Bath family of five, Voyages have released their new single ‘New Year’s Day’. Voyages is the creation of singer/songwriter, Will Walter whose work began in Spring 2017 in his home studio in the West Country. Enriched by psychedelic sounds, Walter’s journey started to create a modern alternative production and a new sound from everything he loved about his record collection before adding a band of brothers together for the ride. The band, who now perform and record as a 5-piece, are twins, Will and Tim Walter on vocals/keys, their brother Ollie Walter on guitar, alongside another set of twins in James and Lewis Woods who take care of the rhythm section on bass and drums. Their live show has become a huge part of what they do and they plan to be on the festival circuit for summer 2018. The quintet are about to release their debut EP with five fledgling tracks under the guise of ‘New Year’s Day’.
‘New Year’s Day’ is a mouth-watering luscious guzzle of infectious 60’s drizzled pop with a snappy peppy beat rebounding and vibrantly springing off a melty dreamy melody. With heavenly nectarious harmonies and a golden sun soaked radiance this track is a majestic little ear worm destined to brighten any day. Perfectly placed clap along percussion teamed with laid-back cruising guitars which wind in and out playfully between the melody create a snappy humdinger. Well layered and perfectly crafted you hear a new little jingle with every play. It’s mellow, immensely melodic and Beatles- esque with The Beach Boy’s vibes sprinkled on top. Voyages are ones to watch out for. This track is superb.
“The New Year’s Day EP is based around the mistakes made over the last year and the notion that if you didn’t make any you probably didn’t take enough chances, ” explains Will Walter, who wrote lead single, New Year’s Day originally as a poem, on New Year’s Day. “It was ultimately a stream of consciousness brought on by a goddamn awful year and catastrophic New Year’s Eve party which resulted in loss of phone, wallet and mind.”
The EP is available on all digital platforms as well as pre-orders for vinyl copies which include instant digital download. Visit https://voyagesmusic.bandcamp.com/releases for all info.
PAPER CRANES are an Indie Folk duo hailing from the South of the Lake District. Consisting of Jon Dawes providing vocals, guitar as well as percussion alongside Beckah Lloyd lending her melodies and harmonies and acoustic bass. Their delicate, yet powerfully formed vocals are accompanied with a percussively played guitar which is dynamically reinforced by Kieran Day’s layering electric guitar, percussion and an array of sympathetically crafted sounds. Paper Cranes have released their long awaited second single ‘Lights’ to coincide with their next EP due for release early 2018.
‘Lights’ is a soft flurry of nourishing indie folk. Delicate and gentle this track is rich unadulterated purity oozing warmth and honesty from its very core. With soft guitar weaving gracefully between Dawes and Lloyd’s immaculate wholesome harmonies it’s a sincere beautiful display. With a playful rhythm adding a rich texture and danceable beat this track is a flickering thought -provoking charmer. It is so sweet and gently soothing yet lavishly layered creating a sophisticated refined sound that is luscious and delicious to the ears. The track glides with fine elegance and a feathery lightness. It’s a beautiful tender treasure.
West London based singer-songwriter and abstract artist, FREEMAN has released his new single ‘Good Times’ on Catapult Records.’Good Times’ is the follow up to the recent and acclaimed debut ‘Lay On’ and was recorded over the Summer at Eastcote Studios in Kensal Rise with Jamie Brown and engineer Andy Hughes. ‘Lay On’, which picked up widespread support from the likes of The Huffington Post and BBC Radio London, came with a video featuring footage from the Oscar winning French short ‘The Red Balloon’ and had 180k views and over 1.5k shares on its first week online. The new single is another indication of what to expect from the singer’s forthcoming album ‘Truth’ which is scheduled for release early next year.
‘Good Times’ is a heartfelt warm number that oozes fireside glowing wholesomeness. It’s soft with gentle percussion tapping playfully along the tender beautiful melody. Cosy guitar strums twinkle between FREEMANS warm soothing vocals. It’s sing along ready and instantly swayable and charming. Its delicate and feathery light with an infectious buoyancy and positive atmosphere that will put a nostalgic smile on your face. A lovable track that will warm you up on a cold winters day. It is a pure snuggly delight that is so easy to listen to.
