Category Archives: Live Music

Alt- Pop, Indie, Live Music, Live Music Review, New Music

TOYGIRL ‘Moonlight Velvet’ single launch in The Sound House Dublin With Support From Nicetry

On Friday night, Dublin based TOYGIRL had their ‘Moonlight Velvet’ single launch in The Sound House Dublin. A night of time stopping tunes, musical poise and fun this young band set the bar high. With only two released tracks so far they took The Sound House by storm and characterised themselves as a band to keep an eye on. 

Nicetry kick started the night. This band is utterly mesmerising. They create beautiful tunes that lull with sweet melodies and earthy qualities. Eunice Saraiva’s vocals soothe with calming tones as her vocals coo and caress the soft wispy melodies with elegance and passion. The backdrop exudes wonderful prismatic hues of scintillation, distortion and psychedelia – it’s amazing how this band provides such chaos and calm all at once. Danilo Ward’s bass weaves and rumbles with intricate grooves while Cian McDaid lets it all go on guitar – shrilling, dazing and crashing between the lush delicate vocal melodies and constant rhythmic pulse provided by Cam Teehan’s rich drumming. The contrast is so thrilling and superb. The band’s heavy moments are intense, vibrant and all consuming yet they maintain a noir-pop stillness throughout as they stealthily groove and weave between these moments of utter musical splendour. With tight spine chilling harmonies Nicetry are a joy to listen to. 

The crowd rush forward as TOYGIRL take to the stage. The bands soulful alternative pop reverbs through the venue creating a groove laced atmosphere that has the crowd dancing from the very start. TOYGIRL are a dark horse. Their vivid multi-genre blending, creates a sound truly unique which comes to life in the live setting. They ignite the crowd with funky grooves, R&B elements and a rich full bodied sound. Hannah Worrall’s vocals are truly spectacular; her ability to coo with warm depths and emotional tones as well as surge with soulful power is what ties the band’s compelling sound together. Her vocals puncture the atmosphere with sheer clarity. Yes the band have tracks that haunt, lull and stop time in an instant but boy! can they dance, groove and party as well. There is an effortless swagger about this band and a maturity on stage that is to be admired. If I wasn’t aware how new this band is I would claim their maturity is due to years of experience. They banter with the jubilant crowd between songs and jam through a pause in their set as Ciaran Whelband runs for his capo ( which was left in the green room). We even experience a bass mishap that requires Aran Hopkinson to borrow a bass from Nicetry, but this doesn’t really disrupt the night, the band jam and banter through it and within moments they are back into the set list.

There are a number of special moments in the set. Guitarist Fiachra O’Mahony taking to vocals was a pleasant surprise as Worrall’s haunting harmonies blend perfectly with his velvety lilt. TOYGIRL flesh out their sound with sublime bass lines intricate, vibrant drums and sharp, sweet guitar elements and within the live setting their tracks are mesmerising. The crowd knew every word and went crazy for the band’s debut single ‘Reign’. The magnificent new track that brought us all to this celebration ‘Moonlight Velvet’ (which was released only a few hours before the show) was bellowed back by the crowd while an impressive rendition of Estelle’s ‘American Boy’ had the crowd eating out of the palm of the bands hand. TOYGIRL succeeded in sending chills around the audience as well as bringing some infectious alternative pop and slinky grooves. Not only do they make strikingly beautiful music with their unique sound, they can switch between tenderness and intensity with such ease and fill a room with a warming radiance. 

By the time the last strum on guitar had faded, I was already hungry for more, Worrall’s vocals and the band’s hypnotic alternative neo-soul is highly addictive. They have some bangers in their repertoire which display powerful emotive musicianship and striking lyricism. Their music evokes a myriad of emotions while thrilling and tantalisng the imagination and senses of the listener which is a rare gift to possess. I should warn you once you see them live you will be hooked. This band have a lot more to offer and judging from the unreleased tracks the band played TOYGIRL are a band to get excited about.


Author : Danu

Check Out Some More Images From The Night Below

Alt Rock, Alt- Pop, Indie, Indie Pop, indie rock, Live Music, Live Music Review, New Music

modernlove. At The Sound house Dublin With Support From TOYGIRL and BRIDGES

Indie pop quartet modernlove. had their first headline show with Aiken Promotions last Friday with support from TOY GIRL and BRIDGES.The band presented a firecracker of a show filled with synth pop anthems, R&B elements and jazz flavourings. 

Dublin based alternative band TOY GIRL kick start the night.Wholly mesmerising this band provides a sound filled with delicate intricacies and rich rhythms that submerge the listener in an endless pool of psychedelic hues and rippling undercurrents.With fragmented guitar pines that venture between crashing moments and funk elements to sweet lush indie tones the band layer their set meticulously, gradually bringing you further into a lulled stage of trance.These guys are fine musicians, the gentle and harsh biting elements are perfectly blended to drift and elegantly slip into each other with a majestic tonality that is utterly compelling. Exuding oodles of passion in each track, Hannah Worrall’s emotive crisp vocals are perhaps the most fascinating constant throughout the set. She lulls and broods with soulful tones as the wispy soundscapes caress and flutter around her immaculate voice. With their extremely tight sound, fine musicianship and calming stage presence TOY GIRL are a must see. 

