pop flirtations on melody. ‘Influenzers’ is an invigoration listening experience.
Ste Kelly has released his new single ‘(Oh To Be A) Butterfly’, featuring Sean OB. Ste Kelly and Sean OB, former bandmates in RAGLANS reunite for the first time since collaborating on the hugely successful album ‘RAGLANS’ released in 2014 which charted at no.5 in Irish album charts as well as cracking the top 100 album chart in Germany. This debut album saw the two songwriters and performers travel the entire world performing at the most prominent arenas and festivals while amassing a legion of dedicated followers. Now embarking on separate solo careers, the two songwriting juggernauts have realigned for their new single ‘(Oh To Be A) Butterfly’ released via Maybe Vagrant Records.Recorded and produced by Ste and Sean in their respective home studios. The track will be part of Ste Kellys forthcoming second studio album ‘Nostalgia Almanac’ which will be made up of collaborations with artists Ste has connected with in his storied journey in the music world and is expected later in 2022.
‘(Oh To Be A) Butterfly’ is an absolutely glorious tune. This catchy ditty is laced in infectious melodies, and vibrant instrumentation as Ste Kelly and Sean OB create a pop speckled indie banger sure to charm its way on repeat.
The track is fast-paced ( enhanced by a pounding foot-tapping beat ) and oozes a fun atmosphere filled with ebullient indie-rock soundscapes and witty lyrics that reference Shakespeare and W.B Yeats, “Idealist Romeo. Spendthrift Bassanio. Juliets and Portias out of reach. Find comic relief yeah on the edge of your seat. Crying as you laugh through gritted teeth”.
‘(Oh To Be A) Butterfly’ is a light-hearted song that boasts the clever songwriting and magnetic sound of Ste Kelly and Sean OB.
Emerging from the west of Ireland, Brian Corbett has released his new single ‘Wonder’. After moving across the Atlantic five years ago to live in Toronto, Brian Corbett found himself in a music scene he had never experienced before. He rubbed shoulders with a variety of artists and writers who instantly broadened his music and writing palette. After five years away from home he grew tired of city life and moved home to the deep wilderness of Connemara. Having left as a wishful teenager he returned as a focused musician with a voice that can be delicate when necessary but can roar a chorus as good as any vocalist on the island. Since returning, the Galway artist has found his stride in writing and recording new songs that are now ready for the world to hear.
Within ‘Wonder’ Corbett blends warm folk tones and cinematic tendencies with earnest lyrics to create a compelling new tune. The song travels on twinkling guitar and a pulsing beat exuding suspense throughout while Corbett’s warm vocals and lush harmonies croon the gripping lyrics, “hope you spin my head around. Round and round until it falls. Pick it up and it’s all yours“. The track is a joy to listen to as the artist eloquently captures a sense of longing through ethereal soundscapes while the folk foot-tapping rhythm grounds the track. Laced in catchy melodies wholesome musicianship and heartfelt lyrics ‘Wonder’ is a stunning new single from Brian Corbett.
Speaking of the single Brian Corbett said: “My new song feels like the perfect way to kick start something I’ve been working on for the last few years. The track touches on my teenage years and lacking the bravery to tell a close friend that I wanted to be more. I look back at that situation with huge regret and often wonder what would have happened had I just let a few words fall from my mouth.”
Eyes of Caelum have released their debut 6 track EP, ‘Laced in Gold’. Eyes of Caelum are a five-piece Indie Rock band from the UK, and winners of ‘Upload of the Week’ for BBC Introducing South West with their single release, ‘Human Touch’, also available on their new EP. Hailing from the South West, the band started writing during the long UK lockdown, and have since recorded with some of the best producers in the UK, to establish their sound.
‘Laced in Gold’ is an impressive indie-rock EP that showcases the catchy, passionate tunes of Eyes of Caelum. The band blend heartfelt melodies with shredding guitar riffs, soaring melodies and pummeling rhythms to create a stadium-ready wall of sound that is a joy to listen to. ‘Human Touch’, ‘Winter Sun’ and the swaggered blues dipped ‘Red Band Cigarettes’ all pound through the ears at a relentless pace evoking images of crowds at gigs bellowing back the lyrics. The band capture a sense of freedom and adrenaline within these tracks through ethereal guitar pines and well-placed bass grooves that are a goosebump-inducing delight.
