Hard-rock band ModernWelfare have released their new single, ‘Death Of Me’. Based in the USA, but with members from around the world, this alternative rock outfit combines the angst and raw power of hard rock, with the immaculate melodies of electronic pop.
‘Death Of Me’ erupts with ModernWelfare’s raw and all-consuming alternative rock. The band create a heavy and mosh ready wall of sound filled with pummeling drums and jagged guitar riffs to accompany the tracks catchy melody. The verses sear with tension and stop-start backdrops while the chorus builds to a dynamic outburst and brawn-filled onslaught of alternative rock. With expressive vocals bellowing emotional lyrics through an instrumental assault, the track runs on a thrilling concoction of adrenaline and emotion. Touching on themes such as mental health and substance abuse, ‘Death Of Me’ is a powerful tune that display’s ModernWelfare’s bracing and compelling sound.
Encapsulating harsh feelings of anger, betrayal and frustration within his music, Davy Williamson has released his new EP ‘Down By The Fire’.Raised in North Carolina, Davy Williamson began his musical career co-founding various regional acts. Today, he sets off to launch his solo career, flying the flag for Hard-Rock while exploring themes fueled around broken homes, struggles with relationships and loss of friends. Working with names such as Shawn Adkins (Back-A-Round Records), Steve Hardy (RockMixer.com) and Andy Vandette (The Engine Room) on his latest project, Davy Williamson recently released his debut single, ‘Thin Disguise’ from his forthcoming EP. This release alone approached 10k followers and over 47k streams.
‘Down By The Fire’ is a raw rock EP laced in Davy Williamson’s emotional and powerful musicianship. Dowsing melancholic melodies in a vast soundscape of blazing guitars, pounding drums, and dynamic basslines the EP swarms in on a relentless wall of sound. Williamson creates cinematic moments and thrilling eerie atmospheres through his compelling tunes. ‘Thin Disguise’, ‘Cliche’ and ‘Sick Thoughts’ all boast anthemic crescendos and mosh-worthy elements while tracks like ‘Down By The Fire’ surge with powerful alternative rock brawn and emotive lyrics. Williamson’s cutting lyrics touch on themes of relationships and struggles which is expressed through dynamic vocal exclaims. His raw gravelly vocals exude emotion as he coos with sombre tones through the verses of ‘Fault Line’ and ‘Same Place’ before bellowing with passion alongside the crashing instrumentation of the exhilarating choruses. ‘Down By The Fire’ is a gritty and instrumentally rich, rock EP sure to have you headbanging and singing along in no time.
Alternative rock four-piece Shadows of a Silhouette have released their new single ‘Religion Is a Drug’. Much has changed for Shadows of a Silhouette over a seemingly long break since the release of their last single, ‘Closing For Good’, back in August. The two founding members of the band, Nathan Brown (Lead vocals, Rhythm guitar) and Reece Carter (Lead guitar) have since reformed the band and created the strongest line up to date, bringing in a drummer with over 10 years of experience in the scene with Tyler Henderson and recruiting a unique and aspiring musician in Fergus Murtagh to occupy the role of bassist.
‘Religion Is a Drug’ is a slick riff-heavy number doused in Shadows of a Silhouette’s exhilarating musicianship. The band flesh out their sound with lush harmonies, popping bass lines, and crisp, finger-lickin’ guitar lines. Gliding between funky flexes and raw rock bravado the track wriggles in on an infectious groove and big brawny rhythm while jaunty smooth vocals caress a slinky melody. There is a lot going on in this song – from pummeling drums and rampant bass lines laying down the groove to the shredding guitar wails and scorching solos, Shadows of a Silhouette display their immense and energetic sound in all its glory.
With a fun, catchy chorus and upbeat youthful sound ‘Religion Is a Drug’ is a badass smasher ready for repeat plays
British rock duo Royal Blood have released ‘Typhoons,’ the title track from their upcoming album set for release on April 30th. After two UK #1 albums, 2 million album sales, and an array of international acclaim Royal Blood returned last year with their first instalment from the upcoming album ‘Trouble’s Coming‘. The track received 20 million streams, a premiere as Annie Mac’s Hottest Record, and a run on Radio 1’s A-list. It landed on the cover of Spotify’s flagship global rock playlist ROCK THIS and earned alternative radio support and media attention across the globe.
‘Typhoons’ is a slick fuzz-filled anthem swarmed in the swaggered rock bravado Royal Blood do so well. Dripping in strut-worthy panache, the track kicks off with Mike Kerr’s slinky riffage which meanders through Ben Thatcher’s agile drumming. Kerr sings about being trapped and lost within his mind, “My thoughts becoming parasites. That live to keep me terrified”. His luring vocals slip into sweet falsetto for the mammoth chorus as the track spirals into the controlled chaos Royal Blood are know for.
