TV People have released their new single, ‘You Were Loved’. TV People are an alternative rock band from Dublin. Since forming in 2019, the band have honed their craft across the live scene, playing in some of Ireland’s most iconic venues, including Whelan’s, Mike the Pies and The Button Factory. The band have collaborated with Dan Doherty (Darklands Audio), Christian Wright (Abbey Road Studios) and Grammy-award winning mixing engineer Caesar Edmunds (Battery London), and have garnered support from the likes of BBC Radio 6, BBC Radio 1, BBC Radio Ulster, Amazing Radio, RTÉ and 98FM, and more. The band will release their second EP later this year, with continuous singles to be released in the coming months.
Deeply personal and rooted in dark undertones ‘You Were Loved’, is a compelling track from TV People. The band layer chiming guitar over jabbing drum progressions, pulsing rhythms and jarring basslines while the lyrics depict the pain inflicted by the loss of a close family friend. The instrumentation wrestles between soft twinkling guitars and heavier tones throughout, as deep baritone vocals ask “I’ve tried to leave this behind, Why can’t I?“
TV People are a musical marvel, the band’s ability to create expressive soundscapes that mirror the emotion within the lyrics is awe-inspiring. ‘You Were Loved’ is a fine example of this. The tracks soundscape twists and coils with dark punk elements and grunge-like tones highlighting the themes of anger, sadness and confusion wonderfully. ‘You Were Loved’ is a heartbreaking and beautifully crafted tune from TV People.
About the track, Paul said: “The lyrics of ‘You Were Loved’ were written after the death of a close family friend who took their own life during the past year. Writing them was a way for me to process the feelings of anger, sadness and confusion that overwhelm me when I think of their life and death. The song helped me to get a lot of anger out of my system and express the underlying heartbreak and love that I feel when I think of them.”
Singer/songwriter Tom Euler has released his latest album, ‘OBEY’. The project is a result of seven years of work by the musician, recorded in a small room and remotely during COVID restrictions. Tom Euler is an award-winning singer/songwriter and internationally recognized guitarist. His journey with music first began in the realm of blues, and his album ‘Blues Got My Back’ took him to the finals of the International Blues Competition. His success also earned him opening slots for great acts including Patti LaBelle, Davy Knowles, Delbert McClinton, Ramsey Lewis, Thompson Square and DNCE.
‘OBEY’ blends a plethora of intricate guitar work and emotive songwriting to create a thoroughly satisfying listening experience. Euler weaves acoustic, indie toned and classic rock embellishments on guitar into each song to create a refreshing and passionate collection of tracks – ‘Color’ and ‘Chasing Shadows’ are fine examples of this. With jazzy elements on the piano in ‘Feel Love’ and frenzied indie-rock guitar surging through ‘Fly’ Euler displays his diverse and compelling wall of sound. His smooth vocal delivery expresses the album’s themes of mortality, acceptance, addiction, adversity and individuality with ease.
Laced in passionate tunes, catchy melodies and rich musicianship ‘OBEY’ is an enjoyable new album from Tom Euler.
Big Sleep have released their new single, ‘In My Head’. The song is the second single off Big Sleep’s debut EP, ‘Feel Something Someday’ and details the turbulent times of a relationship that stays the course in the hopes of brighter days on the horizon. The track was recorded in the live room of Hell Fire Studios, in the Dublin Mountains in December 2021. James Smith (formerly of Gypsies on the Autobahn, currently J Smith) sound engineered, produced and mixed the tracks. Matteo Poli (drums, percussion), Rónán Connolly (vocals, rhythm guitar) and Aidan Gray (bass guitar), Jacopo (lead guitar) and Jessie Russell (trumpet, Cooks But We’re Chefs) recorded on the single.