Bridgwater / London band BRIDGES follow. I have a lot of respect for these guys. They provided warm powerful tunes with vigor while battling some frustrating sound issues and rude feedback interruptions coming through the speakers on the night. A set brimming with earnestness and passion the band flood the room with warmth. Ethan Proctor’s vocals glide effortlessly over cosy melodies with a soft rasp and powerful drive as the band flesh out rich bass lines, sweet guitar twinkles and chiming keys between the meaty drum foundation.Members of the crowd dance and request songs as the band play their hearty tunes with charming smiles and a cheerful radiance.With ebullient sing along ready choruses and pretty slick guitar work BRIDGES put on one dynamic and enthusiastic set.

As the crowd rush forward modernlove. take to the stage.This young band is becoming known for their infectious mature indie pop and catchy songs. I wondered how they would hold up in the live setting. As it turns out … pretty damn well. Barry Lally’s vocals never falter through their longest set so far, his vocals manage to become stronger and more potent as the set progresses. The four piece feed off the crowds enthusiasm delivering a vibrant show of bubbling tunes, massive sing along moments and a little banter. ‘Us’ and ‘Bop’ have the audience dancing as the bands illustrious indie pop shimmers and sparkles into the crowd, igniting them almost instantly.The bands sound is at its best live- more edgy and punchy the music surges into the body compelling you to bop along. Cian McCluskey deftly belts those drums like his life depends on it and perhaps he is the puppeteer making us all dance. The wonderful contrast between the fruity sweet guitar jingles and brawny pull on drums creates the perfect fluctuant soundscape to pull anyone up to dance. Their fans are perhaps just as jubilant as the band’s songs pulling strangers from the side of the stage to dance with them as the venue’s floor becomes buoyant and spongy from all the jumping and dancing. The band glance at each other with cheeky smiles confirming the night’s success as Graham Fagan executes glossy guitar riffs and licks with ease while nodding in acknowledgement to members of the crowd shouting his name. Half-way through the set the dancing hasn’t faulted one iota and neither has the singing along. The crowd knew every word, even the rapid tongue twister in ‘Liquorice’ was shouted back to the band with such passion and excitement. Bassist Daniel Rooney lays down that all important fluid elasticity that truly moves the soul with the body. He injects funky elements into their tracks with fruity stings on guitar as the synth elements and honeyed melodies create a candy-floss sweetness that wisps the venue into an ethereal cloud of delight. With each chorus there is an eruption from the audience as their eyes glisten through the glitzy indie pop atmosphere. modernlove. end their set with new single ‘Hard to Tell You’ leaving the crowd shouting for one more tune to which due to curfew the band could not oblige but hey it left us all craving to see another modernlove. show.

For a young band, moderlove. have a compelling stage presence. Their heartfelt, infectious tunes exceed all expectations within the live setting. The Sound House witnessed something special last Friday. These guys have a bright future ahead.   


Author ; Danu

Check Out Some More Images From The Show Below

A Chat With, Acoustic Set, Indie, Interviews, Live Music, New Music, Singer/Songwriter, Video Interviews

A Chat With : Isaac Butler

We sat down to have a chat with Isaac Butler in The Library Bar at Central Hotel Dublin. We talked about how he crafts his songs and his inspirations as well as how he likes to conduct his shows. Isaac also performed two acoustic tracks for us ‘Young Forever’ and ‘Good Enough’ check them out below.

Watch the interview below

Watch ‘Young Forever’ Acoustic below

Watch ‘Good Enough’ Acoustic below


Author : Danu

Indie, Live Music, Live Music Review, New Music, Singer/Songwriter

David Keenan Live At The Olympia Theatre Dublin

David Keenan graced the hallowed halls of The Olympia Theatre last night. A singer songwriter with poetic lyrics and powerful vocals – you might think his set would be quiet and poised with brief hand claps from a drowsy lethargic gathering however that’s not how Keenan rolls … nor his followers for that matter. Exuding mesmerising rock ‘n’ roll charisma, Keenan brought the roof down as he filled The Olympia Theatre with his vibrant, emotive and passionate tunes. The crowd hung onto every word bellowing out the lyrics, each syllable meaning the world to them and all of this was met with humble gratitude from the headliner.

