Category Archives: Live Music

Indie, Live Music, Live Music Review, New Music

Reserved for Rehab Live at Fred Zeppelins Cork With Support From The Luminesc and Ether

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Last Thursday night Cork’s “Best Rock n Roll Bar & Venue” Fred Zeppelins whipped up another fiery night of alternative rock frenzy with up-and-comers Reserved for Rehab and special guests The Luminesc and Ether. 

The venue had a bustling atmosphere as first act Ether took to the stage. Chris Kett, Rob Cashman and Shao Tampus presented their Grungy-Shoegaze sound to the eager crowd. Filled with sweet guitar melodies, buoyant drums and tantalizing bass grooves the band displayed a tight and fun presence for their debut show. Each member has other musical projects and on the night they performed newly written songs and a refreshing encore that showcased Rob Cashman’s solo material. Ether’s performance was a solid debut. 

The Luminesc took to the stage with a heavier sound that reverbed through the venue with a thrilling frequency. There’s a 90’s rock vibe about this band’s sound as they put a modern twist on The Smashing Pumpkins -esque melodies. Their melodic groovy sounds and strong riff-based tunes engrossed the crowd from start to finish. Rob Doherty, Diarmuid, Francis Hayden and Ryan O’Dwyer gave us a diverse energetic set with polished bass riffs, robust drums and zealous guitar. The band’s tracks showed off Doherty’s strong vocals as he effortlessly slid into falsetto between howling out angst-riddled lyrics. It was a brilliant and fiery performance from The Luminesc.  

Reserved For Rehab wasted no time and steamrolled into their set of powerful and melodic tracks. Each tune showcased mature lyrical content, rich musical diversity and refined musicianship as the band ventured between rock, indie, shoegaze and hints of moody grunge. The crowd were enamoured from the start; dancing, moshing and bellowing back the lyrics with enthusiasm and an excited frenzy that is rare for a new band to inflict. Covers of ‘Teenage Kicks’ and ‘Ever Fallen In Love’ thrilled the young audience. However, it’s the band’s original songs that hooked the crowd. They bellowed back the lyrics of ‘Guerrilla’ and ‘Ivory’ without any prompt as they manically moshed throughout and it’s easy to notice why. The young band’s original work is very impressive. Each song has an instrumental that draws you in and the encouraging energy on stage from the four-piece is infectious. These guys play with such skill and passion it leaves much to be admired.  Mikilaj Musko’s hair flicks between slick guitar manoeuvers while Shao Tampus’ (also performed with Ether) flips between intricate drum taps and mighty belts. Chris Kett’s (also performed with Ether) slick bass grooves are a joy to listen to and Ramah Kinane- Kumar’s nonchalant yet charming stage presence between grungy vocals and rasp-filled howls is an entrancing sight to behold. Even the time-stopping final track ‘Hollow’, which has a slower pace and more moody tone had the crowd in a trance. It was a moving tune that displayed Kinane-Kumar’s vocal ability and exposed a vulnerability we haven’t seen from this band before, sparking the audience to shout for an encore. 

It’s exciting to witness new bands showcase their sound and watch them grow over numerous performances. All three bands put on an impressive performance last Thursday night. It will be interesting to see how more gigging and experience will shape these extremely talented musicians.


Author: Danu

Indie, Live Music, Live Music Review, New Music

Driven Snow Live At The Workman’s Cellar, Dublin

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Last Saturday was a night to remember in The Workman’s Cellar, Dublin. Headlining the venue and accompanied by Geoff Warner- Clayton on piano was duo Emily Aylmer and Kieran McGuinness under their new musical project moniker Driven Snow. 

The duo have done limited shows to date ( Driven Snow is still relatively new,  McGuiness calls it ” a baby band ” ) and I was absolutely thrilled at the chance to see them perform live having fallen in love with their recently released tracks ‘Trying’ and ‘Sunlight’.

