Category Archives: Interviews

A Chat With, Indie, indie rock, Interviews, New Music

A Chat With: Inhaler

Dublin band Inhaler have released their highly-anticipated debut album ‘It Won’t Always Be Like This’, through Polydor. This swaggering indie rock album is a triumphant debut brimming with exhilarating soundscapes and eloquent lyrical content while showcasing the musical expertise of each member of the band.

I caught up with singer and guitarist Eli Hewson, bassist Robert Keating, guitarist Josh Jenkinson and drummer Ryan McMahon a little while ago to talk about the album, their musical growth and how guidance from producer Antony Genn brought out the best in the band.

There is no denying the depth of musical talent Inhaler possesses. Within ‘It Won’t Always Be Like This’, the listener is invited to delve deep into the album, explore and indulge in the band’s exhilarating sound through engaging and catchy songwriting and compelling musicianship. The beaming faces of the four-piece were enough to express their delight in finally being able to release their debut.

Eli: “Yeah it’s been a long time coming, it feels it was like 10 years in the making to be honest because we’ve been writing songs since we were teenagers. I think some of the first songs we wrote made it onto the album so it feels like, definitely, yeah, it’s about time.”

Covid and the lockdowns hit the band hard, considering they were gearing up for a big year ahead in 2020 and everything shut down. However, Inhaler took the time to hone and perfect the album writing five new songs and rethinking how they were going to create this debut album. The result is a cohesive, mature and sonically dense collection of tracks that moves through genres of disco, indie and rock. 

Ryan: “The album that we were going to write and then record previously, before the pandemic happened, it was totally different and the songs that were written in the first lockdown that have now made it onto the album have just made it 100% better. So we’re really proud of what we have produced now and we’re also kind of glad that we did actually have all that time off to focus in on it more because if we had just gone in to record it straight after coming off tour, we would have been burned out, we wouldn’t have had the songs fully formed or ready to go. So we’re really happy with how it’s turned out in the end.”

The band pack in a plethora of glorious guitar moments within the album. In fact, the guitar melodies and solo’s have always been an enticing aspect within Inhalers music. The four-piece venture into many styles with the guitar from desert, indie, 80’s rock to psychedelic and more. ‘A Night On The Floor’ displays this spectacularly. A slinky bass, grooves atop funky beats and sultry drum progressions as the band create a sleek tune that subtly pivots around magnificent and expressive psychedelic guitar pines and simmering adornments.

When I enquired about who creates these wonderful guitar arrangements all of the band members gesture to the shying guitar virtuoso himself, Josh Jenkinson.

Robert: “ I think all the bands we’ve ever loved as a group have always played guitar and played it in different ways and in great ways and worse ways but usually always have a good time.”

Eli: “Yeah, and we just have so many different influences, so many different favourite guitar players. We love The Smiths, we love Johnny Marr, we love The Stone Roses, The Strokes. Pixies, these are all the best guitar bands, and that’s what inspired us to be in a band in the first place. We can’t help want to put that feeling in our music, and I also feel like there aint a great amount of that type of music around right now so it’s nice to be able to do that.”

Ryan: “And as kids, we grew up loving guitar music as well and so that was the first thing that we kind of gravitate towards one another over, was just the love for that. Not a lot of kids our age when we were 12 or 13 were really into [ it ] so we became friends.”

The rhythm section is another factor that sets the band apart especially within ‘Who’s Your Money On’. The intricate disco rhythms create a dazzling dance-infused tempo that fluctuates and chops through the shimmering disco ball synths, lifting the songs entire dynamic. 

Josh: “That was, all chopped up on the sample pad, we made that song as a dance track, and then put actual instruments on it instead which was kind of cool.”

Eli: “We did it in a way where I think it was a recording of a song that we were trying to form a year and a half ago and towards the end of the album process, we were seeing, is there anything that we could dig up to give it a chance to be on the album. Our producer was like, oh yeah we’ve got that, that one kind of jam that we did a while ago on November 16 at 4pm or whatever. We were like, Okay, that’s gonna be really good. Then he took it and he cut up all the different instrument parts and put them on a keyboard and we started playing it like that and it gave it this weird stagnated feel, and it feels really choppy, and that’s actually how we wrote that one and [gave] it’s unique rhythm feel. That was a fun one to make and probably one of the most gratifying again.”

The band fill out their tracks with synths and experiment with different sounds on the album to create a refreshing and rich body of work. This resulted in multiple versions of each of the songs as they figured out what way each song would sound best.

All: “Yeah too many”

Ryan: “They’re locked in a vault, never to be reopened”

Robert: “ There’s always at least 10 demos for every song.”

Ryan: “ ‘ Cheer Up Baby’ is a song that’s only three and a half minutes long or something but it took us about three and a half years to get it right and what’s strange is how the final version of the song turned out pretty similar to the first version we ever did of it. That was a song that, we want to, I suppose, take our time with a little bit because it was the first song that our fans had really ever fallen in love with. So it was really important for us that we got it sounding and feeling the best that it possibly could. With songs like ‘It Won’t Always Be Like This’ its the same story, that was one of the first songs that we ever wrote and was our first single as well – what other songs are there that just have so many different formations?”

Josh: ‘‘A Night On The Floor’,

Ryan: “ ‘A Night On The Floor’, yeah. ‘My King Will Be Kind’ yeah, there’s so many different versions of them that, maybe 20 years from now we’ll be curious to hear, but right now, I’m really enjoying the album and how it sounds now in its finished form. Finally” 

I wondered if they felt like they were going crazy listening to multiple versions of the same song.

All: “Yeah.”

Ryan: “ I was on the couch in the studio one day with my head back going, we’re never gonna finish this album.”

The band’s knack with melodies never falters throughout the album. Songs such as ‘When It Breaks’ and ‘Cheer Up Baby’ boast Inhaler’s signature earworm melodies. Interspersed throughout these catchy melodies are powerful, mature and thought-provoking lyrics that leave the listener craving to hear more.

Eli: “ It just flows. Flows like manna” 

Josh: “I wish we had the recipe because we’d be able to just do it whenever we want” 

Ryan: “Yeah then we would be able to do it with the second record.”

Eli: “I don’t know, we were just really lucky. I think you don’t write songs, I think songs just appear or they don’t appear, and we’re just lucky to have found these songs. I think that the songwriting on the album is really ahead of our age group. We are quite young to be producing songs like this, we’re just really proud of it. But if there’s a recipe, tell me what it is.”

Ryan: “It came to a point where we were so proud of the songs that are now on the album we’ve kind of, just had to slowly detach away from it and put our attention towards writing the second album. All we can do now is hope that people love it as much as we do and that it resonates with as many people as possible. We’re really excited for people to hear them. More importantly, we’re excited to play them live when gigs come back. It’s weird we always tested how good a song was by playing it live. So with a lot of these new songs we had to trust our gut instinct on whether we thought they were good or not and how they would go down live and that was difficult for us to adapt to, but in the end, I think it’s worked”

With lockdowns and the pandemic putting a halt on gigs for a while. The band didn’t have many opportunities to perform with each other. The only opportunity to perform was recording the songs for the album

Josh: “We’ve been rehearsing a lot, recently”

Robert: “yeah only in the last maybe two months. Prior to that we hadn’t really played at all, we weren’t even really seeing each other, “

Josh: “And we didn’t have our instruments, that’s the other thing as well”

Robert: “Yeah that was in the UK so it’s been very strange for us… we just met up together to record and that’s why the album process, it was a weird one because we had to both catch up as friends but also work pretty hard with a lot of focus [and] not much time on our hands.”

Eli: “No time off really either. I think it was interesting being in London because we were really trying not to get corona.“

Josh: “Yeah, that was like the main goal everyday”

Eli: “So we just went from the studio. We walked every day, to and from the studio to our place, and it was just work, work, write, write, write, work, work, work. It was intense, going from like three months of just doing absolutely nothing to all of a sudden just going alright here it is, But I think we were really driven”

Although it might not appear at first, but performing live can be tough on the body. Especially if you haven’t been gigging in a while. I wondered if the band felt that the first few shows back will be a shock to the system

Robert: “It’s gonna hit us like a train. I can tell you that now we will be absolutely fecked”

Ryan: “I’ll happily be fecked after that”

Robert: “I don’t know, if we can’t handle rehearsal in here, it’s gonna be tough to handle full tours. We’re gonna have to look after our bodies and take it seriously, for sure. I think, every band is gonna have to though, because not only have we not been playing together, people are out of shape. Actually, some people are in shape from lockdown” 

Eli: “You go one way or the other.” 

Robert: ”I think we went the other”.

Inhaler have released a fun video for their single ‘Cheer Up Baby’ where the band are covered in paint and spattering it around. It’s an anthemic and bright tune that is sure to be a pick me up on a dull day and the video subtly mirrors this.

Eli: “ A director called Joe Connor, really great, smart guy from Manchester and I think when we read his brief, we just really enjoyed the visual style that he was going to have. We liked the idea of the paint because it felt quite innocent and positive, it’s not like a dark video, I mean the song’s not dark but we just wanted to have a colourful vibrant thing because that’s what our music sounds like..”

The album is laced in evocative lyrics that ooze uplifting emotion while at the same time embraces a sense of sadness and longing. Lyrics in the aforementioned, ‘Cheer Up Baby’ are a fine example of this, “oh, how to kill these February blues.” …“When I think of all the things, I didn’t do, Oh, I can’t help but blame it on you…..cheer up baby you’re not on your own”. Perfecting lyrical flow and crafting lyrics that can relate to many people all at once isn’t an easy task but the band are doing an impressive job. 