Drifting upon a bed of warm guitar and indie/soul soundscapes, ‘In My Head’ is a lush new single from Big Sleep. The band create a sun-kissed laid back tune that flows effortlessly upon vibrant beats while gentle guitar melodies and hazy trumpet flirtations glisten throughout the track’s dreamy atmosphere. Big Sleep’s sound is a joy to listen to. Each track they release is a musical treat to the listener’s ears and ‘In My Head’ follows this trend superbly. The track is a fine display of the band’s expressive musicianship and compelling sound.
UK metalcore band InRetrospect have released their fourth single ‘Safe Haven’ from their new EP.InRetrospect have shared stages with Lastelle, Invisions, Death Blooms, Graphic Nature, Blood Youth, Monasteries, Gassed Up and more, and also played at Burn It Down Festival in 2021. The band’s previous singles have deservedly garnered support from BBC, Amazing Radio, Primordial Radio, Distortion Radio, and more. Furthermore, the band have had support from Spotify, Amazon Music, Deezer, Pandora, Tidal and Apple music, surpassing 200,000+ streams on Spotify alone. 2022 sees the band continuing to tour intensely, sharing stages with the likes of We Struck Gold, Tyrants and more.
‘Safe Haven’ roars with the intense and compelling sound of InRetrospect. The band take their heavy metalcore sound and flourish it with melodic choruses and raw brooding verses to create a thrilling listening experience. With gravelly vocal screams over jagged guitar riffs and pummeling drums, the track boasts a heavy and thunderous wall of sound. The song travels at a neck-snapping speed up to the soaring emotive chorus which provides a slight release from the dense instrumental onslaught. Blending angst, rampant basslines and emotive lyrics; “An event so disturbing even earth began to give, What happened to love, What happened to peace” with expressive soundscapes ‘Safe Haven’ is a fantastic new single from InRetrospect.
Sam Wickens has released his new single, ‘The Devils With Me Now’. In 2017 Wickens worked with legendary American record producer Tony Visconti (producer of scores of albums by major artists including: David Bowie, T.Rex, Paul McCartney, Damon Albarn, Moody Blues, Marc Almond, Kaiser Chiefs, etc) as a featured artist on a Sky Arts documentary about Tony’s amazing life and career ‘Tony Visconti’s Unsigned Heroes’. This led to Wickens working closely with music icons including Stuart Copeland, Nitin Sawhney, and Imelda May, and performing live at Union Chapel, London supported by legendary saxophonist Howie Casey (Paul McCartney) and top afro-urban band the Compozers.
‘The Devils With Me Now’ is a wonderful anthem from Sam Wickens. With just guitar accompaniment, subtle piano twinkles and warm delicate soundscapes encasing his voice, the track highlights Wickens’ ability to convey emotion through evocative minimalist arrangements. Wickens has become known for creating meaningful and emotive music and ‘The Devils With Me Now’ follows this trend superbly; the song surges with refined musicianship and poignant songwriting. His velvety vocals croon earnest lyrics, “I hate all that I wanna be. My life keeps bringing me down. I’m helpless but at best I just keep pushing things around“ over a jubilant guitar strum that chugs along with a foot-tapping groove while the rich tones within his voice soothe and provide comfort from the hard-hitting lyrics. An interesting aspect of the song is the vibrant folk tone that runs throughout the soundscape of the track. This radiant element contrasts the track’s lyrical content and exudes a carefree vibe that is sure to lift listener’s spirits. ‘The Devils With Me Now’ is an exciting glimpse into the many facets of Wickens’ sound while at the same time giving listeners a catchy little ditty to indulge in.
The Black Skies have released their debut single ‘Unchained’. Band members James Handley (Vocals) and Luke Falkingham (Guitar) formed the British rock/soul band in 2020 and describe their sound as a mix of melancholy rock and soul. During lockdown The Black Skies decided to work on their unique sound in Reel Production Studios with Ben Hammond and producer Paul Gorry, with the band eventually recording their first release, ‘Unchained’. The single has been mixed by world-renowned record producer George Shilling whose credits include Oasis, Primal Scream, Blur and Ocean Colour Scene. ‘
‘Unchained’ is a powerful tune that boasts the sleek and tantalising sound of The Black Skies. The band weave chic guitar melodies through a gyrating bass groove and stomping beat to create an expressive soundscape throughout while soulful vocals and soft brass elements twinkle in the background. This song unfolds beautifully revealing new sounds and layers with each verse. Showcasing string elements and shredding guitar melodies, the track is an enticing delight with a full-bodied wall of sound that balances alternative pop with R&B/funk flirtations. ‘Unchained’ is an irresistible new song from The Black Skies.