The brisk pace of the EP makes for an invigorating listening experience and there are many memorable moments throughout. A fine example of such memorable moments is the beautifully expressive bittersweet guitar melodies. Whether it’s a majestic, desert- esque guitar display in ‘Laced In Gold’ or a cinematic embellishment in the brooding ‘This Town’, the guitar gives a euphoric irresistible quality to the songs.
‘Laced in Gold’ is a satisfying and cohesive body of work from Eyes of Caelum. The energy, passion and vigour bursting from this EP is admirable. Each track is ecstasy to the ears and equally spectacular with each subsequent listen.
Cory Pensa has released his debut album ‘Night Light’. An album which has taken 3 years in the making to be released, Cory created the entire album himself, playing each instrument and mixing the album afterwards. Using his own home studio in Northern NJ, Cory has been able to build his album from the comfort of his own home.
‘Night Light’ is a blazing album of alternative rock that boasts the tight, cohesive and mighty sound of Cory Pensa. Pensa takes catchy melodies and backs them with shredding guitar hooks, pounding drums and vibrant bass grooves to create an album that explodes with an array of pop-punk anthems, rock smashers and dark brooding grunge moments. The album flows seamlessly to create a satisfying listening experience. From the heavy onslaught of thrashing drums and soaring guitars in ‘Satisfied’ to the gritty rush of ‘Afraid Of The Dark’, the album surges with adrenaline and vigour. As ‘Night Light’ rolls through themes of resilience, youthful fun and hope the instrumentation remains tight throughout and with heavy outbursts and little anthemic gems such as ‘Bonfires’ keeping a sing-along vibrance. It’s a thrilling album to listen to.
Cory Pensa has created an impressive mosh ready album brimming to the seams with rich, dynamic musicianship.
Brand new electropop artist Throatsugar has released her debut single ‘Ascend’. Throatsugar is a new project from the multi-talented musician Colleen Heavey, a songwriting graduate who holds a master’s degree in Music Technology. I spoke with Colleen about the new single and her plans as she introduces this new project to the world.
“Basically, I’ve been writing my own music for 10/15 years, a long time. I was doing my degree in music and then I went on to be a teacher and now I’ve finished my master’s degree in production. I’ve been writing the whole time [but] I never released anything. So I got to a stage where I was like, Okay, I need to get over the imposter syndrome and just go for [it] because I had songs recorded and everything just sitting in the Google Drive. In terms of the name I knew I wanted a name that was in some way, visceral I guess would be the word. So I used a random word generator and I came up with a few combinations I really liked and I sent them to a few friends. One of my friends said throat sugar is vile and I loved that reaction so that’s why I chose it.”
Colleen has released her debut single ‘Ascend’. A debut track is a big deal. It announces your sound and musical style to listeners. Colleen told me she has a lot of songs written and we spoke about how she decided ‘Ascend’ was the perfect one to introduce her solo material.
” Ascend is my favourite song that I recorded so I was like, Okay, I’m going to choose the one that I guess gives me the most confidence. So I decided to start with that one because that is the one that for me I feel most comfortable with. I feel like it’s something I would enjoy and I would listen to. When people did ever ask to hear any songs of mine, that would be the one I would play for them. So I decided you know in order to start with even a miniscule degree of confidence, I would choose that.”
Colleen has a career’s worth of accomplishments to her name already. She has toured all over Ireland, the UK and the USA as a member of the band Brass Phantoms, and has performed at major festivals as well as opening for the likes of Delorentos and The Slow Readers Club. Music she has worked on in the past has been featured by the likes of BBC, RTE, and more. Colleen told me how daunting it is establishing her own sound away from the band.