Keenan stands behind a white screen with just his silhouette visible to the crowd. The audience cheer in anticipation. Many of them gushing “ I love him… he’s really pretty” as he poses ready for the canvas to lift and relieve the suspense. Of course Keenan maintained the solo stripped back intimacy that has gathered this dedicated following over the years, performing ‘Big Boys Must Cry’ and ‘Full Stop’ with no band and just his guitar. He is comfortable in the picturesque setting of The Olympia. His larger than life persona and poetic lyrics resound throughout the venue touching every single person who was there as the crowd bellow back his lyrics in worship.

“We made it to the Olympia Theatre, we did this together let’s celebrate together tonight as one“ and that was certainly what it felt like – a massive celebration of an artists well deserved, stellar climb to a sold out show in one of Ireland’s most prestigious and sought after venues. Keenan holds the audiences attention with ease as they await with bated breath to clap, sway or sing along. He stands majestically onstage – prancing, spiraling and jumping creating entertainment with every dramatic hand flail or stride. Like all the best shows a lot of planning went into this performance. There was a  joyous gradual beginning, an intermission of sorts with a wonderfully talented Aerial Hoop performer, a thrilling second half and phenomenal encore which saw Keenan return to the stage being cheered like a hero. Members of the crowd were embracing, shouting “go on lad!” and “love you Dave!” as he belted out powerful favourites  ‘Lawrence Of Arcadia’ and ‘Postcards From Catalonia’. 

Live, Keenan’s tracks ignite into beautiful flairs of wonderful colour and vibrant textures as he fashions the audience into a circle of friendship and comradery. With a band behind him Keenan is unstoppable.  

As the first half of the set swings into ebullient motion we see the familiar side to Keenan’s musicianship, the folky-hued, more traditional-tinged aspect. A lush and utterly mesmerising rendition of ‘Two Kids’ sees Keenan duet with Laura Burke. Their sweet, warm tones melt into one another, gently drifting the track to a new, exciting and beautiful dimension. This time stopping arrangement is a special moment within the set list and members of the crowd hug and sway while others weep. Keenan writes tracks that evoke a multitude of emotions but this specific moment took the crowd from dancing and singing to embracing and swaying in teary joy while electric bulbs and flashing lights illuminate the stage.There is a professional yet passionate approach to Keenan’s live shows that is quite admirable. He knows what gets his audience hyped up but there is an authentic and heartfelt backbone to his polished performance that leaves a raw and honest residue. 

The second half of the set brings drums, guitars (with some shredding solo’s) and a hint of grit into the show. Here Keenan tries his hand at being somewhat of a rockstar of sorts. He succeeds. A shout of “ haon, dó, trí, ” from Keenan rumbles above the drum thuds as ‘Unholy Ghosts’ initiates the more dynamic aspect of the show. There doesn’t appear to be a soul in the venue who doesn’t know all the lyrics to every track on the recently released ‘A Beginner’s Guide To Bravery’ album. ’The Healing’ and ‘Good Old Days’ have the crowd in a flurry of adored mania. ‘Alter Wine’ is utterly enthralling live – Keenan delivers the track with intense, earnest vigor as his strong vocals ricochet over the intoxicating melodic riff on guitars and strings.”Join hands with the person next to you.. lift them up” Keenan shouts as the entire venue sings the “Rain, rain, go away, I’ll come down another day” lyrics of ’Love in a Snug’. He doesn’t compromise quality as his striking vocal range refuses to falter while being met with mass applause for the lengthy notes in ‘ Tin Pan Alley‘. 

The encore brings more tears as a woman near me announces “Oh my god i’m going to cry” for ‘A Corner Boy’s Lament’ and yes she absolutely did. As she sobbed in the audience, on stage Keenan is giving it his all with his acoustic guitar. He tenderly presents this emotive song, perhaps unknowingly, creating or connecting to a special and personal moment with a lot of his audience. ‘James Dean’ and ‘Badlands’ continues the ecstatic sing and clap along while ‘Subliminal Dublinia’ aptly brings the show to an explosive finale as Keenan shouts “this is the end of the beginning not the beginning of the end”. 

There is no denying that Keenan deserved to be headlining The Olympia last night. His musical prowess is inspiring. He has the ability to rally and passionately ignite the audience through his powerful, emotive tracks and meaningful lyrics. As the confetti cannon erupted into the venue the lights illuminated the crowd’s smiling, proud faces.They cheered and applauded this young man who has worked relentlessly to craft and carve his sound without compromise. Keenan has created something unique that binds strangers together and provides an atmosphere of elation. His tracks are his medium of release, a therapy of sorts but they are perhaps so much more to the crowd of fans gathered in that venue last night.. ready to celebrate this milestone with him.  


Author : Danu

Check Out More Pictures From The Night Below

Indie, Live Music, Live Music Review, New Music

Donal Quinn Live With Support From The Collective At Whelan’s Dublin

January has a reputation for being a dull, cold and uninteresting month however Whelans refused to allow it to dampen their punters mood. With Donal Quinn playing Whelan’s Midnight hour with support from The Collective and The Bowie Ball night featuring tribute act Heroes From Mars to wander into after… they made sure we forgot all our January blues.  