Taylor Byrne has released his new single, ‘Flashback Polaroid’. Taylor Byrne is a multi-instrumental singer/songwriter based in Dublin, Ireland. He has spent the last year honing his craft on Grafton Street in the tradition of buskers such as Glen Hansard and Damien Rice. Drawing inspiration from a vast tapestry of influences, the single speaks to the universal pangs of love, loss, and longing in an intimate, vulnerable fashion.
‘Flashback Polaroid’ is a mellow, laid back tune that uses minimalist arrangements to create a heart-gripping listening experience. A warm guitar and wispy soundscapes create a summer afternoon vibe while honest lyrics express themes of love, lust and longing; “bad sex to fill the void come down before you get too high, Swipe right on vanity desperate for clarity, wings clipped before we reach the sky….“I want you, you want me”. The song is a joy to listen to and a fine example of Byrne’s blossoming sound and expressive songwriting. Well crafted, catchy and wonderfully emotive, ‘Flashback Polaroid’ is an impressive new single from Taylor Byrne
Alexis Kings have released their new single, ‘Sundaze’. Playing shows across the country and internationally, Alexis Kings have been making an impact performing sold-out London dates, an impressive set on Gaby Roslin’s BBC London show whilst accumulating over 2 million streams on Spotify. The band consists of frontman Brendan Aherne (Vocals) and Fabio Bocca (Drums) whose varying influences fuse Alexis King’s distinctive and soulful sonic identity.
‘Sundaze’ blends elements of soul, R&B and pop to create a sweet sunkissed tune for listeners to indulge in. The track is an easy on the ears delight as Alexis Kings’ velvety sound surges with emotion and irresistible grooves, enhanced by the track’s smooth delicate melody, elastic bassline and shimmering synths. In true Alexis Kings style the song is quite the earworm; bubbling R&B beats, soft brass elements and chiming keys inject a chic, strut-like quality into the tune that is just irresistible. Filled with warm vocals and polished production, ‘Sundaze’ is a mind soothing musical gem laced with refined musicianship and the charming sound of Alexis Kings.
Talking about the new track, Alexis Kings share: “The song is about people being locked away in the pandemic away from the opposite sex, lustfully daydreaming. The lyrics tell a story of a guy sitting in a smoky room who scripts his thoughts. At the end of the day we all went through the same thing so we know many people will relate.”
Hudson Taylor’s eagerly-awaited third studio album ‘Searching For The Answers’ is set for release on June 3rd. This album is a glimpse into a more personal facet of Hudson Taylor and musically the album is a triumph. Filled with bittersweet melodies, earnest lyrics and gentle instrumentation, this album might come as a surprise to fans who loved the fast-paced catchy ditties the band have become known for.
I spoke to Harry Hudson-Taylor about the maturing and natural growth of the album, his debut main vocal song which features on the album, as well as the duo’s return to touring.