Eli: “ The lyrics are just about things that resonate with kids our age because they’re just about experiences, and, there’s this weird period in your life where you’re not an adult, you’re not teenager and you’re in the middle. That’s what most of the songs are about it’s that transitionary period but we wanted to make a really optimistic record because it’s such a horrible time, I don’t think we want to write sad stuff. A lot of it is just about experiences that we’ve had, or our friends have had during this kind of weird transitionary time. I think before COVID happened, the lyrics were maybe a little less serious and they’re more just like fun and kind of teenage stuff. After the pandemic happened it definitely forced us to write about broader subjects and naturally just wrote things that resonated with other kids our age.”

Eli has a distinctive vocal. Throughout the album, he shows he can croon with tenderness like the best of them in ‘Slide Out The Window’ and howl with impressive, swaggered rock bravado when the song demands, such as in the chorus of ‘When It Breaks’. 

Eli: “I didn’t even know I was the singer until yesterday.” 

Josh: “He considers himself more of a guitar player.” 

Eli: “Yeah, literally, I don’t know why I ended up as a singer, but like I am, and I couldn’t sing for ages…I still find it quite hard. I have to force myself into doing it, and really like, find a voice.. because for a long time [ I ] didn’t have one.”

Eli: ”Yeah I definitely do consider myself more of, just a guitar player,”

Robert: “He practised”

Josh: “When we start doing shows again, I think you’ll [Elijah] find it a lot easier being the singer because you’ll be there in the moment.”

Eli: “I definitely enjoy it.”

I wondered what advice the band would give a shy aspiring musician

Eli: “Honestly, the best way to do it is just to throw yourself in the deep end, see how you swim, because that’s what we had to do you. We certainly weren’t ready to go out and play gigs when we did but we did it and I think you learn more in one gig, than you will in 100 rehearsals, it’s just a different animal. The only way to build your confidence is just, get out there and put yourself in front of people and, really just try and figure it out that way”

Ryan: “Comfort zones are dangerous.” 

‘It Won’t Always Be Like This’ was recorded with long-term collaborator and producer Antony Genn at London’s Narcissus Studios and the band discussed how vital Genn was with regards to bringing out the best in them.

Ryan: “I think a producer is half the album, you know. We have to come with the songs and play them but the producer is essentially what brings life into the, like, the sonic aspects of the album. We were very lucky with our producer who is not only just a producer for us but also a great friend, Mr. Antony Genn, who’s taught us loads, not only about how to become better musicians or songwriters but also just better people as well, so he’s a very, good coach to have in our camp”

Robert: “it depends on the band too. There’s some bands who probably don’t even need a producer and they just get someone to help them record the album. For us, in a sense he’s part of the band because he really is vocal and helps us find parts of songs that sometimes you wouldn’t be able to find, so it depends. But for us, we think the producer is an important part of making the record for sure.”

Robert: “It’s easy to get caught up…when you’re in a studio, everything sounds good, you forget that you still need to finish a song that people are going to listen to, and you know, the average person isn’t going to care about the four or five keyboards you put on a song. Even though we care about it. So you have to sometimes turn off the fun creative side, and be serious because you can literally, and we’ve done it, where you work for days on something that you end up just going okay, that was a lot of fun but we don’t need any of that stuff. So I guess it’s a balancing act.”

Ryan: “There were certainly periods where we ended up bogged down or overwhelmed during the recording of the album, times where we were not feeling very motivated or anything or the vibe was a bit down. Ant [Antony Genn] was always there to pick us back up and, not only breathe life back into the songs but us whenever we needed it as well. So a lot of what people are hearing on this album, should be credited to him and the hard work that he put into the record as well I think.”

The band compiled their most catchy, genre-bending and boundary-pushing songs to date for this album. They have not compromised on the enjoyment and listening experience either, The order in which each song is placed is precise and creates an energising mood that fluidly flows to the end. The four-piece admitted choosing what tracks made the cut was difficult.

Robert; “Yeah, it was, I think there was some questions we had about some singles that didn’t make it on the record but at the end of the day it was important for us to have the songs that we love as a band and that our fans love but also give way to new songs. We wrote so many good new songs over the lockdown and songs that are kind of the now, as opposed to songs that might not relate to people as much at the moment so we took that into account and made, I think the right decision.” 

Eli: “Made it to feel like a gig too. We wanted it to feel like you were at a show when you listened to it”

Inhaler have displayed immense musical and lyrical prowess within ‘It Won’t Always Be Like This’. For a debut, these guys are setting the standard very high. The rich and utterly lush production on the tracks is something to be admired and the dynamic energy within each song is irresistible. Each track warrants its place on the album creating a compelling and thoroughly enjoyable body of work ready for repeat plays.

Stream ‘It Won’t Always Be Like This’ Below 


Author: Danu

A Chat With, Alt- Pop, Indie, Interviews, New Music

A Chat With: Sion Hill and MYXE

Sion Hill (Nate Johnston) and Norwegian DJ/Producer MYXE (Rune Eie) have recently released their new house-pop single, ‘No Way Back From Your Love’. The track is laced in vibrant tones, crisp production and luscious pop melodies to create the perfect summer bop.

I caught up with Nate and Rune to chat about the new single, how an inspired hungover moment brought about the songs lyrics, gigging again as well as how the duo’s collaboration came about. At the time of our chat Rune was about to embark on a boat party to perform, the prospect of which seemed like finding El Dorado to me, here in Ireland and Nate in The U.K due to the pandemic restrictions.

Rune: “It’s on Saturday so I’m really looking forward to that. Well, they are getting a bit stricter here with the stuff, so hopefully, it will go through. I think it’s 120 [people]. I think it will go on because it’s sailing so it’s a sport, they call it, then.” 

Nate: “Are you sailing anywhere close to London?. I don’t know what I would give for a boating party on Saturday, probably my left baby toe I would sacrifice.”

‘No Way Back From Your Love’ was originally written in London in 2020 by Nate and songwriter Louis Ryan for piano and voice and was actually intended for someone else to sing, but when Rune heard Nate’s vocal, he loved it so much that he decided to keep it in.

Rune: “We kind of got connected through a guy called Louis, that I met online. He told me about Nate, and said that he might have some vocals laying around that I could try and work with so that’s kind of how we got in touch, and, yeah, Nate sent over the vocals for ‘No Way Back From Your Love’ and I did an instrumental behind it”

Nate: “ I think this one is really a product of the lockdown. I see it as that. It’s a lovely thing because I wrote it together with Louis Ryan. He’s an Irish guy from Dublin, a great songwriter, and really great keyboard player. We just wrote some songs together a few times and then there was this moment, I think they opened up the studios for like a week or so, do you remember after the first lockdown there was this little mini lockdown for like a month, and that was how it was in the UK. I think we got into the studio, like, a day before that happened, so we actually got to use a recording studio, which is quite cool and then everything closed down. So we wrote that song and then yeah, he [Louis Ryan] connected with you [ Rune Eie], but we did everything virtually and I think that’s cool.”

Rune: “ I think the first time we spoke on the phone that was after the release actually. “

Nate: “Yeah. I’m just praying that next time you’re playing the tune at a boat party I got the invite.”

Rune: “Yeah for sure”

I wondered if the pair found the remote collaboration more awkward or difficult to communicate and express ideas through.

Rune: “It’s obviously not the same as meeting in person. But we had a good start on email and we both knew what we wanted. I really loved what Nate did with the vocals and yeah I think he found the instrumental, okay as well.”

Nate: “I don’t think that was too difficult doing it online. I didn’t really know what was going on because this song when we wrote it was a bit of fun. I wasn’t really intending on anything happening with the tune. I kind of forgot about it, and then all of a sudden I get this message from Louis being like, Oh yeah, MYXE this DJ has been working on the track with me and I’m like Okay, send me something. Then I got this 30-second clip. It was just the first verse and he was like just ignore the drop it’s not ready yet. You [refering to MYXE] said something you’re like oh no I’m not happy with that drop leave that off. Yeah. The next version I got was almost finished and it was quite cool. I like that collaborative process and you can do everything online now and there’s been so many songs, recordings and albums over the last year and a half, that have been done actually on Zoom and whatever.”

Rune: “Yeah, I think in the past it was a bit more awkward to do writing sessions or whatever through Zoom or Skype, because not everyone was doing it, but nowadays, it’s more the norm now, at least in my world. “

Nate: “Yeah, for sure. I think when we were using this technology during the last lockdown, we came across this thing where there is no latency, there was no lag between recording. Normally, the reason it was so difficult is, you’d try to write a song together and I play a chord and then you try to sing and obviously the timing doesn’t match. It’s always gonna be difficult and you can’t rehearse live together as a band over Zoom because there is this latency problem, but we found this one piece of software that fixes that. I think like Jay Z and some of the big boys and big girls in that world have been using that. I don’t know how we got our hands on it but even having things where we can actually sing a song together, over the Internet, and there’s no lag, that’s insane. So yeah, I think technology has made it easier but it’s not really that different, we’ve all been WhatsApp and phone calling each other for quite a while now”

When Rune heard Nate’s demo of the song he loved its rawness and decided to work with it. The demo was minimalist but highlighted the melody and the potential of the song. 

Nate: “I think it was just keys and vocals actually that we did and this was one of those songs where I didn’t record. I think generally with House tracks and pop music, you sort of record it line by line, you know the vocals anyway, sometimes even, you might record just one word, just to get it perfect. So, yeah, I think that vocal take was actually meant to be just a demo take and you [Rune] used it, I liked that, that you took the original recording”

Rune: “Yeah the take, I really liked it because it was good, but still had that raw element to it and I just really liked it and normally I don’t do that, but I felt that it suited the vocal sounds.“

Rune: “If I like it, if I get a good vibe from it, then I’ll work with it. It doesn’t have to be techno or house or pop. It’s more the vocal itself, if it’s good, it’s good. I think.”