“Yeah, it was terrifying. I never wanted to be the front woman. It’s never my thing, I love collaborating. So yeah, it was really scary for me. I’m really fortunate now because the song was recorded a long time ago with Mick Heffernan and he’s an amazing producer. He helped me a lot with it. One of my bandmates Greg [ Greg Whelan of Brass Phantoms] he is doing an amazing job, just monitoring all my PR and all that stuff. He’s been great, he’s given me a lot of confidence as well and really helped push me along. So yeah, with him it’s been a lot less scary and obviously we’ve worked together musically for so many years that it’s been great working with him. He’s put me at ease a lot which is nice.”
” I wish I had told myself sooner to not be so precious about it. I should have earlier on collaborated and gotten help from people and there’s so many people who want to help and want to be part of things. I lecture in the music college now and I’m always telling my students, if you’re going to release something, get someone to help you with it or maybe you can help release each other’s stuff or get someone to do your social media for you or maybe get a group of you together and make a spreadsheet of what playlists that you want to get on or who you want to contact, essentially just encouraging other people to collaborate because for me collaborating has absolutely got my career to the place it is.”
“I’m very fortunate that I’ve had experience in such a ridiculous array of things – a very quick rundown of my experience, there’s Brass Phantoms a kind of post punk band. Then I’m also a DJ and when I DJ I do everything but my main thing I DJ is metal music. So anything metal I’m really into. I’m also a big fan of math rock, and then especially in my masters I did a lot of compositions. I did electroacoustic composition and I did contemporary minimalist composition and obviously I’m really into production. So a lot of the time I’ll be writing a song and I’ll think okay, no, this is too weird, this is too niche. But it’s been great because I’m in a position where I feel I have a bit of an outsider’s perspective. I can think okay, I would like this but, what would the general public think or what would listeners think or you know, what kind of market am I tapping into and things like that. So yeah, I try not to get too weird when I write music.”
‘Ascend’ is a dynamic electronic pop track that exudes subtle cinematic undertones. It’s well layered and filled with intoxicating beats and dark ethereal electronics. Colleen explained how she crafted the song.
” I spent way too much time just layering it and stuff. I’m sure I made it on Logic Pro X, but I’m sure I still have the actual session somewhere. But even when I brought it to Mick [Heffernan], I don’t know how many different tracks or different layers were involved with it but it was a very long, painful, slow process. But it was great. It’s great working with someone like Mick Heffernan because he’s able to take what I have and build off of it. He doesn’t try to start his own thing he basically just tries to expand what I have and just refine the vocals because where I live it’s a bit noisy and the microphone is picking up a lot of things. But yeah, a huge amount of time. I recorded quite a long time ago, I feel like if I did it now I’d probably get through a little bit quicker. But yeah, when I was in my early stages of learning to record and produce at home, it was a long experimental process I guess.”
The lyrics within the song are beautifully evocative, eloquent and poetic and display another facet to Colleen as an artist, “Fill my blood with bitter warm sweet love. The colours in your mouth The feathers in my breath”. I wondered if she wrote the lyrics in a stream of consciousness.
“Yeah, I love what you say about stream of consciousness it’s definitely part of it for sure. One thing that inspired me was the poem “Night Piece” by James Joyce. I had read that recently and I knew I wanted the song to use that whole poem as a theme. As far as a narrative I don’t want to reveal too much about the meaning behind it but yeah I think the word stream of consciousness is absolutely right. It’s telling a story and I want to tell it in an abstract way so that people can derive their own meaning of it, which I think is important. I don’t want anyone to be like this is what the song is about and you’re not allowed interpret in your own way. I want it to be interpreted in whatever way the listener feels applies to them most.”
The artwork for the single is beautiful and adds a lovely dimension to the track. We discussed the concept behind the artwork.