The duo gloss their raging rock in disco hue’s while the groove infested rhythm brazenly shimmers through the tracks heavy rhythmic stomps and biting hi-hats. Royal Blood has taken the volcanic energy of their self-titled debut, refined it down with a sprinkle of dance-rock to lighten the mix, to create a thrilling swagger-soaked banger. The duo have created an intense, luring number ready for repeat plays. Looking forward to the new album.
Vulpynes are back with their latest EP ‘Us Against Them’ on FOAD/Advance Records.The four blistering tracks were initially penned as part of their debut album, however when Covid hit they decided to release the four tracks as an EP.
‘Us Against Them’ is a fantastic display of raw untainted alternative rock. Vulpynes lean heavily on a punk, abrasive attitude to create a knockout four track EP boasting some seriously heavy riffage. With fuzz-laced guitar riffs and pummelling drums ‘One Horse Mind’ is the perfect album opener. This adrenaline-fuelled song is sure to have you moshing within seconds.
Vulpynes douse their sound in sinister undertones, catchy melodies and vigorous hooks to make ‘Sister’ one of the pinnacle moments on the EP. This track is an invigorating blast of alternative rock which leaves the listener feeling pumped and craving for more.
However the frantic gallop of ‘This Motor Is Me’ and the dark, fuzz-saturated ‘Control Is Not What I Need’ deserve special attention. These two glorious tracks display the talent and musical growth of this duo, showing Vulpynes’ sound has fermented and curdled into something truely thrilling. The tight brisk riffs are executed with such precision and brawn it’s awe-inspiring while the groove presented on drums by Kaz is an otherworldly rampage of terror and delight as she shifts nimbly between raw rumbles, mighty thumps and thunderous bashes. Maeve Molly’s distinctive, raspy vocals anchor the listener within the musical maelstrom. She spits and bellows out the lyrics matching the all consuming wall of sound with her enticing tone.
Exuding a heavy dollop of riot attitude, Vulpynes have created a fiery alternative rock EP in ‘Us Against Them’. With tunes full of catchy melodies and addictive riffs Vulpynes are a force to be reckoned with.
Birmingham based quartet Y!KES have released their new EP ‘MASS!VE’. A spine chilling collection of tracks filled with raw crunchy guitar lines, stabbing drums and manic dark soundscapes, ‘MASS!VE’ stays the course the band unleashed with their debut EP ‘Everything Pointless Is Correct’. The new EP captures the abrasive nature of Y!KES in a nutshell showcasing their unapologetic, gut-punching alternative grunge rock is a force to be reckoned with.
These guys have a knack with catchy guitar refrains which they mangle beneath wild unruly instrumentation while the odd guitar riff peers above the bands musical onslaught. ‘Pirouette’ follows this format perfectly. There is a ‘My Chemical Romance’ tone and Emo residue to the track which wallows within the songs underbelly – swarming with loathing and moody aggression.
Of course this bands instrumental prowess and flair is what makes them so intriguing however, it is Oli Long’s aggitated vocals which gives Y!KES enough drama and crazed intensity to take their sound to epic heights. His vocals are luring, moody and almost psychotic as he wails, growls and mumbles through the tracks creating quite the unique and exhilarating character for each song. This is especially shown in ‘Alice’. Long’s vocals slither with a gravelly texture truly displaying the sinister range and capabilities of his vocals. It’s utterly thrilling. With a 90’s rock bravado the verses are manic and full of surprises while the chorus is strong and melodic, all leading to a glorious ending, ‘Alice’ is one of the pinnacle moments on the EP.
The high intensity, mind frazzling rock doesn’t end after ‘Alice’, instead Y!kes expands from this point. The EP only gets better and heavier from here as the band push and explore the depths of their tantalizing sound. With a cinematic rush on guitars, shredding solos and melodic frantic flurries to delight the listener, ‘Door Frame Angel’ and ‘Faker’ take their triumphant place on the EP. Although just as coarse and sharp as previous tracks, the band inject sweeter melodies into the thrilling, alternative rock instrumental.
However it’s not all a screaming assault of alternative rock, final track ‘Step Away’ brings the album to a surprising close. Here the band effortlessly slip into a more indie pop outfit with light jaunty guitar riffage providing an indie spring through the buoyant drum progressions. There are glimmers of Sugar Cult, early Arctic Monkeys and The Strokes in this song. I have to hand it to these guys, they always deliver a slap in the face of some kind and this sunkissed and moody number is the rosy-hued ( yet dark themed ) gem to do it. Absolutely love it.
‘MASSIVE’ showcases Y!KES is growing and harnessing their raw unbridled rock to create music with a memorable balance between drama, anarchy and deft musicianship.The band have created an invigorating sound of their own to discuss themes of depression and conflicting emotions through anthemic tunes with choppy chords, gnarled vocals and ground shaking drums. It’s quite the masterpiece.