“I’d say its a whole host of different things influencing it. I obviously couldn’t really not factor in the whole big you know, that thing that happened there for the last couple of years, the big C. I think that affected the chilled way that we approached singing. You just start singing differently, when you’re at home and you’re not playing in gigs all the time, playing in front of people in loud venues. It’s like, you desire a little bit of a more chill thing, but if anything, for us….[it] just felt more natural. It’s our third album as well, the first one that’s the one you get to work on for years before you actually release it. Then the second one, it’s the hard, second album and we were really lucky with that, we were lucky with what it did for us, except we didn’t get to tour it at all because of the pandemic. Then with this third one, Alfie and I actually didn’t speak for the rest of 2020. Basically,the pandemic came and all of our shows are cancelled. We’ve been living in each other’s pockets, you know, emotionally, physically, financially, for 10 years, and just naturally, without either of us saying anything, we just didn’t really speak for the rest of the year. Then the start 2021 our record label were like, Yo, do you lads have anything? We want to do another album with you and so at the start of last year, Alfie and I got together over a zoom call and just discussed what we want to do, and if we were going to do it, how we would want to do it. So this is the combination of that. Essentially, half of the songs were written by Alfie, half of them were written by me initially and then we shared our favourites that we’ve been writing over the past year and collaborated on them to finish them and turn them into Hudson Taylor songs.”
I wondered when the duo reunited to write the album if Harry and Alfie slipped back into the old way of doing things or if it was very different once they had that break.
“It was very different for a couple of reasons. I mean, one was that we weren’t in the same place. Alfie lives in the UK at the moment. During the pandemic, I moved to Berlin, Germany and so we actually wrote the initial stuff over zoom and Dropbox, sending each other ideas and helping each other finish them. The first time we played any of these songs together was in the studio so that’s different because in the past, we’d be playing songs on the road, we’d be touring them, we’d be practising them, we’d be refining them. These are songs we’ve never played live so it was very different in that sense but also just the wealth of experience from getting a chance to just chill out and reflect having been pretty much back to back constantly on the road or promoting something for the previous 10/ 12 years. So there was a bit more time to reflect, there was a bit more time to question what we want to actually say, who we want to work with, how we want to do the album. The guy we worked with Luke Potashnick, to bring this stuff over the finish line, he’s a chap that we wrote with. We wrote a song in 2015 and we really wanted to work with him back then… with this third album, the record label were a bit more, you know what, lads, what do you want to do? and that was beautiful. We came up with a plan. We said we want to work with this person [Potashnick]. We said, realistically, we think we can get the whole thing done by this date and they were just like cool, here you go, here’s some money, go and do it. So it was in many ways a huge breath of fresh air to get to work on a body of work, fully having creative control over it, and working with people who we love.”
The title ‘Searching For The Answers’, is a perfect title for this collection of songs and similarly, the title track is a beautiful representation of the duo’s musical and lyrical growth. The song is earnest and delicately composed and uses the sweet harmonies of the brothers, warm guitar, steady beats and pristine piano embellishments to highlight themes of longing to great effect.
“Oh yeah, we had a good feeling about that song from the off. It was actually written about three/four years ago, on a break from touring. It was the only song that we brought, from the past. All the other songs were written in 2020 and 2021. That one was floating around since 2018, or ’19. It was written with a really good friend of ours, Jack Morris, and another friend, our bass player in our band, Ronan Sherlock, and Alfie’s partner Gabrielle [Aplin] also helped. So it felt like a really nice community that represented me and Alfie’s two part harmonies, structure around the song. It was one of those ones that came out of a jam. It didn’t sound anything like the production that you hear now. It just was piano and guitar but yeah, I think that song encapsulates the whole thing really well. Not just lyrically but also the sound, it really captures the two part vocals, the harmonies, and it was entirely recorded live as well. So there’s a few songs on there like ‘Searching For The Answers’ is one of them, ‘Overloaded’ is another one, there’s about six songs on there that were recorded, entirely live and you wouldn’t know it. I’m really happy about that.”
There are plenty of well-placed thoughtful slow burners on the album. ‘Overloaded’ in particular is a heartbreaking musical gem. With just soft vocals and twinkling piano, the duo create a raw, stripped back tender tune to indulge in. The song, however, encases some surprising musical treats within as it builds to an eerie and dark crescendo.
