Electrifying Chelmsford four-piece Secret Company are back with their latest single ‘Lightning Parade’. The new single is a tease of whats to come from their debut album ‘The World Lit Up And Filled With Colour’ which is set for release on March 10th next year. Band members Scott Revell (vocals / guitar), James Patman (guitar), Kushal Gupta (bass) and Tim Reyland (drums) are highly ambitious by their own admission and since forming in 2012 have gone on to clock up hundreds of thousands of Soundcloud & Spotify plays, performed live tracks on Channel 4’s reality show Made In Chelsea and have appeared at some of the country’s leading festivals this year including Leeds Festival, Secret Garden Party and Isle of Wight. Having previously been praised for their ability to balance delicate touches with anthemic stylings, the quartet yet again prove that pop music doesn’t have to be faceless as their intensity comes complete with thoughtfully crafted leading lines which have led the likes of BBC Radio 1’s Huw Stephens to count himself a big fan. ‘Lightning Parade’ is a darkened melodic grim track that builds into a fiery juggernaut of intensity and emotion. Introducing itself with Revell’s velvety smooth vocals narrating the story in a tender delicate manner. The track springboards into hair raising acute intensity. Shredding shrill on guitars pierce through the sticky beat and muggy gooey atmosphere. The chorus explodes with ferocity and an relentless aggressive energy that is so tense you are on the edge of you seat. With jaw-dropping liquid-smooth yet sharp vocals that haunt and shock with a versatile range and chilling spine tingling qualities. Drenched in eerie bloodcurdling tones this track makes for an electrifying and thrilling ride.
You can pre-order the band’s debut album ‘The World Lit Up And Filled With Colour’ on iTunes now and get ‘Lightning Parade’ and three more songs instantly here https://itunes.apple.com/gb/album/world-lit-up-filled-colour/id1176470765
Pontefract four-piece Glass Caves have released their new single ‘Do You Have a Name’. Consisting of band members Matthew Hallas, Elliott Fletcher, Will Groves and Connor Thorpe, Glass Caves have created a name for themselves from their tireless work ethic and seemingly limitless ambition teamed with carefully honed craftsmanship. This has seen them support Augustines, headline London’s Koko, and play a myriad of festivals including Isle of Wight and Reading/Leeds. Their self-funded debut album ‘Alive’ made Record Store Day’s Top 40 when it was released in 2014 and now the band are back with their new single ‘Do You Have A Name’. ‘Do You Have A Name’ displays Glass Caves knack for emotive atmospheric indie rock. Coated in nostalgic tones and smashing the rock anthem vibe this track is hard hitting heartfelt and effortlessly smooth. Creamy raspy vocals soothe and coo with sentimental yearning. Twinkling sting on guitars bring vibrancy to the track and teamed with the animated spring on drums build and lift into the elevated dynamic crescendo. Its got classic rock written all over it, polished and smoothed down to create a tender wistful driving track that has “open roads, heart on your sleeve, wind in your hair” goodness. The track has a wholesome full sound that is perfectly crafted leaving you feeling nourished and refreshed. With rich textures and cool tones this track gets better with each listen.
Watch the video for ‘Do You Have A Name’ below
Sunderland based indie, electro ,alt rock outfit Rayne have released their latest single ‘Subject A’ which is taken from their highly anticipated ‘Complex By Design’ album. With well over one year hidden away in the recording studio, Rayne members Ben Potts (Vox/Bass), Adam Dagg (Guitar/Synths) and Steve Naisbet (Drums) are committed to unearthing their very best material to date. ‘Subject A’ is an elevated guitar driven anthem with an epic fist pumping arrangement and soaring vocals that can make you feel like you can do anything. Intensifying synth grooves and dynamic guitars create a massive , galvanic experience that will knock you for six. Blood pumping drums rushes like an elastic speed ball and teamed with the emotional compelling vocals leaves you breathless in a whirlwind rush of swirling soaring musicianship. Its a cool, airy, energetic rapture rock anthem drizzled with dark undertones and mighty walloping hooks.