The lyrics for ‘No Way Back From Your Love’ were inspired by the Beatles’ –  ‘All You Need Is Love,’ by playing on the idea of – if you can envision something, then it is not impossible. Nate explained how the lyrics came to fruition.

Nate: “It was an easy flow, I think. We made this little hook melody “Ooooh, oooooh”. I think that’s what Rune is saying there as well, it has this rawness to it because the night before, I’d been out quite late and I was just not really in the singing mood, but I felt kind of creative. I don’t know if you ever feel like this, when you’re hungover sometimes you are quite creative and come up with things. I came up with this idea. I love that simplicity of that song, The Beatles track, All You Need Is Love, and it’s, “There’s nothing you can do that can’t be done, Nothing you can sing that can’t be sung”. This idea, it’s really simple but I wanted to follow along that sort of idea so yeah it’s not really the same thing but it was sort of the inspiration. Then, at the time I was in this relationship and it was happening really fast so I realised that when you meet someone’s friends and their family and when it all happens really quick, I’m like there’s no way back from your love, that was the idea. It wasn’t necessarily Beatles inspired, I just liked that idea of, there’s nothing you can say that can’t be sung and so on. An inspired hungover moment, I think”

The track is built superbly around the melody and Nathan’s voice, creating a light, fun atmosphere filled with driving beats, lush synths and even a whistle-like feature. This arrangement is the perfect example of Rune’s exceptional production skills.

Rune: “I think, for me as I speak from a production point of view, I tend to do that a lot. I’ve heard that I let the vocal get its place but sometimes maybe too much so the vocals a bit too much in the front but I think here, it turned out really well, but yeah I think that’s important. I really love vocals – so let them shine a bit.”

Nate: “Yeah, I think it’s hard to find that balance isn’t it sometimes?. I think you [Rune] blend the production really well and some producers, the vocal either gets lost or it’s way out, and I kind of get annoyed by that because I like to have a bit of both, you know,”

I wondered if the pair plan on releasing a summer-themed music video for the song.

Nate: “We didn’t do a video actually no. Maybe on the boat. Maybe at the boat party.”

Rune:”Yeah, maybe we could do some iPhone videos”

Nate: “Some decent iPhone videos at the boat party and some candid shots of people. I did actually have an idea of going down to Brighton with my cousin who’s a filmmaker and shooting something on a boat because it’s quite a summery little bopper this song and it’s got the little whistle and everything. I thought it would be cool just to film some girl on a boat, driving around the place. That was the idea but yeah never happened. 

Rune:” That would be cool.”

Nate: “ Yeah, I think we just got to the beach and then we got in the water and it was too cold. You realise you’re in the UK. It’s raining, it’s not quite the Ibiza sort of vibe that we’re looking for, but I don’t know it would have been cool to see a video but we’ve actually been working on some other tracks so possibly down the line we will do that.”

With things slowly opening up both Nate and Rune have got a chance to get back performing. We discussed the nerves and surreal experience of doing live gigs after all this time.

Nate: “ I was Yeah” [nervous]

MYXE: “Same here”

Nate:  “The first gig I did back, I played guitar for this singer, so I didn’t actually do my own show, and I was a little bit nervous because it was her thing and I was backing her up. I wasn’t necessarily nervous about the crowd but it is a strange feeling, getting back on a stage after a long period.”

Rune: “You can also tell, the people in the crowd they also think it’s been a bit weird, you know people dancing and being close and you can’t really keep one and a half metres on the dance floor.”

Nate: “I’ve done a few sit down gigs where people are separated but after just 15 minutes everyone’s up and dancing on the tables. It’s too hard to stop it. But we make our choices and if you decide to go to a concert, if you want to be there, there’s a risk you’re going to get COVID. So, maybe you have to isolate after the concert for a couple of days.”

Rune: “It’s a bit weird, to be honest, but here in Holland they’ve closed basically everything. It’s obviously nice to be able to play a little bit again and see some people, that’s good, but it’s still a bit weird. We have been so long without it now.”

Nate: “It’s crazy. I’ve lived in London so it’s almost back to normal. I don’t know if you saw the Euros, the finals like Wembley was pretty packed, the streets, it’s crazy but there’s kind of a spike again in cases so that scares me you know, events are coming back but are they gonna stay. What’s nerve-racking about it for me, is actually booking shows and having to cancel them because I’ve had to do it twice now, I’ve cancelled two tours. We’re booking a tour at the moment and if something happens again we got to cancel it again, reissue tickets, it’s a nightmare, but also it’s exciting, getting back out on stages. I’m playing a gig next weekend in my town in Mullingar. They’re doing a charity event, and it’s gonna be streamed live but there’s a small crowd there so even if it’s only like 25 people or something that are allowed to be at the event, it’s still nice to get to play for a few people. Although here I’ve been doing open jam sessions. I’ve been to concerts in London so it’s quite unusual that Ireland is a little bit behind, but maybe they’re doing the right thing, who knows.”

Both Nate and Rune have new music in the works for the rest of this year and they told me what they are looking forward to the most.

Rune: “Releasing music and hopefully get some gigs outdoors in winter and, yeah, travel a little bit again. “

Nate: “I’m actually releasing an EP, and an album. We’re trying to do it this year but it’s looking like it’s gonna be next January. But I’ve got a five-track EP coming at the end of August and, the album will be next year so it’ll be a few singles coming out before that, I have a few videos done. Then I’m booking a tour for 2022. “

‘No Way Back From Your Love’ is an infectious tune that is perfect to enjoy in the sweltering heat of summer. Both Nate and Rune display their refined musical prowess within the track and the result is a luscious pop banger that beckons repeat plays. 

Stream ‘No Way Back From Your Love’ below 


Author: Danu

A Chat With, Indie, Interviews, New Music, Singer/Songwriter

A Chat With: Jonnie Wallace

Edinburgh singer-songwriter Jonnie Wallace has released his new single ‘Milk and Flowers’. It’s a catchy tune that shows a more angsty side to the singer. I caught up with Wallace to chat about the new single and what he has planned in the coming months.

“The song came to be from events that happened during lockdown. Being treated as a lesser priority after putting in so much effort with someone was really getting to me, and this song was my way of getting that anger out.”

Wallace has a wonderful knack for storytelling within his songs and ‘Milk and Flowers’ is an excellent example of his witty lyrics and compelling storytelling.‘Milk and Flowers’ is a great title with an interesting lyric, “I brought you milk and flowers to say I love you”. The flowers make sense, but I wondered why he brought the milk.

“I genuinely picked up the lyrics when my mum was saying her shopping list underneath her breath! This usually happens, titles pop out from nowhere and I run with them!”

“All of my songs are written from my own life experiences! There is no song I have written that didn’t directly happen to me. This makes it very easy as I am telling a story that I know inside and out!”

The B side track ‘Not Tonight Honey (skit)’ is cringey but very funny. It gives a vivid insight into the narrative behind ‘Milk and Flowers’.

“Yeah I wanted to mimic a one-sided phone call, where one person is trying their hardest and the other is just not interested. Based on true phone calls I have had, of course!”

The stomping rhythm and woodblock element give an edgy quality to ‘Milk And Flowers’. I wondered if Wallace has an idea of how he will fill out his songs when he is writing them, or does that come when in the studio.

“I really put a lot of effort into the drum arrangement for this. Being a drummer first and foremost, I always like to take time crafting the right groove!
As for the rest of the instrumentation, I always hear in my head what the finished article is going to sound like, and with the help of my producer Cam Hunter, we bring it to life with added extras that we discuss in studio.”

“I have always played everything on my records, and my own parts to all instruments. There have been a few exceptions of course; My good friend and percussionist Jordan Ferguson featured on the demo of ‘Jane’, and the bass line for ‘I Talk Too Much’ was inspired by a bass line that my bassist, Lukas Christie, played while we were jamming through the tune!”

Wallace has a distinct smooth vocal delivery, which he has honed over the years through gigging. I wondered if he was always a confident singer.

“I started my solo career almost 3 years ago to the date of my writing this. Before that point I used to play pub gigs but I would mostly play cajon and maybe do two or three songs, but I was shaking with nerves when I did!
I think doing more of those pub gigs by myself and gigging more with my solo project got my vocals to where they are today, my voice definitely didn’t sound like it does now 3 years ago!”

Melodies are something Wallace has proven to be proficient at creating. Tracks such as ‘Aftershave’ and ‘Cherry Baby’ have infectious choruses and vibrant melodies that are difficult not to sing along to and highlight just how talented Wallace is at creating earworms.

“With ‘Cherry Baby’ that melody did just come to me, but I changed my method for a while; I would get my chords and then write a riff on the guitar over it and then transfer lyrics into that melody, I just found it easier to write melodies on guitar at the time. Right now its kind of a mix of both!”

The lull in shows due to the pandemic and lockdowns has resulted in many artists writing a bucket load of songs and some struggling to find inspiration to write anything. I wondered did Wallace find he was writing a lot during the lockdowns and if he has any shows lined up in the coming months.

“I have actually been writing less because of lockdown. Lack of experience is lack of writing material for me. I didn’t write a lockdown song, I don’t agree with them. Everyone went through lockdown, and a lot of people used music as a kind of escape to forget it all, so I never understood why people would write a song about the one thing that people want to get away from. But that’s just my opinion!”

“Other areas of my music life are taking precedence at the moment, so I don’t have any shows in the diary right now, but I’m okay with that! I am very happy where I am musically just now, everything seems to just be falling into place!”

I wondered if ‘Milk And Flowers’ is the first taste of an EP or album from Wallace and what he has planned for the coming months.

“I can’t promise anything but I’m building up material for an album, but I am in no rush to get it done, I also don’t have the funds for it!”

“More releases! I’m loving the creative process just now and I want to get more stuff out soon!”

Jonnie Wallace is a talented artist who creates vibrant, witty tunes brimming with passion and infectious melodies. His relatable storytelling and deft musical prowess make his songs a joy to listen to. I’m looking forward to seeing what Wallace has in store for us in the future.