I was not the only one who jumped at the chance to see the duo live. As I made my way through the packed venue towards the stage I overheard fans ( some stood in groups while others sat on the ground in circles ) talking excitedly amongst themselves about Driven Snow’s sound and wonderful harmonies. It was clear from the atmosphere in the venue that everyone was looking forward to a great night filled with wonderful music.

Driven Snow walked on stage to rapturous applause. Both Aylmer and McGuiness seemed taken aback by the crowd’s enthusiasm before even having begun their set. Their faces beaming with delight they set the music of the night in motion with ‘Trying’. The crowd instantly fell silent as glorious vocal harmonies from both Emily and Kieran resounded throughout the venue, beautifully complemented by gentle keys and soothing tones on guitar. ‘Nothing As Hard As Love’ set the calming tone for the night and the crowd loved every minute of it. ‘Moonlight’ also went down a treat with fans as some swayed while others embraced as they enjoyed Driven Snow’s beautiful sound, poetic lyrics and expressive vocal harmonies.

The duo put on a magical and compelling performance. They instantly connected with the audience as they gave comical anecdotes to their songs which kept fans laughing and engaged throughout their set while two Delorentos covers went down a treat with the crowd. 

Driven Snow are a joy to listen to. Their wonderful vocal harmonies and evocative musicianship is a must listen and if you ever get the chance to experience the band live you won’t be disappointed.  


Author: Danu

A Chat With, Indie, Interviews, Live Music, New Music, Singer/Songwriter

A Chat With: Jack Cullen

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Eastbound Dublin makes its highly anticipated return in 2023. The festival will host a range of diverse performances spread across various venues in the city in late February 2023. In its fourth year, Eastbound Dublin still is about capturing the spirit of new and breaking artists and capturing the imagination of a devoted, music-hungry city like Dublin, and bringing it all together to create meaningful beginnings.

I caught up with indie pop artist Jack Cullen who is performing on February 26th in The Grand Social along with Really Good Time, Ruti and YINYANG. We discussed his latest album  ‘Dark Days and Nightmares’, how he creates his glorious sound and what he has planned for his performance at Eastbound Dublin. 

“Yeah. I can’t wait. It’s my first time playing in The Grand Social. It’s been a long time since I’ve played in Dublin. It’s one of my favourite cities in the world and I absolutely can’t wait.”

Cullen’s recent collaboration with rappers Snow and Rxseboy, ‘Spilled My Coffee’ ( a remix of Cullen’s ‘It Doesn’t Matter’ ) became one of the “most viral lo-fi rap tracks” of the year.  It was added to over 30 channels on YouTube and used by 20 million creators on TikTok. It’s an irresistible remix that showcases another facet to his sound while elevating the soothing earworm of the original.

“Yeah, it’s really cool. It’s funny how that all came about. I wrote a song called ‘It Doesn’t Matter’ down in Cornwall and we sent it to some guys over in America and they came back with ‘Spilled My Coffee’. Yeah, it was really nice to begin releasing music, that way, kind of the wrong way around, as it were, you know,  we released the remix first and it was cool to collaborate with people in America. It was nice to kickstart stuff and hopefully, it made sense when I released ‘It Doesn’t Matter’ my track alongside my album, because it was obvious then it was the remix of my own song.”

Cullen creates lush indie pop tunes that are just glorious on the ears. Each song oozes subtle instrumentation, delicate indie pop embellishments and soothing tones that are simply a delight to the ears. Cullen has a talent for expressing a range of emotions and feelings within his tracks. We discussed how he achieves this.

“I think I just tried to be as honest as possible. I like to be honest with what I want to say. Sonically working with The Roots over in America, and having Questlove on drums it really helped open my ears and eyes to that kind of sound and I think it definitely helps sculpt the sound of the album. “

“ I’m a positive person. I like to try and look at the brighter side of things and try and be as positive in any situation as possible. So in light of darker times where I was when I was writing the album, I definitely tried to look at it from as much light as possible and like you say, try and be as big a ray of sunshine as possible. That being said, I think it’s naive to think that’s all that life is and it’s important to say the harder things sometimes, I think they’re very important. But I guess I’ve tried to then bring that into a happier light.”