Rayne will be announcing the full album release details and UK live dates in coming weeks so look out for that. In the meantime stream ‘Subject A’ below
Hollie Joyce is a singer songwriter who is becoming known for her wild, unconventional and ruthlessly blunt style of music. Currently residing in Melbourne Joyce is a songwriter completely in control of her craft. Combining fervent lyrics with distorted and at times eerie tones, Joyce has established a compelling sound that doesn’t hold back. From 70’s horror flicks and spaghetti westerns Joyce has developed a dynamic cacophony that sometimes strays into raucous rock ’n’ roll freak outs, while at other times deviating to the more alluring and melodic. Joyce has released her first single ‘Poster Girl’ off her upcoming EP which is scheduled for release early next year. ‘Poster Girl’ is a fiery garage soul track exuding scalding blistery swagger blended with sizzling sultry soulful tones that coax and sensually lure into the burning gritty garage rock. Joyce sings with strong confident attitude and sass that builds into a howl and an expression-filled scream. Coated in sway-like elastic sensuality and driven with ruckus causing rock and roll the track boils with red hot steamy attitude that is sure to burn everything in its path as it flies past leaving smoke and debris behind. With a western desert saloon cabaret vibe followed by a drunken brawl with a sweltry sting on guitar and punchy drums that leaves you black and blue, Hollie Joyce is on fire.
Stream ‘Poster Girl’ below
Londons alternative band Childcare released their new single ‘Film Club’ last month. Band members Ed Cares (singer/songwriter), Emma Topolski (bass), Rich Legate (guitar) and Glyn Daniels (drums) have created their own sound of alternative rock, enthused with the energy of punk and drenched in off-kilter pop. Childcare played some of their first shows at the Reading and Leeds festivals, and soon released their debut single ‘Omega Grey’. The song gained radio play from Annie Mac, Huw Stephens and Steve Lamacq, was named Track of the Day at Radio X and playlisted at Amazing Radio. Also paying close attention were Lost In The Manor Records, who, after witnessing Childcare at one of their vivid and visceral live shows, wasted no time in proffering a contract. ‘Film Club’ proves why Childcare are gaining so much attention. Blasting with a torpedo of killer hooks and a colossal wallop of intense energy, its a mind – blowing flash of Childcare’s talents. With a razor sharp jagged guitar riff and rapid wild global beat this track is the “crème de la crème” of edgy gritty alternative rock. It has everything and more, an anthemic vocal with bouncy sweet interjection on backing vocals, witty lyrics and sick instrumentation. Childcare hit right on the musical nerve and infects you with rich catchy melodies and weaving malleable bass lines, creating tightly compact layers of delicious textures and flavours to sink your teeth into. Exuding swagger and effortless cool charisma this track is a charming strut and prance that will have you moving in no time. Its a must listen. Looking forward to hearing more from Childcare.
Childcare are having an official ‘Film Club’ launch show on Monday 28 November at The Waiting Room, London N16 if your around make sure to check that out.
Stream ‘Film Club’ below
Our Worth A Listen Track This Week Comes From Circa Waves
Circa Waves have unveiled their new single, ‘Wake Up’. The Liverpool four-piece’s track is the first taste of the bands new album, ‘Different Creatures’, which is due to arrive on March 10 and follows their 2015 debut, ‘Young Chasers’.
‘Wake Up’ displays Circa Waves gritty mighty side. Pounding like a belt in the face this track storms in demanding well deserved attention with fire in its belly ready to take on the world. Razor sharp cutting guitar shreds throughout the track clearing all in its path while the punchy beefy drums pulverise and create a trashing ruckus. Circa Waves are known for their anthem-like sunny melodies and choruses and ‘Wake up’ stays true to this with a bright sun- kissed joyful chorus, however its saturated in darker more aggressive tones. The driving bass takes no prisoners and it boldly pulses and strikes with fearless awe-causing swagger. This energetic frenzy causing track is bound to get audiences everywhere jumping and going mad. Circa Waves have stepped things up with this ruthless pursuit to victory.
Welsh alternative band We Are Animal have released their new single ‘Capoeira’. Its a gritty dark edgy track smothered in murky fuzz and eerie tones. Elastic depth on bass and rooted beat gives the track a sensual luring quality and repetitive psychedelic feel. Haunting raspy vocals add a spooky hair raising quality while enticing and drawing the listener into the shadowy gravelly depths of the track. Shredding guitar brings the track to its crescendo adding intensity and ferocity. The sweet catchy melody is hypnotising and seeps into your mind leaving you like a willing zombie mindlessly singing along. Distorted instrumental feature is hair-raisingly chilling and scratchy, it reminds me of a nervous person uncontrollably scratching an itch that doesn’t exist. ‘Capoeira’ is a mind numbing piece of well crafted alternative rock blended with psychedelia.