Dublin five piece The Collective kick started the show. The band embrace the task of warming up the crowd with ease. Their pop sprinkled indie tunes which are saturated in sun-kissed tones had a warm and glorious effect on our ears as their honeyed melodies melt upon the effervescent instrumental backdrop.  Even with their bassist Cian Moran missing, the band had the crowd in the palm of their hands from the get go. Their cheeky banter and wonderful indie tunes had the crowd dancing and bopping happily. For a young band about to do their leaving cert they certainly have a charismatic and charming stage presence.Guitarist/vocalists Daniel Clarke and Taylor Byrne constantly engaged with the crowd creating a friendly and fun atmosphere “we want you to sing along even if you think its shite..sing along”. One woman in particular spiraled round the dance floor to every tune hopping, wiggling and twirling to their infectious tunes. They allow her to name one of their songs before they played it so i guess now it’s called “ love your face”.

With songs laced in tasty guitar melodies, groove infested drums and chiming keys the band sprinkle some joyous radiance into the venue. Their tracks are catchy from the unforgettable ‘’la la la la “ of ‘Forgettable’ to the sweet melodies in ‘Friends’ and ‘Love On The Streets’ – they have a solid set list. With quirky guitar moves, slick sweet licks and a charismatic presence the band keep everyone on their toes. Ogylle Salvador lays down the body moving beat while Stefan Isbanda tackles the keys to complete their vibrant vigorous sound. This bands musical talent and youthful energetic sound make them ones to keep an eye on . 

Donal Quinn strolls on stage. His chilled presence slices through the  wild atmosphere created by The Collective. He saunters off the stage to rally the crowd to the front, the crowd happily move forward in anticipation as Quinn begins ‘Do You Like Spicy Food?… ‘. This rapid number re-induces the hyper crowd as they bop along and whoop to his cheeky lyrics. He is alone on stage with just his acoustic guitar which should feel cold and isolating however his presence exudes warmth. He commands the stage..the crowd is enamored by Quinn’s vocal prowess especially for the “ the roof, the roof, the roof is on fire” lyric. Quinn chats between songs and tune ups while galloping through his set list. Dressed all in black there isn’t much fuss.. just good tunes. ‘Twat’, ‘3am’ (which Quinn’s integrates James’ ‘Sit Down’ into the crescendo) and a slick cover of ‘That’s Entertainment’ by The Jam and Arctic Monkeys’ ‘When The Sun Goes Down’ cause subtle swaying and bopping among the crowd as his rasped Drogheda-twanged tonality warms the tracks vibrant melodies. A quirky anecdote about his hair being ruined by rain and wind while filming the video for ‘ Bubble’ has the crowd chuckling as he charms them into the second half of his performance.

Quinn puts oodles of passion and emotion into his tracks and it sometimes translates into, an eyes closed performance, however his emotive and passionate lyrics enthrall the hearts of the audience. A quick exchange of info about his brand of guitar ( it’s a Martin ) and a crowd members Harry Potter scarf lead the way into a sleek medley of Oasis ‘Wonderwall’ and ‘Golden Touch’ by Razorlight. It’s a precise, well executed, enjoyable performance and a fantastic end to a night filled with talented Irish artists

Quinn presents his sublime tunes in an acoustic setting with ease and panache. In a live setting his music takes on a new dimension and aesthetic, becoming more intimate and personal. It was a fantastic Friday night in Whelans. Keep an eye on both Donal Quinn and The Collective. They have great potential and give us an indisputable reason to support Irish artists. 


Author : Danu

Check Out Some More Images From The Night Below

Indie, Live Music, Live Music Review, New Music

Inhaler Live At The Button Factory Dublin With Support From The Wha

Author : Danu

Security move the eager front line back from the stage as the crowd in The Button Factory, Dublin gush about how many times they have seen new risers Inhaler and why “these guys are the best band out there at the moment”. There is a varied fan base for these young rock stars, a healthy crowd of all ages throng the venue to see what Inhaler have in store for their second sold out night. Many had seen them the night before, some traveled from the UK and farther afield to see the Dublin quartet. One fan in particular told me she had seen them the previous week in London and had tickets to see them again two more times in the UK next year. There is a buzz about Inhaler that is the envy of many artists on the circuit. They have even been long-listed for BBC Music Sound of 2020. I thought to myself, could this fresh faced quartet live up to the hype and deliver a great live show? Well …yes, actually they can deliver… with oodles of swagger and explosive onstage persona. The Button Factory witnessed something special Thursday night – a budding band which is destined to go far.