“I was incredibly fortunate with the artwork. I didn’t know much in terms of visual art. Basically I’m not good at visuals at all. I knew what colors I wanted, and that was really about it. So I went onto Fiverr which is a freelance website and I found this incredible guy from Slovenia. He’s called ‘topcreativemind’. I messaged him and I explained what I was looking for and he was amazing. I couldn’t believe how many times he got back to me and he gave his opinion on what he thought was best and he just gave me loads of different options. We talked through what we didn’t like, and he listened to the song and it was cool to work with someone who actually did have a visual mind which I don’t have. He gave some insight as to what he thought was the best thing for the song and I love what he chose. He gave us loads of different options and combined all the things that I liked. So yeah, it was weird for me to use Fiverr but I would definitely recommend, we’ll definitely be using it again.”
People experience and consume music differently and it’s only when you are speaking in-depth with someone about songs and crafting them that you become aware that people enjoy music in different ways. Colleen and I discussed how people’s senses affect how they experience music.
“Yeah, I studied a little bit of synesthesia when I did my masters which is the whole, your senses crossing over and I’ve never had visual synesthesia, which is like conjuring up pictures in your brain but music for me, especially when it’s played through decent quality headphones I get a very euphoric brain tickling sensation. When I DJ and the music is blasting, I find myself just smiling uncontrollably. I just feel a lot of euphoria with music, whether it’s happy or sad. It just tickles my brain in that right way. It doesn’t necessarily matter what the music is, pretty much anything of any quality even if it’s just a phone recording can often hit me in the right spot, which is pretty cool. I know a lot of other people have that as well so it’s a nice thing to experience.”
Throatsugar is an exciting project with a sound full of invigorating textures and melodies that would be fantastic to hear in a live setting. Colleen told me what she has planned for the project in the coming months and if we can expect any live shows.
“That’s a great question. My answer has always been no because I want to be just a digital artist. Now, I would say I wouldn’t rule anything out. But at the minute like I said I’m not crazy being a frontwoman. I love everything behind the scenes. I love producing I’m happy to sing when recording and everything like that. I can sit for hours mixing and stuff. But yeah, I’m not going to rule it out is all I’ll say.”
“I have another single, which I have recorded. It’s actually pretty old. But I did a mini release of it many years ago and I got great feedback. It’s very different. It’s a lot more like pop. It’s different. But yeah, I think it’s a really fun kind of song. That’ll be ready to go I guess whenever the right time is, so I’ll definitely keep you updated.”
‘Ascend’ is an emotive tune dripping in ethereal tones and first-rate musicianship. The track boasts expressive soundscapes filled with pulsing beats, smooth vocals accompanied by soft R&B tones, and shimmering keys throughout. “Ascend” is an invigorating, immersive tune from Throatsugar that beckons repeat plays. Looking forward to hearing more from Throatsugar.
James Wilde-O’Connor has released his new single ‘The Curse (Help Myself)’. James Wilde-O’Connor is an Irish artist based in London. Off the back of his debut release ‘So Sweet’ in November 2021, James has been on tour around the U.K. & Ireland with Irish artist Sion Hill, garnering significant attention after performing to a sold-out crowd in The Workman’s Club in Dublin.
Filled with indie/blues tones and subtle pop flirtations, ‘The Curse (Help Myself)’ is an exquisite track that boasts the refined and luring sound of James Wilde- O’Connor. The track simmers on seductive grooves and thick electronic flourishes while vaporous pines on guitar inject blues undertones throughout. The artist’s warm vocals melt over the intoxicating soundscape before slipping into a sweet falsetto as the instrumentation encases the lyrics in longing tones. The track is a joy to listen to. Wilde-O’Connor’s meticulous layering and exquisite vocal displays mark this artist as one to keep an eye on. ‘The Curse (Help Myself)’ is a bewitching, solid single from James Wilde-O’Connor.
About the track, James Wilde-O’Connor said: “I think my music has appeal for the weird kids, cool kids, and anyone in between. To me, it’s important to reflect the issues relevant today, themes of mental illness, isolation and general unrest.”
Under Starling have released their new single, ‘Arrows’. The four-piece are rapidly forming a group of followers through their energetic live shows and popular releases. Their latest singles ‘Icarus’, ‘Purple Heights’ and ‘Mongrel’ were praised by RTE 2XM, WLR FM, IMRO, 8Radio, Raido Na Life, KCLR 96FM. ‘Arrows’ is the final single from the band’s upcoming ‘Mongrel EP ‘which is to be released this July.