Stream ‘Milk And Flowers’ below


Author: Danu

A Chat With, Interviews, New Music, Singer/Songwriter

A Chat With :Shayne Ward

Multi-platinum recording artist/award-winning actor Shayne Ward has released his first original single in six years, ‘Crazy In Love’. I caught up with the singer to chat about the new single, working with Swedish DJ, Record Producer, and Grammy Nominated Artist StoneBridge as well as what he has planned for the coming months.

“I just wanted to create something that makes people smile and, you know, just that love is love. You should be allowed to love who you want, when you want, and that it’s [love] out there for you and when you get it, just embrace it and go crazy with it. I was really pleased when I collaborated with producer StoneBridge. How he just completely brought it to life and it’s been received so well by my fans. I’m pretty pleased with it.”

“I’m a big fan of StoneBridge, from the early 90s, and I think in this game now, one of the great things or the positives that you can take from social media is that you can reach out to people directly in DM’s and things like that and, as long as you’re not afraid of getting the answer no, which, I’m not afraid of, you know, I’m okay with no’s. But you just reach out to them and, I said I’d love to collaborate and do something and he was all for it. He’s been great ever since and he’s now a mate. So we’ve been working together for quite some time now so we’ve written quite a few songs. We’re just pleased with this one. I’m just happy to have something out for the summertime and something new for myself, like you said it’s been six years since I’ve had an original song out”

It’s difficult to not let the fear of rejection affect you. Especially when you are an artist and you have poured your soul into a song. It’s a very personal thing, and people in general automatically fear rejection. It takes a thick skin to put yourself out there. 

“ At the end of the day you’re gonna get a handful of no’s.You will get a few yeses, and you just have to keep persevering and don’t take it too personally. It’s nothing to do with your talent. It just might not be right for that person you’ve approached, they might not want to do something with you or they might be working on a different project, which is absolutely fine. I believe that everything comes full circle and if you really want to work with somebody, you try them again at a later time. But yeah, I mean in my life now, I’m 36. I’ve been working on new material since last year writing and pitching things for films and I feel in a really good place and I felt in the right place now to just start releasing new music again, especially for my fans who have been so loyal to me over the years.”

As Ward drove down by the coast in Cornwall, we discussed how he wrote ‘Crazy in Love’ and the catchy trumpet hook that features in the song

“Yeah, it came quickly. It’s quite wordy but it came quickly once I knew what the concept was, what it was about. I’m pretty good with lyrics in general so it was quite a quick process. I just recorded the vocals in my studio, sent the demo over to StoneBridge and yeah like I said he just completely brought it to life and before we knew it we had the track and then I set about getting the video made.”

“I always wanted to do something with a trumpet, it just reminds me of summer. There’s so many great songs out there with the trumpet. So when I was creating this demo for this song. I was looking at what samples I had on the music programs themselves like Logic, and I found this one or two great little samples, I kind of chopped it up, and made it sound the way that it did and put it on the track and StoneBridge put it in great places and before we knew it, it was like wow this is actually really cool”

The creation and layering of a track is a fun and fascinating part of creating music. I wondered if Ward found it overwhelming when he got to the studio and saw all the different sounds you can bring to the song.

“ I think more than anything, you’ve got to be willing, unless there’s a certain way you want a song to sound. Then you go out all guns blazing and you have a chat with the producer and say look this is how I want it to sound, just bring it to life like this. Or, you basically trust in the process which is, look, I know what you can do, this is what I can do. Show me what you’ve got. I sent StoneBridge the demo. What he sent back is not too far away from the actual original demo in terms of a lot of the sounds and the trumpet. I think at the end of the day, you’ve got to let someone else’s creativity become part of the project and then, that’s when the magic happens, But if you feel like you’ve already created the magic then you know, as long as you get the right producer on board he’ll produce it for you exactly how you want it to sound and I always like to find inspiration from elsewhere as well, that’s what helps my songs grow.”

‘Crazy In Love’ is an exciting new release, especially for fans who have been eagerly waiting for Ward to release music. We discussed whether an EP or album was in the works to follow the single.

“No, not at all I mean for me personally it was just about getting something out, I think realistically in this day and age in terms of the big numbers that a lot of the big stars do now you can’t really compete, you’re not gonna compete with the numbers of The Weeknd or [Lady] Gaga or Ariana Grande or [Justin] Bieber. So for me it was like, it’s been six years. It feels nice now because we’ve all fallen into this situation which is the pandemic. Where we’re all housebound so it felt right for me to start writing again. I just want to keep releasing music, I am working to hopefully complete a brand new album, which is exciting, and maybe early next year, that would be awesome to release it, but for right now I’ve got a good few other sideline projects that I’m involved with. Fans can just keep checking my socials as normal, and yeah, I’ll be updating them.”

Like many artists, the pandemic put a halt in Ward’s days due to lockdowns and such. This downtime sparked his decision to potter about in the studio and see where his creative thoughts took him.

“Yeah so the songwriting had stopped because I was just so focused on the acting in general. I didn’t feel like I had the mind capacity to try and think of anything new lyrical wise for a song because I was so engrossed in the storylines that I was doing. But yeah, naturally because of the pandemic it threw me back into the studio which I’m sure it did to a lot of people because you can’t go out and act anyway. So yeah, it was a perfect opportunity where I was like okay, let me relax, let me see how my creativity feels right now and it did. Once I turned on the computer and set everything up, microphone turned on I was away and I’ve been writing since last year so I’ve got a lot of great songs and I’m just so excited and stoked to get out there.”

2021 marks the 15th anniversary of Ward’s multi-platinum self-titled album. I wondered if he had any plans to celebrate the occasion.

“Well it kind of reminds me that I’m getting older. It’s 15 years. But, I think it’s such an achievement, to say that I’ve had, the amount of albums I have had, I’m just delighted, yes. I think unless I can get out and have a nice Guinness in a pub, I think it would just be a cup of tea and I’ll just say cheers to myself.”

Ward has had a diverse and successful career so far; an award-winning role as Aidan Connor on Coronation Street, winner of the second series of The X Factor, selling over three million records worldwide,15 global platinum albums and number one in nine countries. Ward has also had success on the theatre stage in the production of “Rock of Ages” as Stacee Jaxx in London’s West End as well as the touring productions of “The War of the Worlds” and “Band of Gold” and has also starred in the Tom Paton directed feature film “The Ascent”. I wondered with a diverse and well-rounded career so far, if he has any advice for aspiring musicians and actors.

“More than anything, it’s just trust your gut. I think the hardest thing as well is, a lot of people can’t take criticism and that’s not a fault. It’s not. You’ve just got to be willing to grow and be willing to listen and ask questions, and that covers both the acting and the singing side. If you want to progress in this industry, whether it’s acting or singing, trust your gut, believe in yourself. Don’t be afraid to say no if you don’t feel that something’s right, trust your instincts, but also be willing to learn.That’s one of the most important things, is to be willing to learn and let people see that you’re there to learn as well.”

With everything slowly opening up and live shows potentially coming back. Ward tells me about his hope to go on tour and what he has planned for the coming months.

“Oh yeah, I really want to. I’ve seen so many people’s shows being announced and then being postponed. I think we all want to get back doing shows. I think what’s great now is I have a new song out there and more stuff that’s gonna be coming out hopefully before the end of the year and, yeah, I can get myself a show over in Ireland, and you know that’s down to my fans over there just enjoying the song, download and streaming it and that’s actually what gets me over to Ireland, so fingers crossed.”

‘Crazy in Love’ is an upbeat summer bop laced in intricate soundscapes, biting electronics and glorious melodies. It’s a fantastic return from Shayne Ward and provides a glimpse into the tunes Ward will release next. 

Stream ‘Crazy in Love’ below 


Author : Danu

A Chat With, Indie, Interviews, New Music, Singer/Songwriter

A Chat With: Damian McGinty

Damian McGinty, star of Glee and Celtic Thunder, has just released the video for his brand new single, ‘Those Were The Days’. His seven-track EP, also titled ‘Those Were The Days’, is set for release on 25th June. Every month this year McGinty has released a new original single from the EP starting with ‘Fight This Fight’ in January. I caught up with McGinty to talk about what we can expect from the EP, how his love for the idea of nostalgia sparked the writing and warmth within his songs as well as what we can expect from his exciting two-part concert live stream on June 26th.

“Yeah, I started a project this year to release a song every month, which is a big undertaking. I ended up creating and writing more music than I thought I would. A lot of people said to me seven tracks is more like an album. I know seven tracks technically qualifies as an album, but I don’t want to call it an album because, even when I grabbed an album from my favourite artist I almost feel cheated when it’s only 10 tracks. I love albums that have 13, 14, 15 songs on them. So, this is a bonus for the fans that follow my career because the album is gonna come early next year. I read an article that Ryan Tedder did where he thinks seven songs is a perfect representation of where an artist currently is in their artistry and these seven songs just feel like a family. To be honest, they just feel like they belong together. There’s songs on the EP that haven’t been released yet ‘Never Lose Sight of Home’, is a song about Derry but it’s a song really about the feeling of when we’re growing up, even if you go out to play with your friends, your mammy and daddy say, keep your eye on the house or don’t lose sight of home, or be home at a certain time, whatever it might be, so it’s a nostalgic, reflective song. Then there’s a song called ‘A Letter To Myself’, which I wrote with Ryan O’Shaughnessy, I wrote that in LA with him, and that’s basically – what would I tell my 10 year old self now, if I could talk to him? We recorded that in Nashville, so it’s got a country vibe, which I’m really excited about, I love country music.”