“That one was written in the studio. Actually, the two main singles, ‘Hold Out Hope’ and ‘You Me Myself’ were written in the studio and ‘Overloaded’ was also written in the studio. So we actually came in only wanting to do 10 songs and we came out with 12. Essentially, ‘Overloaded’ it was written just at a certain moment. Alfie sat at the piano and started doing this back and forth piano thing and we wrote a song and it had themes about relationship toxicity thematically it’s like dealing with mental health really. A good few of the songs on the album really have mental health themes, and that was one of the ones that was mental health-related and everyone will relate to it differently. The people who wrote it was myself, Alfie and the producer, and we all had our own different ways of interpreting what was going on. For me, that song spoke directly to a relationship that I had been in that was really painful and toxic. For my brother I’m sure, he was bringing his stuff in and then the producer, I think around the same time there had been, a death close by. So it was very much cathartic writing for all of us that just came out in the moment, written over a few hours, recorded and that was it. The instrumentation just felt right. We were taking influences from like Radiohead, for that song, just this kind of eerie stuff using some weird synths. Yeah, really fun. To be honest a lot of that stuff was just instinctual. It was not really a decision like, Oh, well, this is definitely going to have this instrument on it. It just kind of unfolded. A lot of the time, the producer would be mixing, or just cleaning up something that we’d record and then one of us would be in the background, holding an instrument and playing a note or something and then we’d be like, Oh, that’s cool. Let’s put that in there. “
“Me and Alfie, both coming from different perspectives being able to marry them to [create a] Hudson Taylor song, you know, because the songs could be in theory, solo songs from Harry or solo songs from Alfie sometimes, and it’s just like we decide between us. We either say Oh, do you think that could be a Hudson Taylor song or just leave it for some future project and we made a good few decisions like that. That led to us refining what we ended up choosing in the end.”
It feels as if the band eased listeners into this generation of Hudson Talyor. The singles released this year give a glimpse into different facets of the album from the peppy ‘You Me Myself’ and the most recently released ‘Hold Out Hope’. They hint at something special and different but maintain a hopeful and upbeat tone.
“Yeah, in some ways we give our finished body of work to the record label and they’ll have their pick and we’ll have our pick and it seemed like they aligned in some ways. We probably would have chosen slightly differently. I think ‘Honest’, was our favourite collectively, between me and Alfie and the producer. We thought that was probably the strongest and so it’s cool it got released and actually in some ways we were affirmed because it got really good traction by the different digital service providers, putting it on playlists and stuff. So that’s nice to know that your, own instinct can get affirmed by it. But in terms of the choices, from the get-go, we were all like Oh yeah, these ones are definitely doing the right thing. Getting a song put on some radio stations, regional radio station can just be really helpful for us for when we want to do a show because then you’re in people’s consciousness or you know, oh yeah, those lads were on the radio, that kind of thing.”
“But in this case, though, none of the songs were written with that kind of angst that we used to have when we were younger, where it’d be like oh God we need to make this thing, it has to be for the radio.A lot of that stuff, just with time and age and I guess some of the immaturity has evaporated a good bit. Obviously always having an ear to the ground and to hear for yourself and be critical and be like, oh yeah, this could have a bit more commercial success perhaps. But really, for me, definitely, I can say, I just felt really proud of all of the stuff we wrote this time. There was no compromises made. It’s just like, No, this is what we’re doing and we’re enjoying it and if people like it, great.”
“Actually, I got so much healing out of just not caring too much whether other people would find it appealing. It was just a really nice experience for connecting deeper to our truth, you know, and me and Alfie as brothers as well getting to basically have a bit of a conversation through the music.”
For me, ‘You Decide’ is a special moment in the album the harmonies are beautiful and the ambient textures and warm guitar show how Hudson Taylor don’t need much instrumentation behind them to create a compelling listening experience.
“That’s my first time ever singing a song in lead and [in] Hudson Taylor as well.So yeah, there’s no other songs on there or really ever before in Hudson Taylor where I have a lead song and that’s a song that really I wrote and brought for the project. I’ve always wanted to have a song that I sing, because Alfie tends to be singing the lead most of the time and over the years I’ve been building my confidence to do that. So just really happy about that song. I think it really represents a moment in time in my mind and in my experience and getting to share it and having Alfie sing on it and just again that was one of the ones that was recorded live as well. I just really enjoyed that experience.”