Cullen released an album last year called ‘Dark Days and Nightmares’ and it’s an absolutely beautiful listen. The songs flow effortlessly into one another while maintaining their own unique identity. I wondered if there was a concept behind the album.

“It was from years of writing. It’s about three years of writing. It really took a long time to release any music. I think moving forward the concept behind my releases will make more sense.”

The song Hurricane is the perfect example of Cullen’s ability to wrap earnest tender lyrics in sweet soothing musicianship. Cullen explained how he crafted the track.

“Hurricane is a really good example actually of a dark place that I was in, you know the lyrics “wish we could just fly away to another place, but I’m stuck in a hurricane”. I think, my mind was in a complete pickle, and I felt like I was just in this hurricane in my mind and I couldn’t get away and it is a perfect example of the blend of darkness and sadness [in] the song. But the way we created it was actually like this celebration almost of that. I think in those times, I look to the people that I love and that love me, friends and family and they get you through those times. That’s really what that was about. It was a celebration of those people and the love left”

Cullen has a smooth and easy-flowing tone to his voice however, he told me singing wasn’t something he really thought about before he started.

“No, I don’t think so. I was, in another life playing rugby in Ireland. That’s where my Irish roots comes from and that’s all I wanted to do. I never thought that I would be a singer. I never necessarily did it much in school or it came quite late to me when I had lots of surgeries playing rugby and I was then beginning to write a lot of music and therefore singing a lot. So I think it came quite late that I realized I can sing”

We discussed what fans can look forward to from Cullen’s show at Eastbound.

“ What I always like to do, especially at these shows is strip back the songs. It’s nice to play them in their rawness. I think the emotion comes out a lot more and it allows me to even reflect on the lyrics a lot more because there’s not as much noise and production around the songs. I think it’s going to be a nice way to really connect with people who come and I really can’t wait to do that.”

Jack Cullen is an outstanding singer-songwriter. The melodies within his songs elegantly interplay with soft indie pop soundscapes and mellow guitar embellishments to create musical gems of delight. Cullen’s performance at Eastbound is not to be missed.

Tickets for Eastbound Dublin are available for purchase at www.singularartists.ie

Stream ‘Dark Days and Nightmares’ below 


Author: Danu

Indie, Live Music, Live Music Review, New Music

N.O.A.H. Live In Whelan’s With Support From Zeztra and Kingfisher

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A night of irresistible tunes and bellowed choruses resounded through Whelan’s last Thursday night all thanks to headliners, indie band N.O.A.H. Nothing, not even a bust snare drum could stop these guys from putting on a memorable show full of stadium-worthy energy and indie rock bravado.

But first, ready to warm up the crowd with their lush harmonies and sweet melodies was sister duo Zeztra. With charming personalities and tunes dripping in R&B tones, alternative pop and sincere lyrics, the duo were a joy to listen to. They set the mood beautifully from the very first song with their warm guitar, rich rhythms and balmy soundscapes while the sweet blend of their voices moved between captivating tones as they poured themselves into the songs. An enjoyable start to the night.

Limerick-based folk band Kingfisher followed. Taking a very casual approach to their set the band produced a wholesome rich sound that oozed infectious tones. With a hearty banjo adding a dash of traditional charm to the band’s tracks; Kingfisher had the crowd in the palm of their hands. They powered through their set encouraging the audience to sing along to their hooks and even had a couple waltzing to one of their tracks. Filled with warm basslines, some pretty slick guitar work and catchy melodies Kingfisher put on a fun set from start to finish.