But first we are treated to one of the most impressive support slots of the year. Kilkenny’s The Wha embrace with ease the task of warming up the crowd. The band provide tantalizing tunes laced in psychedelic indie bliss with dreamy, moody, melodic undertones. ‘Innocents’ introduced the crowd to their melodically lush sound. The band’s modest stance and simple stage presence make them instantly charming however their musical prowess is not to be underestimated. These guys are a talented bunch of musicians. They had more control over our swaying bodies than we did. The Wha’s songs will make you bop and move before you even realise you want to. Bassist Marek Lech and drummer Abe G. Harris provide a solid, driving groove that is impeccably elastic and malleable. ‘Blue For You’, ‘40 Odd Years’ and ‘She Won’t Believe Her Eyes’ all exude wonderful hazy melodies with heavy blasts. The refined, precise guitar melodies executed ever so coolly by dual vocalists Finn Cusack and Sam Cullen had the crowd in the palm of their hands.

These guys are prime quality indie and sure to skyrocket due to their clever musicianship and delicious melodies. They are cool, competent musicians. The Wha are a band you need to know and listen to.

Inhaler triumphantly take to the stage to a mass of cheers. The rock ‘n’ roll band’s lively energy distinguishes their live performance from other acts. They are inimitable onstage, each members larger than life persona oozed confidence and skill beyond their years.

The band blast full speed into their set. Another proficient bassist, Robert Keating provides the infectious groove throughout their tracks with an effortless attitude. His serious stance charms some members of the audience to gush about his stern smoulder while his sublime and intricate bass lines impress the masses. The quartet have the crowd eating out of the palm of their hands from the get go. Everyone wanted a picture/ video of this young band in action. Ryan McMahon tackles the drums, raised on a drum riser his hair flops in time with the rapid powerful beat. His rhythmic thumping commands the crowd to dance. The bands sound is blazing as they weave psychedelic hues into their pummeling rock ‘n’ roll. “This one is the slow one so if you wanna go take a piss do that now”  frontman Eli Hewson announces before the sultry ‘A Night On The Floor’. Quite the dynamic frontman he prances about the stage each flick, strut and pose praised with whoops from the crowd. Hewson’s charming personality is infectious. He moves to the front of the stage, reaching out to fans while executing a sweet little shuffle/wiggle with his feet. He holds everyone’s attention while his warm rasped vocals drape over the bands pop-drizzled melodies with a velvety croon.

‘Ice Cream Sundae’ ignites one of the most excitable reactions from the crowd as they bellow back the lyrics wholeheartedly and lovingly. It’s a non stop party. ‘Falling In’ continues the kinetic energy with its scorching rush of intensity and swagger. This band have an impressive first rate lineup of musicians. Josh Jenkinson is one class act guitarist. He meanders beautifully through intricate, lush guitar lines. His adept skill is majestic and a joy to watch. 

It’s easy to see why Inhaler have an audience ranging from all ages. From the clapping stomp of ‘My King Will Be Kind’ to the glistening ‘Cheer Up Baby’ the band seamlessly drift through multi tones and genres providing something everyone can enjoy. ‘My Honest Face’ closes the bands set with the crowd going absolutely crazy. It’s a dark enigmatic track laced in explosive, thrilling and glorious instrumentation. No one wants Inhaler’s set to end. However the band don’t appear to stand on ceremony and they leave the stage with a bow. 

Inhaler are a slick, well primed machine that are cultivating their sound and brand superbly. They are creating something truly captivating and relevant. It is easy to realise what all the hype is about and how they have garnered such a loyal adoring fanbase. They are an act to get excited about. They are mesmerising to watch onstage and with such a great sound, if they keep doing what they are doing these proficient musicians will be very big indeed. 


Check out some more images of the show below

Indie, Live Music, Live Music Review, New Music

Fangclub At The Button Factory Dublin With Support From Cherym

Devoted fans is something every band and artist dreams of. The sort of fans that have tattoos of the band’s logo, know every word to their songs, discuss who their favourite band member is before the show and queue in the cold to see them. This is the devotion that Dublin’s Fangclub have garnered. I heard compelling arguments for why Steven King, Kevin Keane and Dara Coleman are the best as the eager fans stood waiting to enter the Button Factory on Friday night for Fangclub’s headline show. The fans dissected their favourite tracks from the bands EP’s and albums while discussing the amount of times they have seen the trio. The crowd were sure the show was going to be one to remember….. it was.

Derry three piece pop rock band Cherym kick started the night. A feisty trio the band blast out their fierce tunes with relentless stamina. With a crashing wall of sound saturated in gritty riffs, fiery bass lines and pounding drums provided by Alannagh Doherty – it’s a speedy neck snapping set. Hannah Richardson howls and spits out the lyrics with attitude as she struts back and forth on stage. There isn’t a lot of banter from this trio they allow their brawling riffs and pulverising lean mean wall of sound do the talking for them. The pop sensibilities smoothen the razor sharp assault the trio execute so precisely. Members of the crowd mosh and jump to each tune while others are singing along to the lyrics.A threat to do an Irish dance on stage and a “wee prayer” causes cheers from the crowd while a witty asthma quip and “wake the f*ck up do we look like we do Irish dancing” remark creates a humorous tune-up distraction before the band speedball into new single ‘Abigail’. There is something compelling about this trio. Their tunes exude gut-punching punk rock with a pop smattering melody that drifts effortlessly into the ears. Bassist Nyree Porter is extremely charismatic on stage as she engages playfully with the crowd sparking clap-alongs and even jumps off the stage to allow the audience to strum the bass. They made quite an impression.