The songs released so far from the EP exude a country-pop tone filled with nostalgic melodies that evoke images of sweet memories of home. As we spoke, it became clear that McGinty has strong ties to Ireland, and I wondered if the pandemic sparked this EP, considering he has been away from home due to covid 19.

“Yeah, I suppose it did. I feel my music has always represented that to be honest. I love the idea of nostalgia. I’m curious about nostalgia and what exactly it is that makes us nostalgic. What makes us have that feeling inside us, this nostalgic feeling. I’m really curious as an artist where that stems from, what inspires that. I’m curious about finding the nostalgia in the current moment, living it because at the very end of the day, I’ll look back 10 years from now and I’ll be nostalgic about today. But why is it that I can’t feel that in the moment or appreciate it in the moment. So it’s a theme that I’ve always been really curious about, it’s a theme I love, and it’s a theme that I look to when I listen to music, it makes me feel the most. The pandemic definitely did spur it on as well because I only got home for the first time in 16 months in late April. So it was definitely a long period of time to not be home and see my parents, my brother and sister, my nieces and nephews, my friends, it was a long time. So starting to write music in that time while I was gone, was also definitely influenced by the fact that I couldn’t get to Ireland”

McGinty shot the music video for ‘Those Were The Days’ on the driveway of his family home in Ireland. It’s the perfect location to express the theme within the song.

“I did, yeah, I got home for three weeks, and I had another project with my group Celtic Thunder. But I wanted to squeeze in this music video. I managed to pull it off. It’s a concept I’ve always wanted to do. I just never had the song written for it yet. This song felt like the one, it was perfect. That’s my high school band behind me, everybody has a significant meaning and role to play in the video so I think it really brings it full circle.”

McGinty has a wonderful ability to capture emotion and tell a story within his lyrics. The lyric in ‘Those Were The Days’ “lost our voices singing sweet caroline” is just the perfect description of anyone who meets another Irish person in a pub in another country.

“100%, not every song is like this but this is a very factual song for me because I got married to a Memphis girl, two years ago in Memphis, and everybody remembers this wedding. It was this huge party, and myself and my wife got on stage with the band and we sang Sweet Caroline, the whole crowd sang it as well because I had so many friends from Ireland flyover. Memphis people love a party as well so Memphis and the Irish people really came together, insanely better than you could have imagined. Their personalities just really worked. The whole place is just screaming Sweet Caroline. That was a great moment and that’s such an Irish thing as you say across all the pubs in Ireland, Sweet Caroline is just such a thing. So yeah I wanted to fit that in there. I’m glad it worked.”

This lyrical prowess combined with his emotive and luscious melodies makes the songs on the EP charming and irresistibly catchy. Especially within tracks such as ‘City Of Angels’ which boasts beautiful melodies and earnest emotion. I wondered how McGinty crafts his songs.

“ It really depends. Sometimes there’s no rhyme or rhythm, sometimes you get inspired by a lyric and then you need to develop it and flesh it out. Sometimes you get inspired by a concept and that can take up a full record, you know, the record I have coming early next year there’s a very clear theme to it and that was a concept that I had as early as summer of last year. So it really depends and then other times, it’s as simple as just showing up, literally showing up and treating it as a nine to five, put the work in. You might not feel inspired some days but use all the tools that hopefully I’ve been developing and carving out over the years since I’ve been writing. If I show up every day. Try and write something. It’s like fishing, you know, sometimes you go fishing and you catch something other times you catch absolutely nothing. But, at least you are showing up. Sometimes you get good stuff. Sometimes you get not so good stuff but you have to get through the not so good stuff to get the good stuff. There’s so many different ways to do it.”

“If somebody sat me down and was like what is one of your strengths in songwriting, I would say creating melodies is one of my biggest strengths. I don’t really know why that is. I love listening to melodies and I’ve always done that, I think that just comes from a love of music. So one of the things I do really enjoy the most of the songwriting process is creating melodies, because if it doesn’t sound good to my ear I can assume that it’s not going to sound good to millions of other people’s ears. Melodies are a really important part of making a song hooky and melodic. That’s something I really enjoy doing. I wrote City of Angels with Cozi [Zuehlsdorff]. Cozi is such a talent, she’s done so many things, she’s done so many Disney movies and she’s such a great musician. It really didn’t take us that long to write that song, which is sometimes even more fulfilling when you’re not having to graft too hard or feel like you’re circling an idea but never getting to the center of it. That song just flowed for us, which was really nice because sometimes that doesn’t happen you know, that can be rare”

Cozi Zuehlsdorff and McGinty’s vocals blend beautifully in ‘City of Angels’. Their tight harmonies and rich, velvety tones elevate the song to celestial and captivating heights. 

“I appreciate that, we share an agent, and that’s how we met each other. Once I met her I learned about her and admired her work. I think she basically did something similar and we just became really good friends. Then we were like let’s just write some music together. With nothing in mind we didn’t know if it was gonna be a duet or a song for Cozi or a song for me and it just kind of played out the way it did so that’s always nice.”

For ‘Those Were The Days’ EP, McGinty had to rethink his production team as he could not travel to Ireland, resulting in Nashville producer Noah Needleman and Grammy-winning mixer Jon Kaplan teaming up with McGinty for this collection.

“ This record cycle was different for me because with my last one, I had a full Irish production team, which I loved. I still love those guys and I will work with those guys again. I have no doubt about that. But with the pandemic it just completely shifted the needle, I couldn’t get home all of a sudden, I couldn’t get that team together. So I was forced to branch out and search for new contacts, new musicians, new producers. I know a lot over here that I’ve worked with in California. I’ve worked with a lot of pop producers but in terms of creating a project together and not just writing, it was very important to find the right fit and Noah certainly ticks that box. He’s incredibly talented. He brings so many great ideas to the table. He understands the strengths of my voice, he understands the weaknesses of my voice which is as important as knowing the strengths. Then Jon Kaplan, who mixed ‘Those Were The Days’, he’s won several Grammys for mixing. It’s hard to explain, he just elevates it to a different level. So yeah, they’re just absolute pros and they bring the best to my project which I’m very grateful for.”

However, keeping things as Irish as possible, McGinty arranged for the cover art for all of his 2021 releases to be created by Irish artist Holly Keating, an animator and illustrator currently based in Cork. These fantastic visuals capture the style, warmth and tone of the EP perfectly.

“ Holly is so talented.  I worked with Cian Sweeney who produced my first record. He put me in touch with a fella called Bill Maybury who’s a songwriter. He’s really up and coming at the moment in the Irish circle and we wrote a lot when he was in LA last year. He’s got three songs on the new EP that he wrote with me. So when I was talking to him he put me in touch with Holly [Keating] and I looked at Holly’s portfolio and was blown away. She’s so talented. I’ve kept her busy every month. I have to say I did pre-empt her before she came on board, I was like – So Holly, this is the deal you’re going to be quite busy, because there’s going to be basically a new one every month and this is what it’s going to look like – but she’s been superb, and I always want to bring in Irish people as much as possible because that’s obviously where I’m from. That’s really important to me to keep it authentic and always bring it back home as much as possible.”

McGinty made his debut with the world-renowned group Celtic Thunder at the age of 14. It is such a young age to be exposed to the music industry. I wondered how he found navigating through the industry at that time.

“Yeah, it had its moments. It had its tough moments, it had its great moments and it had its moments of, do I know what I’m doing here? Am I good at this? Am I good enough for this? is this what I want? It had all those ranges of emotions, at that age as you can imagine it’s just very difficult. So young to travel across the world, you know, three, four months on the road at one time. So that was obviously a challenge, but then, that’s such formulative years for me. I was quite a late developer physically so I was going through all of that on my first tour as well which was just really uncomfortable almost, because it’s just not necessarily a graceful time where you’re turning from this young teenager into this young adult. So, in the middle of that, I was on stage every night in front of 1000’s of people. It was just like sink or swim. I ended up swimming, and I finally found my feet. I was very fortunate that with Celtic Thunder we had a very tight-knit group. I had really good influences like Phil Coulter, for example, the musical director, and he knew what the music industry looked like, and he knew what way I needed to approach it and what I needed to be surrounded by in order to maybe have a shot at a long term career, so I was very lucky to have those people around me as well.”

McGinty’s career has taken him on tours worldwide, which is reflected in his broad international fanbase. This EP shows the drive and artistic perspective McGinty has. To celebrate the release, he is holding a two-part concert live stream so fans can get a view of these songs live along with some extra little treats.

“It’s been tough. I think for every musician across the board it’s been really hard. You know when this went down last year I had a summer tour planned and an autumn tour planned with Celtic Thunder; the summer tour was my own, and obviously, pretty early on, by early May, I knew that both weren’t happening. I mean that’s definitely hard, you have all these thoughts going through your head – when’s this going to be normal again ? When is this going to be back? How am I going to make a living? How am I going to make ends meet?, like all this stuff I’m sure every artist went through. I’m just really excited for live music to be back. I miss it a lot. I haven’t performed live in a year and a half. I think every artist is like please just bring it back.”

“Normally an EP comes with a tour announcement and I am finally looking at some of that for maybe the autumn. But right now it’s just still a little too uncertain to announce a tour. So yeah, the EP is released on June 25th and then instead of going on the road I’m doing a two-part live concert on the night of the 26th. Tickets are available for that now and I’m shooting it from LA, and it’s going to be in the studio. There’s going to be information about all the tracks on the EP. We’re gonna be doing a lot of those and then I’m gonna be doing songs from my first album ‘Young Forever’. I’ll do some Irish stuff as well from the Celtic Thunder scene, and some sneaky little covers that I’ve been working on, and even a track or two that I have been writing that I haven’t released yet that’s gonna come later this year. So it’s going to be this release party. It’s just a weekend to celebrate the release and obviously, I can’t physically be on the road but a two-part live concert streaming online is going to be the next best thing.” 