The crowd erupted into a mass of dancing and singing as ‘Darkest Hour’ triumphantly introduced N.O.A.H. to the stage. This band are mesmerizing on stage and their sound is wonderful to experience in the live setting. Their set was filled with thrilling rhythms, soaring guitar and roaring bass grooves. N.O.A.H’s sound is impressive and the three-piece wasted no time in delighting the crowd’s ears. Ryan Hill is a charismatic frontman, he reached out to the crowd while singing, paraded up and down the stage and kept the fans enamoured by his radiant stage presence. The audience sang every word to the band’s tracks and danced as if their lives depended on it and, lucky for them N.O.A.H. had plenty of danceable genre-bending tunes to delight the audience’s ears with. The band’s set was a relentless onslaught of banging tunes with Ronan Hynes at the helm on drums pounding out slick and resounding grooves that perfectly complemented Adam Rooney’s superb laid-back bass.

These guys are professional. A small snare drum mishap sees them halt the show for a quick repair and a bit of fill-in banter before the band continued their energetic set. With the disco shimmer of ‘Stay Here’ and the heart-pounding anthem, ‘Shine’, the band proceeds to attack the show with as much enthusiasm as possible. 

N.O.A.H’s performance was absolutely brilliant and a whole lot of fun. The crowd lapped up the performance, singing every song, embracing their friends and dancing without a care in the world. N.O.A.H are a band that showcase a diverse sound, limitless talent and ambition. The trio display a deep understanding of their craft that many artists would be envious of and their live performance is a wonderful explosion of their talent and charm. 


Author: Danu

Indie, Live Music, Live Music Review, New Music

Inhaler Live at The 3Olympia Theatre

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Dublin indie rock four-piece Inhaler kicked off their 36-date world tour, with two shows in Dublin’s historic 3Olympia Theatre last week. I headed down to the second date which proved to be a momentous affair. Right from the get-go, I got a sense of the “Beatlemania” effect this band has on their fans. A member of the audience collapsed almost halfway through the first song prompting vocalist and guitarist Elijah Hewson to stop the performance until he was sure the fan was looked after and ok. Perhaps that’s one of the facets of this band’s appeal; their love and care for the safety of their fans …but mostly it’s the wonderful musical earworms these guys create, their youthful adrenaline- fuelled sound and relatable lyrics that discuss the trials and tribulations of life as a 20-something. 

Inhaler continued their set with a myriad of fan favourites that immediately went down a treat with the crowd as they bellowed back the lyrics as if their lives depended on it. ‘When It Breaks’ had the pit in a bustle of bouncing bodies and flailing limbs, even fans in the seated section of the 3Olympia were up on their feet dancing. This band have natural charisma and an irresistible charm about them. They don’t need flamboyant stage antics. Their chilled, suave stance and magnetic tunes speak for themselves and draw the crowd in effortlessly. Keen to get as many songs into their set list as possible the band whacked out catchy banger after banger and it became instantly apparent these guys are competent and talented musicians with a checklist of stadium rock-worthy crowd-pleasing tunes.

As performers and artists, the four-piece have grown rapidly. They ooze more confidence since the last I saw them and it is clear they are more comfortable on stage as well. A fine example of their musical growth on the night was their performance of ‘A Night On The Floor’. Much to the delight of the crowd, Josh Jenkinson fleshed out his intricate guitar manoeuvres between Elijah Hewson’s silken croons, Robert Keating’s malleable basslines and Ryan McMahon’s rhythmic drumming. There were many memorable moments throughout the performance and as the night progressed the venue became a bubbling pot of euphoria, fans bounced and sang along to the entire setlist without fail and it is easy to why. These guys create fun, dance-able tunes that blend indie rock, pop and funk embellishments with ease creating an atmosphere for fans to let everything go and enjoy themselves. As Inhaler belted their way through ‘Love Will Get You There’ and ‘It Won’t Always Be Like This’,  the mania of the crowd only intensified. There are not many bands around that can whip a crowd into a frenzy the way Inhaler do and it was a wonderful sight to experience and be a part of.

Inhaler are a joy to experience live. The band possess a professional manner and enviable musical talent well beyond their years. They have had to master their craft fast with a lot of eyes on them and last Thursday night was a triumphant middle finger to anyone who doubted them. 