With Led Zeppelin’s ‘Immigrant Song’ blasting through the speakers while a smoky red hue glows onstage Fangclub triumphantly stroll on stage to a mass of cheering. A band who are honest, raw and incredibly talented these guys don’t hold anything back. The setlist travels at full speed as the band pack in as many tracks as they can with high fives, fist bumps and hand shakes from the crowd in between. “Go on Stevo” members of the crowd shout as Steven King (his face buried in a mass of hair) explodes into ‘Vulture Culture’. The pit erupts immediately, as the crowd once again fall under the bands spell. ‘All Fall Down’ truly grabbed the crowd by the throat as a riot of drums, bass and shrilling roar on guitars thrill the moshing fans to the core. Kevin Keane swishes, jumps and executes his raging bass lines with rampant vigor. There is one track in particular where his finesse excels, ‘ Hesitations ‘. The demon summoning bass rumble resounds throughout the venue as King’s spine chilling vocals entice and seduce against this riveting wall of sound. Dara Coleman resides on a raised platform, shrouded in an enigmatic cloud of dry ice. He pummels through the crunching, ferocious and downright dominant drum rolls and rhythms with precision and relentless stamina while members of the crowd try to air drum along . The trio are joined onstage by guitarist Ed Scanlan who provided those slick licks, riffs and rich guitar melodies that pepper the bands tracks in swagger and spice.He has his own fans in the crowd who shout “go on Ed” and “love you Ed”. 

“Everyone ready for Christmas?” King asks before he introduces the blistering ‘Kingdumb’. Members of the crowd reply with a half cheer/half moan while another shouts “Hail Satan!” 

The show is a special moment for both the band and their fans. An almost solo performance of the note to King’s girlfriend ‘Last Time’ leaves King in tears as he tries to finish the song. His fingers shake as he forms the chords on the fret-board. He coo’s the tender lyrics with nothing but guitar accompaniment. The crowd cheer in support as Coleman and Keane return to the stage embracing him before the expressive and emotional crescendo. It’s a striking reminder of all this band have been through, almost calling it a day before the ‘Vulture Culture’ album and the stress and emotional turmoil they have been through. It made me realise just how lucky we were to be there that night watching them perform their largest Dublin headline to date. King thanks his family, friends and fans for helping him get through everything. Most people don’t think of the person beneath the larger than life rock-star persona but that glimmer into frontman King’s emotional mindset at the time made all the difference and earned more respect and love from adoring fans. Refusing to allow that tender moment define the night King turns to face the drums, wipes his eye and rebounds with the searing ‘Bad Words’…. the crowd goes insane. The band leave the stage as King lip sinks to Whitney Houston’s ‘I Will Always Love You’ while the crowd bellow back the lyrics dramatically sprawling their arms out to him before Coleman, Keane and Scanlan carry King off stage to the resounding sound of the crowd’s cheering. 

It was a fantastic show of sweat, adrenaline, massive tunes and tears as Fangclub were welcomed home by their adoring, never faltering fans. Fangclub are getting bigger and better. They have grown into accomplished proficient musicians. They shattered through The Button Factory in style with unbridled energy, graciousness and a performance that their fans will never forget. Their riot-inducing sound is hypnotic and encourages anyone within ear shot to begin head banging and moshing. I believe one fan from the crowd summed up the nights antics well – as he left the venue he said to his friend ” my neck is fucked”.


Author : Danu

Check Out More Images From The Show Below

Indie, Live Music, Live Music Review, New Music, Singer/Songwriter

Tamino Live At The Button Factory With Support From Kitt Philippa

Passionate, time stopping performances of a wholesome nature is the perfect recipe for a chilly December night. Belgian singer Tamino along with Kitt Philippa as support thawed our iced souls with warm dark toned, balmy tunes. The mesmerised audience were in good hands last night, as The Button Factory was shielded from the icy cold and wrapped in the comfort and emotive daze of singer songwriter bliss

Belfast singer Kitt Philippa began the defrost. Their quirky yet shy and sweet persona charmed all within the venue. Philippa’s voice drifts between captivating tones and hair-raising richness as they pour themselves into the songs, leaving the audience stunned. The crowd cheer and encourage Philippa , shouting “that was unreal”. Philippa sits at the keys swaying back and forth while the graceful melodies and elegant, raw musicianship blends with their superb vocals. There is a vulnerability to Philippa’s set and an innocence through the tracks that they rein and bridle with awe-inspiring confidence.