Harry explained the mixed feelings that come with releasing his first main vocal song.
“Yeah, I am a bit nervous. But I’m also excited. I’m excited because down the line me and Alfie will end up doing our own stuff outside of Hudson Taylor and for me to know that there’s something out there at least that represents the timbre of my voice… I love being able to sing harmony, but you know, this was like cool. It’s was nice.”
Hudson Taylor have announced an Irish tour which will be the duo’s first tour since 2019 and includes a 3Olympia Dublin headline show on Saturday 4th June.
“Yeah, cannot wait because we’re playing some of these songs for the first time. We have rehearsals just before the tour and then we’ll be playing some brand new songs. We’re playing some of the ones that have been on the radio now in Ireland, and then just doing the old ones. We have a slightly different band lineup and stuff though. It’s really exciting for us. Just to get home as well, as I said I live in Berlin. So it’s any opportunity to get home, I aways want to get home you know.”
‘Searching For The Answers’ is a captivating body of work. There are elements of soul, jazz, pop, blues and more all delicately blended into an emotive album that lays bare emotions of loneliness, anxiety, joy and love. It’s a fantastic album that showcases the ever-growing talent of Hudson Taylor both as a duo and individual artists.
‘Searching For The Answers’ is set for release on June 3rd.
Irish indie-pop-rockers modernlove. have released their new single, ‘Islands’.The Drogheda band have also announced details of their brand new EP, ‘Oh My Mind’ EP which is set for release on July 29th on Akira Records (Phoria, Henry Green, Mt. Wolf, Rosie Carney, Shura). It follows the recent announcement of their debut UK and Ireland headline tour which will take place in November this year, including dates at London’s Camden Assembly and Dublin’s Button Factory.
Filled with earnest lyrics, effervescent synths, glittering guitars and slick basslines, ‘Islands’ is an invigorating display of indie pop. modernlove. take a sweet melody laced in melancholic tones and surround it with vibrant soundscapes to create an infectious tune for listeners to enjoy. However, the track deals with heavy subject matter as the lyrics depict the conflicting pressures and aching emotions caused by torn relationships “I don’t know what to say when my brother says is it his? is it hers? are we moving house?”. modernlove. are such an exciting band to listen to. They are masterful storytellers whose powerfully emotive songwriting is encased in upbeat vibrant instrumentation. The result is catchy tunes that pack a punch both lyrically and musically.
About the new single, the band said, “Islands is a classic coming of age story. Trying to cope with the fallout of a family coming apart due to divorce and one’s own romantic relationship coming to an end at the same time. It tells the story of both, blurring them into one at times.
“The song is about the distances between people in their relationships and how for some, it seems too impossible a task to even try to bridge those gaps.
These people are made into “islands” by the oceans they must travel each day to meet and see each other eye to eye.
“The song explores ways people try to deal with this struggle and this loneliness whether it be drink, drugs or sex but in the end it recognises that they are simply in a painful situation that they must accept and let happen as the song ends with the repeated words: “It’s coming apart and I can’t face it, I don’t wanna break down but I can’t take it”.
modernlove. 2022 November UK & Ireland Tour Dates:
UK
2 – Birmingham – Hare & Hounds
3 – Manchester – The Castle Hotel
4 – Glasgow – The Garage (Attic Bar)
9 – Bristol – The Louisiana
10 – London – Camden Assembly
11 – Leeds – Hyde Park Book Club
IRELAND
12 – Belfast, The Deer’s Head
13 – Derry, Sandino’s
17 – Listowel, Mike The Pies
18 – Limerick, Kasbah Social Club
19 – Cork, Winthrop Avenue
24 – Galway, Roisin Dubh
25 – Dublin, Button Factory
Stream ‘Islands’ below
Author: Danu
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.