“It’s definitely a different launch than normal, which has its own challenges, but I’ve also seen with artists where they are like “I don’t want to release a record right now because I’m scared I can’t go on the road, I’m afraid it’ll disappear into thin air”. I went through that mindset for a little bit but then you can’t wait until forever to release music, you just need to get it out there. So, as I said, normally we’ll come up with a tour announcement and stuff but this is obviously a very different time. It’s been a really fun time, it’s been different, there’s a lot of promo going on. ‘Those Were The Days’ is getting a lot of traction, which is really exciting and the two-part concert. I have a couple of things up my sleeve over the summer as well and the song a month is going to continue, which is slightly terrifying, but also exciting.”

Considering McGinty began his career at the tender age of 14 and experienced tours, Glee, Celtic Thunder and much more since, I asked him what advice would he give somebody who wants to start a career in music.

“I would say be prepared to work very hard, be prepared to be as self-disciplined as possible and be prepared for it to not look glitzy because everybody’s sold on this idea of fame or whatever it might be, that it’s gonna be really shiny, and it’s gonna change your life, and there is times that it might change your life, you know something for example like Glee or Celtic Thunder, all of that has an impact on my life, but basically what I would say is learn to be self-disciplined, and enjoy the work, enjoy the process of writing music, enjoy the process of striving to get to where you want to be, because it’s a continual journey. Personally, I’ve gotten to a lot of different levels, and it never stops. It’s never fully fulfilled me to the point where I’m “oh okay, I can retire”. It’s just like alright what’s next. Let’s keep going, let’s keep the train rolling, let’s keep on this journey. If you learn to enjoy that, you’ll be in a good place because it’s always going to be a journey for the rest of time”

Damian McGinty creates hearty, wholesome and catchy tunes laced in rich songwriting and glorious melodies, and ‘Those Were The Days’ EP is a glowing example of this. McGinty’s passion for music radiates from each track as he presents a refined and warm collection of tracks sure to have you singing along in no time. Looking forward to his live stream on June 26th. It is going to be a joyous event not to be missed.

‘Those Were The Days’ EP is set for release on 25th June. Until then, you can watch the video for ‘Those Were The Days’ below 


Author : Danu

A Chat With, Alt Rock, Interviews, New Music

A Chat With :Jack McLeod of The Rah’s

Scottish band, The Rah’s, have released a new double single ‘Our Design’ / ‘If You Never Try (You’ll Never Know). This comes hot off the heels of the band’s fantastic debut album ‘When Does It Become Real?’. The Rah’s create intoxicating tunes bursting from the seams with alternative rock bravado. Blood, sweat, and tears go into every song to make the powerful sound we have come to love from the band and watching them blossom over the years up to the release of their fantastic debut album has been a joy.

I caught up with singer Jack McLeod to talk about the new release, touring and how Jordan McIntrye’s incredible guitar playing elevates the band’s songs.

“It was always our intention to release ‘Our Design’ as one of the final singles from that album but PR thought we’d be a bit cheeky and release a double A-side. The benefit of a double A-side is basically, if a radio station doesn’t fancy side A then they can go to side A two. So, it’s a cheeky way we can get either or played. If they don’t like the heavier one then they could go for the more majestic and melodic one, that’s the thought behind that, so hopefully, it pays off.”

The Rah’s have become known for their arena-sized rock and these new singles pack a serious punch. Not only can the five-piece provide sleek melodious tunes that pivot around a gritty alternative rock sound the tracks also boast lyrical depth and have an emotional aspect to them aswell.

“I think it is probably just who we were influenced by. We’ve got quite a wide variety of influences and genres that we listen to collectively as a band. We’ve all got personal tastes, I can be listening to disco one day and then pop the next day it’s just sporadic really, and it’s the same for everybody in the band. But the majority of the songs that we listen to are all from rock, alternative rock, indie that kind of bands. It’s just been created over a number of years. Started off way back playing covers of Arctic Monkeys and The Strokes. So we’ve always had that channel to go down and that’s the music we like playing. That’s the main reason, it’s because we enjoy playing it.”

The instrumentation within The Rah’s tracks is breathtaking. ‘Our Design’ in particular is a fine example of this. The soundscape boasts shredding guitars and a punchy rhythmic backbone, it is an impressive display of musicianship. The band teamed with the sublime talent of James Darkin to help craft the impactful sound the band had envisioned for the song.

“The swagger is listening to too much Oasis. The song was one of the last created for the record. It was in the last batch of songs, and when our guitarist Jordan [McIntrye], was playing the riff in the band room, just a kind of acoustic intro riff, instantly we thought there is something there. So we worked away on it. As I say it was one of the last songs written, so I thought it’d be a good idea to write the song, based on our journey throughout the time being in the band – the ups and downs of being a band, basically, it’s a song for the band lyrically. As soon as we heard Jordan playing it, we knew there was something there. Then we took it into the studio with James Darkin and he just took it to a whole different level. He’s got an outside point of view which really helps. Once you take it into the studio and actually get it into audio form and listen back to it, you realise what kind of track it is. That’s pretty much the process of the creation of that track. I think it finished off at the tail end of 2019. So yeah, it’s been a long time coming.”

One reliable aspect of The Rah’s sound is the awe-inspiring guitar solos. They are proper air guitar worthy moments created through the genius that is Jordan McIntrye.

“Jordan was brought up with the likes of Jimi Hendrix and stuff playing, and he’s played guitar since he was about seven years old. When we first started the band we used to dare him to play like a full Red Hot Chili Peppers song behind his neck. So he’d have the guitar behind his head and that like, no word of a lie that’s how good he is on guitar. So with the inspiration of Jimi Hendrix, John Frusciante and people like that, that’s exactly what brings it out in him. It’s phenomenal. The solo in ‘Our Design’, he [Jordan] was tinkering about a bit and we all knew in the studio that there was more that he could offer and then there’s this pedal, it’s like a fat fuzz pedal. You can hear it in the track, it’s absolutely incredible and as soon as he hit that, it’s like he unleashes a new beast in him.It was music to our ears when he was playing it. Instantly again we’re just like that is definitely the take, he didn’t actually like the last part yet, but we were all just standing in awe listening to him bend these strings on the neck of the guitar so yeah it worked really well.”

‘If You Never Try (You’ll Never Know)’ is my favourite track on the album. The buzzing intensity and euphoric melodies within the track are just spectacular. I was excited to see it as part of this double single and McLeod told me how the band crafted the song.

‘That’s one of the older songs on the album, we actually released an early version of that in like 2015 so that song has been about for a while. Once again, it was picking it to bits after all those years of playing it and when the album came around to recording sessions we had that track already prepared, but taking it into the studio with James Darkin again just took it to another level. Originally, I was listening to a lot of Black Rebel Motorcycle Club at the time and they covered a song by The Call, ‘Let The Day Begin’ which is an incredible song and it was inspired by that song because I was listening to a lot of that at the time. The original version [of ‘If You Never Try (You’ll Never Know)’] was actually played a couple of notes slower. So, again, us bringing it back matured and taking it up two notes just gave it a whole new lease of life, it was quite hard on my vocals but we worked it out.”

Seen as ‘When Does It Become Real?’ is The Rah’s debut album. I wondered if the band had been refining the songs for a long time and if there were multiple versions of each track.

“Yeah there are versions that I’ll probably never want to listen to again. There’s really early versions, ‘The Time Is Now’ is the oldest song that was written, probably in 2012/ 2013. That’s incredible to say that it has been that long. We’ve been playing that song first or last in the set ever since. But again that track has just got a whole new lease of life, every single time we have revisited it, and honestly, we’d never thought that it gained enough traction, the first time of the release. Then the second time and then the third time was, within the first, like 48, hours, of it being released into the PR world which just shows you don’t give up hope. If you believe in the track, which we did, you need the right people behind you to get the track where it needs to be. We were lucky that we’re in that position last year when we released it and it got instant Radio 1 [BBC] plays and Radio X plays”

The Rah’s highly anticipated debut album has been a long-time coming. It’s already racked up tens of thousands of plays and the band have received heavy support from Huw Stephens, Gemma Bradley, Gordon Smart and Jack Saunders. 

“Yeah because of the hard work that you’ve put in, like the names that you have just said there, even to hear them say The Rah’s from Prestonpans is just surreal. We’re just boys from a wee town in Scotland, we never ever thought of being played on Radio 1. But yeah, amazing, absolutely incredible and Jack Saunders, rather than just play the song, mention the band, say good song, next track – he actually got his producer to extend the outro of the track, and kept on talking over it. Honestly it was so surreal. It was an amazing experience”.

Their debut album ‘When Does It Become Real?’ was released this year. I’m sure the conditions they expected for the debut album never included a pandemic and McLeod told me how the pandemic helped them plan for a successful release.

“I guess it took our foot off the gas a little bit. We did benefit but at the same time, we had these tracks prepared for, some of them have been prepared for years. The final, ‘The Time Is Now’ recording was actually recorded in 2017, so that’s how long that audio has been ready. Obviously, we mastered it and did chops and changes but that’s how long that track has been there…. to be fair the pandemic in a weird way probably helped us get the album released in the way that we wanted to, because we’ve done our Kickstarter campaign, that was in October and it ran to December and we managed to get the 5000-pound rewards within two weeks of the final day. So yeah that was really good and the reason we wanted to do that was to release it on vinyl. That was our main aim when we first ever talked about an album. So, yeah, thank God for the fans for that one.

“We made ours extra special as well for all the people that pledged to our campaign, basically in a pre-order form. We put their name on the back of the LP as well. So everybody that bought the album or CD or bought a t-shirt album deal, and it was like over 20 pound, I think , then you got your name on the back of the record which was amazing so everybody was like jumping on that.”

Although the band’s sound is high energy rock they manage to pack in some potent lyrical content within their songs. Lines such as “We proceed to kill ourselves.. To become divine” in Our design is a striking opening line and very impactful. 