Author: Danu

Indie, indie rock, Live Music, Live Music Review, New Music

SweetCake, Reserved for Rehab and Sean Looney Live In Fred Zeppelins Cork

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Last night three up-and-coming indie bands SweetCake, Reserved for Rehab and Sean Looney electrified Fred Zeppelins in Cork.

Sean Looney kicked the night off. His tunes exuded good old-fashioned danceability with funk hues blended between indie and jazz tones. With his musically tight band behind him, the room bounced with vigour as Looney crooned over slick key refrains and smooth melodic flows. These guys are naturals on stage and their organic knack for sweet-toned riffs, rhythmic drums and catchy melodies left no doubt they are a talented band with a lot of potential.

Reserved for Rehab followed. A heavier band in sound, they knocked our socks off with lush grunge tones, dense riffage and pummeling drums that reverberated through the venue. These guys have something, an exciting Je ne sais quoi that I can’t put my finger on. Perhaps its the expressive sinister tone of their unreleased tune ‘Ivory’ ( though unreleased, the song had the crowd singing as if it was a fan favourite of a well-known indie band) or the well-paced track list that showcased very sleek instrumentation and musical prowess but there is a sense that with a bit more time this band could move on to bigger things. Consider me intrigued. 

Just as the name suggests, SweetCake brought the night to a close with some very sweet and lush tunes. These guys are impressive in the live setting. The band exuded charisma with a hint of suave nonchalance onstage however the set list was fun, funky and kept the crowd lively and dancing throughout. Musically their sound is very expressive: guitars effortlessly glide from catchy heavy riffs to debonair licks with ease while grooving basslines stylishly complement rhythmic drums and warm vocals. Unfortunately, I had to rush off before their set finished but keep an eye on these guys.

It’s always refreshing to see the immense talent of upcoming bands displaying their raw talent without fluff or rehearsed bravado and just performing off the natural buzz on stage and feeding off the crowd. It’s a difficult thing to do but SweetCake, Reserved for Rehab and Sean Looney put on a fantastic show. 


Author: Danu

Live Music, Live Music Review, New Music

Wider Than Pictures Concert Series With ALT-J and Just Mustard At The National Museum of Ireland

Alt-J and their fans know how to party. Originally planned as a seated show, Wider Than Pictures concert series kicked off on Thursday at the National Museum of Ireland with Alt-J and Just Mustard. However, being seated was not what the audience had in mind and before long the fans grew tired of bopping in their seats and flooded to the front of the stage to dance and sing along with Alt-J while others stood on their seats to get a better view of the band’s mesmerising performance. This sight would make you think the show was total anarchy however the gentle attitude of the fans and well-structured organisation of the event meant this little rebellion was good-natured fun against the backdrop of Alt-J’s compelling set. 

This is Wider Than Pictures’ inaugural year, presented by Singular Artists and last night was one not to miss. Nestled in the beautiful grounds of The National Museum of Ireland eager fans sat comfortably with refreshments nearby awaiting the stellar lineup. I was surprised by how relaxed and pleasant the atmosphere was as I entered the grounds and found my seat.

Alt-J’s performance was brilliant. An enchanting blend of captivating visuals, hypnotic lights display and eargasmic music marked the night as a memorable event. It was easy to notice how much the fans treasure this band, every tune on the set list was met by cheers, screams of joy and mass sing-alongs. ‘Bane’, ‘Matilda’ and ‘Deadcrush’ all went down a treat with the crowd as they embraced and danced with friends and strangers. Throughout the night there was a communal sense of togetherness that was so unique and special. 