Locklin are set to release their new single ‘Setting Sun’ on 31st July. The band Locklin is the brain child of Barry McLoughlin and hail from Tipperary in Ireland. Mcloughlin, in a previous band called The Rumours had the honour of playing Electric Picnic on two occasions in 2006 and 2007. Under the pseudonym of Locklin, the band released their debut EP in late 2018, entitled “Never Forget”. Locklin was joined by Eoin Ryan (guitar) and Cian Cronin (drums) in the recording and promotion of the EP. The band have performed in Crane Lane in Cork, as well as support slots from the likes of Seskin Lane in Whelans, Dublin and Hermitage Green on their tour in January 2019 at The Source Arts Centre, Thurles.
‘Setting Sun’ is solid classic rock doused in laid back summer vibes and rich instrumentation. Locklin spreads spaghetti western guitar lines over a punchy rhythm and warm soundscape to create a healthy dose of easy listening rock. With a smooth melody gliding over the sharp sting on guitar the band provide a velvety mellow texture between an edged shoegaze hue. It’s very chill and relaxed with luscious musicianship between charming lyrics and warm vocals. The soft keys and elastic bass elements fill out the songs sound creating a tune that is sweet and well crafted with a residue of Oasis glimmering through the track. Locklin are building their sound perfectly and displaying significant musical growth. ‘Setting Sun’ is a well paced 90’s rock gem to indulge in. Enjoy.
Enigmatic rock band Mantis and the Prayer have returned with a double single release. ‘Murder Ballad and the Blue’ features the songs ‘I Know You’ and ‘Go Too Far’ which are written on themes of tragedy and disconnection. Mantis and the Prayer are a three piece rock band from Melbourne Australia. Releasing their first album ‘Butterflies and Demons’ in 2016 they have since gone on to place their music in the soundtrack for independent movie ‘Queen of Hollywood Blvd’ which was featured in the film festival circuit and had a cinematic release in Los Angeles.
‘Murder Ballad and the Blue’ is a dramatic two track concoction which blends fermenting alternative rock with theatrical elements to create a chilling listening experience. The punchy drums, crashing guitars and wailing backing vocals in ‘I Know You’ ooze tension and eerie atmospheres as dark pop elements swirl through a rock backdrop while ‘Go Too Far’ adds a ghostly aspect to the ominous vibe. The track is a goosebump inducing boogie with groove riddled guitar and a 60’s rock n roll shimmy rhythm. With deep vocals echoing through the pop/rock sensibilities and upbeat moments ‘Murder Ballad and the Blue’ is quiet the fun, engaging and catchy two track EP.
Punk rock duo Vulpynes have released their new single ‘Sister’. A week before Covid19 struck, the duo were half way through recording their debut album in Black Mountain Studios with James Darkin. Due to travel restrictions and Ireland being in complete disarray, they were unfortunately unable to finish it. After much consideration, Vulpynes have decided to release the first half of the album as a single sided limited edition 12″. The EP, entitled ‘Us Against Them’ will be released via Ireland’s premier punk rock label F.O.A.D/Advance Records.
‘Sister’ is another no nonsense smasher from Vulpynes. It’s a speed battering of the duo’s frantic punk rock at its most potent and all consuming best. The thrashing guitars and rapid pogo slaps on drums create that lean mean sound we have come to love from the band.
Molly’s powerful vocals are the heart of the song. The sheer attitude, ballsy fire and grit in her compelling voice gives her such a dominating presence it leaves much to be admired.
‘Sister’ is quite the razor cut anthem. Kaz’s jackhammer assaults on drums is the most beautiful battering ever to bruise your ears as her fast and poisonous whack creates the track’s all authoritative foundation.
Vulpynes’ music is always a joy to listen to. The duo produce some of the most visceral and kinetic forms of music on the Dublin scene at the moment. They have a slick, raw and majestic way of presenting their blood thirsty rock and ‘Sister’ is a fine new example of this.
Valhalla; Mark Boyle (Vocals & Guitar) Barry Monahan (Bass & Keys) and Luke Alford (Drums). have released their new single ‘Don’t You Ever Say’.Valhalla is an Alternative Rock trio from Dublin. 2019 saw the release of their debut EP “Big Men, They Fall” as well as numerous headline shows across Ireland & the UK. Valhalla is due to release their much-anticipated debut album ‘Primal Features’.
With biting dark undertones and tense soundscapes, ‘Don’t You Ever Say’ showcases Valhalla’s more intimate and icy blast of alternative rock. With eerie chiming guitars and punchy drums adorning the backdrop and ethereal soundscapes through the verses, the band create a tense and haunting atmosphere before erupting into the mighty chorus. In true Valhalla manner the track builds to a blazing dynamic chorus with crashing guitars slicing with relentless stamina through a pummeling bass and drum foundation. This, in turn creates a thrilling mosh ready frenetic atmosphere. The track spirals into an ominous crescendo before its dramatic and abrupt end.
Valhalla display a refined ability to channel both elements of fire and ice within this track as they create breezy cold tones between scorching explosive alternative rock outbursts to create a sublime intoxicating number. These guys are cultivating their sound magnificently, blending wonderful gritty elements seamlessly for a thoroughly satisfying listening experience.
Stream ‘Don’t You Ever Say’ below
Author : Danu
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