“That’s in relation to all the hard slogs that we’ve done up in the country, just to literally get some money together, well not even that just to get some fans. Literally years and years of doing that “

The Rah’s have a tour lined up in October, including a sold-out show at Sneaky Petes. It’s an exciting time but the nerves are high for what to expect from a show and what the limits are.

“Yes, actually we are doing a session tomorrow. It’s our first session out of our homes or our rehearsal room, so that’s exciting. It’s like being let free again. It’ll be a bit surreal to be around people with an instrument, I’ll probably get all shy and forget all my words. So, I’m looking forward to that but yeah live events need to happen, ASAP we are desperate to play this album live for the fans”

“I hope everybody feels relaxed and stuff. I hope there is no tension in the crowd and obviously, the virus is a thing but I hope that we can actually engage with people without having to think about all blah blah blah, he’s touched or whatever. I hope there comes a time in the next hopefully couple of months where there is some sense of freedom, and I hate to say a cliche but some sense of normality – that’s the thing I’m actually most nervous about. Obviously forgetting my lyrics is part of it but I just hope that everybody enjoys it and to be fair, everybody’s been starved so long, of live events and basic socialising, so I think everybody will be like greyhounds at the tracks”.

The Rah’s have been building their sound and reputation as a dynamic and powerful live band not to be missed. I wondered if McLeod had any advice for anyone thinking of starting a band

“If you’re looking for money, go elsewhere. No I’m kidding, it’s the best experience of your life, the enemies you make will last a lifetime, some that you’ll never really speak to again but that’s fine. They’ll stay in your memory forever. Honestly,  one thing I will say is, if you believe in it, just crack at it. One day it will shine,100%, yeah, that’s pretty much it “

With the release of ‘Our Design’ / ‘If You Never Try (You’ll Never Know)’ and the upcoming tour The Rah’s have an exciting few months ahead.

“There are a few things lined up for the summer that will hopefully go ahead, We’ve got the October tour as we said. We’ve got an alternate version of ‘Our Design’, sitting there that we kind of forgot about in planning the single release, but I think we’re gonna go chuck that on an EP so there’s more content.  We’ll probably see a lot more live sessions and get the behind the scenes footage in rehearsal rooms and that, now that we’ve got a bit of time on our hands, now the album is out. It’s been a bit chaotic. I think we’ve done about 100 deliveries within three or four days so you can imagine the chaos that was on the run up to the album. But yeah, we’ve managed to get hold of some new equipment and stuff, treated ourselves to some new equipment in the band room, so yeah, there’ll be a lot more live footage from the practice studios. Maybe talk about album two soon or maybe we’ll just chill out and enjoy album one. But looking forward to what lies ahead. I think there’s a decent wave of guitar bands coming through, a lot of great upcoming artists out there so everybody should be listening to upcoming music rather than mainstream radio in my honest opinion.”

The Rah’s alternative rock tunes blister with earnest emotion and the shredding instrumentation the band have been crafting throughout the years. They pour every fibre of their beings into their riveting grooves, majestic guitar solos and fiery melodies to create songs that ooze passion and rock-infused swagger. The new double single ‘Our Design’ / ‘If You Never Try (You’ll Never Know) displays this perfectly. This band has immense talent and are locked and loaded ready to rock our socks off in the live setting. 

Stream ‘Our Design’ / ‘If You Never Try (You’ll Never Know)’ below 


Author : Danu

A Chat With, Interviews, New Music, Singer/Songwriter

A Chat With: AJ Wander

I caught up with UK Pop Singer AJ Wander who has just released the video for his brand new single ‘Eye To Eye’. We talked about the new single, working with Louis Berry for the expressive video and his plans for releasing music. Wander starts the conversation on the topic of settling for a muffin over the desired pitta and hummus dish he craved for.

“I just tried Tesco’s, and found out that there are no pitta breads left. I was very excited for pitta and some hummus but, toasted muffin and cheese it is. Pitta breads have a long shelf life. So I feel like there’s always pittas and there’s so many different kinds of pittas they have the mini ones, they have brown, white, the organic ones but they have none. So, I wouldn’t say my days got off to the best start. I’m sure it’s on the way up though”

He explains how walking into Tesco for some pitta bread now more than ever can be the only in person human interaction one experiences during these crazy pandemic times.

“Yeah, this is like Black Mirror coming into reality. I like a bit of human interaction, I’m stuck at home by myself all this week and I’m tempted to just go to Tesco and see if there are any pittas there again, even though I know there aren’t. Just to say hi to the cashier.

“I hung out in the wine aisle. It’s just like urban wine tasting in Tesco. I’ve definitely gotten into my red wine in the last year. That’s been a good pastime. I’m actually doing a wine tasting this weekend with my family. I haven’t managed to go to the pub yet since they have reopened. I was away in the studio when they opened. I was in Spain, and then I just hadn’t gotten around to going, I was gonna go tomorrow night, then I’m in the studio on Saturday and I tend to sound a little bit like Bob Dylan when I’m hungover. Which is completely great for Bob Dylan I mean Bob Dylan pulls off Bob Dylan very well, but it doesn’t go so well for me, I wouldn’t say. So I’m not sure, I might have to rethink my pub plan and push it back another week. But I’m going wine tasting on Sunday, so perhaps I can wait a little while.”

 Wander has released his new single ‘Eye To Eye’. He explains to me that he has had this song for a while and is buzzing to finally be able to let people hear it

“Yeah, I’m super excited, it’s one I’ve had in the bank for a little while so to see it step out into the world and start its own journey is an exciting moment”

“I started this journey with a bunch of songs and I haven’t been releasing songs until November last year. I’ve been writing since I was 14 So, naturally I’ve built up quite a few songs so it’s a sensation that I’ve gotten used to. I think now the desire to release songs comes from more of a point of wanting to move on to the next thing, forever chasing the next thing. Releasing a song, allows you to move on to whatever comes next.”

With each release, Wander is showing a constant and impressive ability to capture emotion within his beautifully crafted tunes and this is an organic and natural result of the artist’s talent.

“It’s just how it comes out, every song is different. It depends on the subject of the song but I think that the tracks that I’ve released to date are cathartic and they are me dealing with personal experiences, and managing those emotions that come along with those experiences. Yeah, so definitely not contrived. It’s not an overly thought out process for me.”

“If it’s something that’s not about my own story and my own personal experiences, I probably will spend a little more time rephrasing things and working out what should be said, but those songs that are about my own experiences and come from my own life it’s more of a natural way of thinking and it just spills out into the page”

Wander’s knack for writing precise, well-crafted lyrics and clever turn of phrase within his songs is impressive. Lines such as “living it up is a lazy lie” “stay calm through the smoke alarm as we let it burn” are impactful and thought-provoking.

“I just stick my phone on to record and sing over the song a bunch of times, as I’m writing it, as it’s first coming to life. I don’t really know what I’m saying as I’m writing it and then I’ll listen back to those voice memos and latch on to certain lyrics. I think “living it up is a lazy lie” is something that felt good to sing and it did sum up, what I was feeling, and was trying to tell. I was talking to my girlfriend in the song and that’s what I was trying to convey to her. I guess it was the quickest way to get across that.”

The piano melodies within Wander’s songs are always a strong figure that adds a unique quality to each track. I wondered if the reason for this is because he writes the songs on piano or just that he loves having piano in the songs.

“Yeah I do write them on piano. It’s the only instrument I can play. It’s my only choice. I’m starting to have some guitar lessons but they’re progressing slowly, because I just gravitate towards the piano when I’m writing on the guitar. I should probably have a little bit more discipline. Maybe I’ll lock my piano in a cupboard somewhere so it forces me to write on guitar. I think naturally I create piano parts as I’m writing them on the piano and then I get into the studio and the producer loves them so they’re like we’ve got to put this in. Actually I just recorded a bunch of songs and there’s a few that are piano-less, which is refreshing.”

“I had co-written those songs though, so I didn’t necessarily write them at the piano and I had someone who was playing the guitar or a producer there sort of putting the track together and we wrote to that. So it didn’t have to center around me at the piano, which I think will be quite liberating especially for me when I get to perform live, to be able to actually step aside from my piano and just have a moment to sing and fully connect with that side of the performance.”

“I only really started getting into the swing of co-writing since September last year. It’s something that I’ve always wanted to step up and really get my teeth into, because I constantly have so many ideas that it’s almost nice to take some of the pressure away to present those ideas within the co-writing session, they can be like, I love that, I love that. I don’t love that. It means you get more ideas finished. My music is there to speak to other people so being able to have a co-writer in the room to tell me how it comes across is really helpful and it’s just a great indicator for me as to how it’s conceived outside of my head.”

The video for ‘Eye To Eye’ is well crafted. It has a groundhog day vibe with lots of plate smashing and tension. Wander got the opportunity to work with Louis Berry (JP Cooper, Emily Burns) on the video. 

“So much fun. We shot the whole thing in one day, which was tough, it was definitely a bit manic and we were shooting until the very last second of the day. It was great fun. I was really lucky to work with a team that I’ve wanted to work with. I’ve loved the director Louis Berry. He’s worked with a bunch of music videos that I’ve admired for a little while. So to be able to get the chance to work with him and create this vision for the song and again, like I said with the co-writing, to hear his take on the song and how he perceives its meaning was super interesting and how he thinks it should be conveyed into the visual world was really interesting, yeah that was a great day.”

“We had a bunch of long chats on Zoom about what the song means to me when we were coming up with the concept for the music video. I realized that it was about the cycle of this relationship of just constantly fighting because we knew something wasn’t right, and then something wasn’t right because we’re always fighting. It’s just this messed up cycle really that we’ve fallen into. He echoed that feeling as well when he had just listened to the song, without me saying it. It’s like our heads met there, we were like ‘well this is what it has to be, it has to be sort of highlighting that cycle and the toxicity of it all’.”