Philippa ventures from the keys to guitar. Playing mostly tracks from their newly released album ‘Human’ Philippa warmed our hearts with a spine-tingling voice and intensely rich musicianship. A cover of Jeff Buckleys ‘So Real‘ is a hit with the crowd as they encourage Philippa -whooping from the first gentle strum. An anecdote about Philippa’s brand of tea ‘Humanitea’ ( which actually sounds lovely and soothing) and the random sighting of a button on stage at The Button Factory before title track ‘Human’  brought a light-hearted end to Kitt Philippa’s wonderful set.

Philippa left the crowd touched and enthralled by their beautiful blend of melancholic depth and sweet optimism. It was quite a special performance. 

Tamino takes a very casual approach to his set. Perhaps it’s the laid back banter from the crowd or maybe the chilled and relaxed vibes from Kitt Philippa’s set but he chats and jokes with the crowd between his performance. He stands simply with his guitar, a 6 foot something, slim young man adorned in dark attire. He wows everyone in the room with his maturity, rich vocals and the dreamy haze of his tunes. From a first listen you would be forgiven to describe Tamino’s sound as dark and sombre however like all good things, there is much more beneath the surface. There is something special about this young performer. His sound is unique and completely his own, in every way passionate, immense and naive all at once. He is becoming somewhat of a “ rock-star “. Much to his surprise members of the crowd are shouting “ I love you Mr. Tamino” – to which he just smiles replying “ I love you too, we just met though but I like your straightforwardness”  while others are throwing roses on-stage and someone even threw their knickers.

Within the live setting Tamino’s tracks take on a richer more tantalising dimension. Even without his band at his side he confidently plays straight into ‘Persephone’ – just him and his guitar as he holds everyone’s hearts within his grasp. His rich velvety vocals slip between sweet falsetto and creamy depths that summon silence in the room allowing the beauty of his voice to lull and enchant at will. The crowd adore him singing every line to ‘Cigar’, ‘Tummy’ and ‘Sun May Shine’. Tamino stands, basked in warm golden or red lightning which ventures into blue tones as the dry ice creates a celestial quality to his silhouette. Not even a broken guitar string’s intrusive demand for attention hinders the show. Tamino simply explains that the string is broken, that he needs a moment to re-tune and the crowd wait patiently.

There are people from all over the world at this show as they take the opportunity between songs to ask him to do a gig in their country. The crowd remain silent as he begins to sing again. His deft, crisp… yet warm voice and sweet falsetto caress the atmosphere with tones of longing and tales of life. Tamino depicts romance, love, vulnerability and strength throughout his tracks and it’s his sublime timeless and unique delivery of these themes that grip the audience and submerges them in a magical dreamy haze. ‘Indigo Night’ in particular was outstanding live and ‘Habibi’ couldn’t have been more perfect. The crowd stood in suspense for that acrobatic falsetto. Tamino finished his set with an impeccable cover of Mac DeMarco’s ‘My Kind Of Woman’.

Tamino is in a league of his own. There is no denying his talent and vivid, poetic musicianship. His ability to create and weave fantastic melodies with rich exotic undertones shimmering throughout is outstanding. Tamino’s composition’s possess the potential to stir something within your very soul and in a live setting this ability is even more raw and potent. There were members of the crowd weeping from the emotion within his music. Tamino is an artist not to be missed. 


Author : Danu

Check out some more images from the night below

Acoustic Set, Indie, Live Music, New Music

Donal Quinn ‘Bubble’ Acoustic Preview

Dublin indie artist Donal Quinn is set to release his new single ‘Bubble’ on November 30th. We sat down with Donal a few weeks ago for a chat and a little acoustic set where he performed the charming new track for us in The Sound House Dublin. 

Watch the acoustic version of ‘Bubble’ below

You can follow Donal Quinn on his social media here

Facebook :https://www.facebook.com/DonalQuinnArtist/

Twitter : https://twitter.com/DonalQuinnMusic

Instagram: https://www.instagram.com/donalquinnmusic/


Author : Danu

Indie, Live Music, Live Music Review, New Music

De Staat Live At The Academy Dublin With Support From New Valley Wolves

Dutch five piece De Staat took The Academy, Dublin by storm last night. A band renowned for their high energy, intoxicating live shows brought their trademark fun, shredding tunes and dancing to the Irish crowd who went utterly bonkers for the band. It was an incredible sight to behold.