Joe Newman [vocals, guitar], Gus Unger-Hamilton [vocals, keyboards, bass] and Thom Sonny Green [drums, percussion] have a captivating stage presence. At times their figures were shrouded in darkness with gripping visual effects behind them while strobe lighting bathed their silhouettes in prismatic colours; it added an exciting visual element to the set and had the audience enamoured from start to finish. With little effort Alt-J proved why they are one of the most successful British bands of the millennium. Their impressive repertoire has seen them release four studio albums that, between them, have sold in excess of two million copies and their songs have been streamed over two and a half billion times. However, it’s their live shows where they truly shine. Alt-J and Just Mustard put on a phenomenal performance and made the first night in the new exciting series, Wider Than Pictures a hit. With acts like Simply Red with special guest Ryan Sheridan tonight,  RTE Concert Orchestra performing the music of Thin Lizzy and Fleet Foxes with special guest Uwade in the coming days there is something for every music lover. 


Author: Danu

Indie, Live Music, Live Music Review, New Music

KLDD Live at The Workman’s Cellar With Support From TroyOkay and Kathryn Stewart

On Sunday night Dublin-based band KLDD played their headline show in The Workman’s Cellar with support from TroyOkay and Kathryn Stewart. This band set the bar high with their musically lush tunes and compelling stage presence. They tore the roof off the venue and marked themselves as a band to keep an eye on.

Kathryn Stewart and band set the night of fantastic tunes in motion with a sleek set of soul, R&B-infused originals and covers. From a velvety rendition of Tyrone by Erykah Badu to some classy and emotive originals such as the sombre ‘Weather’, Stewart’s compelling vocal ability was on full display. Her rich depths added power to the choruses while her soft coo’s oozed soulful tones within the verses. Enhanced by the magnificent Grace Jacobs on backing vocals and a tight and polished sound by her band the set exuded an effortless chicness throughout. With an enjoyable set featuring a sing-along rendition of Fleetwood Mac’s ‘Dreams’ Stewart put on a compelling performance and had the audience eating out of the palm of her hand. 

After a witty and brave impromptu introduction from Conor Eiffe, indie artist TroyOkay followed. His dreamy guitar-driven indie sound wafted throughout the venue as bopping heads in the crowd became immersed in his sunkissed riffs and buoyant rhythms. His vocals have a nonchalant grunge element that exudes tones of aggression and frustration over the sometimes heavy instrumentation providing an intriguing edge to his tracks. With his first-rate band in tow showcasing catchy riffs, ebullient rhythms and a jazzy injection on keys it was a satisfying and tight set from start to finish. There is no pompousness or fluff with TroyOkay’s performance just good honest indie rock tunes riddled with dark undertones and moody vocal outbursts. Very enjoyable.

KLDD wasted no time and got straight into their well-executed dynamic set. The room immediately erupted as the crowd fell under KLDD’s spell. For a young band, their sound is tight, unblemished and full of indie rock goodness. With the efficiency of a well-oiled machine, they went through their original tunes with a suave and chilled bravado that had the audience captivated. The crowd danced, punched the air and even attempted air guitar throughout the frenzied set while the four-piece remained composed on stage ready to execute slick guitar refrains and thrilling bass rumbles with a cool demeanour. Each member of the band Kilian Callegari on bass, Liam Bennati on drums, David Bradford on lead and Davy O’Toole on vocals and rhythm exuded effortless charm and their precise, polished tunes filled the venue with musical ecstasy. The crowd sang every word, cheered and danced without fail, not even a temperamental mic could sour the atmosphere. O’Toole, like a pro, laughed off its resistance to stay at the correct height and stood on his tippy toes to finish ‘Tastes Like Tragedy’ while the crowd shouted the lyrics back to him. 

Impressively composed and musically rich, KLDD’s songs sound mature and refined beyond their years. This band have some bangers in their repertoire and they put on an impressive show from start to finish. Judging from the unreleased tracks, the soaring melodies and the energy in the room KLDD are a band to get excited about.


Author: Danu

Indie, Live Music, Live Music Review, New Music

Badhands ‘Far Away’ Album Launch With Support From Anderson

How an artist chooses to portray their music within the live setting can add an exciting facet to their sound that allows listeners to experience the artist’s music in a whole new way. Such an experience occurred last Saturday when Daniel Fitzpatrick aka Badhands delivered a stunning performance of his new album ‘Far Away’ along with some of his beloved hits during his headline show at Whelan’s Dublin.