Wander’s debut single ‘Time Out’, has racked up 3 million streams on Spotify to date. It’s a fantastic achievement.

“Yeah, it’s a bit weird to be honest. It’s beyond anything I’d hoped for my first release. People are still listening to it and it’s just so nice to see it have its own life and get some lovely messages from people saying that it means something to them and it’s helped them more or it echoes a personal experience of theirs. That’s more rewarding than the numbers. It’s hearing that people are getting something from it, and can relate to it. But yeah it’s beyond anything I had hoped for my first release and I hope that it continues and people listen to the rest of the music I release.”

Wander hasn’t had the opportunities to experience performing these new songs live. He hasn’t experienced that magical moment of connecting with a live audience yet. This live show interaction is something he is buzzing to see. 

“No, I haven’t been able to gig any of the songs yet which is top on my list. I crave the most to get out there and be able to perform and hopefully, I am going over to the State’s in July. If they let me in and that’s a big if. So, yeah if Biden lets me in I will be performing my first show in July, which is so exciting and I’m starting to get into rehearsals now putting that show together with the band and, yeah, big moment and very exciting for me. That’s something I’ve been looking forward to a ridiculous amount since I started this whole thing.”

Last time I spoke to Wander he told me he had a lot of songs in his repertoire already. I asked if an EP is something we could see very soon.

“That a very good question. Initially, the plan was to release an EP and start touring that. Well, I guess, as I was releasing it I would be on tour already promoting that EP.  But, of course, there’s a virus going around. I can’t tour yet… things are starting to open up but I think realistically it’s not going to be until the latter half of the year until I can actually get out and tour properly. So, I’ve had to tweak plans and I’m actually going to now release a bunch more singles, which I’ve just been in Spain recording. I’ve got 10 tracks that I’ve recorded, and ready to release. So the plan is to release a song, a month until the end of the year, and then start touring that, and 5 of those 10 songs are going to make up an EP, and the other five are just sort of going to sit as stand alone singles, but again I feel lucky to be able to extend that record deal and be able to release more songs. Yeah, so lots more music is basically the solution to Coronavirus apparently.”

AJ Wander is a passionate artist and an exceptional melody wizard with a talent for writing poignant and captivating songs. His music comes from the heart and his warm and velvety vocals leaves you craving to hear more. I am looking forward to the luscious musical treats he releases in the coming months.

Watch the video for ‘Eye To Eye’ below


Author ; Danu

A Chat With, Electronic, Indie, Indie Pop, Interviews, New Music

A Chat With : Luke Thomas A.K.A Butler

Dublin based dance/pop artist Butler has released the video for his new single ‘ME & YOU’ featuring White Wax. This vibrant tune oozes Butler’s signature sun kissed pop sound. I caught up with Luke Thomas aka Butler to talk about the new single, working with Wax White and the possibility of an EP.

“I love trying to discover different artists and I’m always on the lookout for different acts, particularly when the media will focus on maybe 10 of the best up and coming acts, there’s another 50 that are just outside the spotlight that you don’t see that are doing just as good. I like going down different paths and different rabbit holes to find different acts. I came across these guys and they had a couple of great songs out and I was like, I have to work with these guys. I never thought they would actually agree to do it. They’re two cool guys, two cool rappers and I reached out to them and thankfully they said yes. So we put the song together around Christmas and we felt the time was right now to get it out there”

“ With the lockdown you have to work within the parameters that you can and from the previous summer I had vocals and we had an idea on the guitar so we were able to put that together and send over that to the guys in December. They worked on it, got it back to us, we got it mastered. The process going back and forth can take time but it was worth it in the end. It was a few back and forths and I suppose, by the time we met up to do the video, it was actually the first time we’d ever met, physically, which is crazy.”

Remote recording and collaborating has created an opportunity for artists to work with other artists and producers that they perhaps wouldn’t have been able to work with before. I wondered if Luke thought remote recording is something that will be a lasting addition to recording music in the future after the pandemic is over

“I think it’s the way forward, certainly for electronic music anyway, because the digital stuff is so strong now, it’s so advanced. You have the opportunity to finely tune parts of songs and get them ready way before even going into a studio and that cuts down costs. People can produce albums from their house now. I know they’ve been able to do that for years but it’s really gotten a hell of a lot stronger. So I do think it’s the way forward. Absolutely.”

“Even the microphones people use now are so much better. The technology, the post production software, there’s presets…obviously you need to be able to sing to begin with, but to get to that studio level quality is not as hard to do anymore, which is great. It’s great for the underdogs. It’s great for people who are really struggling to get a record deal, or, they might have written some songs and they’re up and coming, it’s great to see that it is possible for those guys to get through and break through.”

Luke regularly collaborates with a variety of artists for his Butler project. For Luke each artist brings their own sound and style to the tunes. This blending of musical talent creates engaging and refreshing music for listeners to indulge in.

“I suppose that’s another reason why I wanted to work with so many different people because you grow yourself when you work with different people. You grow as an artist and you can learn so much. No matter what age, what genre those people that you’re working with are. It really, helps you and you’d be foolish to think that you know everything, in any field so it’s always good to absorb more knowledge, skills, information, all that sort of stuff. I love it“

Luke is a master at creating sweet earworm melodies that stick in your head for days and make you crave to hear them again. Within ‘ME & YOU’ the doo wop -esque melody is utterly irresistible. Teamed with the love saturated lyrical content, Luke once again proves his song writing prowess. 

“I have been writing melody and stuff like that for years and, yeah, it’s just the way the track was. [The] strummed guitar part, we decided to cut it up a little bit, and cut down some of the strums and just make them a bit more staccato. I think that worked and that helped give more room between the chords to get a bit more melody in there, a bit more feeling in there and I think that came out in the song, it’s benefited hugely from that.”

“I was trying to put myself back as a teenager, maybe 15 years ago, when you’re that age and it’s us against everybody you know. It’s kind of naive hopeful love, that side of things where anything is possible in life and it’s just about what’s happening right there and then. Nothing else matters. That is what it was aiming for. I’m quite used to putting myself in certain situations where I can draw on experience or draw on past situations and things that might have happened, maybe not exactly but close enough”

Dublin’s charismatic duo Wax White and their fluid, edgy raps add a cheeky edge to the song. Their clever rhymes perfectly contrast the track’s sweet melody.

“That was one of the reasons why I wanted them on board. It’s like yin and yang at times. Where I’d have more of a sweeter pop delivery and vocal, and then the guys come in [with] a different kind of energy, which is great. It keeps the track interesting and lively. You always have to have one eye on that. That a song or a piece of work doesn’t plateau and make sure it’s interesting for the listener, which is key.”

Luke has also released a video for ‘ME & YOU’. It’s a fun and charming video featuring a random panda head, bikes and the guys dressed in sleek suits. Being able to make a video is a treasured experience in the middle of this pandemic.

“That was the first time, physically together. It was crazy we were on the phone a lot and zoom and various different avenues getting back and forth to each other, but it was great to actually be there face to face, and have a laugh and the director just kept the camera rolling at times when we had the football there and so forth. Just to have fun with the whole thing and not take it too seriously, I think that’s the key. That’s the key with this stuff, so it naturally came out that we were enjoying ourselves. You can overthink stuff and it just causes more issues and there’s more opportunities for it to go sideways if you overthink it, as opposed to doing a simple idea very well.“

Last time I spoke to Luke he told me he was building up his tunes for a potential EP. I wondered how the EP was progressing.

“Yeah I have enough tunes for the Butler EP, I’m going to put it on ice till closer to Christmas because I might have another single, maybe in September as well just to build with the EP, and there’s no massive rush, I would like to coincide the EP with a live performance. So, I’m holding out to maybe closer to Christmas if I can get a venue, you know, just a small intimate venue maybe 100 people, and see if I can do it that way to get across what Butler is properly and see what people think of it live. That would be the idea. Everything, obviously has been pushed back a little bit with the times we are in which is fine. I’ll just be ready and waiting in the background locked and loaded, ready to go.”

Butler is an electronic pop project and the prospect of live shows soon had Luke and I discussing what a Butler show would look like

“Yeah, it’s heavily based with acoustic guitar, sample bass and drum machines, that’s the way we’d start off anyway and probably keyboards at the start. There’d be no point having a huge band, initially, until we see what sort of reaction we get and what sort of venues we’re playing. It would be like what you see electronic artists do on the likes of Jools Holland and stuff like that. They would set up for two or three musicians and they would cover the spectrum of instruments, between them. Initially, that’s what we are looking at”

So what can eager fans look forward to from Butler in the coming months?

“The plans are to promote this [‘ME & YOU’] as much as possible, look at maybe another single in September, with an EP around Christmas and hopefully a live gig to go with that. That’s the big plan and hopefully looking at collaborating with some other people as well. I have a few in mind, but I won’t say anything yet until they say yes or no to me, and just to create music to keep building on the brand.“

Luke Thomas is an ambitious and talented artist. His catchy pop songs and melody wizardry is mesmerizing. ‘ME & YOU’ is a fantastic example of his earworm magic. This upbeat radiant tune is the perfect pick me up we all need. I’m looking forward to hearing the tunes Butler releases next.

Watch the video for ‘ME & YOU’ below 


Author :Danu

A Chat With, Indie, Interviews, New Music, Singer/Songwriter

A Chat With: Jim McHugh

I caught up with Monaghan singer-songwriter, Jim McHugh to have a chat about his upcoming album, ‘Pretending to Wake Up’ which is set for release on May 28th. We discussed the striking honesty within the lyrics, McHugh’s knack with catchy melodies and his fantastic and relatable storytelling within the songs.

Watch The Interview Below


Author : Danu