Dublin’s rock ‘n’ roll duo New Valley Wolves took the task of warming up the crowd in their stride. ‘Shake Your Bones’ aptly kick starts their set loosening up the crowds hips. This band are a raw rock duo that produce no nonsense tracks saturated in steamy blues and gritty riffs. Their lusty sound filled the venue with razor sharp guitar lines and pulverising drum progressions that could shake the floor of hell. Their set is a battering assault of crashing rock at its purest. ‘Animal’, ‘Eyes On Me’ and ‘All You Do Is Talk’  wrestle the ears and command you to dance and mosh and the crowd gladly obliged – headbanging and bouncing to the duo’s infectious rock. There is little banter with the crowd – Jonny and Baz are there to rock our socks off and boy! they did. The duo were as tight as ever, musically impeccable and their sound dropped into the venue like a heavy atom bomb. Jonny’s vocals howl out the sharp spitting lyrics while he nimbly maneuvers through slick swagger-filled riffs with ease. There is a coolness to this band that oozes out of everything they play – well, that is until Baz describes them as  “dad rockers” to which Jonny replies “ don’t say that we will look un-cool”. The band play their new single which is due for release tomorrow ‘Snake Spit Venom’ – a catchy, acid drizzled slithery number laced in the neck breaking drums and fiery riffs that New Valley Wolves are known for. This band are professionals and are unfazed by the task of warming up the crowd. They sprawl their scorching tunes into the atmosphere consuming all with ears. I’ve seen these guys perform to a packed venue of their devoted fans moshing and jumping in unison a few times now so it’s refreshing to see the band perform to a new fresh-faced audience and see them win them over one by one until the crowd are moshing and wiggling by the final ballsy track ‘Fire In The Blood’. There is never a lagging moment in this duo’s set and they put on a whopping, fantastic show no matter the setting. 

De Staat enter, casually taking up their instruments as the crowd cheer in excited anticipation. Torre Florim the ever flamboyant and entertaining frontman dressed in a silver suit begins to wiggle and dance while he spits out the lyrics to ‘Me Time’. The five piece are an increasingly eccentric and energetic band and their show even more so. Last night De Staat’s set traveled between genres. Wobbly, piercing and intricate guitar maneuvers come from Vedran Mircetic, who is perhaps the most calm and collected person in the venue. His stance is simple and his guitar pedals are almost uncountable as he steps and strides his way between different combinations while producing the most exhilarating and unique sounds. ‘Down Town’ creates stomping frenzy among the audience. The rapid gallop of the track is a hyperactive infection that causes limbs to flail in every direction imaginable. Rocco Hueting multi-tasks between synths, percussion and guitar but it’s that ‘Pikachu’ dance he performs with Florim that is the icing on the cake. These guys create fun, dance-able tunes that bend your mind in many delicious ways. From the techno tones, the hip hop R&B elements of ‘Fake It Till You Make It’ and swag of ‘Peptalk’ and the psychedelic brain trampling of  ‘Make Way For The Passenger ‘ these guys create an atmosphere for you to let everything go and dance. Tim van Delft on drums creates those infectious grooves with finesse while occasionally standing to encourage the crowd’s frenzy and showcase his chic golden embossed shirt. The set goes from one high point to another as the mass sing along’s and Florim’s dance-filled antics continue. Florim ventures towards the crowd commanding them like his worshiping congregation. I don’t think there is even one person who didn’t know every word of the lyrics. Everyone knows when to clap and when to shout as Florim passes the mic to members of the crowd to sing the “You gotta help yourself”  lyric of  ‘Help Yourself’. However it is ‘Witch Doctor’ that is the most wonderful sight to behold. I’ve heard of it and always wanted to witness it first hand – anyone who has seen the ‘Best Animation in a Video UK Music Video Awards 2016′  winning video will be aware of the concept of Florim standing in the middle of a mass of people like some wicked circus ring-leader and commanding them into a circle of death. Well, last night when the band performed ‘Witch Doctor’ the crowd began this circle themselves as Florim stood at the front of the stage swirling his hands like a master puppeteer as if he was churning the crowd round while they jumped and moved in a circular motion. It was a whole room filled with a sea of bodies moving in one moshing mush. However, the fun did not end there. No way were the crowd going to let the show end there. The audience shouted for “one more tune” until the band returned for their electrifying encore. Jop van Summeren operates the bass with majesty creating unique and wacky sounds while laying down slinky grooves especially for closing track ‘KITTY KITTY’. ‘KITTY KITTY’ is one outstanding piece of work but I wondered how would it measure up live. Well…. pretty damn fantastic. That bass intro is brilliant live. It has the mystery and luring power that could introduce the main character in a Quentin Tarantino movie while also adding a sweet sleek quality to this adrenaline building track. The crowd erupted – singing, dancing and screaming throughout the song, A fantastic end to a riveting night. 

I was aware that De Staat put on a good show but last night it was from a whole other world. The five piece put on a whirlwind show and had the audience eating out of the palm of their hands, drooling for more. Once you see these guys live you will wonder what you have been doing with your life up to now. Maybe it’s the raw ecstasy of their tracks or the hyper rhythms, slinky guitar and psychedelic hues, but once you see them live De Staat become the drug you just can’t quit. 


Author : Danu

Check Out Some More Images Of The Show Below