Support act Anderson took to the stage and assured the crowd saying “You never know I might be someone special. And you’ll never know if you’re not listening and you’ll never be able to say I was there. Trust me, inside info, you’re in the presence of someone f**king special” before delving into tender tunes that oozed elements of pop, country and indie. Anderson is the solo venture of Daniel Anderson, a charming musician who has the remarkable ability to hush the chattering of a crowd and enthral them with his witty banter and sweet melodies. “I’m here for Dan to celebrate his album launch just like you. I’d appreciate any applause you have saved up for him to share a bit with me and also attention if you could share a bit of that sh*t, always goes down well”. On the night Anderson’s songs and tongue in cheek humour went down a treat, especially the short and melodically lush ‘I’ll get back to you when I’ve Got Nothing Better To Do’ and ‘Cecilia’s Sister Medley’ which musically pays homage to Simon & Garfunkel’s ‘Cecilia’ and The Beatles ‘Get Back’ in the most spectacular way. It was a fun and light-hearted set with songs that not only showcased lush melodies and bright tones but lyrical substance as well. 

The resounding rhythmic stomp of ‘They Know You Better’ announced the beginning of Badhands‘ terrific set. With the full band behind him, the set was a sprawling raucous affair. Each song came to life and overflowed with vibrant kinetic energy within the live setting. The tender ‘When I Think About You’ and ‘Quiet and Still’ filled the venue with swoon-worthy tempos, sensual bass grooves, twinkling keys and hip-swaying rhythms. On the album these songs exude a more delicate persona, however, live, they became dynamic and expressive – a nice surprise for all present on the night.

The band onstage ( Chris Barry, Tom Cosgrave, Aoife Ruth, Ken Mooney, and David Tapley ) played their instruments with admirable finesse and perfectly complemented Daniel Fitzpatrick’s warm vocal delivery through heartfelt melodies and rich musicianship filled with thrilling guitar riffs, rhythmic drum manoeuvres and wonderful violin embellishments. The crowd lapped up the energy, some embraced and sang as they swayed to songs from the artist’s EP project ‘Oceans’, (which was inspired by the unique nature of each of the world’s five oceans).

Badhands put on a show to remember, and an unexpected encore delivered a memorable moment for the audience. Daniel Fitzpatrick returned to the stage with violinist Aoife Ruth after chants for “one more tune” to perform a time-stopping performance that left the crowd in awe. It was a magical end to a night of exquisite music. Looking forward to seeing Badhands live again soon.


Author: Danu

Event News, Live Music, New Music

Event News : Klubber Lang + special guests First Class & Coach

April 13 2022 // Workman’s Cellar, Dublin

Doors 8pm

Tickets: €12.50 plus booking fee

Klubber Lang have announced their first live show in a very long time:Wed 13 April at the Workman’s Cellar in Dublin. Special guests on the night are FIFA Records labelmates First Class & Coach.

Klubber Lang are a band not to miss. They deliver a sound that oozes slick alternative rock mangled within an intoxicating grime-filled soundscape. The band’s music is a glorious and wholly consuming listening experience. It is sure to be a knockout show in The Workman’s Cellar, Dublin on April 13th.

At the beginning of 2021, Klubber Lang released two singles (‘There, There’ and ‘Not My Day’) and shortly afterwards signed with FIFA Records. Another three singles followed (‘Sleep Well’, ‘I Will Not Wait’ and ‘This Place’) on the Cork imprint, with more releases planned for 2022. 

Check them out live on April 13th in The Workman’s Cellar, Dublin 

Tickets here https://www.gigantic.com/klubber-lang-tickets/dublin-the-workman-s-club-cellar/2022-04-13-20-00

Stream ‘This Place’ below 


Author: Danu