Filled with emotive lyrics, vibrant instrumentation and dynamic soundscapes ‘Arrows’ is an invigorating display from Under Starling. Sweet guitar tones twinkle within the track’s ethereal soundscapes creating a vivid and cinematic backdrop. As the song builds the band envelope a comforting melody in biting alternative rock elements – the guitars and drums become more expressive and heavy, beautifully mirroring the poetic lyrics “what if I’m still caught in the roots of your heart”. Under Starling are developing their sound and songwriting wonderfully and the result is a tight, emotive and utterly charming song that is a joy to listen to. Well crafted and showcasing mature songwriting ‘Arrows’ is a sublime new single from Under Starling.
About the track, Danny said: “The take-home message in the song is wherever you are, or whatever you’re doing, family is everything.”
TV People have released their new single, ‘You Were Loved’. TV People are an alternative rock band from Dublin. Since forming in 2019, the band have honed their craft across the live scene, playing in some of Ireland’s most iconic venues, including Whelan’s, Mike the Pies and The Button Factory. The band have collaborated with Dan Doherty (Darklands Audio), Christian Wright (Abbey Road Studios) and Grammy-award winning mixing engineer Caesar Edmunds (Battery London), and have garnered support from the likes of BBC Radio 6, BBC Radio 1, BBC Radio Ulster, Amazing Radio, RTÉ and 98FM, and more. The band will release their second EP later this year, with continuous singles to be released in the coming months.
Deeply personal and rooted in dark undertones ‘You Were Loved’, is a compelling track from TV People. The band layer chiming guitar over jabbing drum progressions, pulsing rhythms and jarring basslines while the lyrics depict the pain inflicted by the loss of a close family friend. The instrumentation wrestles between soft twinkling guitars and heavier tones throughout, as deep baritone vocals ask “I’ve tried to leave this behind, Why can’t I?“
TV People are a musical marvel, the band’s ability to create expressive soundscapes that mirror the emotion within the lyrics is awe-inspiring. ‘You Were Loved’ is a fine example of this. The tracks soundscape twists and coils with dark punk elements and grunge-like tones highlighting the themes of anger, sadness and confusion wonderfully. ‘You Were Loved’ is a heartbreaking and beautifully crafted tune from TV People.
About the track, Paul said: “The lyrics of ‘You Were Loved’ were written after the death of a close family friend who took their own life during the past year. Writing them was a way for me to process the feelings of anger, sadness and confusion that overwhelm me when I think of their life and death. The song helped me to get a lot of anger out of my system and express the underlying heartbreak and love that I feel when I think of them.”
Big Sleep have released their new single, ‘In My Head’. The song is the second single off Big Sleep’s debut EP, ‘Feel Something Someday’ and details the turbulent times of a relationship that stays the course in the hopes of brighter days on the horizon. The track was recorded in the live room of Hell Fire Studios, in the Dublin Mountains in December 2021. James Smith (formerly of Gypsies on the Autobahn, currently J Smith) sound engineered, produced and mixed the tracks. Matteo Poli (drums, percussion), Rónán Connolly (vocals, rhythm guitar) and Aidan Gray (bass guitar), Jacopo (lead guitar) and Jessie Russell (trumpet, Cooks But We’re Chefs) recorded on the single.
Drifting upon a bed of warm guitar and indie/soul soundscapes, ‘In My Head’ is a lush new single from Big Sleep. The band create a sun-kissed laid back tune that flows effortlessly upon vibrant beats while gentle guitar melodies and hazy trumpet flirtations glisten throughout the track’s dreamy atmosphere. Big Sleep’s sound is a joy to listen to. Each track they release is a musical treat to the listener’s ears and ‘In My Head’ follows this trend superbly. The track is a fine display of the band’s expressive musicianship and compelling sound.
Stream ‘In My Head’ below
Author: Danu
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