Stream ‘Capoeira’ below
Our Worth A Listen Track This Week Comes From The Sherlocks
Sheffield four-piece The Sherlocks have been steadily building a solid live following and were the first unsigned band since Arctic Monkeys to sell out their local venue the Sheffield Leadmill. Their recently released single ‘Will You Be There?’ is an infectious indie track that continues the bands epidemic of frenzy causing high energy anthemic tracks that are sure to cause dance seizures. Animated bounce on drums teamed with razor sharp vigorous guitar riffs that are presented in such a slick nimble manner will cause a live audience to go berserk. The catchy chorus is sing-along ready with a mosh/ frantic jumping worthy crescendo and shredding guitar solo, its the perfect indie rock track. With effortless smooth and cool vocals and a melody soaked in melancholic tones this bustle robust track sweeps you into The Sherlocks whirlwind of intense tireless energy.
To see all live shows for the Sherlocks check out the link below
Hailing from East London, Sonïtus are a multicultural assemblage of tenacious artists whose powerful neo-rock explores the beautiful, devious and carnal sides of the human psyche. The band consists of members Russell Balogun (vocals), Dein Moore (guitar, vocals), Nathan Chan (guitar), Scott Bacon (bass) and Romulo Heredia (drums.) The quintet’s debut EP, ‘Kleptocracy’ was recorded in part at Urchin Studios in Hackney with Dan Cox and Matt Ingram (Lianne La Havas, Enter Shikari, Denai Moore, Slaves), and produced by Sonïtus’ Nathan and is set for release this Friday. It is a seven-song EP that shows Sonïtus are unafraid to weave threads of R&B and urban UK sound into their politically driven progressive metal.
The EP lead track is ‘Alleviate’. It is an acutely intense track that agonises and bubbles with deep emotions and frustrations. Beginning teasingly gentle and subdued with soft hushed whispering vocals and repressed instrumentation like the cold sting of emotions churning and boiling inside. This track oozes and bleeds with harmonic waves of arpeggiated guitar and bass, flowing across a determined kick drum and shivering hi-hat. ‘Alleviate’ hooks you into the chilling eerie vibe of swirling hair raising emotion. The track builds into a ferocious surge of molten metallic rage showcasing Sonïtus’ attack of alternative rock. With gritty growl-like yell on vocals, striking vigorous guitars and tireless pounding rumble on drums the track becomes aggressive with fight back spirit. Its a punch in the face of bloodthirsty brutal retribution from the restrains of conformity.
You can catch Sonïtus live Friday 18 November at The Finsbury, London N4 (Official Kleptocracy launch show)
Stream ‘Alleviate’ below
Civil Villains are London trio Mark Hudson (Bass), James King (Guitar & Vocals) and Toby Warren (Drums & Vocals). These long time friends have created a sound that is hard to pin down. Walking the tightrope between mathy alt-rock and desert riffage. Having played in all manner of London venues, Civil Villains have recently returned from a North American tour, where they performed headline shows in Toronto and Cambridge, played Envol et Macadam Festival in Quebec City, and Mondo. NYC Festival in New York. Recently they were main support for Listener at The Borderline, played with Tides from Nebula and Polymath at The Boston Music Room (London), and Wild Throne at The Old Blue Last (London). They are now set to release their forthcoming double A-side Heathens and Cream // Haunted Hokum on December 2nd via Milky Bomb Records, which was recorded at Brighton Electric with Josh Harrison (Royal Blood, Tigercub, British Sea Power).
Civil Villains present us with two uniquely creative and complex tracks.
‘Heathens and Cream’ is a spine tingling hair raisingly chilling track coated in a darkened eerie atmosphere with thick slimy guitar licks and flexible sensual luring bass. Deep enthralling vocals give a haunting yet seductively captivating creepy quality to the verse. It tempts you and draws you into the track, while the howl like screech and growl for the chorus adds aggression and a frightening realisation of danger. Featuring atypical rhythmic structures ‘Heathens and Cream’ leaves you wondering what you have just experienced yet yearning to hear more. ‘Haunted Hokum’ is my favourite of the two its rapid slap bounce beat and Queens Of The Stone Age – esque vocals once again hook and lure you into the quicksand of infectiously sweet sensual entrapment of the melody. Steamy sultry desert hot guitars sting and burn with striking chords and scorching licks. The enticing driving bass lulls and coaxes its prey into a spellbinding comma fully submissive to this enchanting beguiling track.
Civil Villains display fantastic musicianship with their double A-side Heathens and Cream // Haunted Hokum. Its a bubbling concoction of moody erratic indie blended with gritty rock with a whole load of steamy sensual haunting confusion thrown in, add a dash of the sweet comfort of nectarous tones on guitar and your hooked.
Watch the video for ‘Heathens and Cream’ below
Indie: (n) an obscure form of rock which you only learn about from someone slightly more hip than yourself.