Dublin-based trio The Elephant Room released their debut album Body in 2014, followed by the EP ‘Blotch’ last summer. They have now released their new single ‘Naive Green’. This psychedelic tinged track is sun kissed lazy days bliss. With smooth laid-back vocals and soft bouncy percussion all wrapped in a breezy mellowness it’s an instant tranquilising shot of ecstasy. With diluted guitar lines paving the path to the dreamy wobbly promised land this track is that subtle gesture and nudge that takes you to your mind-numbing state of bliss. With simple hypnotising “do do do” lyrics and fluffy comfy swirling soundscapes it’s the most luscious melty track that calms, sedates and fills you with hazy summer joy. This track is well crafted as The Elephant Room lull and coo with sublime weaving instrumentation as the perfect backing. Slightly trippy and sweet and oh so smooth these guys are ones to keep an eye on.
Bio: The Tates are a Welsh Indie Pop five piece consisting of Liam Fusco, Tom Ryan, Matt Kilgariff, Jac Robin and Shaun Gwizdak. This new track has been eagerly anticipated after the success of the band’s debut release ‘Electric Girl’. The song was supported by Huw Stephens, BBC Introducing, Radio 1 and gained Amazing radio playlisting as well as being A-listed on BBC Radio Wales. Energized by their summer tour in support of ‘Electric Girl’ a confident and inspired band returned to the studio in Cardiff to work with producer Steffan Pringle (Estrons, Himalayas, Future Of The Left) again.
Track: Water
Lyrically ‘Water’ asks a poetic question exploring themes of nature over nurture, as Tom the guitarist explains: “Are the flaws that we share with our parents who we are, or have we learnt from them? Are we free to be the people we want to be or are we trapped by our genetic makeup and our immediate environment and society?”
Why We Like It: It’s a refreshing glistening indie pop track. Infectious sun soaked and brimming with rich textures and melodies. Shimmering synths teamed with zesty stings on guitar and smooth vocals create a sublime hazy dazzling track so succulent and silky it’s mouth-wateringly good.
Bio: Half Jordanian, half Irish singer Keeva was discovered after ex-White Denim members Austin Jenkins and Josh Block found her demos online. Growing up between Ireland, Jordan and also London, young Keeva has taken inspiration from musical traditions from all three places while also obsessing over the cult 45s of Sun Studios/RCA’s Studio B, alongside the likes of Patsy Cline & Willie Nelson to deliver her debut single Whiskey.
Track: Whiskey.
Why We Like It: It’s a timeless track elegant and delicate in its approach with graceful piano accompaniment and soulful emotional vocals. It’s strong, sure and brave as a firm chord progression gives strength and courage. The melody has sweet tender moments while also filling and seeping with firm endurance. It’s a power ballad for sure but more one to inject power to the listener to get up and get on with it.
Follow Keeva on Facebook here https://www.facebook.com/keevamusic
Watch the video for Whiskey below
Polar States
Genre: Indie
Bio: Liverpool-based quartet Polar States début single won them the attention of Grammy Award winning producer Jon Withnall (Coldplay, Elbow) and since then its been none stop. The band have now released their debut four track EP ‘Lost’.
Track: ‘Lost’
Why We Like It: Title Track ‘Lost’ is the perfect example of Polar States infectious indie rock. Smattered in bubbly pop elements with a laid back smooth ear worm melody it’s a melodic flavoursome little ditty. Sharp guitar injections and dark undertones add a nice bite and gritty texture and teamed with punchy drums and lush vocals it’s the perfect blend. This track is radio ready and one which can be enjoyed by all. Make sure to check out the rest of the EP it’s a doozy.
Follow Polar States on Facebook here https://www.facebook.com/PolarStates/
Stream ‘Lost’ below
https://soundcloud.com/polarstates/lost
Joe Russell-Brown
Genre: Dream Pop
Bio: 19-year-old Joe Russell-Brown’s has released his debut EP it is a collection of songs created on a cheap microphone and laptop in his grandma’s bungalow. It captures his transition from acoustic songwriter to dream-pop band leader
Track: Post-Youth Depression
When asked about the track Joe said:“Post-Youth Depression is a retrospective euphoria of the days you can only appreciate when they’re gone. It’s about friends, living in a shit town and the acceptance of whatever’s to come.”
Why We Like It: It’s a chilled lo-fi track, so soothing laid back and sweetly nostalgic. With slurred vocals and hazy soundscapes it’s like walking into a dream. The subtle guitar adds a whimsical idealistic mist to the track. Smothered in a blurred illusion that gives the track transparency, giving the sense of a euphoric memory in the back of your mind – you can’t grasp it as it is almost vaporous just there to cherish in the moment but cannot be held on to. Another sublime EP which you should check out.
Follow Joe Russell-Brown on Facebook here https://www.facebook.com/joerussellbrownmusic/
Watch the video for Post-Youth Depression below
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The Cheap Thrills are a garage/psych pop band from Liverpool. Renowned for producing sonic pop songs with catchy hooks and melodies crafted and then recorded in the centre of Liverpool. The band have released their new single ‘Sentimentality’ and it’s a sugar rush of indie pop bliss. It is shaken and fizzed with crashing guitars splintering off punchy robust drums which adds a healthy dose of garage grittiness. Smooth vocals surge passion and youthful adrenaline over a jumpy bass line and spacey guitars while the infectious luscious melody sweetens the deal and leaves you craving more. With shimmering flashing synths adding a rush of breezy aerial freedom it’s a blood pumping blistering gush that will have you up dancing and bellowing out the lyrics in no time. The Cheap Thrills are an exciting band that create electrifying passionate tunes that leave you itching for more.
Deep Sky Objects are a three-piece alternative-rock band originally from Kerry. The band members include brothers Kevin O’Brien (lead vocals, guitar), Thomas O’Brien (drums and backing vocals) and DD Foley (bass guitar and backing vocals). The trio have released their new self titled EP which has been featured on Today FM’s ‘Ed’s Songs of Praise’, Spin South West’s ‘Spin-Alt’ and many other stations throughout the country.
‘Deep Sky Objects’ is a five track EP of alternative anthemic whizzers. With biting guitars and fierce bass lines that penetrate through each track with a thrilling ground shaking bloodthirstiness these guys have whacked out a sublime EP where each track holds its own and is epic in its own right. Opener ‘This City’s At War’ explodes with fist pump fury and breezy ice braking might. The guitars are sharp, sublime and melodic while the laid-back vocals glide along the infectious melancholic melty melody. The soaring ‘Bones’ follows blustery guitars and elevated vocals give the track an aerial vibe and take the track to towering heights. Oozing passion with mini explosive bursts for the choruses this track is chilling with eerie tones lying beneath a blanket of breath-taking instrumentation. ‘Desire’ fleshes out the trio’s swagger soaked grittier side. A hair raising sensual dark bass line runs rampant all over this track and it’s awesome. A force to be reckoned with, dominant in all its glory. Punchy mosh worthy drums add fire and rage to this grimy ominous track while a shredding guitar solo scorches with such steamy slickness it burns all in its path. ‘See You When It’s Over’ returns to the peppy lighter indie rock sound. It is catchy with a bouncy rhythm that rebounds and slaps off the melody with playful animation hiding the sinister piercing guitar shrills and mysterious vocals. ’Crazy New Addiction’ brings us to the end of the EP the best way Deep Sky Objects can with a fantastic bass line that grabs your ears and seeps inside holding you captive to its infectious groove. Dark and luring this track crawls and creeps under your skin with chilling goosebump inducing instrumentation. The guitars simmer and scald with razor sharp stings while a body grooving rhythm obtains an uncontrollable danceable hold on the listener.
Deep Sky Objects are a band to watch out for. Each track is engaging, thrilling and well crafted. It’s a meaty well produced collection of tracks that is laser-focused on doing the simple things to perfection and boy do they excel. The choruses are catchy and the hooks will rattle around your head for days. These guys know what they are doing and it’s pretty impressive.
Our Worth A Listen Track This Week Comes From The RPMs
Straight off the back of a string of summer gigs and festivals up and down the country, Brighton’s The RPMs are back with their new single ‘Your Ghost’ and all revved up with a bigger sound than before. The RPMs recently released their second EP ‘Agents Of Change’ in June 2017 through Xtra Mile Recordings. They followed their release with a run of shows throughout the spring and summer months, including supports with We Are Scientists. Alongside this they also played Camden Rocks, Isle of Wight Festival, Glastonbury Festival, Butefest,110 Above, Big Feastival (run by Jamie Oliver and Alex James from Blur) and RivFest in honour of the memory of River Reeves and the members of Viola Beach. The EP continued to win them fans on the radio, including airplay of lead single ‘Oh My God’ from Huw Stephens, Steve Lamacq, Chris Hawkins and Tom Robinson across BBC 6 Music and Radio 1, BBC Introducing in The South & the Radio X Evening Playlist. More recently, ‘Things I Forgot To Do’ was added to Huw Stephens’ Best of BBC Introducing playlist as well as the Radio X Evening Playlist and John Kennedy Recommends on Radio X.
‘Your Ghost’ is a flickering indie pop sprinkled bombshell. This band know how to write an insanely catchy tune brimming with rich intensely satisfying soundscapes. Dazzling electronics flash and fluctuate throughout adding a surge of adrenaline inducing bedazzlement. With bright spirited guitar jangles and a snappy beat this track is an instant vitality shot of pizzazz and high-powered energy. Smooth laid-back vocals add a hazy daydream vibe that exudes summer sun and good times. These guys write smashing indie pop bangers and ‘Your Ghost’ is a prime example of this. The melody is luscious and sweet while the instrumentation blinds with bright breezy scintillation and power pop energy while still holding an indie edge. Another great track from The RPMs.
Isaac Gracie has released his new single, ‘Terrified’. It’s release quickly follows his recent ‘Death of You & I’ EP, and was recorded in London. The 23-year-old London-raised singer-songwriter who sent the music industry into a fever with his debut track ‘Last Words’ has spent the last days of Autumn nestled neatly on the Radio 1 playlist (with the EP’s title track) and captivating audiences out on the roads of Europe and the UK. We are fans of Gracie here at Indie Buddie so were chuffed to hear he has released ‘Terrified’. You’ll perhaps already recognise ‘Terrified’ as a self-produced demo right back where it all started, on an EP of rough but hugely promising acoustic solo tracks and now Gracie has added a few new elements and polished it off a little.With pulses and a tender acoustic guitar accompaniment to start ‘Terrified’ pulls you into the center of its heartbroken story. The addition of the gentle elegant piano glides and sways with grandeur and innocence while guitar whines add a heart wrenching pull. The track flows fluidly and delicately into a passionate soaring chorus that surges with emotion and agonizing pain. Gracie’s vocals are immaculate as always- the depth and maturity exposing the wound within as he expresses this perfectly with every quiver, rasp and delicate coo. The lyrics are so heartfelt, lamenting and honest it’s a gripping heart wrenching performance. It’s raw, heart on your sleeve, naked emotion presented beautifully. The track has taken a new lease of life becoming explosive without sounding busy or even loud. I personally loved the rawness of the demo, but this polished little gem is one to hold dear.
With a debut album currently being finished and expected in the Spring of 2018 via Virgin EMI, and further live dates across the globe being added to almost weekly, Isaac Gracie is one not to be missed.
Brooklyn based electronic duo, Shanghai Restoration Project (SRP) have released their new album ‘R.U.R’ on Undercover Culture Music. The album was recorded and self – produced in New York over the last year and features thirteen brand new tracks including ‘Spooky Party’ and the forthcoming single release ‘Alpha Go’. Originally the solo project of Dave Liang, the Shanghai Restoration Project were initially inspired by the 1930s Shanghai jazz bands. Earlier work combined Chinese instrumentation with hip-hop as Liang had done some producing within P. Diddy’s Bad Boy Label. Shanghai Restoration Project first came to the public’s attention during the 2008 Olympics in Beijing when the BBC featured tracks from their debut album as theme music during their broadcast coverage. In 2011 Liang met Sun Yunfan, a multi-disciplinary artist who grew up in China. Last year the duo co-wrote and produced the album ‘Life Elsewhere’ with Chinese jazz singer Zhang Le, which was well received in China and nominated for several national awards and ‘R.U.R’ album is the first record the two have officially released together as Shanghai Restoration Project. The duo have now been streamed over 20 million times to date, been featured on the BBC, NPR, The New York Times, Last Call with Carson Daly and they’ve performed over 100 live shows around the world in places such as NYC, Amsterdam, Tokyo, Moscow, and The Great Wall of China.
‘R.U.R.’ takes you on a journey of discovery through sonic multi-layered soundscapes. They take us to a world where robots have replaced humans and are trying to figure out what led to our extinction. The entire album is an expansion of your senses with ‘Expedition Voronya’ adding flickering twinkling electronics flooding with images of green pastures and rushing water. This duo take you to rain forests with fresh breezy atmospheres while animal noises and rain falling flood the background setting a picturesque scene. The fluctuant percussion, earthy wind pipes and elegant piano flutters in tracks such as ‘Last Bachelor Oecanthuskeep’ create an engaging listen. It’s a little unusual at first but once the rich abundance of instrumentation begin painting beautiful delicate images for you it is really quite a magical experience. With melodies that are so animated and crisp and use of electronics so clever and precise it’s an impressive body of work. Each track evokes every one of your senses bringing you right into the depths of the journey and making the experience realistic and beautiful. This duo aptly display the good side of the human race and world around us with light fluttery tracks but they also display the more sinister side with tracks that take a darker tone. It’s robotic yet immensely fluctuant and wobbly with disco hints and infectious grooves. This duo have created a unique experience that’s not for everyone but worth the venture.
Stream ‘R.U.R.’ below
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.